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ThxSeville, The Bait, Ambrose Welcomes Nyah, Chimera Myth, Beach Fight, Ambrose Dies.Can we stop? I agree with the other guy more in his points, but it's clear that this is gonna keep going nowhere if you're gonna be so overly defensive about something that you claim is merely subjective.But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br>======================<br><br><br>Why do Bay naysayers pretend that Bay only directs TF movies? It's very interesting...... Pretty much all complaints against Bay are connected to the TF movies.<br><br>Newsflash: Bay was a proven and very successful action filmmaker wayyyyyyyyyyyyy before TF1. <br><br>So no, "challenging the viewer" is not about Transformers. You chose to focus on these movies. Not me. I was actually reffering to Bay movies like The Island and especially Pain and Gain. <br><br>But I guess you like to talk only about Transformers.....Good for you. But that's not how a discussion works. <br><br><br>===================<br>Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact. I've seen you do this every time someone talks shit about Bay around here. It's psychotic.<br>===================<br><br><br>So let me get this straight: trying to be as objective as possible, in a non-threating way, quoting people who actually know what they're talking about and certainly not treating my opinion as fact, makes me......psychotic? <br><br>Wow! Just wow!<br><br>Next time, I'll just act like a complete jerk, insulting everyone and everything. For you, that is apparently the normal behavior.<br><br><br>======<br>Bad movies make money. Everyone knows that, and everyone knows that's not proof of quality.<br>=======<br><br>Reviews, RT scores, and crappy film blog "think pieces" are also not proof of quality. Also, a "bad" movie to you is the greatest movie for the guy walking next to you on the street. As Kevin Smith said: "Every movie is someone's favorite movie". <br><br>Let's try to keep that in mind.<br><br><br>============<br>That's not just a domestic bomb, that's a bomb altogether.<br>============<br><br>Really?<br><br>Then what do you have to say about Pacific Rim 1. I present to you.......the pure numbers:<br><br>Budget: $200 million. And that doesn't include the marketing cost.<br>Worldwide gross: $411,002,906<br><br>So that flick, according to you, turned a profit.......but TLK - budget of also $200 million and with a worldwide gross of $605 million..........is a bomb?<br><br>Wow! Just.....wow!Yeah lol back then only Harold was confirmed.
Can you tell me a names of cues, that was been on Klaus website?Formality indeed. Complicated ! lol<br><br>You can bet Blake Neely didn't need anyone to "write" those 10 seconds !! lolI always found these credits to be a bit confusing. Klaus Badelt is credited on almost every cue, even when his themes don't appear and another additional composer is credited as well. I thought maybe it was just a formality that Zimmer and Badelt were credited everywhere (I mean, how much could they be involved on a cue like "Welcome to the Caribbean"?), but then "No real ship" and "Sword Fight Pt. 2" have no Badelt for some reason. Does someone know a bit more about this?well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.
Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nopeYou realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.
There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMA
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Visceral Ambience
Hans ZimmerKlaus BadeltJohn PowellJeff Rona
ComposerAdditional MusicAdditional MusicAmbient Music Design
The Thin Red Line
Label: RCA Victor
Length: 58'56
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (15706 votes)
  1. The Corall Atoll (8:00)
  2. The Lagoon (8:36)
  3. Journey To The Line (9:21)
  4. Light (7:19)
  5. Beam (3:44) *
  6. Air (2:21)
  7. Stone In My Heart (4:28)
  8. The Village (5:52)
  9. Silence (5:06)
  10. God U Tekem Laef Blong Mi - Melanesian Choirs (1:58) +
  11. Sit Back And Relax (2:06) **
*Written by John Powell featuring Francesco Lupica

**Written by Francesco Lupica

+Recorded by Claude Letessier
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Recording Session reply Replies: 19 || 2011-05-31 10:16:18
After reading this:

"Zimmer wrote several hours of music, with several different themes, even before Malick started to shoot the film. The director then played the music on the set, while filming, to get himself, and the rest of the crew and actors in the right frame of mind. Zimmer and collaborator John Powell composed over four hours of music on this film, presumably for the original director's cut of the film. However, when director Terrence Malick re-cut the film down to its current running time of 170 minutes, he chose only a few select pieces of music from Zimmer's and Powell's musical contributions, along with original source music, and much of Zimmer's compositions were cut."

