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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Don’t even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Additional Music - Conductor
Hans ZimmerBlake NeelyGeoff ZanelliTrevor Morris
ComposerAdditional MusicAdditional MusicAdditional Music
The Last Samurai (Complete Score)
Label: Unofficial Release
Length: 107'43
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4324 votes)
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  1. Opening Titles (2:03)
  2. The Little Bighorn Tale (1:41)
  3. Algren Travels To Japan (2:06)
  4. Japanese Market Source (Kagura No Netori) (1:12)
  5. Boot Camp (1:45)
  6. Scalping Technique (2:42)
  7. Just Shoot Me! (1:41)
  8. Samurai Will Find Us - Battle In The Fog (7:45)
  9. Captured (1:14)
  10. Sake (2:24)
    Hans Zimmer, Blake Neely
  11. Algren Explores Village (3:12)
  12. Beating In The Rain (2:24)
    Hans Zimmer, Trevor Morris
  13. Intriguing People (2:49)
  14. Too Many Mind (1:09)
  15. Seasons Pass (4:52)
  16. It's A Draw (1:26)
  17. Nite At The Theater - Ninja Attack (4:49)
    Hans Zimmer, Geoff Zanelli, Fred Selden
  18. Every Soldier Has Nightmares - Farewell - Safe Passage (7:19)
  19. Haircut (2:53)
  20. I Refuse To Give Up My Sword (1:24)
  21. One Mind (Part 1) (1:45)
  22. One Mind (Part 2) (2:28)
  23. Get Past The Guards (0:25)
  24. President Of The United States (1:23)
  25. The Escape (2:19)
  26. Nobutada's Death (2:36)
  27. Don't Go - Prepare For Battle (3:33)
  28. Wear This Armor (2:58)
  29. To The Battlefield (2:28)
  30. They Won't Surrender (1:37)
  31. Warrior Games (3:44)
  32. Archers - On The Battlefield (4:30)
  33. Death & Carnage (1:50)
  34. The Final Charge (4:37)
    Hans Zimmer, Geoff Zanelli
  35. Samurai Die By Gatling Gun - Katsumoto's Death (5:30)
  36. Small Measure Of Peace (8:02)
  37. Journey Theme (1:28)
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bob reply Replies: 24 || 2013-09-01 18:05:22
What is this "Journey Theme" at the end of the track list ?


Evenstar2013-09-01 18:11:34
yeah also curious about this one


greg2013-09-01 18:57:58
The Journey theme is probably another take similar to Taken.


sam2013-09-01 21:07:00
it's a cue that hybrid always posts at an end of a complete score tracklist, just to feel better then others, that he might have something, what others don't have. he's doing that always, so i would even say, that track doesn't exist at all.


Hybrid Soldier2013-09-01 21:08:53
It is available to everyone, most people are just way to dumb to see the obvious.


lv-4262013-09-01 21:30:35
To be fair, people just may not know the score as well as you do. It's from the OST, I assume.


Algren2013-09-02 08:48:28
Wow hybrid, really? Now you also offend people here, chapeau to you!

And calling a track "Journey theme" and putting any track time doesn't make us know which track you mean. And as you're doing this EVERYTIME a complete or a sessions score has been leaked, is just shady from you, just to feel better on your own.

There are always these theme or suite cues from you, which are maybe bad edited and mixed by yourself.

And you should think twice before you're offending here someone!

Instead of being happy that everyone can enjoy this beautiful music by Zimmer, which is our all passion and hobby, you need to act again like a prude chick, which goes totally crazy because someone can enjoy this beautiness too now.


Anonymous2013-09-02 09:23:31
Well said, Algren. Adding a track and a time does not tell anyone anything. Hybrid's attitude leaves a lot to be desired. He will probably delete these comments, again to make himself feel better.


Tits McGee2013-09-02 10:30:17
Hybrid, before you delete these comments, I'm sure Hans wouldn't be very pleased if he knew you were the reason that half his scores get leaked in the first place. Then you insult someone on here just asking an innocent question. Take a good look in the mirror. You run a fan site (big whoop-dee-do). It's not like you're getting these scores because you're in the RCP studio with him actually MAKING THE MUSIC (that would require an ounce of creativity wouldn't it? Something your behavior on here says you lack). You're no better than anyone else. It's appalling to see you act so oblivious to your own behavior. So relax for once. Don't be so damn condescending.


greg2013-09-02 11:43:07
If I were hybrid I would all tell you to f**k off, i'd close the website and would enjoy the music without hearing you all bitching.


jan-lee2013-09-02 13:04:38
why are you bad calling a person that has done so much for this site and us, one of the main reason i come here is to read his comments and the answers he gets from zimmer and others regarding music, news etc.


