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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Ramin DjawadiBrandon CampbellStephen ColemanWilliam Marriott
ComposerAdditional MusicOrchestratorTechnical Score Advisor
Game Of Thrones (TV Series - Season 3)
Label: WaterTower Music
Length: 53'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5751 votes)
  1. Main Title (Game Of Thrones) (Season 3) (1:44)
  2. A Lannister Always Pays His Debts (2:50)
  3. Dracarys (2:53)
  4. I Paid The Iron Price (3:15)
  5. Chaos Is A Ladder (2:58)
  6. Dark Wings, Dark Words (2:47)
  7. You Know Nothing (3:19)
  8. Wall Of Ice (3:19)
  9. Kingslayer (2:11)
  10. I Have To Go North (1:23)
  11. White Walkers (3:20)
  12. It's Always Summer Under The Sea (Shireen's Song) - Kerry Ingram (1:17)
  13. Reek (2:41)
  14. The Bear And The Maiden Fair - The Hold Steady (2:56)
  15. The Night Is Dark (2:56)
  16. The Lannisters Send Their Regards (5:44)
  17. Heir To Winterfell (2:14)
  18. Mhysa (3:54)
  19. For The Realm (1:31)
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iamtommie reply Replies: 0 || 2019-03-11 20:19:55
Episode 1
The Night Is Dark

Episode 2
Heir To Winterfell

Episode 3
Reek
The Bair And The Maiden Fair

Episode 4
I Paid The Iron Price
Dracarys

Episode 5
Kingslayer
I Have To Go North
It's Always Summer Under The Sea

Episode 6
Wall Of Ice
Chaos Is A Ladder
You Know Nothing

Episode 7
A Lannister Always Pays His Debt

Episode 8
White Walkers

Episode 9
The Lannisters Send Their Regards

Episode 10
Mhysha

Not in episode
Dark Wings, Dark Words
For The Realm

kirk reply Replies: 1 || 2015-07-24 23:54:38
@Hybrid

The track jamie's debt in the player is shorter than the ost version. is this an edit of the ost track or is it a rip from the show?


Hybrid Soldier2015-07-25 00:18:08
From Brandon's website.

... reply Replies: 0 || 2015-07-24 21:00:00
I just wanted to say how much I love Djawadi's work! I've not listened to much of his music in the past but after having seen 3 seasons of GoT I'm blown away. I can't speak for all of his music of course but his game of thrones music is amazing. He has really captured the world of GOT with his music. It fits so perfectly to the show! Oh and Mhysa just has everything!

Ds reply Replies: 0 || 2013-06-10 13:18:56
Was sure "Mhysa" would close episode 10! Outstanding work from Ramin.

Hybrid Soldier reply Replies: 12 || 2013-05-30 23:46:11
Winter is coming !


Aytekin2013-05-31 00:33:37
Oh god thanks no Varesé this time!


Macejko2013-05-31 09:39:19
Aytekin: What's wrong with Varése?


vador382013-06-04 18:03:08
Dear Hybrid,
you know why it is not varese which release the soundtrack and will be there a cd?


Evenstar2013-06-04 21:47:38
also waiting for the CD...


Anonymous2013-06-04 22:40:48
Great, now he starts ripping of Lorne Balfe his sound. Sigh, this guy keeps on sinking beneath the depths of the ocean floor...


Macejko2013-06-04 22:45:32
Balfe doesn't even HAVE a sound. He is less than nothing compared to Djawadi. In fact, most of RCP composers should learn from him in the matter of developing and re-orchestrating a theme.


Macejko2013-06-04 22:46:40
*learn from Djawadi


Edmund Meinerts2013-06-09 10:47:51
Your raging hard-on for anything Djawadi-related continues to amuse and bemuse me, Macejko. To my ears he isn't significantly better or worse than Balfe, and both of them are nowhere near the most interesting composers to come out of RCP...they can't hold a candle to John Powell, Mark Mancina or Steve Jablonsky (on his good days), let alone Hans himself.

That said, "Mhysa" IS an amazing cue. ;)


Anonymous2013-06-09 12:48:00
Jablonsky? It had been aaaaaaaages since he did something memorable....


