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Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112
You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze Rozman
Mondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/Mine arrived today and is definitely sped up.LOL klaus badelt hardly composed pirates 1You know what? I love the booklet credits! Klaus Badelt is the same guy who scored Pirates of the Caribbean: The Curse of the Black Pearl.Thanks Hybrid soldier for the good news<br>I can't wait to see the documental film and hear the score of lorne balfe & hans zimmer.
A score will be released.<br><br>You can always count on Lorne for that. It's in the works.What was the last Zimmer documentary score that they released outside of BBC? <br><br>I am still waiting for The Great Bear Rainforest.I hope they can the soundtrack release for "Rebuilding Paradise" composed by Hans zimmer & Lorne balfe, including an original song for the film. I hope there is a possibility that they will release the score.How to get this at all?Any news about Rebuilding Paradise soundtrack?
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Additional Music - Conductor
Hans ZimmerBlake NeelyGeoff ZanelliTrevor Morris
ComposerAdditional MusicAdditional MusicAdditional Music
The Last Samurai (Complete Score)
Label: Unofficial Release
Length: 107'43
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5866 votes)
  1. Opening Titles (2:03)
  2. The Little Bighorn Tale (1:41)
  3. Algren Travels To Japan (2:06)
  4. Japanese Market Source (Kagura No Netori) (1:12)
  5. Boot Camp (1:45)
  6. Scalping Technique (2:42)
  7. Just Shoot Me! (1:41)
  8. Samurai Will Find Us - Battle In The Fog (7:45)
  9. Captured (1:14)
  10. Sake (2:24)
    Hans Zimmer, Blake Neely
  11. Algren Explores Village (3:12)
  12. Beating In The Rain (2:24)
    Hans Zimmer, Trevor Morris
  13. Intriguing People (2:49)
  14. Too Many Mind (1:09)
  15. Seasons Pass (4:52)
  16. It's A Draw (1:26)
  17. Nite At The Theater - Ninja Attack (4:49)
    Hans Zimmer, Geoff Zanelli, Fred Selden
  18. Every Soldier Has Nightmares - Farewell - Safe Passage (7:19)
  19. Haircut (2:53)
  20. I Refuse To Give Up My Sword (1:24)
  21. One Mind (Part 1) (1:45)
  22. One Mind (Part 2) (2:28)
  23. Get Past The Guards (0:25)
  24. President Of The United States (1:23)
  25. The Escape (2:19)
  26. Nobutada's Death (2:36)
  27. Don't Go - Prepare For Battle (3:33)
  28. Wear This Armor (2:58)
  29. To The Battlefield (2:28)
  30. They Won't Surrender (1:37)
  31. Warrior Games (3:44)
  32. Archers - On The Battlefield (4:30)
  33. Death & Carnage (1:50)
  34. The Final Charge (4:37)
    Hans Zimmer, Geoff Zanelli
  35. Samurai Die By Gatling Gun - Katsumoto's Death (5:30)
  36. Small Measure Of Peace (8:02)
  37. Journey Theme (1:28)
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FaresTdkr reply Replies: 0 || 2020-07-31 19:23:43
@Hybrid:
Any news about a release for Ron Howard "Rebuilding Paradise" soundtrack by Hans ans Lorne. The documentary airing today. Any info will be much Appreciated.

Paul reply Replies: 18 || 2018-01-04 15:27:58
Hybrid..
I heard that hans stopped an expanded last samurai release from lala-land records...
Is that true??? And if its true.. do you know why???


marcorea12018-01-04 16:00:08
I wouldn’t be surprised if he did. When he was about to sign my LLL broken arrow he flipped (not at me) about the release, saying he hates it when labels do that as he prefers his music the way they were released first time. He still signed it thankfully. Where I can agree with him on most of his OST, there are a small handful of albums that are missing so much. However I wouldn’t even buy a last samurai LLL release as the OST is a great listen as it is. Same with angels and demons. But that’s just me, many people prefer expanded albums and The last samurai would have been nice for those people.


Olive2018-01-04 16:33:26
I no agree with him. No is fair for the fan no have the access to this stuff because of the direct action of the composer.


badbu2018-01-04 16:44:13
Hans also don't like this score


Hybrid Soldier2018-01-04 16:44:43
Yes I can confirm a release was cancelled about 4 years ago. I cannot say why exactly though.

