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well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nope
You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
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Hans ZimmerGeoff ZanelliDominic LewisTom Gire
ComposerAdditional MusicAdditional MusicAdditional Music
Rango (Expanded Score)
Label: Unofficial Release
Length: 86'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5498 votes)
  1. Orchestra Tuning (0:10)
    Hans Zimmer
  2. The Stage Is Set (0:45)
    Hans Zimmer, Geoff Zanelli
  3. Who Am I? (0:28)
    Hans Zimmer
  4. Hola! (0:10)
    Hans Zimmer, Heitor Pereira
  5. In The Desert - Meet Road Kill (0:22)
    Hans Zimmer
  6. The Spirit Of The West, Amigo (0:28)
    Hans Zimmer, Geoff Zanelli
  7. It's A Metaphore - Forkboy (0:45)
    Hans Zimmer, Geoff Zanelli, Lard
  8. You Must First Find Dirt (0:40)
    Hans Zimmer, Geoff Zanelli
  9. Welcome Amigo (1:06)
    Rick Garcia, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  10. Don't Move (0:11)
    Hans Zimmer, Geoff Zanelli
  11. Hawk Chase (2:56)
    Jose Hernandez, Anthony Zuniga, Robert Lopez, Hans Zimmer, Tom Gire, John Sponsler
  12. Rango's Dream (0:58)
    Hans Zimmer, Geoff Zanelli
  13. Rango Meets Beans (0:37)
    Hans Zimmer, Dominic Lewis
  14. Frozen Beans (0:36)
    Hans Zimmer, Geoff Zanelli
  15. Certain Demise (0:27)
    Hans Zimmer, Heitor Pereira, Gore Verbinski
  16. Welcome To Dirt (0:47)
    Hans Zimmer, Geoff Zanelli
  17. Rango Tries To Blend In (0:41)
    Hans Zimmer, Michael A. Levine
  18. Saloon Piano #1 (0:16)
    Hans Zimmer, Tom Gire, John Sponsler
  19. Name's Rango (1:35)
    Hans Zimmer, Dominic Lewis
  20. All Seven Of 'em (0:29)
    Hans Zimmer, Dominic Lewis
  21. Beans In Bank (0:48)
    Hans Zimmer, Geoff Zanelli
  22. That's All That's Left? (1:10)
    Hans Zimmer, Geoff Zanelli
  23. Saloon Piano #2 (0:12)
    Hans Zimmer, Tom Gire, John Sponsler
  24. Meet Bad Bill (0:52)
    Hans Zimmer, Lorne Balfe
  25. Bad Bill Duel - Now That Rango's In Town (2:04)
    Hans Zimmer, Dominic Lewis
  26. Lizard For Lunch (1:28)
    Jose Hernandez, Anthony Zuniga, Robert Lopez, Hans Zimmer, Tom Gire, John Sponsler
  27. It's Time He Met The Mayor (0:14)
    Hans Zimmer, Geoff Zanelli
  28. Stuck In The Guacamole (0:14)
    Hans Zimmer, Heitor Pereira, Gore Verbinski
  29. Water Drop Sting (0:38)
    Hans Zimmer, Geoff Zanelli
  30. They Believe (1:12)
    Hans Zimmer, Geoff Zanelli
  31. Undertaker Sting (0:17)
    Hans Zimmer, Geoff Zanelli
  32. The Clock Strikes Twelve (0:49)
    Hans Zimmer, Adam Peters
  33. The Holy Spigot (1:56)
    Hans Zimmer, Geoff Zanelli
  34. Ain't No One Gonna Tango With The Rango (0:55)
    Hans Zimmer, Dominic Lewis
