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Its Imagine the Fire insertThe Japanese version can be ordered here: http: // product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.

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Hans ZimmerBryce JacobsJasha KlebeLorne Balfe
ComposerAdditional MusicAdditional MusicAdditional Music
Label: WaterTower Music
Length: 64'31 (Score: 46'38) rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (10960 votes)
  1. 1976 (3:00)
    Hans Zimmer, Bryce Jacobs, Jasha Klebe, Mel Wesson, Martin Tillman
  2. I Could Show You If You'd Like (0:44)
    Hans Zimmer, Stephen Lipson
  3. I Hear You Knocking - Dave Edmunds (2:46)
  4. Stopwatch (1:29)
    Hans Zimmer, Jasha Klebe, Bryce Jacobs, Michael Brook, Jack Dolman
  5. Into The Red (3:15)
    Hans Zimmer, Lorne Balfe
  6. Budgie (1:28)
    Hans Zimmer, Jasha Klebe, Bryce Jacobs, Mel Wesson, Martin Tillman
  7. Scuderia (0:53)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  8. Gimme Some Lovin' - Steve Winwood (2:52)
  9. Oysters In The Pits (1:05)
    Hans Zimmer, Stephen Lipson, Martin Tillman
  10. 20% (1:01)
    Hans Zimmer, Bryce Jacobs, Stephen Lipson, Jack Dolman
  11. Dyna-Mite - Mud (2:55)
  12. Watkins Glen (1:49)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  13. Loose Cannon (0:35)
    Hans Zimmer, Bryce Jacobs
  14. The Rocker - Thin Lizzy (5:08)
  15. Car Trouble (2:37)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  16. Glück (1:14)
    Hans Zimmer, Bryce Jacobs
  17. Nürburgring (5:33)
    Hans Zimmer, Lorne Balfe, Mel Wesson, Martin Tillman
  18. Inferno (3:30)
    Hans Zimmer, Bryce Jacobs, Mel Wesson
  19. Mount Fuji (3:44)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  20. For Love (2:48)
    Hans Zimmer, Lorne Balfe, Martin Tillman
  21. Reign (3:05)
    Hans Zimmer, Lorne Balfe, Mel Wesson, Martin Tillman
  22. Fame - David Bowie (4:11)
  23. Lost But Won (6:16)
    Hans Zimmer, Jasha Klebe, Bryce Jacobs, Michael Brook, Martin Tillman
  24. My Best Enemy (2:33)
    Hans Zimmer, Jasha Klebe, Martin Tillman
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Jeremy reply Replies: 0 || 2013-09-14 16:51:02
Man,This Soundtrack is awesome.

Frank reply Replies: 0 || 2013-09-13 06:34:16
It's so interesting that movie-wave gave four and half stars for this while gave one star for MOS

Hybrid Soldier reply Replies: 16 || 2013-09-11 19:53:46
Here's a little "who did what" that should be accurate... ;)

JackieStewart2013-09-11 19:59:24
Thanks Hybrid!

Edmund Meinerts2013-09-11 20:23:40
I don't really get some of these credits. If Stephen Lipson is just a "music producer", then how can he have done a cue all by himself? And I thought Satnam just did percussion, not actually help the composition.

Interesting that there isn't a single solo Zimmer cue. I would have thought that at least "1976" would be. Seems like he had a lot of help on this one after all.

Edmund Meinerts2013-09-11 20:25:25
Also, it seems almost like I should add Bryce Jacobs as a co-composer a la Balfe/Inception. He's on practically every single cue.

Hybrid Soldier2013-09-11 20:25:48
Lipson is producer, mixer, performer (guitar) and happens to have participated on the score.

And people are not just credited as writers but performers as well. It's a band score, each one for its instruments (maybe improv mode like BHD or The Pledge...). So it's all very confusing indeed, yay !

Mike2013-09-11 21:04:19
You said it's a "band score"...You mean each cue was treated as though it was a band (hence all the names on each track?)

Hybrid Soldier2013-09-11 21:07:39
As in, each one arranged his instruments on the tracks. HZ, LB, Jasha & Bryce on pure writing (melodies / synths), Lipson, Bryce & Brook on improv for their guitars, Martin on cello, Satnam percs, Jack Dolman some arranging due to editing. Track 2 is a good example, Lipson alone with his guitar who performed what he wanted... :)

MacArthur2013-09-11 21:09:39
I believe that is what he's saying and yes hence the names

Mike2013-09-11 21:12:43
That's actually intensely clever. A good way to use "ghostwriters", if you're going to use them.

