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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Hans ZimmerJohn PowellLorne BalfePaul Mounsey
ComposerComposerAdditional MusicAdditional Music
Kung Fu Panda 2 (Expanded Score)
Label: Unofficial Release
Length: 83'46
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5474 votes)
  1. Ancient China - Story Of Peacock (2:44)
    Hans Zimmer, John Powell, Paul Mounsey
  2. Dumpling Warrior - Late For Training (1:25)
    Hans Zimmer, John Powell, Paul Mounsey
  3. Inner Peace (2:26)
    Hans Zimmer, John Powell
  4. Wolf Attack (1:20)
    Hans Zimmer, John Powell, Dominic Lewis
  5. Dragon Noodle Warrior (2:51)
    Hans Zimmer, John Powell, Lorne Balfe
  6. Gongmen City - Masters Spar - Shen Reclaims Palace (2:50)
    Hans Zimmer, John Powell, Lorne Balfe
  7. Save Kung Fu - Journey To Gongmen City (3:57)
    Hans Zimmer, John Powell, Lorne Balfe
  8. Po Dreams Of Parents (1:35)
    Hans Zimmer, John Powell, Paul Mounsey
  9. Daddy Issues - Shen's Palace (5:03)
    Hans Zimmer, John Powell, Lorne Balfe
  10. Stealth Mode - Entering The City (4:11)
    Hans Zimmer, John Powell, Lorne Balfe
  11. Gongmen Jail (2:51)
    Hans Zimmer, John Powell, Lorne Balfe
  12. Rickshaw Chase (2:36)
    Hans Zimmer, John Powell, Paul Mounsey
  13. Surrender Palace (2:16)
    Hans Zimmer, John Powell, Paul Mounsey
  14. Face To Face (4:09)
    Hans Zimmer, John Powell, Lorne Balfe
  15. More Cannons (3:39)
    Hans Zimmer, John Powell, Lorne Balfe
  16. The Hardcore Do Understand (0:56)
    Hans Zimmer, John Powell, Lorne Balfe
  17. Shen Frees Southsayer - Fireworks Factory (6:57)
    Hans Zimmer, John Powell, Dominic Lewis
  18. Po Finds The Truth (Part 1) (1:03)
    Hans Zimmer, John Powell
  19. Po Finds The Truth (Part 2) (0:43)
    Hans Zimmer, John Powell
  20. Po Finds The Truth (Part 3) (3:27)
    Hans Zimmer, John Powell
  21. Invasion Begins - Po Returns (2:27)
    Hans Zimmer, John Powell, Dominic Lewis
  22. Po Throws Hat (0:13)
    Hans Zimmer, John Powell
  23. Free The Five (3:39)
    Hans Zimmer, John Powell, Dominic Lewis
  24. The Future Is Here - Zen Ball Master (3:50)
    Hans Zimmer, John Powell, Lorne Balfe
  25. Po Defeats Shen - Reunion - My Son Is Alive (4:55)
    Hans Zimmer, John Powell, Lorne Balfe
  26. Dumpling Warrior Remix (3:31)
    Hans Zimmer, John Powell, Junkie XL
  27. Stealth Mode - Entering The City (Alternate) (4:04)
    Hans Zimmer, John Powell, Lorne Balfe
  28. More Cannons (Alternate Ending) (0:34)
    Hans Zimmer, John Powell, Lorne Balfe
  29. The Future Is Here - Zen Ball Master (Alternate) (3:51)
    Hans Zimmer, John Powell, Lorne Balfe
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Madiyar reply Replies: 2 || 2018-05-04 16:00:44
Hello. Does anyone have notes? Full Score for Orchestra?


BandGeek47962018-05-07 12:37:05
I wish I knew, I’ve been looking all over for it because it sounds so incredibly awesome.


Zara2019-01-17 01:33:24
It's out there.

Iamtommie reply Replies: 1 || 2017-10-23 00:14:39
Everybody is talking about Shen's Theme. I just can't figure out what his theme really is.
Could someone please note where in wich song and at what time his theme appears?

Thanks very much!


Edmund Meinerts2017-10-23 15:07:54
Just listen to "Invasion Begins", it's almost like a small suite of Shen's theme.

Pablo Reyes reply Replies: 1 || 2016-11-19 03:41:44
Since the very first time I heard the "Lost & Found" theme from HTTYD 2 I noticed it shared a few notes with Shen's theme, so I made this: /watch?v=HMQTiimsdPg
What do you guys think? I think Shen's theme might be Powell ;) but the again, you can never be sure about who composed what.


