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Right. Hopefully the other missing stuff gets released on the 2nd CD though.why does Amity say (traditional)?Just rip it off the biggieAll credits added for the OST, even though since it's long montages from lots of cues, it doesn't make THAT much sense... :)Which cues were written by Steve Jablonsky?
me too!No piano. I believe it was mostly strings and had a small bit of the choir.Which instruments were used to play the love theme? Piano?<br>There was also a Jean/Scott love theme that was briefly used in the bedroom scene after they return from space. It was included in the end credits suite as well.CD RELEASE?
Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.
There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>

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Hans ZimmerBryce JacobsJasha KlebeLorne Balfe
ComposerAdditional MusicAdditional MusicAdditional Music
Label: WaterTower Music
Length: 64'31 (Score: 46'38) rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (11114 votes)
  1. 1976 (3:00)
    Hans Zimmer, Bryce Jacobs, Jasha Klebe, Mel Wesson, Martin Tillman
  2. I Could Show You If You'd Like (0:44)
    Hans Zimmer, Stephen Lipson
  3. I Hear You Knocking - Dave Edmunds (2:46)
  4. Stopwatch (1:29)
    Hans Zimmer, Jasha Klebe, Bryce Jacobs, Michael Brook, Jack Dolman
  5. Into The Red (3:15)
    Hans Zimmer, Lorne Balfe
  6. Budgie (1:28)
    Hans Zimmer, Jasha Klebe, Bryce Jacobs, Mel Wesson, Martin Tillman
  7. Scuderia (0:53)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  8. Gimme Some Lovin' - Steve Winwood (2:52)
  9. Oysters In The Pits (1:05)
    Hans Zimmer, Stephen Lipson, Martin Tillman
  10. 20% (1:01)
    Hans Zimmer, Bryce Jacobs, Stephen Lipson, Jack Dolman
  11. Dyna-Mite - Mud (2:55)
  12. Watkins Glen (1:49)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  13. Loose Cannon (0:35)
    Hans Zimmer, Bryce Jacobs
  14. The Rocker - Thin Lizzy (5:08)
  15. Car Trouble (2:37)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  16. Glück (1:14)
    Hans Zimmer, Bryce Jacobs
  17. Nürburgring (5:33)
    Hans Zimmer, Lorne Balfe, Mel Wesson, Martin Tillman
  18. Inferno (3:30)
    Hans Zimmer, Bryce Jacobs, Mel Wesson
  19. Mount Fuji (3:44)
    Hans Zimmer, Bryce Jacobs, Martin Tillman
  20. For Love (2:48)
    Hans Zimmer, Lorne Balfe, Martin Tillman
  21. Reign (3:05)
    Hans Zimmer, Lorne Balfe, Mel Wesson, Martin Tillman
  22. Fame - David Bowie (4:11)
  23. Lost But Won (6:16)
    Hans Zimmer, Jasha Klebe, Bryce Jacobs, Michael Brook, Martin Tillman
  24. My Best Enemy (2:33)
    Hans Zimmer, Jasha Klebe, Martin Tillman
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Jeremy reply Replies: 0 || 2013-09-14 16:51:02
Man,This Soundtrack is awesome.

Frank reply Replies: 0 || 2013-09-13 06:34:16
It's so interesting that movie-wave gave four and half stars for this while gave one star for MOS

Hybrid Soldier reply Replies: 16 || 2013-09-11 19:53:46
Here's a little "who did what" that should be accurate... ;)

JackieStewart2013-09-11 19:59:24
Thanks Hybrid!

Edmund Meinerts2013-09-11 20:23:40
I don't really get some of these credits. If Stephen Lipson is just a "music producer", then how can he have done a cue all by himself? And I thought Satnam just did percussion, not actually help the composition.

Interesting that there isn't a single solo Zimmer cue. I would have thought that at least "1976" would be. Seems like he had a lot of help on this one after all.

