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Feels like there are more Balfe credits on this version than on the album (e.g. Status Suite, solo Hans on the album, Hans/LB here). In fact I'd go so far as to label him a near co-composer here, just like Inception and Sherlock Holmes.Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.
It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.
I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.com
That's the 'Album Version' of Time To Suit UpI'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>
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Heitor PereiraGuillaume RousselJohn Jennings BoydAnthony Willis
ComposerAdditional MusicAdditional MusicAdditional Music
The Smurfs 2
Label: Varese Sarabande
Length: 47'02
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3865 votes)
  1. Smurfette's Creation (1:23)
  2. Smurfette Are You OK (1:00)
  3. You Belong To Gargamel (0:37)
  4. Gargamel Suite (1:44)
  5. Azrael’s Trap (0:50)
  6. Code Blue (1:25)
  7. Victor's Corndogs (1:33)
  8. We Must Review My Plan (1:22)
  9. Adoring Public Desires Me (0:40)
  10. Smurf Portation Crystals (2:01)
  11. Attack On Winslow House (1:36)
  12. Madame Doolittle (0:50)
  13. Paris Opera House (0:34)
  14. Scoping Out The Kitchen (1:00)
  15. Smurfette Escapes (0:51)
  16. Hand Over The Smurfette (1:29)
  17. Portrait Of Perfection (1:52)
  18. Smurfette On The Run (0:57)
  19. Gargamel And Azrael In Carriage (1:07)
  20. Naughties Crash The Cart (1:03)
  21. Naughties Take Flight (0:31)
  22. He's Not My Father (2:04)
  23. The Napoleon Suite (1:15)
  24. Like Twins (0:38)
  25. Tiny Magical Wand (2:08)
  26. The Flying V (0:29)
  27. Papa To Papa (1:49)
  28. Let's Get Smurfin (1:02)
  29. They Cannot Live (1:14)
  30. The Formula (0:46)
  31. Naughties Transformation (1:11)
  32. You Sacrificed Everything (0:44)
  33. The Happiest Moment Of My Life (0:50)
  34. Papa And Vanity Find Smurfette (0:45)
  35. Harnessing The Power (0:28)
  36. Life Is The Most Precious (1:20)
  37. I Don't Think So Gargamel (0:32)
  38. Essence In Paris (1:00)
  39. Is This What Happy Feels Like (1:34)
  40. No Smurf Left Behind (1:50)
  41. Welcome Home Smurfette (1:01)
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Michael Fields reply Replies: 0 || 2018-08-11 11:04:30
MOVIE CREDITS:

Music By
HEITOR PEREIRA

Music Editor
DOMINIC CERTO

Conducted By
NICK GLENNIE - SMITH

Orchestrated By
TIM DAVIES
JEREMY LEVY

Score Mixed By
ALAN MEYERSON

Music Production Services
STEVEN KOFSKY

Orchestra Contractor
PETER ROTTER

Music Preparation
BOOKER WHITE

Additional Arrangements And Synth Programming By
ANTHONY B. WILLIS
JOHN JENNINGS BOYD

Peter reply Replies: 4 || 2013-07-06 15:22:43
Great, looks like a complete score..


Macejko2013-07-06 15:46:54
Yeah, and those track lenghts are fascinating... :D


Papa Smurf2013-07-07 00:09:43
Uhh...this is hardly a complete score. It's only 47 minutes long. I know the movie won't be too lengthy, but this is roughly the same length as The Lone Ranger. Look at how long the cue lengths are. 41 cues, 47 min. That rounds out to about a minute per track.

It's like: would you rather get a lot of tiny present for your birthday, or one big giant one?


Edmund Meinerts2013-07-08 12:10:39
41 tracks, 47 minutes? Urgh, this is not going to be an album friendly score. Not that the first one was either, though.


Clumsy2013-08-11 21:14:17
Yes, this could be a complete score. The Coneheads complete score has 34 tracks and clocks 34 minutes, so it's possible that this is a complete score.

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The Smurfs 2 soundtrack - Heitor Pereira 2013