I've been discussing it with Hans & persons of interest to see what can be done to get it released, and I can tell you Hans is not blindly against the idea...

We'll see how all this goes...


Edmund Meinerts2018-01-04 16:59:34
The fact that Hans has come to dislike this lovely, emotional score while proudly putting his name to stuff like Dunkirk and Inferno is a pretty clear sign of how far apart our paths have drifted over the past several years. :(


Hybrid Soldier2018-01-04 17:02:12
Wait, in what world Hans doesn't like The Last Samurai ?

That's absolutely not true... Wait for the suite he built himself for the concert "The World of Hans Zimmer" in a few months !


Mephariel2018-01-04 18:21:09
Hybrid, do you know if there are plans for a CD/Digital audio release of "The World of Hans Zimmer?" I am super excited about this concert.


Hybrid Soldier2018-01-04 18:25:10
It's pretty early to ask that !!


Mike (OTM)2018-01-04 20:53:47
This is one of my favorite Hans scores, period, so I'd welcome an expanded release. The OST was solid, though.

As for Hans not liking this score, yeah right. He's talked about it as one of the scores he's actually quite proud of.


Olive2018-01-04 22:49:39
Yes, especially when we read the 2003 interviews in which he says he even traveled to Japan to do research. Only the trip is reason to love this score.


Mephariel2018-01-04 23:59:00
Has Zimmer ever talked about King Arthur or Pearl Harbor? I never even hear him briefly mention of those scores.


Olive2018-01-05 00:13:08
I saw a video of him during the premiere of "Inferno" talking to a reporter about "Pearl Harbor". She said that was her favorite. Hans replied that he and she were the only ones who liked it.

Elsewhere I read that Berstein wrote a letter to him praising "Pearl Harbor."


Anonymous2018-01-05 00:26:13
Olive:

Elmer Bernstein


Norm2018-01-05 14:50:58
@Mephariel Go to youtube and search for "hans zimmer making of king arthur". There's a behind the scenes video for the making of the score with Hans.


Evenstar2019-12-06 15:36:36
Sadly Last Samurai wasn't featured in World of Hans Zimmer Concert.


boldizar2020-07-30 15:01:12
It is really sad that Hans stopped a LLL release. It is pretty clear people who care about film music want complete scores. He might like the album releases he does, but he also put that terribly dull version of No Time For Caution on the official release. Just give us what you wrote for the film. I appreciate the labels like LLL or Intrada that offer expanded scores.


Hybrid Soldier2020-07-30 15:55:05
No Time For Caution actually, he released what he wrote.

What's in the film is the work of music editors.


boldizar2020-07-31 04:53:33
Well I take that part of it back and stand corrected. I have to say the editing choice I think was the right call but won't elaborate here. I hope we get more Last Samurai someday. Qobuz at least sells the CD quality version digitally for now.

Al bundy reply Replies: 3 || 2019-12-06 15:39:21
Are there any Interviews were Hans talks about Last Samurai? Somehow I can't find any video or text interviews or anything... there must be something. Thanks!


Miralsice2019-12-06 23:57:36
Here is a short interview with Hans about Last Samurai. It's a little but I think it could be interesting for you.

https:/ /www.soundtrack.net/ content/article/?id=1 12


Al bundy2019-12-09 23:21:58
Thank you! :)


Miralsice2019-12-10 14:48:04
Your welcome.

Nathan reply Replies: 0 || 2018-06-02 06:07:57
I found this release on the interwebs. Any idea where it came from and if it's a fan release? Thanks.

1 - Opening Titles - 03:08
2 - Travelling To Japan - 03:48
3 - Scalping Technique - 03:39
4 - Battle In The Fog - 07:45
5 - Captured - 01:15
6 - Sake & Exploring The Village - 05:35
7 - A Hard Teacher - 06:09
8 - Season's Pass - 06:04
9 - Ninja Attack - 04:49
10 - Nightmares - 07:19
11 - Ronin - 05:30
12 - Street Encounter - 02:36
13 - Breaking Out Katsumoto - 03:20
14 - Safe Passage - 02:35
15 - Preparing For Battle - 06:14
16 - Red Warriors - 01:53
17 - Way Of The Sword - 09:23
18 - Final Charge - 11:33
19 - A Small Measure Of Peace - 08:03
20 - A Way Of Life (Album Suite) - 08:02
21 - Spectres In The Fog (Album Suite) - 04:05
22 - To Know My Enemy (Album Suite) - 04:44
23 - Safe Passage (Album Suite) - 06:14

George reply Replies: 1 || 2018-04-10 00:17:40
Have any of you seen the "special edition" version of this score? Is it legit or no, theres supposedly a 40 minute suite with it but theres no page for it on this site so I wasn't sure if it was legit. Thanks!