Edmund Meinerts2013-09-11 20:25:25
Also, it seems almost like I should add Bryce Jacobs as a co-composer a la Balfe/Inception. He's on practically every single cue.

Hybrid Soldier2013-09-11 20:25:48
Lipson is producer, mixer, performer (guitar) and happens to have participated on the score.

And people are not just credited as writers but performers as well. It's a band score, each one for its instruments (maybe improv mode like BHD or The Pledge...). So it's all very confusing indeed, yay !

Mike2013-09-11 21:04:19
You said it's a "band score"...You mean each cue was treated as though it was a band (hence all the names on each track?)

Hybrid Soldier2013-09-11 21:07:39
As in, each one arranged his instruments on the tracks. HZ, LB, Jasha & Bryce on pure writing (melodies / synths), Lipson, Bryce & Brook on improv for their guitars, Martin on cello, Satnam percs, Jack Dolman some arranging due to editing. Track 2 is a good example, Lipson alone with his guitar who performed what he wanted... :)

MacArthur2013-09-11 21:09:39
I believe that is what he's saying and yes hence the names

Mike2013-09-11 21:12:43
That's actually intensely clever. A good way to use "ghostwriters", if you're going to use them.

Edmund Meinerts2013-09-11 21:20:54
Thanks for clearing that up Hybrid. Yeah, I guess when it's a band score like this with a lot of improv, the lines between performers and composers become quite blurred.

Still interesting to see so much Bryce Jacobs. As far as my iTunes tells me the only other music I have of his is one cue from Red Dawn and now he's practically co-written this score. :p

Hybrid Soldier2013-09-11 21:23:44
Ed you should check his Bad Karma score (where he also wrote all the songs). It's actually the same kind of DNA you can find in Rush.

MacArthur2013-09-12 06:12:53
I don't think he should be labeled co-composer he also played guitar on the songs. it's like POTC3 Gore Verbinski is listed as a writer when he was merely the guitar player. make sense.

Now granted I think he also made additional arrangements and maybe and put some music in on the score after Zimmer wrote it. but I believe this is a total Zimmer score. With a total Zimmer feel

Hybrid Soldier2013-09-12 10:27:27
Err... on POTC 3 Verbinski actually co-wrote the Hoist the Colors theme with HZ...

isildur2013-09-12 14:49:47
I don't know why only Hans gets all the ghostwriters beat up even though he clearly lists all the people who worked on the score.

Hybrid Soldier2013-09-12 16:16:26
Yeah, ask Brian Tyler who gives no royalties and credits no one of the people who ghostwrite for him...

MacArthur2013-09-12 17:20:05
Really I did not know verbinski wrote it. I was told that he only played guitar.

MacArthur2013-09-12 17:22:24
And are the ghostwriters, Lorne Balfe, & Bryce Jacobs?

Quincy Jones reply Replies: 0 || 2013-09-12 04:04:01
Gimme Some Lovin' is not by Steve Winwood. He may have wrote it, but it's by Spencer Davis Group, of which he was a member

Russel reply Replies: 1 || 2013-09-12 02:56:55
Who was the solo cello/viola/violin(ist) in the theme?

JamesT2013-09-12 03:38:09
Had to have been Tillman....

MacArthur reply Replies: 4 || 2013-09-11 21:14:03
My favorite tracks are "My best Enemy", "1976", "Nurburgring" & "Lost but Won".

MacArthur2013-09-11 21:18:19
And sorry to keep posting but what did Balfe do, on this did he do like Junkie XL did in Man of Steel or did he do something where he actually wrote a theme. or was it just rhythm structure or just layer the music after Zimmer wrote it. or arrange it after Zimmer wrote it. if any of you know can you tell me.

MacArthur2013-09-11 21:18:48
and also the same with the other guys

Hybrid Soldier2013-09-11 21:22:13
Can you ever THINK about what you write, like making clear sentences, express an idea & all, instead of just posting, then posting again, and again... ? It's not Twitter here...