Edmund Meinerts2013-09-11 21:20:54
Thanks for clearing that up Hybrid. Yeah, I guess when it's a band score like this with a lot of improv, the lines between performers and composers become quite blurred.

Still interesting to see so much Bryce Jacobs. As far as my iTunes tells me the only other music I have of his is one cue from Red Dawn and now he's practically co-written this score. :p

Hybrid Soldier2013-09-11 21:23:44
Ed you should check his Bad Karma score (where he also wrote all the songs). It's actually the same kind of DNA you can find in Rush.

MacArthur2013-09-12 06:12:53
I don't think he should be labeled co-composer he also played guitar on the songs. it's like POTC3 Gore Verbinski is listed as a writer when he was merely the guitar player. make sense.

Now granted I think he also made additional arrangements and maybe and put some music in on the score after Zimmer wrote it. but I believe this is a total Zimmer score. With a total Zimmer feel

Hybrid Soldier2013-09-12 10:27:27
Err... on POTC 3 Verbinski actually co-wrote the Hoist the Colors theme with HZ...

isildur2013-09-12 14:49:47
I don't know why only Hans gets all the ghostwriters beat up even though he clearly lists all the people who worked on the score.

Hybrid Soldier2013-09-12 16:16:26
Yeah, ask Brian Tyler who gives no royalties and credits no one of the people who ghostwrite for him...

MacArthur2013-09-12 17:20:05
Really I did not know verbinski wrote it. I was told that he only played guitar.

MacArthur2013-09-12 17:22:24
And are the ghostwriters, Lorne Balfe, & Bryce Jacobs?

Quincy Jones reply Replies: 0 || 2013-09-12 04:04:01
Gimme Some Lovin' is not by Steve Winwood. He may have wrote it, but it's by Spencer Davis Group, of which he was a member

Russel reply Replies: 1 || 2013-09-12 02:56:55
Who was the solo cello/viola/violin(ist) in the theme?

JamesT2013-09-12 03:38:09
Had to have been Tillman....

MacArthur reply Replies: 4 || 2013-09-11 21:14:03
My favorite tracks are "My best Enemy", "1976", "Nurburgring" & "Lost but Won".

MacArthur2013-09-11 21:18:19
And sorry to keep posting but what did Balfe do, on this did he do like Junkie XL did in Man of Steel or did he do something where he actually wrote a theme. or was it just rhythm structure or just layer the music after Zimmer wrote it. or arrange it after Zimmer wrote it. if any of you know can you tell me.

MacArthur2013-09-11 21:18:48
and also the same with the other guys

Hybrid Soldier2013-09-11 21:22:13
Can you ever THINK about what you write, like making clear sentences, express an idea & all, instead of just posting, then posting again, and again... ? It's not Twitter here...

MacArthur2013-09-11 22:22:26
Ok sorry, Just asking a question

MacArthur reply Replies: 1 || 2013-09-11 20:49:44
This is an awesome score. Zimmer you are fantastic great music here love the theme.

MacArthur2013-09-11 20:50:44
Another cool thing about this score is it's additional composers are only additional.

Bondo reply Replies: 9 || 2013-09-10 05:54:42
You can definitely hear Balfe in there, particularly in Into the Red, Nurburgring and Reign :D

MacArthur2013-09-10 07:07:03
I didn't hear it at all THis is all Zimmer. The others are only ADDITIONAL! so Balfe probably doesn't have a lot especially since he's been busy this year

MacArthur2013-09-10 07:21:11
This is a Zimmer Score!

Yumbo2013-09-10 07:59:06
Hey guys,

iTunes US has released the album as of 2 hours ago.
Check out the album review later today at:

NOW RACING: Rush | Zinfo 2.0 – Hans Zimmer info

Much better sound than the Soundcloud samples.

Edmund Meinerts2013-09-10 08:03:51
MacArthur - just because Balfe has been busy this year doesn't mean he didn't work on this. Never underestimate that man's apparent disregard for such wastes of time as sleep. :p

Mike2013-09-10 13:53:38
MacArthur, I think the "additional composers" end up doing more than you give them credit for. It's Hans overall, yes, but he is very collaborative.

MacArthur2013-09-11 01:56:04
I understand it's a collaborative effort but in General I'll always give most if not all the credit to Zimmer. Because he wrote most of the stuff

MacArthur2013-09-11 01:58:51
and I didn't hear a lot of Balfe at all.

Hybrid Soldier2013-09-11 12:32:22
Balfe was on 4 cues total for that score.

They all happen to be featured on the OST : Into The Red, Nürburging, For Love & Reign !

