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Tina had a lot of work to do here!Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.A fanmade.<br><br>Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
So I'm curious about something...that fake End Titles track that was posted here twice and removed...if it wasn't Dunkirk, what WAS it? It was actually a decent piece and sounded like Hans.I agree.  This to me was Nolan's Revenant. Good looking cinematography, but almost no story and zero emotional connection to anything happening.  I disagree with Adam.  It doesn't drudge up negative feelings either because, unless you have an explicit connection to the Battle of Dunkirk, it doesn't try to give anything meaning.  The film was everything I feared when I saw the trailer, boring and limited in depth.  As I was leaving I heard someone describe as a documentary, but I wouldn't even call it that.  It is like an art film, definitely not for everyone.  I'd probably call it a historical recreation on film.<br><br>As for the "music".  It definitely fit the "movie" in that it hardly was the fundamental thing it is described as.  Mostly droning noise, air, or ticking.  Not for everyone and not really listenable either.<br><br>Overall this felt like a pop-avant garde project.  Maybe Dunkirk is something extremely culturally relevant in England? Like still present in the vernacular? I don't know but this movie fails to take add anything to the human experience. It does not transcend its basic scenario and title. Dunkirk. That is it.Nope, it has the inicial feeling of 528491 of Inception.Shivering Soldier is DEFINITELY similar to Bruce's theme in BVSThe Tracklist Of This movie has Been Released At film Music reporter And Film Music Site. There Us much Of The Score By Atli Örvarsson And Various Artists:<br><br>1.Nobody Gets Out Alive<br>(Samuel L.jackson)<br>2.Hello(Lionel Ritchie)<br>3.Hitman's Bodyguard(Atli Örvarsson)<br>4.Ships On The Ocean(Kunior Well's Chicago Blues Band)<br>5.Smells Like Ass Back Here<br>(Atli Örvarsson)<br>6.Jag Didn't Smells Like Ass <br>(Atli Örvarsson)<br>7.I Want To Know What Love Is<br>(Foreigner)<br>8.Amsterdam Chase(Dmitri Golovko)<br>9.Black Betty(Spiderbait)<br>10.Little Quennie(Chuck Berry)<br>11.One Of The Good Guys?<br>(Atli Örvarsson)<br>12.Kincaid's Gospel<br>(Atli Örvarsson)<br>13.Dukovish(Atli Örvarsson)<br>14.Broken Wing(Atli Örvarsson)<br>15.Dancing In The Moonlight<br>(King Harvest)<br><br>Atli Örvarsson:Composer<br>Additional Music By Claudio Olachea & Dmitri Golovko<br>Music Supervisor By Selena Arizanonic
Has anyone had any luck getting an autograph after one of his concerts? Going to one soon.*four. Yes, I can do math. :PI like that Lorne is directly credited on Regimental Brothers and End Titles. Ditto Wallfisch with Home, Variation 15, and End Titles. That's three credits from the start!I agree, but this one is much better.It probably felt less emotionally engaging because we've been fed with emotions like friendships, love, joy or sorrow in most of the films. Dunkirk was emotionally engaging with emotions like fear of death, longing to go home. Hope this gives you another perspective
Divisive opinion:<br>I honestly wasn't crazy about the film. It wasn't bad, and the score was very appropriate, but I felt they could have done something different to not just be visually engaging, but emotionally engaging. Maybe I'm crazy, I'm seeing it again today, but that's my initial reaction.@Hari "I am afraid?"<br><br>There is no need to fear. Lol.<br>They have been doing this since ... always<br>Filmtracks since 2003.<br>The problem is that HZ has no formal musical training and this will always put him on a step down when compared to those who have or who in one way or another try to follow in a more orchestral way."At least for people who claim to be more cultured"<br><br>--------------------------------------------------<br><br>@Hari No! He never assumed that. The other day, I think in BvS or Boss Baby review, he commented that people accuse him of always bashing HZ works in exchange for views. But he denies, saying he does this to make it clear that not all people are satisfied with the current situation of the scores produced these days. And that HZ has yes, his share of guilt about it.<br><br>--------------------------------------------------<br><br>I do not like hatred in what he writes. First because it influences other reviewers to do the same and second because it is not 100% fair.<br><br>For PoTC 5, for example, he gave 3 stars. While the other scores of the franchise were always migrating between 1 and 2 stars.<br>If everyone had 3 stars, with the exception of the 4 effort, I'd be okay with that.And his justification for this is that Geoff is ridding the music of the damage franchise brought by Hans. WTF?<br><br>But at the end of the day I'm okay with that too.<br>----------------------------------------------<br>I make it clear that I do not have so much trouble with the way he review the scores. No problem. The problem is the use of hate words whenever it comes with a score review by Hans.<br><br>He called Captain Philips of a piece of shit. Even if I agree with him that it is bad, is sad that you read this. But okay.<br>Wonder Woman wasn't too bad :Dits just Tick Took effect, Great for the Movie but so Disappointed As an Album.<br>You misunderstood me, everything I've heard about the score excited me and I still am very excited to see the movie and to hear the score. I was one of the people who defended Hans' approach early on when "Supermarine" was released. I like what i've heard from the score and I don't want a melody or a main theme. (even though it seems like Supermarine can count as a main theme from what I've heard about the score)<br><br>My issue is with the 11 track 59 minute album. Let's take "The Mole" for example, I've been told that at the 2:00 mark there was a section that's in the movie but was cut out of the track so "The Mole" would've been much longer than 5 minutes. That section is one of my favorite things about the score (it was featured in the prologue). The first clip with Mark Rylance featured music that is similar to the end of "The Mole" but it's not the same cue and it doesn't appear elsewhere on the album. <br>I'm a big, big fan of Hans and Nolan but the fact that they keep screwing up their soundtrack official releases is bothersome to me.
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Conductor - Orchestrator
Hans ZimmerMark MancinaShirley WalkerBruce Fowler
ComposerAdditional MusicOrchestratorAdditional Orchestrator
Days Of Thunder
Label: La-La Land Records
Length: 71'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5176 votes)
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  1. Days Of Thunder (Main Title) (3:08)
  2. Rowdy Drives - Who Is This Driver? (2:06)
  3. Let Me Drive - Cole Drives Rowdy's Car (2:26)
  4. Car Building (2:05)
  5. Darlington - Cole Wins (4:47)
  6. You're Home - Daytona Race - The Crash (3:29)
  7. The Hospital (2:20)
  8. Wheelchair Race (0:37)
  9. Rental Car Race (3:50)
  10. Claire Arrives At Her Apartment (1:55)
  11. Physical Kiss (1:05)
  12. Cole Blows His Engine (1:10)
  13. Wheeler - Cole Smashes (2:25)
  14. Cole At The Laundry - Cole Agrees To Drive Rowdy's Car (2:11)
  15. Cole And Harry Fight - Harry Talks To Car (2:52)
  16. Cole In Truck - Pre-Race (3:52)
  17. The Last Race (10:20)
  18. The Last Note Of Freedom - David Coverdale (4:57)