Mr Tweedy2018-04-10 15:56:22
Sounds like a fan made version.

I don't get why people bother adding a lengthy medley that contain the same content as heard in the score, and claim it's a "special edition".

superultramegaa reply Replies: 0 || 2018-04-10 00:57:27
Yay! One real comment and two spam comments obviously coming from the same person!

bob reply Replies: 24 || 2013-09-01 18:05:22
What is this "Journey Theme" at the end of the track list ?


Evenstar2013-09-01 18:11:34
yeah also curious about this one


greg2013-09-01 18:57:58
The Journey theme is probably another take similar to Taken.


sam2013-09-01 21:07:00
it's a cue that hybrid always posts at an end of a complete score tracklist, just to feel better then others, that he might have something, what others don't have. he's doing that always, so i would even say, that track doesn't exist at all.


Hybrid Soldier2013-09-01 21:08:53
It is available to everyone, most people are just way to dumb to see the obvious.


lv-4262013-09-01 21:30:35
To be fair, people just may not know the score as well as you do. It's from the OST, I assume.


Algren2013-09-02 08:48:28
Wow hybrid, really? Now you also offend people here, chapeau to you!

And calling a track "Journey theme" and putting any track time doesn't make us know which track you mean. And as you're doing this EVERYTIME a complete or a sessions score has been leaked, is just shady from you, just to feel better on your own.

There are always these theme or suite cues from you, which are maybe bad edited and mixed by yourself.

And you should think twice before you're offending here someone!

Instead of being happy that everyone can enjoy this beautiful music by Zimmer, which is our all passion and hobby, you need to act again like a prude chick, which goes totally crazy because someone can enjoy this beautiness too now.


Anonymous2013-09-02 09:23:31
Well said, Algren. Adding a track and a time does not tell anyone anything. Hybrid's attitude leaves a lot to be desired. He will probably delete these comments, again to make himself feel better.


Tits McGee2013-09-02 10:30:17
Hybrid, before you delete these comments, I'm sure Hans wouldn't be very pleased if he knew you were the reason that half his scores get leaked in the first place. Then you insult someone on here just asking an innocent question. Take a good look in the mirror. You run a fan site (big whoop-dee-do). It's not like you're getting these scores because you're in the RCP studio with him actually MAKING THE MUSIC (that would require an ounce of creativity wouldn't it? Something your behavior on here says you lack). You're no better than anyone else. It's appalling to see you act so oblivious to your own behavior. So relax for once. Don't be so damn condescending.


greg2013-09-02 11:43:07
If I were hybrid I would all tell you to f**k off, i'd close the website and would enjoy the music without hearing you all bitching.


jan-lee2013-09-02 13:04:38
why are you bad calling a person that has done so much for this site and us, one of the main reason i come here is to read his comments and the answers he gets from zimmer and others regarding music, news etc.


Jimmy Idol2013-09-02 13:08:58
We´re not talking bad about hybrid. but just read, someone posts a simple question, and hybrid just offending everyone here as dumb. who the fuck should know what cue the ¨journey theme¨ is?


Mike2013-09-02 18:30:35
I think every person here being ridiculous. We don't know what the Journey theme is, Hybrid calls us dumb for not knowing, and we all go crazy. For goodness sakes, do knowing the Journey theme or unnecessary rudeness really matter? Go, find a way to figure out what the Journey theme is, and know that Hybrid will be Hybrid for better or worse. It's not the end of the world.


Mr Tweedy2013-09-02 19:32:45
You're all free to live this website if you're not happy with its content.


MacArthur2013-09-02 19:34:21
Agreed!


al bundy2013-09-02 20:58:35
@Mr Tweedy: I think you mean "leave" not "live".