Jimmy Idol2013-09-02 13:08:58
We´re not talking bad about hybrid. but just read, someone posts a simple question, and hybrid just offending everyone here as dumb. who the fuck should know what cue the ¨journey theme¨ is?


Mike2013-09-02 18:30:35
I think every person here being ridiculous. We don't know what the Journey theme is, Hybrid calls us dumb for not knowing, and we all go crazy. For goodness sakes, do knowing the Journey theme or unnecessary rudeness really matter? Go, find a way to figure out what the Journey theme is, and know that Hybrid will be Hybrid for better or worse. It's not the end of the world.


Mr Tweedy2013-09-02 19:32:45
You're all free to live this website if you're not happy with its content.


MacArthur2013-09-02 19:34:21
Agreed!


al bundy2013-09-02 20:58:35
@Mr Tweedy: I think you mean "leave" not "live".


Jimmer2013-09-03 13:02:25
While I agree Hybrid seems to be doing with every Complete Score that gets released, in this instance, it's not that hard to figure out. Do you guys not remember when this movie was first released? Think about it, "Journey Theme." What's perhaps Zimmer's most famous cue that has the word "journey" in it? Yeah, "Journey to the Line." And when "The Last Samurai" came out in theaters, what was one of the cues used in the theatrical trailers? Yep, "Journey to the Line"-theme, or a variation of it. This is probably nothing more than a trailer cue, so it's not worthy going all crazy on Hybrid. Calm down. Move along. And enjoy this treasure.


Hybrid Soldier2013-09-03 13:39:25
Just take the bootleg, and take the OST, and compare... Simple as that.


Anonymous2013-09-05 00:15:02
What part of Taken is edit to make the Journey Theme? The last part runs around 1m34s, is that it??


bob2013-09-05 11:12:11
Hybrid is absolutely right. "Taken" from the official OST is not the film version. There's small variations...
But ... he forget something : "They Are All Perfect" (called here Farewell To A Friend) as we can hear it in this Complete Score is not the film version too.
Hybrid, may be you should add to your track list "They Are All Perfect" from the OST, because this one is the film version.


Per2013-09-05 11:28:11
Track 2 - Spectres In The Fog (from the start) on the OST have a differently mixed, and a little longer, beginning than the corresponding track, on the 'complete', 2m13 (track 9 - "Taken" on the above tracklist)...

There's also some other differences (well, or at least one I can remember), 7m40B/C (track 35 - "Farewell To A Friend") also have a slightly different mix (at one point at least), compared to the OST.

If there's other differences as well, I don't know.


Per2013-09-05 11:29:25
LOL, bob beat me to it regarding track 35 ! ;)


Hybrid Soldier2013-09-05 12:31:14
Well the "Perfect" thing is really not significant enough... I mean, they just undermixed an instrument on OST. It could have been here but hey, I do what I want ! :P :)


...2016-01-04 00:51:04
Hybrid, after going through the OST I just have to ask... From What OST track is the "Journey Theme" taken?
I know you haven't answered this question before and well the question must be quite annoying, but well I'd really like to know:)


6532016-01-04 11:35:52
It's the last 5 seconds of Track 1 from the ost + the first part of track 2. It's basically an alt version of Captured with a longer opening. The flute part in the beginning is in the very end of the first track so has to be edited together with with track 2.

greg reply Replies: 1 || 2014-11-13 18:20:41
can someone tell me the name of the track from the thin red line that is featured at the end of "they are all perfect".


Anonymous2014-11-14 07:17:16
The later half of the famous "Journey to the Line" cue.

Hybrid Soldier reply Replies: 4 || 2014-07-29 12:58:38
After some research I got my hand on the cuesheet, now you can have fun renaming the bootleg :

THE LAST SAMURAI - OPENING TITLES
THE LAST SAMURAI - END TITLES
ALGREN EXPLORES VILLAGE
ALGREN TRAVELS TO JAPAN
ARCHERS / ON THE BATTLEFIELD
BATTLE IN THE FOG
BEATING IN THE RAIN
BOOT CAMP
DEATH AND CARNAGE
DON'T GO
EMPEROR'S PALACE
THE ESCAPE
EVERY SOLDIER HAS NIGHTMARES
FAREWELL
GET PAST THE GUARDS
I REFUSE TO GIVE UP MY SWORD
INTRUIGING PEOPLE
IT'S A DRAW
JAPANESE MARKET SOURCE
KATSUMOTO'S DEATH
THE LITTLE BIG HORN TALE
MEETING THE EMPEROR
NINJA ATTACK (HZ / Zanelli)
NITE AT THE THEATRE (HZ / Zanelli / Fred Selden)
NOBUTADA'S DEATH
ONE MIND
PRESIDENT OF THE UNITED STATES
SAKE (HZ / Neely)
SAMURAI DIE BY GATLING GUN
SAMURAI WILL FIND US
SCALPING TECHNIQUE
SEASONS PASS
SHOOT ME!
TENSION DRUMS
THEY WON'T SURRENDER
TO THE BATTLEFIELD
TOO MANY MIND
WARRIOR GAMES
WEAR THIS ARMOR

:)


badbu2014-07-30 09:11:08
thanks hybrid :)


Edmund Meinerts2014-07-30 18:13:57
Who the heck is Fred Selden?