MacArthur2013-09-11 22:22:26
Ok sorry, Just asking a question

MacArthur reply Replies: 1 || 2013-09-11 20:49:44
This is an awesome score. Zimmer you are fantastic great music here love the theme.

MacArthur2013-09-11 20:50:44
Another cool thing about this score is it's additional composers are only additional.

Bondo reply Replies: 9 || 2013-09-10 05:54:42
You can definitely hear Balfe in there, particularly in Into the Red, Nurburgring and Reign :D

MacArthur2013-09-10 07:07:03
I didn't hear it at all THis is all Zimmer. The others are only ADDITIONAL! so Balfe probably doesn't have a lot especially since he's been busy this year

MacArthur2013-09-10 07:21:11
This is a Zimmer Score!

Yumbo2013-09-10 07:59:06
Hey guys,

iTunes US has released the album as of 2 hours ago.
Check out the album review later today at:

NOW RACING: Rush | Zinfo 2.0 – Hans Zimmer info

Much better sound than the Soundcloud samples.

Edmund Meinerts2013-09-10 08:03:51
MacArthur - just because Balfe has been busy this year doesn't mean he didn't work on this. Never underestimate that man's apparent disregard for such wastes of time as sleep. :p

Mike2013-09-10 13:53:38
MacArthur, I think the "additional composers" end up doing more than you give them credit for. It's Hans overall, yes, but he is very collaborative.

MacArthur2013-09-11 01:56:04
I understand it's a collaborative effort but in General I'll always give most if not all the credit to Zimmer. Because he wrote most of the stuff

MacArthur2013-09-11 01:58:51
and I didn't hear a lot of Balfe at all.

Hybrid Soldier2013-09-11 12:32:22
Balfe was on 4 cues total for that score.

They all happen to be featured on the OST : Into The Red, Nürburging, For Love & Reign !

MacArthur2013-09-11 20:48:41
Cool thanks.

MacArthur reply Replies: 0 || 2013-09-11 20:47:34
One word "Awesome!" Zimmer Does it again. .......actually 5 but who's counting

Mike reply Replies: 6 || 2013-09-11 17:20:30
"Transformers" in track 1, anyone?

Prometheus2013-09-11 17:32:27
Yep, a bit Revenge of The Fallen (Prime).

Edmund Meinerts2013-09-11 17:51:42
Not "Prime", more "The All Spark" I'd say. It's weird that everyone is comparing it to Game of Thrones though, I can't hear it at all.

Mike2013-09-11 18:04:51
I haven't listened to it, really, but since you sometimes like Zimmer and sometimes don't, what do you think of this one, Edmund?

Macejko2013-09-11 19:02:11
I decided to spare some time and make a video proving that themes of Thrones and Rush are strikingly similar.
h t t p://

Hybrid Soldier2013-09-11 19:35:35
I don't understand your point her, Macejko...

3 notes in common, so what ?

Macejko2013-09-11 19:40:34
Nothing, I just find it really interesting, in a good way. I was always interested in surprising similarities. And when the subject is two of my favourite composers... Well, you can imagine :)

isildur reply Replies: 6 || 2013-09-11 10:53:10

Any info on when the score for 12 years a slave will release? They better release it I really have high expectations for this score.

Hybrid Soldier2013-09-11 12:30:33
Actually I'm pushing HZ a bit to not forget that one, cause when I first asked him, he wasn't sure he would release it. But I'll never give him peace until 12 Years is released, especially since he's really proud of that one...

Macejko2013-09-11 13:27:23
Whoa, wait a second. Why wouldn't he release it? Correct me if I'm wrong, but I'm pretty sure every single one of Hans' soundtrack got a release.

Hybrid Soldier2013-09-11 13:44:26
The Dilemma, How Do You Know, Casi Divas, The Burning Plain, The Weather Man, Shark Tale, Something's Gotta Give... to name a few...

