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If Steffen & Max did anything, it's arrange Lorne's cues...Personally, I donīt think that Aruj and Thum got a chance (or time) to write anything for this film, but I may be wrong... who knowsIn which tracks does William's sad theme appear?Alright, these are my speculations on the credits for this version, mixed with what we already know about it from Soundclouds/websites/etc.<br><br>What we know:<br>Luke Richards - Today We Hunt, Running Out Of Tomorrows, Ospreys<br>Lorne Balfe - Battlefield<br><br>Gary Dworetsky - Final 50 seconds of Calling All Autobots<br><br>My personal speculation:<br>David Fleming - Drone Chase, Dive<br><br>Gary Dworetsky - History of Transformers<br><br>Max Aruj & Steffen Thum - Vivian Follows Merlin, Claim The Staff<br><br>I have no sources to back this up, these are just my guesses based on what I feel these composers' styles are.I watched the movie yesterday. Unfortunately,the songs are in Portuguese here, in Brazil (even "Spirit"! ). But Hans' work is still amazing, intense, he's stolen the show again!
Saw the movie but never listened to the score, is it worth listening to?This complete album sound like Lit!! I like to hear about this album in one day soon.I just hope they bring back William's sad theme and other variations of Dolores's theme which were unreleased in season 2It is, actually, completely in correct order. There's just 5 theme suites  here & there.Okay, I want this. Where, how much? lol<br><br>And I'm willing to bet that even those Jablonsky fans who didn't like the score wanna hear the complete album.
@Ahmad i think end credits :PDo you know the chronological order for this one Hybrid? I had quick glance at the complete here and the OST album seems massively out of order16 hours of music?<br>Can we hear those 16 hours of music one day?I saw the film today. It's amazing and wonderful. The feeling and emotions of the 1994 film keep untouchables. The score is simply breathtaking. The songs are incredible. The stampede scene is so intense just like the 1994. Hans has made an intense, epic and beautiful score.Additional arrangements instead of additional music? Even part of the score not on album?
Because if the film is an american production, it has no choice but be recorded in the US... That's the rule...<br><br>When the film is a UK co-production, and/or partly shot in the UK etc... (like, for instance, every Nolan film, or King Arthur), it can be recorded in the UK... That's why it's way easier to get an expanded set of The Dark Knight or Interstellar than... the POTC saga...<br><br>I remember the AFM (American Federation of Musicians) wasn't pleased when Interstellar got recorded at Air Studios in London, claiming it had to be US Recorded... But Nolan's a brit, Syncopy is a British operation based in London...> You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>> If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>Wow, I didn't know that. So, why not record every movie in the UK/Europe then? Not sure how long it will take but I think this re-use fee will drop once they record every score outside the US.<br>However, how much money did the movie make in the Boxoffice and Home Entertainment? I'm sure that money can't be an issue here.<br><br>How cool would it be to officially buy the sessions in a collectors box (in general for all movies), signed by the composer and director and maybe cast members... I'm sure that could be sold for $200+. The studios are wasting an opportunity here... Sure, you can copy music but you can't copy the signatures.That's exactley what I thought.<br><br>There was one other thing I thought was great.<br><br>I went with my parents, who have heard Zimmer's music, from when I'm listening to it, but they said to me that you can hear, that it's him, without even knowing all of his music.<br>They said, the thematic content, the bombast of it, it is just pure Zimmer.<br><br>Hope Spongebob & Wonder Woman 1984 are with a large orchestral/choir ensemble, and with WW1984 some 80's synths!!Having seen it, the biggest thing I realized was that I missed this kind of scoring in movies. When the HZ of the 90s-2000s left in favor of experiments, it seems no one replaced him, so this area of "big sounding scores with instantly memorable and beautiful themes" has just been abandoned. Hopefully seeing/hearing this version of The Lion King now will give some ideas to executives/directors regarding musical choices!No GITS cannot be released, it's technically not possible... That's why Lorne leaked his part of the score himself...
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Tom Holkenborg (Junkie XL)Christian VorlanderStephen PeroneEmad Borjian
ComposerAdditional ArrangementsAdditional ArrangementsAdditional Arrangements
Paranoia
Label: Relativity Music Group
Length: 33'33
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4985 votes)
  1. Lights Across The River (2:42)
  2. We Are The Other Half (4:25)
  3. Fit In To Get In (2:53)
  4. Candid Camera (4:12)
  5. Adam 2.0 (1:45)
  6. On Your Knees (1:55)
  7. Hamilton (4:02)
  8. Titans Fall (3:24)
  9. Remember Who You Are (4:16)
  10. Adam's Theme (3:59)
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Felix reply Replies: 4 || 2014-10-23 01:08:56
Cue List:

ALMOST CAUGHT PT 1
ALMOST CAUGHT PT2
ARREST
ARRESTED AGAIN
BEGINNERS LUCK
BOUNCER
BREAK UP
BREAKING INTO THE VAULT
CARPARK PARTY
CHASING ADAM
CRUSHING LUNCH
DAD S ADVICE
DESTROYING THE APARTMENT
ELKON BRIEFING TRANSITION
EMMA S VOICEMAIL
FBI
FIRST DAY AT ELKON
GODDARD S INVENTION
GOING TO THE HOSPITAL
HACKING EMMA S COMPUTER
HERE IS SOME MONEY DAD
I WANTED YOU TO FIGHT
I M PAYING 40C
KISS
LETS GO FOR A RIDE
MILES MEACHUM
MIRACLE WORKER
NEW APARTMENT
OPENING PARANOIA
PARANOIA CLOSING
PRESENTATION
SPOON FINGERPRINT
STILL PAY FOR THE CAB
TAKE ME HOME
THINGS I WANNA TELL YOU
TO THE COMPOUND
TRAINING MONTAGE
WAKE UP
WHAT ARE WE GOING TO DO ABOUT
WYATT S THREAT
YOU ONLY HAVE ONE SHOT
YOU WANT MORE
YOU WERE RIGHT
Z AXIS TENSION BUILD


Hybrid Soldier2014-10-23 09:37:21
Oh please don't play the kid that just found a new toy, it reminds me to much of myself from 6 years ago... lol


FBI2015-03-26 23:36:36
LOL HYBRID, I LIKE YOU SO FOR DELETING ALL :D


Edmund Meinerts2015-03-27 01:49:37
We all know the rules. Don't like getting your posts deleted? Follow them.