Hybrid Soldier2014-07-30 18:17:41
Edmund I'm deeply disappointed... :P

Soloists :

Fred Selden - Flute & Ethnic Woodwinds


;)


Frisbee2014-08-06 12:51:25
Here is my suggestion:

Prologue ==> TLS Opening Titles
<Missing> ==> Music For Military Band Source
Presenting Nathan Algren ==> The Little Big Horn Tale
Yokohama Harbor ==> Algren Travels To Japan
Kagura No Netori ==> Japanese Market Source
<Missing> ==> Emperor's Palace/Meeting the Emperor
Training Camp ==> Boot Camp
To Know My Enemy ==> Scalping Technique
A Hard Teacher ==> Shoot Me
Spectres In The Fog ==> Samurai Will Find Us/Battle in the Fog
Taken ==> Captured
Sake ==> <Unchanged>
Exploring The Village ==> Algren Explores Village
The Way Of The Sword ==> Beating in the Rain
A Way Of Life ==> Intriguing People
Too Many Mind ==> <Unchanged>
Seasons Pass ==> <Unchanged>
A Draw ==> It's a Draw
Night At The Theater ==> Night At The Theater/Ninja Attack
Safe Passage ==> Every Soldier Has Nightmares/Farewell/Safe Passage
New Contract ==> Haircut
Ronin ==> I Refuse To Give Up My Sword
A Change Of Heart ==> One Mind
Street Encounter ==> Tension Drums
Arrival Of The Rickshaws ==> President of the United State
Convincing To Escape ==> Get Past the Guards
Breaking Out ==> The Escape
Idyll's End ==> Nobutada's Death
Preparing For Battle ==> Don't Go/Prepare For Battle
Red Armor ==> Wear This Armor
To The Battlefield ==> <Unchanged>
In Positions ==> They Won't Surrender
The Barricades ==> Warrior Games
Red Warrior ==> Archers/On the Battlefield
Casualties ==> Death and Carnage
The Final Charge ==> Samurai Die By Gatling Gun
Farewell To A Friend ==> Farewell To A Friend/Katsumoto's Death
A Small Measure Of Peace ==> <Unchanged>
<Missing> ==> TLS End Titles

Anon reply Replies: 1 || 2013-11-09 04:28:33
Found a download of this and it included a 39 minute suite. Have we confirmed or denied whether this is a fanmade suite or Zimmer's official one?


Algren2013-11-09 10:03:24
Fan.

MacArthur reply Replies: 6 || 2013-09-05 17:28:19
What is the Deal with the complete scores?


al bundy2013-09-05 19:49:43
what is your deal asking stupid questions?


MacArthur2013-09-05 20:49:28
No I'm just saying why is everyone so excited. when they don't get released.nor can you download them at all.


MacArthur2013-09-05 20:50:40
I would love it if they came out on CD. but they don't. so why I mean it's just track listings


Sam2013-09-05 21:05:09
When you see a tracklist here, means that you can get it too by using Google.
It doesn't mean we're all freaked out because of some titles, but more that we too can enjoy and hear more music, alternates and variations of the score.

Do you understand?


MacArthur2013-09-05 21:30:08
Got you.


Anonymous2013-10-21 18:04:59
And even if you don't download them, you get the following:

--the name of each cue that plays in the movie
--possible composer credits for the cues
--you can listen to them on the internet

Mike reply Replies: 0 || 2013-09-04 21:25:50
Credits, even partial, for this one would be much appreciated if you have them, Hybrid. :)

Anonymous reply Replies: 1 || 2013-09-02 13:52:20
Glad this finally leaked cause once agaaaaaaaaaaaain Hans scrapped almost all the good parts of the action material on the official album.


Mike2013-09-02 15:04:13
Can you give examples? I'm just curious, because I thought it was a great album release (for once).

T-Mann036 reply Replies: 0 || 2013-09-02 01:34:44
Two words-- Virtually flawless!

Mike reply Replies: 0 || 2013-09-01 19:42:07
This is one of the few scores where I feel no need for the complete version to service. To me, the album contains all the music worth hearing, and even "The Final Charge" cue was released. Still nice to see a page for it.

Bryan Fury reply Replies: 0 || 2013-09-01 18:09:20
i got this one..Masterpiece!!!

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