Macejko2013-09-11 13:48:46
Ok, I take it back. But the question is: why? Why he doesn't want to release everything?

Mike2013-09-11 15:03:40
Well, anything you can do to to convince him would be great by me! I've been looking forward to 12 Years a Slave, Mr. Morgan's Last Love, and Winter's Tale.

Shark Tale, on the other hand, I can see why that one didn't get a proper release... xD

isildur2013-09-11 15:42:08

Oh no! Hybrid please do all you can to get this one released. I think all of us are really looking forward to it.

MacArthur reply Replies: 0 || 2013-09-11 03:07:16
Just Bought it!

Guitwo reply Replies: 1 || 2013-09-10 12:24:13
interesting answer from the master himself on fb:
q: please make more works like "time"
hz: I'm desperately trying to reinvent myself. Don't ask me to go over old ground.

0-cool2013-09-10 13:27:04
the directors don't share his opinions. McQueen certainly doesn't

SamFisher reply Replies: 0 || 2013-09-10 11:35:52
For Love almost composed by Lorne Balfe because The Sweeney Theme same.

Ema reply Replies: 0 || 2013-09-09 23:39:37
Just listened, i like it... some song are like Mission Impossible 2 and Angel & Demons 92_577742988950084_3826605_o.jpg

MacArthur reply Replies: 3 || 2013-09-08 07:20:38
Will any of the other Zimmer scores get a release like 12 years a slave or winter's tale, or even Mr. Morgan's last love

MacArthur2013-09-08 07:23:35
Also in terms of Zimmer his best year I think has been this one. with awesome scores such as. Man of Steel, The Bible, The Lone Ranger, Rush, That's kinda why I want the other scores to be released because he's on a roll so why not keep it going.

JamesT2013-09-08 07:54:02
Agreed. I don't know why certain people want to pick everything apart?!? It's exhausting to read.... what was Hans thinking? What specific parts did he compose? Who helped him? Who gets credit? I am amazed and thankful for all the music that's been made available this year, that otherwise would not have. Some people are never happy. Enjoy the music, PLEASE.

Mike2013-09-09 15:00:59
I'm really looking forward to all of those (Twelve Years a Slave, Mr. Morgan's Last Love, and Winter's Tale). Some low-key Zimmer will be refreshing after all these huge movies he's been working on.

Guitwo reply Replies: 2 || 2013-09-08 13:28:53
i went throught the whole album yesterday.
you can hear here and there some Inception stuff (Mombasa in the beginning of Watkins Glen, ambiant sounds at the beginning of nurburgring and the same percs at the end of nurburgring). Reign feels like an evolution of Molossus.

But despite having some old "tones" this soundtrack is so refreshing. I mean "whoa". This album shows all the nay-sayers that Zimmer doesn't have a lack of creativity. He always finds new ways to renew himself.
the whole use of guitars is well done and thought (harmonics, palm muting, big fx, delays, simple riffs yet very effective... at a certain point i thought the edge was playing on that album).
You can pretty much understand the manichean opposition between the two characters when you listen at the soundtrack and without watching the movie (raw guitar riffs for Hunt -the fun loving, passionate guy-, industrial guitar with a lot of fx (squared/martial riff) for Lauda -the rigourous guy-).
sounds really like an old Zimmer soundtrack. Simple, Powerful, brutal, european.
As Hybrid said it no budget, no orchestra and it's pretty audible when you listen at the soundtrack that they were no big recording sessions for that album. Yet, the "no budget" constraint forces him to be more creative. It is a bit ironical that the percs are incredibly awesome here despite having a little budget... on the other hand you have MoS with his big budget production soundtrack, orchestra, 12percs and... not a real ear punishment.

1976, Stopwatch, Into the Red, Budgie, Scuderia, Watkins Glen (favourite), Car Trouble (also favourite), Nurburgring, Inferno, Mount Fuji, For Love, Lost but Won, My Best Enemy.

definitely this soundtrack hyped me up for the movie. I saw the teaser months ago and I was not really buying it at first. But now I can't wait to watch this movie.