MacArthur2013-09-11 20:48:41
Cool thanks.

MacArthur reply Replies: 0 || 2013-09-11 20:47:34
One word "Awesome!" Zimmer Does it again. .......actually 5 but who's counting

Mike reply Replies: 6 || 2013-09-11 17:20:30
"Transformers" in track 1, anyone?

Prometheus2013-09-11 17:32:27
Yep, a bit Revenge of The Fallen (Prime).

Edmund Meinerts2013-09-11 17:51:42
Not "Prime", more "The All Spark" I'd say. It's weird that everyone is comparing it to Game of Thrones though, I can't hear it at all.

Mike2013-09-11 18:04:51
I haven't listened to it, really, but since you sometimes like Zimmer and sometimes don't, what do you think of this one, Edmund?

Macejko2013-09-11 19:02:11
I decided to spare some time and make a video proving that themes of Thrones and Rush are strikingly similar.
h t t p://

Hybrid Soldier2013-09-11 19:35:35
I don't understand your point her, Macejko...

3 notes in common, so what ?

Macejko2013-09-11 19:40:34
Nothing, I just find it really interesting, in a good way. I was always interested in surprising similarities. And when the subject is two of my favourite composers... Well, you can imagine :)

isildur reply Replies: 6 || 2013-09-11 10:53:10

Any info on when the score for 12 years a slave will release? They better release it I really have high expectations for this score.

Hybrid Soldier2013-09-11 12:30:33
Actually I'm pushing HZ a bit to not forget that one, cause when I first asked him, he wasn't sure he would release it. But I'll never give him peace until 12 Years is released, especially since he's really proud of that one...

Macejko2013-09-11 13:27:23
Whoa, wait a second. Why wouldn't he release it? Correct me if I'm wrong, but I'm pretty sure every single one of Hans' soundtrack got a release.

Hybrid Soldier2013-09-11 13:44:26
The Dilemma, How Do You Know, Casi Divas, The Burning Plain, The Weather Man, Shark Tale, Something's Gotta Give... to name a few...

Macejko2013-09-11 13:48:46
Ok, I take it back. But the question is: why? Why he doesn't want to release everything?

Mike2013-09-11 15:03:40
Well, anything you can do to to convince him would be great by me! I've been looking forward to 12 Years a Slave, Mr. Morgan's Last Love, and Winter's Tale.

Shark Tale, on the other hand, I can see why that one didn't get a proper release... xD

isildur2013-09-11 15:42:08

Oh no! Hybrid please do all you can to get this one released. I think all of us are really looking forward to it.

MacArthur reply Replies: 0 || 2013-09-11 03:07:16
Just Bought it!

Guitwo reply Replies: 1 || 2013-09-10 12:24:13
interesting answer from the master himself on fb:
q: please make more works like "time"
hz: I'm desperately trying to reinvent myself. Don't ask me to go over old ground.

0-cool2013-09-10 13:27:04
the directors don't share his opinions. McQueen certainly doesn't

SamFisher reply Replies: 0 || 2013-09-10 11:35:52
For Love almost composed by Lorne Balfe because The Sweeney Theme same.

Ema reply Replies: 0 || 2013-09-09 23:39:37
Just listened, i like it... some song are like Mission Impossible 2 and Angel & Demons 92_577742988950084_3826605_o.jpg

MacArthur reply Replies: 3 || 2013-09-08 07:20:38
Will any of the other Zimmer scores get a release like 12 years a slave or winter's tale, or even Mr. Morgan's last love

MacArthur2013-09-08 07:23:35
Also in terms of Zimmer his best year I think has been this one. with awesome scores such as. Man of Steel, The Bible, The Lone Ranger, Rush, That's kinda why I want the other scores to be released because he's on a roll so why not keep it going.

JamesT2013-09-08 07:54:02
Agreed. I don't know why certain people want to pick everything apart?!? It's exhausting to read.... what was Hans thinking? What specific parts did he compose? Who helped him? Who gets credit? I am amazed and thankful for all the music that's been made available this year, that otherwise would not have. Some people are never happy. Enjoy the music, PLEASE.

Mike2013-09-09 15:00:59
I'm really looking forward to all of those (Twelve Years a Slave, Mr. Morgan's Last Love, and Winter's Tale). Some low-key Zimmer will be refreshing after all these huge movies he's been working on.

Guitwo reply Replies: 2 || 2013-09-08 13:28:53
i went throught the whole album yesterday.
you can hear here and there some Inception stuff (Mombasa in the beginning of Watkins Glen, ambiant sounds at the beginning of nurburgring and the same percs at the end of nurburgring). Reign feels like an evolution of Molossus.