    BONUS TRACKS
  19. The Hospital (Alternate) (2:21)
  20. Wheelchair Race (Alternate) (0:38)
  21. Claire Arrives At Her Apartment (Alternate Ending) (1:53)
  22. Cole Blows His Engine (Alternate) (1:12)
  23. Pre-Race (Alternate Mix) (2:25)
  24. Days Of Thunder (Main Title) (Rock Arrangement) (4:59)
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Michael Poleschuck reply Replies: 0 || 2017-02-16 15:46:09
Interesting, there was Jeff Beck's usual line-up on bass guitar and drums or not? And how did Jeff Beck involved in this movie?

Scorefan reply Replies: 3 || 2016-01-20 20:33:31
@Hybrid One question: the cue "End titles" is included is this reléase?


Hybrid Soldier2016-01-20 21:53:55
Nope...


Scorefan2016-09-03 17:13:35
@Hybrid, do you know why decided not include the cue in the official release?


Hybrid Soldier2016-09-03 18:04:20
I didn't produce this OST lol...

Ask LLL !

Sam Young reply Replies: 0 || 2016-03-28 14:30:05
What type of main keyboard did Hans play in this soundtrack?, I just heard the Yamaha DX7 (the marimba pitch) and Fairlight (the "aah" pitch) sounds, only don't know the main key he played.

Mr Jesstiece reply Replies: 2 || 2015-10-02 18:20:22
has any one heard a version similar to the last note of freedom but not by coverdale but sounding similar called The Driver.


Hybrid Soldier2015-10-02 19:14:07
Yep it's actually the first song Hans wrote with Terry Reid... It was then rearranged & rewritten with Billy Idol for "The Last Note Of Freedom"...

The Driver was much better... lol


rockhound2016-01-14 11:51:38
david coverdale confirmed on twitter, that trevor rabin played the lead guitar on The Last Note Of Freedom. i really love this song and the guitar work is amazing.

MacArthur reply Replies: 6 || 2013-11-18 16:41:10
Really Good!


