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and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHowsMeistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>Balfe is what in the 80s you might have called a TV composer. He has skills to get the job done but no imagination on anything. There'll be a few live bongos in the next film, a lot of supposedly live brass that sounds exactly like my keyboard, and no imagination. <br><br>That's the seemingly Chris Nolan way they want to go here. But if McQuarrie and Cruise are sticking to their mandate on making every film different, well how about (they are not going to go full Lathimos whatever), trying the Jeremy Dyson way, and go for Frank Ilfman. How about being more creative, Mansell has burned his bridges but still does excellent music but how about Richter, he can do anything, or even a Murray Gold. If you hire a pointless HZ flunkie, we'll get someone good, This used to be fine, but now with these dingdongs it is increasingly difficult<br>
Balfe did produce both !!!!!!!!!!so ofcause they would sound related <br>Fallout was an excellent film and great soundtrackIn my opinion this soundtrack is very different than the others.<br>Six films and five composers, with a different styles and this soundtrack is very different.<br>For me it's a great soundtrack but the sound is too similar at the dark Knight and Dunkirk.Have to agree about Balfe and Fallout being the best mission score.would be interesting to see what he would do with bond or even Star Wars.<br>There seems to be comments on twitter that Balfe will be doing the score live at the The Royal Albert Hall.anyone know ?If you want modern, have Ludwig Göransson score the movie. Him or Don Davis. If you want to stick with RCP, I would love to see Benjamin Wallfisch take a stab at it based on his work on King of Thieves.Hello team, i would just like to add to the thank-you's, throughout the years you've been roxxin the world.<br> anyways i particularly enjoyed "time" but not for the movie instead it was used as an AMV on youtube for the japanese anime Zetsuen No Tempest. the story is epic suffice to say that it + time blew my heart away then and there. <br>So thank you very much :D
...but modernLalo Schifrin certainly didn't need Lorne Balfe to make him sound cool.Now that would be an interesting to hear what he could do with Star WarsModern and cool? Seriously Balfe is the reason why the theme works? Let’s have balfe re write Star Wars to make it modern and cool.I think Balfe has to come back because Fallout was the first since Mission 2 the music worked.He made Lalo’s theme sound modern and cool.
It's out there.Reef 2: High TideSerenity going to be released next week<br><br>https:/ / www.amazon.com/gp/product/B07KZGKX4K/ref=as_li_qf_asin_il_tl ?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativ eASIN=B07KZGKX4K&linkId=b932ee0afd97cf3be04f644cad294734I watched again and the "thickness" in some of the low end was in fact multiple kettle drums being rapidly pounded which in fact accounts for the excess reverberation and explains why it sounded muddy to me.  I will have to get the "World of Hans Zimmer" recording that others are talking about and see if I like that one better.Personally, I do not want Balfe or Kraemer to return. I found Kraemer's score to be too restrained, and while Balfe's score is exciting, when I watched the film, I thought the music worn out quickly by the middle of the film. Too much of the same orchestrations. <br><br>I hope they go with someone new.
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Atli ÖrvarssonDavid FlemingMartin TillmanClaudio Olachea
ComposerAdditional MusicMusicianScore Technical Assistant
Evidence
Label: Varese Sarabande
Length: 37'25
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3367 votes)
  1. Evidence (4:16)
    Atli Örvarsson, David Fleming, Martin Tillman
  2. Check The Tape (4:08)
    Atli Örvarsson, David Fleming, Martin Tillman
  3. The Blowtorch (2:40)
    Atli Örvarsson, David Fleming, Martin Tillman
  4. Rewind (1:31)
    Atli Örvarsson, David Fleming, Martin Tillman
  5. I Am God (1:45)
    Atli Örvarsson, David Fleming, Martin Tillman
  6. Just A Game (2:40)
    Atli Örvarsson, David Fleming, Martin Tillman
  7. I've Been Waiting For You (2:09)
    Atli Örvarsson, David Fleming, Martin Tillman
  8. No More Video (4:13)
    Atli Örvarsson, David Fleming, Martin Tillman
  9. That's Not Our Driver (1:03)
    Atli Örvarsson, David Fleming, Martin Tillman
  10. Luck Of The Irish (6:09)
    Atli Örvarsson, David Fleming, Martin Tillman
  11. Finding Fleishman (0:48)
    Atli Örvarsson, David Fleming, Martin Tillman
  12. Case Closed (2:45)
    Atli Örvarsson, David Fleming, Martin Tillman
  13. Deleted Scenes (3:12)
    Atli Örvarsson, David Fleming, Martin Tillman
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AtliFAN reply Replies: 3 || 2015-09-05 21:05:05
Complete Score:

01 - Evidence (04:14)
02 - The Calvarys Arrived (01:15)
03 - Everything On This Tape Matters (00:35)
04 - Who's That? (01:25)
05 - Finding Fleischman (00:44)
06 - That's Not Our Driver (00:24)
07 - Blowtorch 02:34)
08 - You're Gonna Wanna See It (02:35)
09 - I've Been Waiting for You (01:18)
10 - Positive (00:49)
11 - What Was That Abot? (01:41)
12 - No More Video (00:38)
13 - A Big Fucking Game (03:38)
14 - Luck of the Irish (04:59)
15 - We're Gonna Get Him (04:03)
16 - Case Closed (02:50)
17 - Deleted Scenes (03:02)
18 - End Credits (05:10)

Total Duration: (42:02)


Can you add this Hybrid?

And The Perfect Guy filmmusicreporter. com/2015/09/04/the-perfect-guy-soundtrack-details/


Hybrid Soldier2015-09-20 14:36:53
Hey dude now you can check, I updated Atli a lot, adding audio, pages & stuff...


Zod2015-09-20 23:46:51
and yet nothing from man of steel :(


Hybrid Soldier2015-09-20 23:51:04
Well I even asked Atli himself but he didn't want to say ! :)

But honestly, trust me, stuff like Bus Rescue or Faora Attacks definitely have some Atli ! :)

Hybrid Soldier reply Replies: 5 || 2013-07-08 19:55:55
This is a very cool electronic little score (like, 100% electronic), some kind of a mix between Tron Legacy & The Fourth Kind. :)


Aytekin2013-07-18 03:38:47
Wicked :p


Hybrid Soldier2013-07-28 14:58:02
Little "who did what" added ! :)


Waspie2013-08-01 19:39:21
From where you get information about who write each track, i known someone using ASCAP but is there any way to use it for free, or any alternative? Can someone share some more details about that.


Hybrid Soldier2013-08-01 19:43:00
I have many sources, not only ASCAP. That one is not there (yet) for instance ! ;)

And it is public...


Waspie2013-08-02 00:07:17
Can you share some more info where to look for details about composers/writers for individual tracks for ost and scores?

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Evidence soundtrack - Atli Örvarsson 2013