But despite having some old "tones" this soundtrack is so refreshing. I mean "whoa". This album shows all the nay-sayers that Zimmer doesn't have a lack of creativity. He always finds new ways to renew himself.
the whole use of guitars is well done and thought (harmonics, palm muting, big fx, delays, simple riffs yet very effective... at a certain point i thought the edge was playing on that album).
You can pretty much understand the manichean opposition between the two characters when you listen at the soundtrack and without watching the movie (raw guitar riffs for Hunt -the fun loving, passionate guy-, industrial guitar with a lot of fx (squared/martial riff) for Lauda -the rigourous guy-).
sounds really like an old Zimmer soundtrack. Simple, Powerful, brutal, european.
As Hybrid said it no budget, no orchestra and it's pretty audible when you listen at the soundtrack that they were no big recording sessions for that album. Yet, the "no budget" constraint forces him to be more creative. It is a bit ironical that the percs are incredibly awesome here despite having a little budget... on the other hand you have MoS with his big budget production soundtrack, orchestra, 12percs and... not a real ear punishment.

1976, Stopwatch, Into the Red, Budgie, Scuderia, Watkins Glen (favourite), Car Trouble (also favourite), Nurburgring, Inferno, Mount Fuji, For Love, Lost but Won, My Best Enemy.

definitely this soundtrack hyped me up for the movie. I saw the teaser months ago and I was not really buying it at first. But now I can't wait to watch this movie.

Meta2013-09-08 19:07:08
This may have been a "no budget" score, but even when Zimmer does his long winded temp sessions (example: his Man of Steel journal) they don't sound all that different from the final versions...

Good score, although it reminded me of Transformers and Mission Impossible 2, somewhat.

Guitwo2013-09-09 11:57:52
I agree The beginning of Lost but Won sounds like Bumblebee.
IDK why but Reign has both Molossus and COD-like mood.

Satnam's work is unbelievable.

Russel reply Replies: 1 || 2013-09-08 17:53:14
This reminds me of Spyro 3 a little bit.....

Casey2013-09-09 05:56:09
No shit, really? That is a great OST.

Macejko reply Replies: 12 || 2013-09-07 14:14:38
"1976" sounds totally like Djawadi's "Rains of Castamere".

Macejko2013-09-07 14:57:29
And after hearing the whole thing, I must say, it really has a huge "throney" vibe to it. But despite it (or maybe it is BECAUSE of it), "Rush" is a great listen. 2013 is probably Hans' strongest year to date.

MacArthur2013-09-07 16:53:52
And more coming can't wait to listen to or buy (if it comes out) winter's tale, 12 years a slave, Mr.Morgans last love.

isildur2013-09-07 17:35:25
How come Zimmer used it from Djawad's music? Won't he say anything ?;)

MacArthur2013-09-07 18:02:52
From what I heard it sounded like the "Thin Red Line" not Djawadi and a lot of the scores sound similar I caught Zimmer Progressions in the Transformers Scores.

Mike2013-09-07 18:06:30
Oh, the Transformers scores (#1 in particular) were total Zimmer ripoffs. Great stuff overall, though. And it's no surprise that Hans Zimmer did some additional music on the second Transformers, either.

Macejko2013-09-07 21:10:14
He didn't use Djawadi's music. I only said it sounds similar.

Brent2013-09-07 21:15:50
To me, Rush kind of sounds like Jablonsky's Pain & Gain with an orchestra, which is super cool!

Hybrid Soldier2013-09-07 21:21:08
Oh, about that, there's no orchestra here. No budget !

All sampled, and you'll notice all those strings & brass used all the time in Balfe scores... :P :)

Of course some soloists ! ;)

...2013-09-07 21:25:28

btw, what do you think about the score, Hybrid?:)

MacArthur2013-09-07 22:58:25
Yeah that's why I like Jablonsky He has his own (Zimmer) style

Bioscope2013-09-08 05:19:28
I still hear INCEPTION evolutions here, too :)

MacArthur2013-09-08 07:18:18
I thought all the Samples were Zimmer stuff. Why did you label it only in Balfe's Scores. cause I thought Zimmer used mostly samples as well. I also thought that the samples were RCP stuff in general not just one particular composer.

ei18 reply Replies: 0 || 2013-09-07 23:31:59
will 12 years a slave get a release?

isildur reply Replies: 0 || 2013-09-07 19:20:30
Hans is answering the questions in facebook. People can ask your questions.