Tommy2013-11-20 00:36:53
... not really good sound, the sound is very bad, previous version from First Born Records is much better !!


Cloud2013-11-20 01:55:05
Tommy: Are you crazy? The LLL release is light years ahead of the bootleg.


Hybrid Soldier2013-11-20 10:54:18
Yes for the most part, but LLL fucked up 2 cues, The Hospital & Cole Blows His Engine ! Well done... -_-


Mr Tweedy2013-11-20 11:05:33
The most part is really good yes ! Very good re-mastering job here.
But as mentioned Hybrid, those 2 cues sound like they have a sampling rate conversion problem !
That's crazy they didn't notice such a thing during mastering...

The Last Race doesn't have any mastering problem, but probably comes from another source. The track is not as clear and smooth as the other ones. And the original drum mix is pretty bad. Anyway, good cue !


Octane 932015-04-22 14:37:39
Finally we have the elusive 'Last Race' cue!

One of my favorite scores along with 'Rush.'


Max23042015-07-25 10:37:40
The bootleg is much better

Hybrid Soldier reply Replies: 25 || 2013-11-08 18:46:19
I got the confirmation I wanted, Mancina did work on The Last Race (and a few other cues).

End of story.


lol


Edmund Meinerts2013-11-08 18:50:59
Thanks for the confirmation. So is it Zimmer/Mancina then?


Hybrid Soldier2013-11-08 19:26:45
The themes are basically HZ so...

LLL couldn't credit him since he was not originally credited for the film (back then you rarely had any additional credited anyway for anything).


MacArthur2013-11-08 21:11:54
So it's basically Zimmer anyway.


Edmund Meinerts2013-11-08 21:16:58
Yeah, with these earlier projects I think it's safe to say Zimmer was a lot more of a solo artist. Not that he didn't have help, of course, but he hadn't yet reached the "write suites inspired by the film and have my team edit it to scene" stage.

I'll have to listen to the Final Race cue myself. You can usually tell when Mancina's had a hand in things, his voice is relatively distinctive (you can pretty easily tell what cues he did on The Lion King, for example). Although this is so early in his career, maybe not as much.


Mike2013-11-09 01:11:11
When would you say Zimmer did get to the "write suites inspired by the film and have my team edit it to the scenes" stage? Because you're right, his older scores didn't do that.


Edmund Meinerts2013-11-09 02:04:09
It's quite hard to say. Zimmer has always had a tendency to put long, suite-like cues on his albums, even on his early scores (which is why you get albums like Crimson Tide and The Peacemaker with only five cues, but with crazy 17-minute lengths and such). But back then you got the impression that he was still largely responsible for writing the actual CUES, too - not to mention a lot of those long "suites" were just a ton of cues that ran into each other. Again, I'm not saying he was entirely without help (e.g. Gavin Greenaway on Peacemaker), but more so than today. Exceptions like The Rock existed, but they were just that: exceptions.

If I had to pinpoint a single score where the "I do suites, team does cues" thing started to become the standard Zimmer modus operandi, then I'd say Pirates of the Caribbean: Curse of the Black Pearl: Zimmer provided the themes, Badelt and Zanelli and all the rest applied them to cues. Which is interesting, because in that score's case it only came about because of the emergency situation of desperately having to finish the score on time. Then I guess came Batman Begins, and Chris Nolan who apparently likes to have Zimmer write music based on the film's CONCEPT rather than directly to cue (although if Batman Begins has suites, I'm not sure we've ever heard them). By Dead Man's Chest and Da Vinci Code, the suite thing was in full force and hasn't changed since.


Edmund Meinerts2013-11-09 02:07:23
Keep in mind that this is PURE speculation on my part; I'm sure Hybrid could correct me on a lot of the above points.


Hybrid Soldier2013-11-09 09:13:07
Actually I have tried to ask when he actually started that method.

And I didn't get an answer (I mean I did but it was more "why" than "when" lol)...

"No theme, no score. But it took a while to figure that out... you see, you can just start writing to picture. The picture will make it "sound" better. But at the end, you're never going to have a piece that can stand on its own, you've never given the director and yourself the chance to really think it all the way through, and you can't ask [everyone] to help fill in the gaps in the movie, because you have to give them the themes, the sound, the production and the intellectual through-line. So the suite becomes a template for the whole film. Man Of Steel is entirely made from that template (actually it's two suites)..."

King Arthur is a score based on 2 big suites (totally unreleased).

He told me Lion King had some suites too, so it's not a new process... Nine Months has a theme suite (We Can Work It Out on OST).

So I guess it depends, on the schedule too...