Mike2016-11-19 16:23:17
You're correct - Hybrid confirmed a while back that Powell did Shen's theme.

mittens reply Replies: 0 || 2015-03-12 15:48:57
Yup, this is only expanded score. Just saw the list of cues from sessions, more than half of them is missing.

NM reply Replies: 8 || 2015-02-27 19:26:35
"More Cannons" one of Balfe's best cues. Listened to it today and it was great! That is all.


Mike2015-02-27 20:19:51
This whole score has some great cues by Lorne Balfe. In Zimmer's own words, "Lorne Balfe was really a hero on that score." :P


Mike2015-02-27 20:37:28
(And by the looks of it, Balfe did more work here than Zimmer did... lol).


Edmund Meinerts2015-02-27 22:16:52
Yeah, you can kind of tell Balfe worked on that one when the Megamind rhythm kicks in 30 seconds before the end. The rest of the cue sounds more Powellish to me though.


Zimson2015-02-28 00:08:51
We already had this discussion but "More Cannons" is basically a variation on the track "Hero" from the first movie which, as we can all agree was mostly done by Powell. That explains the "Powellish" sound.



Mike2015-02-28 00:31:40
Besides, didn't Hybrid say Lorne "mimicked" Powell's sound for the end of My Son is Alive? It wouldn't be a stretch to assume he did so for other parts of the score, too.


NM2015-02-28 07:40:14
I dunno Edmund, all of "More Cannons" sounds like Balfe to me. It has the "Shen" rhythm running throughout the entire track as its foundation. And listen to the quick trumpet writing, it's the same sort you hear in Megamind, and even in "Zen Ball Master". The swirling woodwinds and strings sound very Powellish though, and the ascending scales at 1:51 sound like a Zimmer contribution.

@Mike - "My Son is Alive" sounds exactly like Lorne though.


Edmund Meinerts2015-02-28 12:18:27
Yes, because Powell never uses quick trumpet writing... :p

I can hear both composers' voices, but Powell's is simply a stronger voice...so his sound tends to dominate for me, even though it may well be an even collaboration. "My Son is Alive/My Fist Hungers for Justice" sounds more like "pure" Balfe to me, although ironically the theme owes a lot to How to Train Your Dragon!

The Zimmerish ascending scales are a holdover from the bridge cue from the first KFP, so I'm guessing it's an adaptation of a Zimmer idea by Powell/Balfe.

Geesh, what a clusterfuck all this is. I guess it's old-fashioned of me to say this, but why can't we just have ONE guy compose everything, no confusion, no fuss? :p


NM2015-03-02 22:30:27
Hah, well it doesn't bother me. I think it's cool when you get a couple of people going at it and high quality work results, which still has a coherent narrative. It's fun to try and pick out the different contributions.

The problem is when it becomes a "too many cooks" thing and you just end up with something disjointed. Thankfully, this score is far from.

"Yes, because Powell never uses quick trumpet writing... :p"

Haha, I can't quite describe the difference. Lorne's stuff is more... rhythm I guess? I mean Powell to me is more "Free the Five", which is more dynamic and exuberant I suppose. "More Cannons" has a harsh edge to it which evokes Balfe/Zimmer. Perhaps you're right and it genuinely was a real collaboration there with different ideas pitched in.

"The Zimmerish ascending scales are a holdover from the bridge cue from the first KFP"

Reminds me a lot of "Chess" actually.

Kardo_Fury reply Replies: 0 || 2014-10-26 06:38:13
Is there anyway you can dl this?

Anonymous reply Replies: 1 || 2014-02-04 03:59:37
Did Paul Mounsey do the entire first cue, or just part of it? Because the audio file only has the Story of Shen part, and that in turn was on Zimmer's page when the audio player was there....


Mike2014-02-04 15:24:55
Not sure, but it's really amazing how difficult it can be to tell each composer apart in here (besides Po Finds the Truth, most of which is obviously Zimmer). The rest sounds like Powell, but was supposedly Zimmer's contribution due to the Lorne Balfe credits...

Anonymous reply Replies: 3 || 2013-08-01 15:43:22
So is Paul Mounsey to John Powell what Lorne Balfe is to Hans Zimmer? lol


Mike2013-08-01 15:46:02
That might indeed be fair to say. Mounsey has been on quite a few Powell projects (The Lorax, How To Train Your Dragon, Happy Feet Two, Kung Fu Panda 2, Mars Needs Moms, and probably more) and we all know how often Lorne works alongside Zimmer. :)


Anon12013-08-01 15:49:07
Mounsey also worked on Horton Hears a Who, Rio, Green Zone, Knight and Day, Ice Age 3 and 4, Fair Game, and Bolt--so yes, I would say he is like the Lorne Balfe of John Powell's projects.