Hans Zimmer &#8207;@RealHansZimmer 8m

Hans is ready to take your questions! Please ask them in the comments below. http: //

Frank reply Replies: 1 || 2013-09-07 19:04:41
Some tracks sound really like TDK trilogy

isildur2013-09-07 19:16:16
I haven't found anything of that sort. May be the electronics might have put you on the wrong scent.

JackieStewart reply Replies: 0 || 2013-09-07 13:06:42
Why Oysters In The Pits is so short? Great track!

SamFisher reply Replies: 1 || 2013-09-07 11:50:37
Car Trouble amazing!! :)

isildur2013-09-07 13:03:01

Ds reply Replies: 8 || 2013-09-06 10:06:32
Bought it from itunes this morning!

Anonymous2013-09-06 17:10:41
I am not gonna say bad score. But totally not my thing (like I expected).

Spence2013-09-06 17:32:31
Though I can't find the leak, what I've heard from the stream sounds really cool. Finally a score that doesn't try and cash in on his new fans' love for this 'epic' scores and tries to get away from his Christopher Nolan sound and his Sherlock Holmes sound (which, let's face it, all of the scores he's done recently have been like.) This is makes me excited for what he does with Twelve Years a Slave, Winter's Tale, and Mr. Morgan's Last Love

Radik2013-09-06 20:40:35
The score sounds awesome.. great work Hans.. just like always right :)

MacArthur2013-09-07 00:34:04
I didn't think that the Lone Ranger sounded like Sherlock Holmes or Inception

fabien2013-09-07 00:42:17
between inception, transformers and my godness a so exciting project ! great music , cant wait for the sessions!!

Mike2013-09-07 00:55:07
"Absurdity" from The Lone Ranger didn't just scream Sherlock Holmes to you, MacArthur? I mean, I agree the score wasn't reminiscent of Inception, but I really caught similarities to Sherlock Holmes. It's got that same quirky sound.

Anon2013-09-07 07:04:26
There is a definite sound Zimmer used for Sherlock, Lone Ranger, Rango, and even Pirates for that matter. Yes, Ranger was a bit different, but you could argue they are all slightly different. Thing about Ranger though, was that most of it either sounded like Sherlock, was that old Celtic tune, or was arranged by other people.....

At least Rush tried to create it's own sound template very different from Zimmer's recent scores. Also, it focuses more on the atmosphere and softer cues than the loud, action packed, "epic" cues that are getting very dull

MacArthur2013-09-07 07:11:10
I caught a little Sherlock Holmes in The Railroad waits for no one. but not in absurdity I caught Rango in absurdity

ei18 reply Replies: 4 || 2013-09-06 22:58:30
http :// full score!!

ei182013-09-06 23:02:37
missing a few songs

Geoffrey 2013-09-06 23:29:32
F**k : dialogues and SFX are included in the tracks !!!! Remind me the awfull Hannibal process.

isildur2013-09-06 23:33:27
Wow! It sounds fantastic. Nurburgring and Reign are outstanding.

Ds2013-09-07 00:26:11
Geoffrey: no SFX/dialogue at all. Only a brief motor sound at the beginning of track 1 and at the end of track 24.

MacArthur reply Replies: 1 || 2013-09-01 18:38:21
I think i'm going to get this score. I've listened to samples of it and it awesome.

MacArthur2013-09-04 06:43:14
Really Liken this from what I have heard.

Evenstar reply Replies: 6 || 2013-08-22 16:47:39
Zimmer & Balfe talking about Beyond: Two Souls!

MacArthur2013-08-22 18:44:58
Why is it on Balfe's Filmography and not Hans since he is involved in it?

al bundy2013-08-22 20:35:52
ask Hybrid Soldier ;)

Evenstar2013-08-22 20:36:31
CD will be released together with special edition of the game. Probably there is gonna be a digital version as well.

T-Mann0362013-09-01 06:04:29
Kitty Pryde meets The Green Goblin, eh?

Aytekin2013-09-01 15:50:39
MacArthur: you can't be serious, check out Hans' disco .... he is a music producer ONLY for this VG.... Beyond - Two Souls (VG) (Music Producer) HZ ;)

MacArthur2013-09-01 18:36:41
I did when I asked the Question, it wasn't posted

Khan-El reply Replies: 3 || 2013-08-31 04:50:17
Forgive my ignorance, but when is this score coming out?

MacArthur2013-08-31 05:23:55
It's available for pre-order now on iTunes but the actual release date is Sept.10

Khan-El2013-08-31 14:56:27

MacArthur2013-08-31 17:39:00

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Rush soundtrack - Hans Zimmer 2013