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Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>Iíll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connollyís First Meeting<br>Make A Case Against Him<br>McGuireís Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>Thereís Nothing More Iím Going To Know<br>Utmost Respect<br>Weíre Doing This<br>2 MinutesTom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because Youíre Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>Iím Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>Whatís The Number, Jim?<br>Hit Man Price<br>Jimmyís Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance Youíve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack
@MrZimmerFan Ok, thank you for the update about the full soundtrack next monthfrom Max or Lorne?Expected the full soundtrack next month<br><br>btw...<br>deutsche grammophon release tomorrow a track called "to the stars" from max richteroh man, oh man...<br>let's see what happend tomorrow
@Anonymous: technically it's already Friday in some countries, and there's no sign of any album on the iTunes of these countries. And if that were the case, filmmusicreporter would have announced it already, anyway.@DS Possible, but you are right, it could be film release, but why he put hashtags by #soundtrack? I have to wait till filmusicreporter announced for Ad Astra, but if not happen by the soundtrack tomorrow, then, I have to wait till the confirm from the news.@Anonymous: Are you sure Lorne mentionned the soundtrack release, or just the film release? His posts I've seen just say "Ad Astra is released on the 20th"... Pretty sure he means the film.<br><br>@Ahmad: Totally agree with what you wrote. It's an overall dull score, with some nice ideas that go nowhere. A few bits are obviously Lorne (like the opening cue, beautiful but how original is it to use an organ for a space scene?). And a few bits are obviously Richter, who is really on autopilot here (Hostiles - Mary Queen Of Scots - Werk Ohne Autor are nice scores, but all constructed in the exact same way). And the majority of it is quite anonymous, just ambient sounds far in the background. Also it seems like what they did with the score, they did it with the screenplay as well, because that's a freaking mess that doesn't seem to know which kind of movie it wants to be, and ends up being quite flat on all sides. Quite disappointing. Awesome visuals, though, but it's already been seen in the likes of Sunshine, Gravity, Interstellar, The Martian... all vastly superior pieces of cinema.<br><br>Anybody haven't you seen two new tweets update recently by Lorne Balfe from his twitter it said Ad Astra soundtrack will released tomorrow.So Zimmer being listed as the main theme composer at the top of the page is inaccurate too? It definitely sounds more like Lorne than Hans.
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Tom Holkenborg (Junkie XL)Christian VorlanderStephen PeroneEmad Borjian
ComposerAdditional ArrangementsAdditional ArrangementsAdditional Arrangements
Paranoia
Label: Relativity Music Group
Length: 33'33
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5010 votes)
  1. Lights Across The River (2:42)
  2. We Are The Other Half (4:25)
  3. Fit In To Get In (2:53)
  4. Candid Camera (4:12)
  5. Adam 2.0 (1:45)
  6. On Your Knees (1:55)
  7. Hamilton (4:02)
  8. Titans Fall (3:24)
  9. Remember Who You Are (4:16)
  10. Adam's Theme (3:59)
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Felix reply Replies: 4 || 2014-10-23 01:08:56
Cue List:

ALMOST CAUGHT PT 1
ALMOST CAUGHT PT2
ARREST
ARRESTED AGAIN
BEGINNERS LUCK
BOUNCER
BREAK UP
BREAKING INTO THE VAULT
CARPARK PARTY
CHASING ADAM
CRUSHING LUNCH
DAD S ADVICE
DESTROYING THE APARTMENT
ELKON BRIEFING TRANSITION
EMMA S VOICEMAIL
FBI
FIRST DAY AT ELKON
GODDARD S INVENTION
GOING TO THE HOSPITAL
HACKING EMMA S COMPUTER
HERE IS SOME MONEY DAD
I WANTED YOU TO FIGHT
I M PAYING 40C
KISS
LETS GO FOR A RIDE
MILES MEACHUM
MIRACLE WORKER
NEW APARTMENT
OPENING PARANOIA
PARANOIA CLOSING
PRESENTATION
SPOON FINGERPRINT
STILL PAY FOR THE CAB
TAKE ME HOME
THINGS I WANNA TELL YOU
TO THE COMPOUND
TRAINING MONTAGE
WAKE UP
WHAT ARE WE GOING TO DO ABOUT
WYATT S THREAT
YOU ONLY HAVE ONE SHOT
YOU WANT MORE
YOU WERE RIGHT
Z AXIS TENSION BUILD


Hybrid Soldier2014-10-23 09:37:21
Oh please don't play the kid that just found a new toy, it reminds me to much of myself from 6 years ago... lol


FBI2015-03-26 23:36:36
LOL HYBRID, I LIKE YOU SO FOR DELETING ALL :D


Edmund Meinerts2015-03-27 01:49:37
We all know the rules. Don't like getting your posts deleted? Follow them.


Damien, Moderator2015-03-27 20:45:52
Wrong assumption, it is not Hybrid that deleted the posts.

