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The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!
thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that time
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.
@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.
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Ramin DjawadiBrandon CampbellStephen ColemanWilliam Marriott
ComposerAdditional MusicOrchestratorTechnical Score Advisor
Game Of Thrones (TV Series - Season 3)
Label: WaterTower Music
Length: 53'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5338 votes)
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  1. Main Title (Game Of Thrones) (Season 3) (1:44)
  2. A Lannister Always Pays His Debts (2:50)
  3. Dracarys (2:53)
  4. I Paid The Iron Price (3:15)
  5. Chaos Is A Ladder (2:58)
  6. Dark Wings, Dark Words (2:47)
  7. You Know Nothing (3:19)
  8. Wall Of Ice (3:19)
  9. Kingslayer (2:11)
  10. I Have To Go North (1:23)
  11. White Walkers (3:20)
  12. It's Always Summer Under The Sea (Shireen's Song) - Kerry Ingram (1:17)
  13. Reek (2:41)
  14. The Bear And The Maiden Fair - The Hold Steady (2:56)
  15. The Night Is Dark (2:56)
  16. The Lannisters Send Their Regards (5:44)
  17. Heir To Winterfell (2:14)
  18. Mhysa (3:54)
  19. For The Realm (1:31)
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kirk reply Replies: 1 || 2015-07-24 23:54:38
@Hybrid

The track jamie's debt in the player is shorter than the ost version. is this an edit of the ost track or is it a rip from the show?


Hybrid Soldier2015-07-25 00:18:08
From Brandon's website.

... reply Replies: 0 || 2015-07-24 21:00:00
I just wanted to say how much I love Djawadi's work! I've not listened to much of his music in the past but after having seen 3 seasons of GoT I'm blown away. I can't speak for all of his music of course but his game of thrones music is amazing. He has really captured the world of GOT with his music. It fits so perfectly to the show! Oh and Mhysa just has everything!

Ds reply Replies: 0 || 2013-06-10 13:18:56
Was sure "Mhysa" would close episode 10! Outstanding work from Ramin.

Hybrid Soldier reply Replies: 12 || 2013-05-30 23:46:11
Winter is coming !


Aytekin2013-05-31 00:33:37
Oh god thanks no Varesé this time!


Macejko2013-05-31 09:39:19
Aytekin: What's wrong with Varése?


vador382013-06-04 18:03:08
Dear Hybrid,
you know why it is not varese which release the soundtrack and will be there a cd?


Evenstar2013-06-04 21:47:38
also waiting for the CD...


Anonymous2013-06-04 22:40:48
Great, now he starts ripping of Lorne Balfe his sound. Sigh, this guy keeps on sinking beneath the depths of the ocean floor...


Macejko2013-06-04 22:45:32
Balfe doesn't even HAVE a sound. He is less than nothing compared to Djawadi. In fact, most of RCP composers should learn from him in the matter of developing and re-orchestrating a theme.


Macejko2013-06-04 22:46:40
*learn from Djawadi


Edmund Meinerts2013-06-09 10:47:51
Your raging hard-on for anything Djawadi-related continues to amuse and bemuse me, Macejko. To my ears he isn't significantly better or worse than Balfe, and both of them are nowhere near the most interesting composers to come out of RCP...they can't hold a candle to John Powell, Mark Mancina or Steve Jablonsky (on his good days), let alone Hans himself.

That said, "Mhysa" IS an amazing cue. ;)


Anonymous2013-06-09 12:48:00
Jablonsky? It had been aaaaaaaages since he did something memorable....


Trent Easton Navarro2013-06-09 14:12:33
Pain and Gain was a great score, one of this year's finest


Ds2013-06-09 14:17:57
Agree with Trent Easton Navarro: "Pain & Gain" is a really good work from Jablonsky. A score doesn't need to be "epic" to be good ;-)


MrZimmerFan2013-06-09 14:35:28
I'm with you, Ds and Trent, Pain & Gain is one of the best works of Jablonsky, it works very well in the movie

Macejko reply Replies: 4 || 2013-06-04 12:37:16
"Mhysa" is just... beyond words. Incredible.