I'm totally mad that this beautiful score does only have that less of music released. My goodness, why? Please can't they just release it now as a full Recording Session? Or damn, even leak this thing?...

Oh man, how i want this so bad. This is the MOST beautiful score from Hans Zimmer, and it's a shame we don't have all the music, now almost 14 years and until now only those few tracks and there exists more then 4 (!!!) hours of this beautiful music? Come on people, make your voice loud. WE WANT A RECORDING SESSION! Please...


Bador2011-05-31 14:51:25
4 hours TTRL? W-O-W... WANT!


Jimi2011-06-01 09:52:43
does even the 4 hours recording session exists?


Levente2011-06-01 10:27:12
Hans said on the criterion edition of the movie that he did all the music before Mallick even started shooting the movie, and he and Powell did roughly 4-5 hours of music, which was later selected by Mallick himself and edited into the movie. He also composed some stuff after Mallick finished the movie and worked with the editors in the 15 months process they edited the movie.

Or for example it was later cut out from the movie and was replaced by other composers like: Charles Ives, Arvo Pärt or Gabriel Fauré.

So I'm quessing Zimmer wrote more than 4 hours, but no news, no rumors on the the net about this recording session for several years. If the two Batman OST leaked so easily, The Thin Red Line should had been available alredy.


Gambit2011-06-01 10:44:06
my only guess that we haven't seen until yet from this 5 hours music collection is, that Remote Control uses the unreleased music as temp-tracks or samples or even are using them for other movies.

Just look over Elliot Goldenthals score to "Public Enemies". You'll find the track "Beam" and many others that seems to be from TTRL ("JD dies" for example).


Levente2011-06-01 10:56:41
In Public Enemies Zimmer's score was used as temp track, and even so one was used in the movie too, as you said the track called Beam. Even some unreleased stuff was given by Hans himself, thats why he is credited in the end, in the thanks section.


b00bs2011-06-01 10:56:46
I read Zimmer keeps telling people his score for the film is so much more - and so different - than what you hear in the film. He thinks its his best score, just not the version as we know it. Which really makes me hope we someday will hear more from it.


Fry2011-06-01 11:04:44
@ Levente: Do you know perhaps which tracks have been exactly given from Hans TTRL score for Public Enemies? Or just those two tracks that have been mentioned here (Beam and JD Dies)?


Hybrid Soldier2011-06-01 11:04:51
And for Public Enemies, not only HZ was thanked in the credits, but people from RCP did work on the score. Jacob Shea did some arrangements & programmings... ;)


Smith2011-06-01 11:18:42
does anyone know about this "different music" that b00bs have posted? Is this legit?

Why on earth haven't this released already aaaaaaah :O hehehe :P


Levente2011-06-01 11:56:57
@ Fry: JD Dies is an original composition by Goldenthal himself. The style is a bit similar to The Thin Red Line some people says, but I think it is more close to Goldenthal's Titus score.

The only "song" that stayed in movie from TTRL is Beam. And you can only hear it for a couple of seconds.


Alan2011-06-01 12:42:07
wow man, so many new comments about the thin red line on the fan comments box, i really was excited as i thought that the RS has been leaked or something else ^^

booooh to you all :P


Gavin Salkeld - Composer2011-06-01 20:50:54
> my only guess that we haven't seen until yet from this 5 hours
> music collection is, that Remote Control uses the unreleased
> music as temp-tracks or samples or even are using them for other
> movies

True, some demos and unused pieces made their way onto the Director's Cuts series.


Matthieu2011-06-01 21:05:18
@Gavin Salkeld: are you referring to the DC version of TTRL or other director cut movies where those demos are used?


Gavin Salkeld - Composer2011-06-02 01:00:55
The Director's Cuts library music series :)


john2011-06-02 08:59:00
@Gavin: Do you know the tracks in those DC collections? And where do you know exactly that these belonges to the thin red line?