  35. Bank Choir Sting (0:08)
    Peter Miller
  36. Bank's Been Robbed (0:17)
    Rick Garcia, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  37. Forming A Posse (0:19)
    Hans Zimmer, Geoff Zanelli
  38. We Ride #1 (0:33)
    John Thum, David Thum, Geoff Zanelli, William Malpede, Hans Zimmer
  39. Going Underground - He Was Drowned (5:46)
    Hans Zimmer, Geoff Zanelli
  40. We Ride #2 (0:46)
    John Thum, David Thum, Geoff Zanelli, William Malpede, Hans Zimmer
  41. Flaming Doodles (0:23)
    Hans Zimmer, Dominic Lewis
  42. Prayer To The Spirit Of The West (1:05)
    Hans Zimmer, Geoff Zanelli
  43. Rango & Beans (1:05)
    Hans Zimmer, Dominic Lewis
  44. Frozen Kiss (0:36)
    Hans Zimmer
  45. Spying On The Rodents (0:43)
    Hans Zimmer, Geoff Zanelli
  46. The Stage Is Set #2 (0:26)
    Hans Zimmer, Geoff Zanelli
  47. Rodents Rise (0:24)
    Hans Zimmer, Lorne Balfe
  48. Wild Boar Gataway (0:29)
    Hans Zimmer, Tom Gire, John Sponsler
  49. Bats (4:30)
    Hans Zimmer, John Thum, David Thum, Tom Gire, John Sponsler
  50. Empty Bottle (0:14)
    Peter Miller
  51. La Muerte A Llegado (0:46)
    Rick Garcia, George Del Hoyo, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  52. The Posse Returns To Dirt (0:54)
    Hans Zimmer, Adam Peters
  53. Muddy Boots - Golf Game (2:57)
    Hans Zimmer, Geoff Zanelli
  54. We've Got A Problem (0:27)
    Hans Zimmer, Adam Peters
  55. Believe In me (0:37)
    Hans Zimmer, Adam Peters
  56. Rattlesnake Jake (3:19)
    Hans Zimmer, Geoff Zanelli
  57. They Follow The Water (0:45)
    Hans Zimmer, Geoff Zanelli
  58. Epiphany - Flashback (1:40)
    Hans Zimmer, Lorne Balfe
  59. I'm Going Back (1:21)
    Hans Zimmer, Lorne Balfe
  60. Jake Threatens Beans (1:23)
    Hans Zimmer, Geoff Zanelli
  61. Rango Returns (1:18)
    Hans Zimmer, Dominic Lewis
  62. Luring In Jake (0:30)
    Hans Zimmer, Geoff Zanelli
  63. It's A Miracle! (5:15)
    Hans Zimmer, Geoff Zanelli
  64. El Canelo (0:45)
    Los Lobos, Gore Verbinski
  65. The Sunset Shot (0:54)
    Hans Zimmer
  66. Walk Don't Rango (2:48)
    Los Lobos, Arturo Sandoval, John Thum, David Thum, Michael A. Levine, Hans Zimmer, Gore Verbinski
  67. Rango Theme Song (3:30)
    Los Lobos, John Thum, David Thum, Michael A. Levine, Hans Zimmer, Gore Verbinski
  68. Rango Suite (5:59)
    Hans Zimmer
  69. Going Underground (Alternate) (4:05)
    Hans Zimmer, Geoff Zanelli
  70. We Ride #2 (Alternate) (0:49)
    John Thum, David Thum, Geoff Zanelli, William Malpede, Hans Zimmer
  71. Jake Threatens Beans (Alternate) (1:21)
    Hans Zimmer, Geoff Zanelli
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Ladislav reply Replies: 0 || 2018-01-13 11:13:32
Hello,
how is possible buy this full version?
Thank You very much,
Ladislav