Meta2013-09-08 19:07:08
This may have been a "no budget" score, but even when Zimmer does his long winded temp sessions (example: his Man of Steel journal) they don't sound all that different from the final versions...

Good score, although it reminded me of Transformers and Mission Impossible 2, somewhat.

Guitwo2013-09-09 11:57:52
I agree The beginning of Lost but Won sounds like Bumblebee.
IDK why but Reign has both Molossus and COD-like mood.

Satnam's work is unbelievable.

Russel reply Replies: 1 || 2013-09-08 17:53:14
This reminds me of Spyro 3 a little bit.....

Casey2013-09-09 05:56:09
No shit, really? That is a great OST.

Macejko reply Replies: 12 || 2013-09-07 14:14:38
"1976" sounds totally like Djawadi's "Rains of Castamere".

Macejko2013-09-07 14:57:29
And after hearing the whole thing, I must say, it really has a huge "throney" vibe to it. But despite it (or maybe it is BECAUSE of it), "Rush" is a great listen. 2013 is probably Hans' strongest year to date.

MacArthur2013-09-07 16:53:52
And more coming can't wait to listen to or buy (if it comes out) winter's tale, 12 years a slave, Mr.Morgans last love.

isildur2013-09-07 17:35:25
How come Zimmer used it from Djawad's music? Won't he say anything ?;)

MacArthur2013-09-07 18:02:52
From what I heard it sounded like the "Thin Red Line" not Djawadi and a lot of the scores sound similar I caught Zimmer Progressions in the Transformers Scores.

Mike2013-09-07 18:06:30
Oh, the Transformers scores (#1 in particular) were total Zimmer ripoffs. Great stuff overall, though. And it's no surprise that Hans Zimmer did some additional music on the second Transformers, either.

Macejko2013-09-07 21:10:14
He didn't use Djawadi's music. I only said it sounds similar.

Brent2013-09-07 21:15:50
To me, Rush kind of sounds like Jablonsky's Pain & Gain with an orchestra, which is super cool!

Hybrid Soldier2013-09-07 21:21:08
Oh, about that, there's no orchestra here. No budget !

All sampled, and you'll notice all those strings & brass used all the time in Balfe scores... :P :)

Of course some soloists ! ;)

...2013-09-07 21:25:28

btw, what do you think about the score, Hybrid?:)

MacArthur2013-09-07 22:58:25
Yeah that's why I like Jablonsky He has his own (Zimmer) style

Bioscope2013-09-08 05:19:28
I still hear INCEPTION evolutions here, too :)

MacArthur2013-09-08 07:18:18
I thought all the Samples were Zimmer stuff. Why did you label it only in Balfe's Scores. cause I thought Zimmer used mostly samples as well. I also thought that the samples were RCP stuff in general not just one particular composer.

ei18 reply Replies: 0 || 2013-09-07 23:31:59
will 12 years a slave get a release?

isildur reply Replies: 0 || 2013-09-07 19:20:30
Hans is answering the questions in facebook. People can ask your questions.

Hans Zimmer &#8207;@RealHansZimmer 8m

Hans is ready to take your questions! Please ask them in the comments below. http: //

Frank reply Replies: 1 || 2013-09-07 19:04:41
Some tracks sound really like TDK trilogy

isildur2013-09-07 19:16:16
I haven't found anything of that sort. May be the electronics might have put you on the wrong scent.

JackieStewart reply Replies: 0 || 2013-09-07 13:06:42
Why Oysters In The Pits is so short? Great track!

SamFisher reply Replies: 1 || 2013-09-07 11:50:37
Car Trouble amazing!! :)

isildur2013-09-07 13:03:01

Ds reply Replies: 8 || 2013-09-06 10:06:32
Bought it from itunes this morning!