Ds2013-06-05 00:04:22
Agree :)


Peter2013-06-05 18:06:00
Wow can't wait to see what scene this cue is used for and WHAT HAPPENS AT 3:42?????


Dfault2013-06-06 17:11:36
A Lannister always pays his Debts. I find this song even better! Played in the start of the Red wedding scene, Amazing Lannister theme!


Warfighter2013-06-07 17:55:07
Incredible! The Djawadi naysayers are proven wrong! High hopes for "Pacific Rim"

Ehsan reply Replies: 0 || 2013-06-06 12:57:38
I want new video of Hans Zimmer.any body have any link?

Boss reply Replies: 0 || 2013-06-05 19:20:55
I don't understand "The Bear And The Maiden Fair".
I think it's weird they put a rock song like this in the series and soundtrack. Other than that, the album is great. "Mhysa" is absolutely outstanding!!!

Macejko reply Replies: 0 || 2013-06-05 15:48:51
Ok, more complex thoughts.
I love it. I even like the themes I didn't like in the show itself, like "Dracarys", for example. I am constantly getting surprised how Ramin can work with the previously composed themes - rearranging them, changing them. Take for example "A Lannister Always Pays His Debts". It changed "The Rains of Castamere" (which was very sad and moody tune) to epic and heroic new motif for Jaime Lannister. Or "Mhysa", which is a new take on Daenerys' theme. We already heard that theme in "Finale" (season 1) and "Mother of Dragons". This time he used choir, and once again completely changed the way that theme feels (and it feels like something out of this world, as I already pointed out). And there's so much more, like the raw, chilling brutality in "The Lannisters Send Their Regards". I simply admire Ramin.
But of course, the score is not absolutely perfect. It lacks some music I wanted to hear, like the theme playing when Catelyn talks about Jon Snow, or the music playing during Jaime/Brienne and Beric/The Hound duels. Also, there is Kerry Ingram's song. I can't help it, but it feels like an unnecessary, pointless filler to me.
My final verdict is strong 8/10.

Zid reply Replies: 0 || 2013-06-02 17:09:26
Have you guys listened to this? She has something special, very simple, bad quality but still touching.

htt p://www.youtube.com/watch?v=0s7WBpi3V9g

Master reply Replies: 0 || 2013-06-02 05:44:59
I am most interested in this one :)

Ehsan reply Replies: 4 || 2013-06-01 09:41:14
Viva Iranian Composer...


ananymous2013-06-01 11:03:17
Iranian? Born and raised in Duisburg, Germany to an Iranian father and German mother.


Henry2013-06-01 12:15:33
Yeah, they were a bit proud of Ramin as belongs to his native home, like in the same way they were proud of the vocalist Azam Ali.. No problem


Ehsan2013-06-01 18:29:34
That's True But His Name name and Family is Iranian And He have a Iranian Blood.


ananymous2013-06-01 20:17:07
Alright, never mind...

Anonymous reply Replies: 0 || 2013-06-01 11:57:42
I can´t wait for this!!! Only three days!!

Ds reply Replies: 2 || 2013-05-31 00:12:02
Nice cover!


Macejko2013-05-31 00:15:41
An expected one :)


Ds2013-05-31 00:30:24
It's funny how the covers for RCP soundtrack have changed. Now they seem to prefer some "design" pictures with only logos (TDKR, MoS, PotC4, The Lone Ranger). A few years ago they were always using adapted movie posters.

Macejko reply Replies: 1 || 2013-05-31 00:10:05
Normally I would be excited as hell, but as I already said - judging by the show itself, there is very little of new material.


Macejko2013-05-31 00:14:43
Also, it's curious that this one is being released by WaterTower, when the previous two were done by Varése Sarabande.

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Game Of Thrones (TV Series - Season 3) soundtrack - Ramin Djawadi 2013