Jimmer2013-09-03 13:02:25
While I agree Hybrid seems to be doing with every Complete Score that gets released, in this instance, it's not that hard to figure out. Do you guys not remember when this movie was first released? Think about it, "Journey Theme." What's perhaps Zimmer's most famous cue that has the word "journey" in it? Yeah, "Journey to the Line." And when "The Last Samurai" came out in theaters, what was one of the cues used in the theatrical trailers? Yep, "Journey to the Line"-theme, or a variation of it. This is probably nothing more than a trailer cue, so it's not worthy going all crazy on Hybrid. Calm down. Move along. And enjoy this treasure.


Hybrid Soldier2013-09-03 13:39:25
Just take the bootleg, and take the OST, and compare... Simple as that.


Anonymous2013-09-05 00:15:02
What part of Taken is edit to make the Journey Theme? The last part runs around 1m34s, is that it??


bob2013-09-05 11:12:11
Hybrid is absolutely right. "Taken" from the official OST is not the film version. There's small variations...
But ... he forget something : "They Are All Perfect" (called here Farewell To A Friend) as we can hear it in this Complete Score is not the film version too.
Hybrid, may be you should add to your track list "They Are All Perfect" from the OST, because this one is the film version.


Per2013-09-05 11:28:11
Track 2 - Spectres In The Fog (from the start) on the OST have a differently mixed, and a little longer, beginning than the corresponding track, on the 'complete', 2m13 (track 9 - "Taken" on the above tracklist)...

There's also some other differences (well, or at least one I can remember), 7m40B/C (track 35 - "Farewell To A Friend") also have a slightly different mix (at one point at least), compared to the OST.

If there's other differences as well, I don't know.


Per2013-09-05 11:29:25
LOL, bob beat me to it regarding track 35 ! ;)


Hybrid Soldier2013-09-05 12:31:14
Well the "Perfect" thing is really not significant enough... I mean, they just undermixed an instrument on OST. It could have been here but hey, I do what I want ! :P :)


...2016-01-04 00:51:04
Hybrid, after going through the OST I just have to ask... From What OST track is the "Journey Theme" taken?
I know you haven't answered this question before and well the question must be quite annoying, but well I'd really like to know:)


6532016-01-04 11:35:52
It's the last 5 seconds of Track 1 from the ost + the first part of track 2. It's basically an alt version of Captured with a longer opening. The flute part in the beginning is in the very end of the first track so has to be edited together with with track 2.

greg reply Replies: 1 || 2014-11-13 18:20:41
can someone tell me the name of the track from the thin red line that is featured at the end of "they are all perfect".


Anonymous2014-11-14 07:17:16
The later half of the famous "Journey to the Line" cue.

Hybrid Soldier reply Replies: 4 || 2014-07-29 12:58:38
After some research I got my hand on the cuesheet, now you can have fun renaming the bootleg :

THE LAST SAMURAI - OPENING TITLES
THE LAST SAMURAI - END TITLES
ALGREN EXPLORES VILLAGE
ALGREN TRAVELS TO JAPAN
ARCHERS / ON THE BATTLEFIELD
BATTLE IN THE FOG
BEATING IN THE RAIN
BOOT CAMP
DEATH AND CARNAGE
DON'T GO
EMPEROR'S PALACE
THE ESCAPE
EVERY SOLDIER HAS NIGHTMARES
FAREWELL
GET PAST THE GUARDS
I REFUSE TO GIVE UP MY SWORD
INTRUIGING PEOPLE
IT'S A DRAW
JAPANESE MARKET SOURCE
KATSUMOTO'S DEATH
THE LITTLE BIG HORN TALE
MEETING THE EMPEROR
NINJA ATTACK (HZ / Zanelli)
NITE AT THE THEATRE (HZ / Zanelli / Fred Selden)
NOBUTADA'S DEATH
ONE MIND
PRESIDENT OF THE UNITED STATES
SAKE (HZ / Neely)
SAMURAI DIE BY GATLING GUN
SAMURAI WILL FIND US
SCALPING TECHNIQUE
SEASONS PASS
SHOOT ME!
TENSION DRUMS
THEY WON'T SURRENDER
TO THE BATTLEFIELD
TOO MANY MIND
WARRIOR GAMES
WEAR THIS ARMOR

:)


badbu2014-07-30 09:11:08
thanks hybrid :)


Edmund Meinerts2014-07-30 18:13:57
Who the heck is Fred Selden?