J.A.J.2013-08-02 02:48:18
Mounsey also wrote additional music for Epic, which probably explains why parts of Danny Elfman's score sound eerily similar to John Powell's work. It's likely that the folks at Blue Sky Studios wanted to hire Powell for the umpteenth time but couldn't because of his hiatus, so they hired Mounsey (along with Elfman) to write Powell-y music.

Ted reply Replies: 2 || 2013-05-21 02:50:09
Can anyone tell me why this list doesn't seem to include "1m10/11 Father Son & Baby Po?" Was it not recorded?


Mike2013-05-21 03:58:12
This is only the "expanded score", not the "complete score".


Ted2013-05-21 22:31:10
Just thought I'd ask since it's the only thing that seems to be missing. Thanks for your answer!

Hybrid Soldier reply Replies: 7 || 2013-05-17 13:25:45
Here you go... :)


Jimmer2013-05-17 15:59:18
Oh how I want this!!!


Edmund Meinerts2013-05-17 16:02:23
It's out there, Jimmer...


Jimmer2013-05-17 17:22:09
Edmund, thank you. I didn't know this had leaked yet.


Anonymous2013-05-18 21:01:10
Goodness, so many HZ scores leaked this week. In fact, its been a good year or so for HZ fans (as far as leaked scores haha). I wonder what happened all of a sudden. Definitely hoping for more in the next couple of months. Maybe Pearl Harbor or Hannibal will come soon. At least, thats what I hope haha.


Edmund Meinerts2013-05-18 23:45:15
It's been an absolutely amazing year for leaked complete scores in general! I have a huge backlog of them that I haven't even gotten around to listening to yet. Maybe some disgruntled RC employee quit and rage-uploaded all of them. :p

But...hasn't the complete Pearl Harbor been around for ages?


Anonymous2013-05-20 18:04:07
I don't think so. The only thing I've seen is a promo or expanded with a couple of new cues. The complete hasn't leaked, as far as I know.


Edmund Meinerts2013-05-20 18:51:50
Really? My version is about 102 minutes...maybe not 100% complete for a film as long as Pearl Harbor but hardly just a promo with a couple of additional cues. I've had it for long enough that I don't even remember where I got it.

Hybrid Soldier reply Replies: 4 || 2013-05-19 00:12:12
"Maybe some disgruntled RC employee quit and rage-uploaded all of them"

LOL I can assure you it's not what happened ! :)


Ds2013-05-19 00:36:28
So basically HZ leaked them himself in an act of generosity towards his beloved fans? :p


Edmund Meinerts2013-05-19 01:34:21
Oh, I know. But wouldn't it be a funny story if it was? XD


cheesy2013-05-19 05:48:31
More like Hans had the idea to leak it and then got five different Magic Box composers to upload each file individually.


Mr. Fate2013-05-19 20:26:14
What? Only two composers make up the group Magic Box Music: John Sponsler and Tom Gire.

Mike reply Replies: 3 || 2013-05-17 20:48:17
This is one of the few scores with Zimmer music where I'd say most of the notable stuff was released (the others being The Dark Knight in its 2-disc form, At World's End with all the suites from the Treasures Collection, The Last Samurai, Gladiator, and Crimson Tide).


Edmund Meinerts2013-05-17 22:16:38
Well, yeah, the complete score here is only about 15 minutes longer than the regular album. Powell animated scores (which this really is more than a Zimmer effort) tend to have pretty good releases that contain most if not all of the music, and always all of the really important stuff.

As for your other ones, I agree with all of them except At World's End. The Treasures Collection suites were definitely an absolute godsend, but that still didn't include Maelstrom Pt. 1 or Liftoff, which are both absolutely essential cues IMO.


Mike2013-05-17 22:26:55
Powell animated scores do tend to get good treatment. How to Train Your Dragon was an excellent album. And you're right, Maelstrom pt. 1 and Liftoff are great pieces, which is why I intentionally said the scores contain MOST of the notable stuff. ;)


Aragorn2013-05-17 22:33:14
Another great Powell release was Chicken Run!

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Kung Fu Panda 2 (Expanded Score) soundtrack - Hans Zimmer - John Powell 2011