Anonymous2013-09-06 17:10:41
I am not gonna say bad score. But totally not my thing (like I expected).

Spence2013-09-06 17:32:31
Though I can't find the leak, what I've heard from the stream sounds really cool. Finally a score that doesn't try and cash in on his new fans' love for this 'epic' scores and tries to get away from his Christopher Nolan sound and his Sherlock Holmes sound (which, let's face it, all of the scores he's done recently have been like.) This is makes me excited for what he does with Twelve Years a Slave, Winter's Tale, and Mr. Morgan's Last Love

Radik2013-09-06 20:40:35
The score sounds awesome.. great work Hans.. just like always right :)

MacArthur2013-09-07 00:34:04
I didn't think that the Lone Ranger sounded like Sherlock Holmes or Inception

fabien2013-09-07 00:42:17
between inception, transformers and my godness a so exciting project ! great music , cant wait for the sessions!!

Mike2013-09-07 00:55:07
"Absurdity" from The Lone Ranger didn't just scream Sherlock Holmes to you, MacArthur? I mean, I agree the score wasn't reminiscent of Inception, but I really caught similarities to Sherlock Holmes. It's got that same quirky sound.

Anon2013-09-07 07:04:26
There is a definite sound Zimmer used for Sherlock, Lone Ranger, Rango, and even Pirates for that matter. Yes, Ranger was a bit different, but you could argue they are all slightly different. Thing about Ranger though, was that most of it either sounded like Sherlock, was that old Celtic tune, or was arranged by other people.....

At least Rush tried to create it's own sound template very different from Zimmer's recent scores. Also, it focuses more on the atmosphere and softer cues than the loud, action packed, "epic" cues that are getting very dull

MacArthur2013-09-07 07:11:10
I caught a little Sherlock Holmes in The Railroad waits for no one. but not in absurdity I caught Rango in absurdity

ei18 reply Replies: 4 || 2013-09-06 22:58:30
http :// full score!!

ei182013-09-06 23:02:37
missing a few songs

Geoffrey 2013-09-06 23:29:32
F**k : dialogues and SFX are included in the tracks !!!! Remind me the awfull Hannibal process.

isildur2013-09-06 23:33:27
Wow! It sounds fantastic. Nurburgring and Reign are outstanding.

Ds2013-09-07 00:26:11
Geoffrey: no SFX/dialogue at all. Only a brief motor sound at the beginning of track 1 and at the end of track 24.

MacArthur reply Replies: 1 || 2013-09-01 18:38:21
I think i'm going to get this score. I've listened to samples of it and it awesome.

MacArthur2013-09-04 06:43:14
Really Liken this from what I have heard.

Evenstar reply Replies: 6 || 2013-08-22 16:47:39
Zimmer & Balfe talking about Beyond: Two Souls!

MacArthur2013-08-22 18:44:58
Why is it on Balfe's Filmography and not Hans since he is involved in it?

al bundy2013-08-22 20:35:52
ask Hybrid Soldier ;)

Evenstar2013-08-22 20:36:31
CD will be released together with special edition of the game. Probably there is gonna be a digital version as well.

T-Mann0362013-09-01 06:04:29
Kitty Pryde meets The Green Goblin, eh?

Aytekin2013-09-01 15:50:39
MacArthur: you can't be serious, check out Hans' disco .... he is a music producer ONLY for this VG.... Beyond - Two Souls (VG) (Music Producer) HZ ;)

MacArthur2013-09-01 18:36:41
I did when I asked the Question, it wasn't posted

Khan-El reply Replies: 3 || 2013-08-31 04:50:17
Forgive my ignorance, but when is this score coming out?

MacArthur2013-08-31 05:23:55
It's available for pre-order now on iTunes but the actual release date is Sept.10

Khan-El2013-08-31 14:56:27

MacArthur2013-08-31 17:39:00

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Rush soundtrack - Hans Zimmer 2013