Ds reply Replies: 1 || 2013-12-04 23:15:54
A new "300: Rise of an Empire" trailer was just released. It contains some really great music, could it be something from Junkie XL? It reminds me of some pieces of "Man of Steel". If it's a taste of the actual score i tell you it's amazing.


Ds2013-12-04 23:48:27
Nevermind, i just found out it's an Audiomachine track.

0-cool reply Replies: 17 || 2013-10-12 21:33:15
according to his twitter, it seems like he has been hired to score the new Mad Max movie


Macejko2013-10-12 22:14:28
Anyone who is not Beltrami is fine by me.


Edmund Meinerts2013-10-12 22:55:44
So many names have been floating around that one. Beltrami, Powell, Christopher Young...Honestly, I would have been fine with any of those guys. Powell is practically my favorite composer, Young is awesome and doesn't get enough big work, and it's the sort of territory Beltrami thrives in...dark with a humorous twist. Any of those three would have done a great score I think.

And the best they could come up...is Junkie XL? That's just lame.


Ds2013-10-13 01:31:24
Edmund, right now we can't really judge Junkie XL abilities in film scoring (this one doesn't really count to me). I won't judge him until i hear what he'll come up with for 300: Rise of an Empire.


trent easton navarro2013-10-16 23:01:55
Not sure how one goes from Brian May to Maurice Jarre to Junkie XL, but we'll see how it turns out. And who knows, maybe he'll be replaced also.

Would have preferred Beltrami though. Like Edmund said, this is really something right up his alley


Edmund Meinerts2013-10-17 13:30:20
I'm just not really sure what Mr. XL has done to deserve not just one, but TWO big movies like this. What is there in his discography that shows he'd be able to handle a large-scale historical epic like the 300 sequel? A couple of remixes and the odd bit of additional music...Just goes to show that it pays to be friends with Hans Zimmer in Hollywood. :/


Ds2013-10-17 18:53:39
Maybe some Warner Bros. producers (or Zack Snyder himself) really loved Junkie XL's cues from Man Of Steel, and thought his style would fit the 300 sequel.

The same happened to Steve Jablonsky. Michael Bay found his contributions to Bad Boys II so amazing that he hired him for his next project.


Hybrid Soldier2013-10-17 19:09:04
It's not "maybe", it's what happened. And it was Zack Snyder actually... :)


Ds2013-10-17 20:14:52
Oh yay so i was right!! Thanks Hybrid :p


Edmund Meinerts2013-10-17 22:11:02
Meh. I wasn't a fan of Man of Steel in the first place, and even among that score, I thought Junkie XL's tracks were among the least interesting. I think it's pretty clear by this point that Zack Snyder and I have...pretty different musical tastes.

They should've gotten Elliot Goldenthal. :p


Hybrid Soldier2013-10-17 22:21:12
But thankfully the world doesn't turn around what you want ! :P


Edmund Meinerts2013-10-17 22:35:55
Thankfully for everyone who's not me, I guess... XD


MacArthur2013-10-18 07:20:29
Ed I thought General Zod was a beautiful track and I also Thought that XL didn't just get hired because he was with Zimmer maybe his style is something that Snyder liked the type of cues that he brings to the table fit the film.

And MoS was an awesome soundtrack That one and Rush were the two best of the year so far.


Edmund Meinerts2013-10-18 11:52:12
We agree to disagree. :)


Mike2013-10-18 14:37:16
I'll agree that the last 3 minutes of General Zod were noteworthy....even though they sounded like a hazy mix of Marry Me from At World's End and the Camerlengo Suite from Angels & Demons. I have a feeling, Hybrid, that the last three minutes of the General Zod suite was Zimmer, then the stuff before that was JunkieXL?


0-cool2013-10-18 16:09:08
Zimmer probably did the adagio


MacArthur2013-10-18 17:29:09
I agree Zimmer probably did the cool stuff XL seems like the rhythmic Type


MacArthur2013-10-18 17:54:54
Although I do Agree with you Ed on the Fact that XL has Had an awkward career. In terms of only working on 3 cues in MoS (Which I credit to Zimmer anyway because they are basically his stuff just re-arranged) and Additional music here and there he hasen't done much. Although I give him credit cause...hey you got to start somewhere.

Felix reply Replies: 3 || 2013-09-10 22:49:35
listen to it now and its very good


JackieStewart2013-09-11 13:36:46
It is! A proof that Tom can do much more than poor remixes...


Evenstar2013-09-11 14:44:28
poor remixes? He is one of the only composers who actually do some very good remixes imo!


JackieStewart2013-09-11 14:53:09
I've never been a huge fan of any of them. I'd say they were "listenable", but far from being really good. Imho.

Peter reply Replies: 2 || 2013-08-03 19:47:26
First single composition before 300: II, looking to listen.


Cody2013-08-05 17:24:13
i sure hope this is good!!!


JamesT2013-08-14 22:07:40
I'm REALLY liking this!

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Paranoia soundtrack - Tom Holkenborg (Junkie XL) 2013