Gonzales2011-06-02 14:52:05
can HYBRID SOLDIER tell us, if there exists this 5 hours compilation as a Recording Session like the sincerly leaked Batman Begins and The Dark Knight recording sessions?

HYBRID SOLDER, any word? :P


Hybrid Soldier2011-06-02 16:15:11
I'm not christmas father !

Never heard of anything like that, just know from Jeff Rona that 12 hours were written for it, 6 recorded...


Gambit2011-06-02 22:03:48
6 hours recorded? Damn man, that's impressive! And we only know 1 hour of it? Oh wow... if i only could get my fingers on that version >.<


Gavin Salkeld - Composer2011-06-03 00:15:43
@John

No, I dont know specifics, just that a bunch of unused music/demos from a load of DC CDs came from actual movies.

Smith reply Replies: 0 || 2011-06-01 11:18:14
does anyone know about this "different music" that b00bs have posted? Is this legit?

Why on earth haven't this released already aaaaaaah :O hehehe :P

Jorge reply Replies: 0 || 2011-02-08 00:00:00
there's a 16 minute featurette on hans scoring the thin red line available on the 2010 special edition of the thin red line dvd. If anyone has this could they upload to utube as it would be interesting to watch. Or if anyone has found it online. Thanks Jorge

john reply Replies: 0 || 2011-02-08 00:00:00
completely here with ggh. crossing the fingers that hybrid can do some magic :)

ggh reply Replies: 0 || 2011-02-03 00:00:00
sorry for making pressure hybrid, but you are the only one we know who has contact to RC.
And why THIS score? Because it's Hans masterpiece. The only score where Hans says, that this is really good. He always says to the other score that it's ok, but still not good for him. I'm sure he is only saying it so but loves them all ;) But still, he always said how much he loves TTRL. So i thought you could be asking if something could be released, or just "The Journey in Line" with those drums like in the movie.

Like you made it with Inception for these two tracks, now here for this only one track.

Please it would be soooooooo kind from you Hybrid. I know there are a lot of users who wants this too.

  Your name :   

Please enter number: 118 

tom reply Replies: 0 || 2011-02-02 00:00:00
hybrid? no chance here?

Hybrid Soldier reply Replies: 0 || 2011-02-02 00:00:00
Why me ? Why THAT one ? You expect me to make bootlegs come out of a hat or something ? :P


Nothing I know about TTRL...

Anonymous reply Replies: 0 || 2011-02-02 00:00:00
yeah seriously guys, give Hybrid a break :-D

don't abuse him just because he helped get two unreleased tracks from inception or whatever. Be grateful.

ggh reply Replies: 0 || 2011-02-01 00:00:00
Oh and btw Brad, I hope for the recordings of your movie choices too :) I love any rc-releases from hans. so I hope we can see more in the future!

ggh reply Replies: 0 || 2011-02-01 00:00:00
@Brad: hehehe sure, no problem. I no that there is nearly no chance for this, but you know, sometimes a wonder happens. and maybe this wonder will be this release here.

hans is so proud of his work for this movie. so why not releasing it with much love. but i guess he keeps it secret to have some tracks available for other movies where he can use it for.

that's why i'm asking just for the journey but WITH the drums. Or is anyone here able to reconstruate that track? Just putting a drum-layer on the original release track. It is sooooo brilliant with the drums. so epic...

Brad reply Replies: 0 || 2011-02-01 00:00:00
@ggh: Haha, fat chance! Sorry to dampen your hopes of ever finding this, but I'm sure Zimmer himself is the only one that has access to the 5+ hours of music that were written for this film. But don't give up hope because I am still hoping for the full recording sessions from the following to be released: At World's End, The Dark Knight, Batman Begins, Sherlock Holmes, The Curse of the Black Pearl, Dead Man's Chest, and The Lion King. See, there's always hope! :-) But in the words of Gandalf the White: "There never was much hope...just a fools hope." I guess you can label me the fool because I'm still hoping...

ggh reply Replies: 0 || 2011-01-31 00:00:00
hybrid, is there any chance of a recording session here? or maybe just the cue of the journey with the drums like in the movie? please please please. I would die happy if hans would release it...