Damien, Moderator2015-03-27 20:45:52
Wrong assumption, it is not Hybrid that deleted the posts.

Ds reply Replies: 1 || 2013-12-04 23:15:54
A new "300: Rise of an Empire" trailer was just released. It contains some really great music, could it be something from Junkie XL? It reminds me of some pieces of "Man of Steel". If it's a taste of the actual score i tell you it's amazing.


Ds2013-12-04 23:48:27
Nevermind, i just found out it's an Audiomachine track.

0-cool reply Replies: 17 || 2013-10-12 21:33:15
according to his twitter, it seems like he has been hired to score the new Mad Max movie


Macejko2013-10-12 22:14:28
Anyone who is not Beltrami is fine by me.


Edmund Meinerts2013-10-12 22:55:44
So many names have been floating around that one. Beltrami, Powell, Christopher Young...Honestly, I would have been fine with any of those guys. Powell is practically my favorite composer, Young is awesome and doesn't get enough big work, and it's the sort of territory Beltrami thrives in...dark with a humorous twist. Any of those three would have done a great score I think.

And the best they could come up...is Junkie XL? That's just lame.


Ds2013-10-13 01:31:24
Edmund, right now we can't really judge Junkie XL abilities in film scoring (this one doesn't really count to me). I won't judge him until i hear what he'll come up with for 300: Rise of an Empire.


trent easton navarro2013-10-16 23:01:55
Not sure how one goes from Brian May to Maurice Jarre to Junkie XL, but we'll see how it turns out. And who knows, maybe he'll be replaced also.

Would have preferred Beltrami though. Like Edmund said, this is really something right up his alley


Edmund Meinerts2013-10-17 13:30:20
I'm just not really sure what Mr. XL has done to deserve not just one, but TWO big movies like this. What is there in his discography that shows he'd be able to handle a large-scale historical epic like the 300 sequel? A couple of remixes and the odd bit of additional music...Just goes to show that it pays to be friends with Hans Zimmer in Hollywood. :/


Ds2013-10-17 18:53:39
Maybe some Warner Bros. producers (or Zack Snyder himself) really loved Junkie XL's cues from Man Of Steel, and thought his style would fit the 300 sequel.

The same happened to Steve Jablonsky. Michael Bay found his contributions to Bad Boys II so amazing that he hired him for his next project.


Hybrid Soldier2013-10-17 19:09:04
It's not "maybe", it's what happened. And it was Zack Snyder actually... :)


Ds2013-10-17 20:14:52
Oh yay so i was right!! Thanks Hybrid :p


Edmund Meinerts2013-10-17 22:11:02
Meh. I wasn't a fan of Man of Steel in the first place, and even among that score, I thought Junkie XL's tracks were among the least interesting. I think it's pretty clear by this point that Zack Snyder and I have...pretty different musical tastes.

They should've gotten Elliot Goldenthal. :p


Hybrid Soldier2013-10-17 22:21:12
But thankfully the world doesn't turn around what you want ! :P


Edmund Meinerts2013-10-17 22:35:55
Thankfully for everyone who's not me, I guess... XD


MacArthur2013-10-18 07:20:29
Ed I thought General Zod was a beautiful track and I also Thought that XL didn't just get hired because he was with Zimmer maybe his style is something that Snyder liked the type of cues that he brings to the table fit the film.

And MoS was an awesome soundtrack That one and Rush were the two best of the year so far.


Edmund Meinerts2013-10-18 11:52:12
We agree to disagree. :)


Mike2013-10-18 14:37:16
I'll agree that the last 3 minutes of General Zod were noteworthy....even though they sounded like a hazy mix of Marry Me from At World's End and the Camerlengo Suite from Angels & Demons. I have a feeling, Hybrid, that the last three minutes of the General Zod suite was Zimmer, then the stuff before that was JunkieXL?


0-cool2013-10-18 16:09:08
Zimmer probably did the adagio


MacArthur2013-10-18 17:29:09
I agree Zimmer probably did the cool stuff XL seems like the rhythmic Type


MacArthur2013-10-18 17:54:54
Although I do Agree with you Ed on the Fact that XL has Had an awkward career. In terms of only working on 3 cues in MoS (Which I credit to Zimmer anyway because they are basically his stuff just re-arranged) and Additional music here and there he hasen't done much. Although I give him credit cause...hey you got to start somewhere.

Felix reply Replies: 3 || 2013-09-10 22:49:35
listen to it now and its very good


JackieStewart2013-09-11 13:36:46
It is! A proof that Tom can do much more than poor remixes...


Evenstar2013-09-11 14:44:28
poor remixes? He is one of the only composers who actually do some very good remixes imo!


JackieStewart2013-09-11 14:53:09
I've never been a huge fan of any of them. I'd say they were "listenable", but far from being really good. Imho.

Peter reply Replies: 2 || 2013-08-03 19:47:26
First single composition before 300: II, looking to listen.


Cody2013-08-05 17:24:13
i sure hope this is good!!!


JamesT2013-08-14 22:07:40
I'm REALLY liking this!

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Paranoia soundtrack - Tom Holkenborg (Junkie XL) 2013