Trent Easton Navarro2013-06-09 14:12:33
Pain and Gain was a great score, one of this year's finest


Ds2013-06-09 14:17:57
Agree with Trent Easton Navarro: "Pain & Gain" is a really good work from Jablonsky. A score doesn't need to be "epic" to be good ;-)


MrZimmerFan2013-06-09 14:35:28
I'm with you, Ds and Trent, Pain & Gain is one of the best works of Jablonsky, it works very well in the movie

Macejko reply Replies: 4 || 2013-06-04 12:37:16
"Mhysa" is just... beyond words. Incredible.


Ds2013-06-05 00:04:22
Agree :)


Peter2013-06-05 18:06:00
Wow can't wait to see what scene this cue is used for and WHAT HAPPENS AT 3:42?????


Dfault2013-06-06 17:11:36
A Lannister always pays his Debts. I find this song even better! Played in the start of the Red wedding scene, Amazing Lannister theme!


Warfighter2013-06-07 17:55:07
Incredible! The Djawadi naysayers are proven wrong! High hopes for "Pacific Rim"

Ehsan reply Replies: 0 || 2013-06-06 12:57:38
I want new video of Hans Zimmer.any body have any link?

Boss reply Replies: 0 || 2013-06-05 19:20:55
I don't understand "The Bear And The Maiden Fair".
I think it's weird they put a rock song like this in the series and soundtrack. Other than that, the album is great. "Mhysa" is absolutely outstanding!!!

Macejko reply Replies: 0 || 2013-06-05 15:48:51
Ok, more complex thoughts.
I love it. I even like the themes I didn't like in the show itself, like "Dracarys", for example. I am constantly getting surprised how Ramin can work with the previously composed themes - rearranging them, changing them. Take for example "A Lannister Always Pays His Debts". It changed "The Rains of Castamere" (which was very sad and moody tune) to epic and heroic new motif for Jaime Lannister. Or "Mhysa", which is a new take on Daenerys' theme. We already heard that theme in "Finale" (season 1) and "Mother of Dragons". This time he used choir, and once again completely changed the way that theme feels (and it feels like something out of this world, as I already pointed out). And there's so much more, like the raw, chilling brutality in "The Lannisters Send Their Regards". I simply admire Ramin.
But of course, the score is not absolutely perfect. It lacks some music I wanted to hear, like the theme playing when Catelyn talks about Jon Snow, or the music playing during Jaime/Brienne and Beric/The Hound duels. Also, there is Kerry Ingram's song. I can't help it, but it feels like an unnecessary, pointless filler to me.
My final verdict is strong 8/10.

Zid reply Replies: 0 || 2013-06-02 17:09:26
Have you guys listened to this? She has something special, very simple, bad quality but still touching.

htt p://www.youtube.com/watch?v=0s7WBpi3V9g

Master reply Replies: 0 || 2013-06-02 05:44:59
I am most interested in this one :)

Ehsan reply Replies: 4 || 2013-06-01 09:41:14
Viva Iranian Composer...


ananymous2013-06-01 11:03:17
Iranian? Born and raised in Duisburg, Germany to an Iranian father and German mother.


Henry2013-06-01 12:15:33
Yeah, they were a bit proud of Ramin as belongs to his native home, like in the same way they were proud of the vocalist Azam Ali.. No problem


Ehsan2013-06-01 18:29:34
That's True But His Name name and Family is Iranian And He have a Iranian Blood.


ananymous2013-06-01 20:17:07
Alright, never mind...

Anonymous reply Replies: 0 || 2013-06-01 11:57:42
I can´t wait for this!!! Only three days!!

Ds reply Replies: 2 || 2013-05-31 00:12:02
Nice cover!

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Please enter number: 1165 


Macejko2013-05-31 00:15:41
An expected one :)


Ds2013-05-31 00:30:24
It's funny how the covers for RCP soundtrack have changed. Now they seem to prefer some "design" pictures with only logos (TDKR, MoS, PotC4, The Lone Ranger). A few years ago they were always using adapted movie posters.

Macejko reply Replies: 1 || 2013-05-31 00:10:05
Normally I would be excited as hell, but as I already said - judging by the show itself, there is very little of new material.


Macejko2013-05-31 00:14:43
Also, it's curious that this one is being released by WaterTower, when the previous two were done by Varése Sarabande.

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Game Of Thrones (TV Series - Season 3) soundtrack - Ramin Djawadi 2013