Hybrid Soldier2014-07-30 18:17:41
Edmund I'm deeply disappointed... :P

Soloists :

Fred Selden - Flute & Ethnic Woodwinds


;)


Frisbee2014-08-06 12:51:25
Here is my suggestion:

Prologue ==> TLS Opening Titles
<Missing> ==> Music For Military Band Source
Presenting Nathan Algren ==> The Little Big Horn Tale
Yokohama Harbor ==> Algren Travels To Japan
Kagura No Netori ==> Japanese Market Source
<Missing> ==> Emperor's Palace/Meeting the Emperor
Training Camp ==> Boot Camp
To Know My Enemy ==> Scalping Technique
A Hard Teacher ==> Shoot Me
Spectres In The Fog ==> Samurai Will Find Us/Battle in the Fog
Taken ==> Captured
Sake ==> <Unchanged>
Exploring The Village ==> Algren Explores Village
The Way Of The Sword ==> Beating in the Rain
A Way Of Life ==> Intriguing People
Too Many Mind ==> <Unchanged>
Seasons Pass ==> <Unchanged>
A Draw ==> It's a Draw
Night At The Theater ==> Night At The Theater/Ninja Attack
Safe Passage ==> Every Soldier Has Nightmares/Farewell/Safe Passage
New Contract ==> Haircut
Ronin ==> I Refuse To Give Up My Sword
A Change Of Heart ==> One Mind
Street Encounter ==> Tension Drums
Arrival Of The Rickshaws ==> President of the United State
Convincing To Escape ==> Get Past the Guards
Breaking Out ==> The Escape
Idyll's End ==> Nobutada's Death
Preparing For Battle ==> Don't Go/Prepare For Battle
Red Armor ==> Wear This Armor
To The Battlefield ==> <Unchanged>
In Positions ==> They Won't Surrender
The Barricades ==> Warrior Games
Red Warrior ==> Archers/On the Battlefield
Casualties ==> Death and Carnage
The Final Charge ==> Samurai Die By Gatling Gun
Farewell To A Friend ==> Farewell To A Friend/Katsumoto's Death
A Small Measure Of Peace ==> <Unchanged>
<Missing> ==> TLS End Titles

Anon reply Replies: 1 || 2013-11-09 04:28:33
Found a download of this and it included a 39 minute suite. Have we confirmed or denied whether this is a fanmade suite or Zimmer's official one?


Algren2013-11-09 10:03:24
Fan.

MacArthur reply Replies: 6 || 2013-09-05 17:28:19
What is the Deal with the complete scores?


al bundy2013-09-05 19:49:43
what is your deal asking stupid questions?


MacArthur2013-09-05 20:49:28
No I'm just saying why is everyone so excited. when they don't get released.nor can you download them at all.


MacArthur2013-09-05 20:50:40
I would love it if they came out on CD. but they don't. so why I mean it's just track listings


Sam2013-09-05 21:05:09
When you see a tracklist here, means that you can get it too by using Google.
It doesn't mean we're all freaked out because of some titles, but more that we too can enjoy and hear more music, alternates and variations of the score.

Do you understand?


MacArthur2013-09-05 21:30:08
Got you.


Anonymous2013-10-21 18:04:59
And even if you don't download them, you get the following:

--the name of each cue that plays in the movie
--possible composer credits for the cues
--you can listen to them on the internet

Mike reply Replies: 0 || 2013-09-04 21:25:50
Credits, even partial, for this one would be much appreciated if you have them, Hybrid. :)

Anonymous reply Replies: 1 || 2013-09-02 13:52:20
Glad this finally leaked cause once agaaaaaaaaaaaain Hans scrapped almost all the good parts of the action material on the official album.


Mike2013-09-02 15:04:13
Can you give examples? I'm just curious, because I thought it was a great album release (for once).

T-Mann036 reply Replies: 0 || 2013-09-02 01:34:44
Two words-- Virtually flawless!

Mike reply Replies: 0 || 2013-09-01 19:42:07
This is one of the few scores where I feel no need for the complete version to service. To me, the album contains all the music worth hearing, and even "The Final Charge" cue was released. Still nice to see a page for it.

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Bryan Fury reply Replies: 0 || 2013-09-01 18:09:20
i got this one..Masterpiece!!!

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