mpolonest123 reply Replies: 3 || 2017-05-11 18:26:50
Wow, this score is such a mess, both in film and out. Even moreso than The Lone Ranger. Between the temp tracks and the straight rip offs (Rango Returns which is basically "Parlay" which itself was inspired by Morricone) there is almost nothing original here. That being said, It's still incredibly fun to listen to. The massive amount of co-composers definitely helps.

Also Hybrid, slightly off-topic but did Zimmer have a bad experience on The Lone Ranger? I remember hearing something about that, but wasn't entirely sure (and I honestly love that score)


Hybrid Soldier2017-05-11 20:42:50
No one wants to talk about TLR, not even Verbinski ! lol


mpolonest123 2017-05-11 20:51:57
Lol! I personally didn't find the film that bad, but I guess the production must've been a different story....


Ds2017-05-11 22:16:27
That's a pity because that movie was far from bad. Much better than most of the recent blockbusters in my opinion. Really nothing to be ashamed of.

Levi reply Replies: 0 || 2014-01-01 02:52:44
Something that kinda confuses me: does Hans actually sit down and write the cues WITH people like Geoff Zanelli, or does he just kinda give a layout of the cue and then the other guy goes off and does it on his own?

Areozz reply Replies: 0 || 2013-10-12 17:01:35
Might anyone be able to track down the slate numbers for this set? I already have some of them from when that set of demos surfaced a while back, but there's still a good amount missing.

Thanks for any help!

Anonymous reply Replies: 2 || 2013-05-31 04:28:22
I'm trying to figure out what other Zimmer work the "Rango Suite" sounds like, but I can't place it. :/


Meta2013-05-31 06:06:25
Broken Arrow, perhaps...Upon listening to Rango it reminded me alt of that score. Particularly the synth banjo/guitar and the harmonica....


MGDrone2013-05-31 18:29:11
As Good As It Gets haha. What do they have in common? Nuthin', but it's still cool to know haha.

Hybrid Soldier reply Replies: 3 || 2013-05-13 23:07:54
Did someone notice Lorne putting a Crysis 2 theme right in the middle of it ? :P


Edmund Meinerts2013-05-13 23:14:26
Not yet. Damnit, too many leaks recently, plus exams, equals not enough time to listen to all these goodies (but apparently enough time to talk about them on the Internet...uhh...)

What cue? :p


Hybrid Soldier2013-05-13 23:18:53
Rodents Rise !


BTW Lorne didn't do many cues on it, but surely "I'm Going Back" is one of my fav' of the entire score... :)


Prott2013-05-30 23:30:15
Haha, at first I was trying to find the Prophet's theme (wondering how the hell did I manage to miss that one). Then I discovered it's actualy the Alien's theme. :-)
It's a great cue (... too bad this theme is missing from both Rango's and Crysis' OSTs).



Hybrid Soldier reply Replies: 0 || 2013-05-30 12:38:00
2 things about this score.

The Elfman temp cue from The Kingdom was kept in the final film cause HZ & Gore couldn't come up with anything better without just being a poor ripoff. Danny's track was perfect, so they decided to keep it.

Atli Örvarsson & his assistant Dave Fleming have an official "arranger" & "tech advisor" credit, but it's likely they've done nothing on it. Atli started working on it but on his very first cues left the project to do another score. So unless a few arrangements he did were kept, Atli was not involved... But still got credited !

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Preacher reply Replies: 6 || 2013-05-13 05:09:45
OK instead of Luring In Jake, I got a track called Here It Comes that runs 5:25. And a track called The Other Side, which isn't on here. What gives? Why do leaked scores never match the tracklists here? How do we know what's what?


Preacher2013-05-13 05:11:34
And We Ride #2 Alternate is like 50 seconds, not 4 mins... *sigh*


Mike2013-05-13 06:10:25
Remember, Preacher, this is not the complete score. It's expanded. That should tell you immediately that some music will be missing. Remember, too, that even if a score is listed as "complete", it might STILL have music missing (such as The Dark Knight Rises).


Preacher2013-05-13 06:32:21
I understand, but the recent leak has different tracks to this edition. One would think they would be the same.


Hybrid Soldier2013-05-13 09:45:03
The We Ride length was my bad (hey, try typing this whole stuff in a row without making a typo, TRY ! :P) !

The Other Side, if you have any little knowledge or interest in Hans Zimmer, you'd just notice it's a source cue taken from The Weatherman.


Preacher2013-05-13 10:01:06
Thanks for that - I don't know the Weatherman score.
What about Here It Comes/It's A Miracle? Are they the same?


Hybrid Soldier2013-05-13 10:02:12
Yeah I use official cue sheet titles... :)

Anonymous reply Replies: 0 || 2013-05-13 00:41:51
The cues in here are really short...



Mr. JarJar reply Replies: 0 || 2013-05-12 19:29:25
YES!

Bou reply Replies: 2 || 2013-05-12 17:55:35
Oh my Gosh! I hope it leaks soon!


...2013-05-12 17:58:02
It has leaked=)


al bundy2013-05-12 18:01:11
yep, it's out :)

T-Mann036 reply Replies: 0 || 2013-05-12 18:00:10
Happy Mother's Day, eh?

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Rango (Expanded Score) soundtrack - Hans Zimmer 2011