Jim reply Replies: 0 || 2010-11-17 00:00:00
is no one interested on this soundtrack and having more of it?

Hans reply Replies: 0 || 2010-11-16 00:00:00
@RuthlessGravity:

yes i have this version and yes it's really unlistenable. too bad, the version is so epic with the drums.
i would love if hans would give this soundtrack more love and release a deluxe version of it with all the cues (more then 6 hours were written).

but i guess they want to use the unreleased cues for projects in the future. like a sample-archive. :/

but thanks a lot for your answer my friend :)

RuthlessGravity reply Replies: 0 || 2010-11-15 00:00:00
@ Hans

Currently no, there was a release of it from the movie but it was ripped from the film itself, thus having SFX which makes it unbearable to listen to.

Hans reply Replies: 0 || 2010-11-13 00:00:00
is there any chance on releasing "journey to the line" like it was in the movie? with the drums etc?
or does someone know where i can get similar drum-beats, so i can mix it myself?

please help!

red line reply Replies: 0 || 2010-07-26 00:00:00
there is a 5 hours version of this. and we have just got that short version. how awesome this would be to hear the entire score.... it makes me cry

Red Line reply Replies: 0 || 2010-07-26 00:00:00
this is the petition to get it:
http:// www. petitiononline .com /deft0nes/petition.html

John reply Replies: 0 || 2010-07-26 00:00:00
wow. i want it

Catherine reply Replies: 0 || 2010-03-13 00:00:00
It is seldom that I love something as much as the song GOD U TEKEM LAEF BLON MI It is absolutey magnificent.

Otto reply Replies: 0 || 2010-01-16 00:00:00
I love this soundstrack! I am primarily a rock music fan, but I listen to The Thin Red Line at least once a week.
Beautiful!!

Jafs reply Replies: 0 || 2009-12-12 00:00:00
Best work of the man !

P. reply Replies: 0 || 2009-12-03 00:00:00
@Skyler

Yes, I heard "Beam" early on in "Public Enemies" as well. The director, Michael Mann, is a big fan of Terrence Malick, who directed "The Thin Red Line." They've shared at least four actors (Colin Farrell, Christian Bale, Christopher Plummer, Wes Studi) and the Elliot Goldenthal score to "Public Enemies" sounds a lot like "Thin Red Line."

@Eric

Any luck finding sheet music?

creasy reply Replies: 0 || 2009-11-01 00:00:00
No, it's not. It is on Klaus Badelt Music For Films (2001) [Promotional Release]

JM reply Replies: 0 || 2009-10-02 00:00:00
Hi everyone

I think I have the same question as:

****2007/11/28 - Darren

Is the instrumental song at the beginning of the film just after Whit talks to the Melanesian woman with the baby on the soundtrack?****

It's an instrumental version of Jisas Yu Holem Hand Blong Mi.

I need to find it!

Levente reply Replies: 0 || 2009-09-26 00:00:00
Enrico is right. The extract is not from the CD but from a promotional material from Klaus Badelt. See here: http://www.hans-zimmer.com/fr/newsite.php?rub=detail&id=493

As you can see the track is number 7. And it was used in the films trailer.

Lee reply Replies: 0 || 2009-09-25 00:00:00
Nice joke :)

Enrico reply Replies: 0 || 2009-09-25 00:00:00
What kind of track on the CD is the "Extract" please? I've the original CD but I've never listened this track...
Thanks...

Eric reply Replies: 0 || 2009-09-23 00:00:00
Hi,
I'm looking for the Light sheet for the Thin red Line (piano only). I can't find any reseller, nor indications that it is available somewhere and especially in France where I leave.
I saw also the excellent pianist Vestard Shimkus played it on Youtube last year.
But really, I don't want to ask a CD or trade anything. I just desperate to find and BUY it.

Any idea would be really welcome
Thank you so much in advance for your reply

my email address : eric.naegels@club-internet.fr

Eric

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The Thin Red Line soundtrack - Hans Zimmer 1998