Edmund Meinerts2013-11-09 18:06:27
I'd love to hear the King Arthur suites. That score is one of my favorites. Although, I imagine they wouldn't contain much that we haven't heard in other forms in the complete score.


MacArthur2013-11-10 17:27:40
I don't know King Arthur was pretty lengthy as a score album.

and I liked it to.


Anonymous2013-11-10 19:22:41
HZ did a lot of cues himself on TDK, comparatively speaking :P


MacArthur2013-11-10 21:21:12
And as far as we know MoS


Hybrid Soldier2013-11-10 21:41:07
Jeez stop giving your opinion about who did what since you have no clue or anything interesting to add but "I think"... :(


Anonymous2013-11-10 21:44:59
Am I wrong.


Mike2013-11-10 21:45:27
There would not be six additional guys in Zimmer did most of the scene-to-scene scoring himself.


MacArthur2013-11-10 21:46:07
Am I wrong.

My bad Forgot to post my name.


Mike2013-11-10 21:46:58
if* Zimmer did most of the scene-to-scene scoring


MacArthur2013-11-10 21:47:59
There were 4 not 6 mike. :)


Mike2013-11-10 21:50:06
Right, sorry. Must have been thinking of another score. Still, I stand by what I said.


Macejko2013-11-10 21:51:13
MacArthur is just anxious to keep himself in the illusion that every piece of music there is in the world is somehow connected to Hans.


MacArthur2013-11-10 21:57:25
Right the Turkish March by Mozart is Hans Zimmer, Or Star Wars is Hans Zimmer.

Quit being a butt-hole! Mace.


Edmund Meinerts2013-11-10 22:25:53
Ohhhhhhh snap! He called you a butthole, Macejko. You better come up with something really scathing to come back from that one. Might I suggest "poophead"?


Macejko2013-11-10 22:36:23
I think I'd rather go and think about my life, Edmund. After Mac's harsh words, it just... It just doesn't feel the same...


MacArthur2013-11-10 23:22:33
Sorry tough week.


isildur2013-11-11 10:27:06
Oh Man! This is so hilarious :D

MacArthur reply Replies: 0 || 2013-11-08 21:16:05
Real Quick what does the (V) stand for in discography

Hybrid Soldier reply Replies: 1 || 2013-11-08 09:16:04
Added all the booklet credits !


Guizmox2013-11-08 13:06:42
No Mark Mancina inside...

MacArthur reply Replies: 0 || 2013-11-07 22:36:59
Just bought it.

Guizmox reply Replies: 2 || 2013-11-05 08:34:32
Ladies and Gentlemen.... The tracklisting !!!


LA-LA LAND RECORDS PRESENTS
NEW RELEASES: Tues, 12 Noon (PST) November 5, 2013

LA-LA LAND RECORDS PRESENTS
NEW RELEASES: Tues, 12pm (PST) Nov. 5, 2013

Available for order at www.lalalandrecords.com
Tues, 12pm (PST) Nov 5, 2013

“restless: limited edition”
Music by Danny Elfman
RETAIL PRICE: $19.98
STARTS SHIPPING NOV 5, 2013

“DAYS OF THUNDER: LIMITED EDITION”
Music by Hans Zimmer
Limited Edition of 3000 Units
RETAIL PRICE: $19.98
STARTS SHIPPING NOV 5, 2013

FREE DANNY ELFMAN EXCLUSIVE!
Order restlesss starting NOV 5 at 12pm (PST) and get a FREE copy of the composer’s TAKING WOODSTOCK at no additional charge. The free CD will be packed with your order when it ships! Only at www.lalalandrecords.com for a limited time. These free copies are NOT guaranteed.

“HANS ZIMMER SPECIAL!”
To celebrate our release of DAYS OF THUNDER, we are offering BLACK RAIN and BROKEN ARROW at a special sale price of only $19.98 each! Sale prices good thru 12/2. Only at www.lalalandrecords.com

restless: limited edition LLLCD 1274
Music by Danny Elfman
Limited Edition of 2000 Units

STARTS SHIPPING NOV 5
RETAIL PRICE: $19.98

ORDER “restless: limited edition” starting Nov 5 at 12pm PST at www.lalalandrecords.com

La-La Land Records and Sony Pictures Entertainment present the original motion picture score to the 2011 feature film drama restless, starring Mia Wasikowska and Henry Hopper and directed by Gus Van Sant. Renowned composer Danny Elfman (EDWARD SCISSORHANDS, BATMAN, SOMMERSBY, BLACK BEAUTY) crafts another notable original score – a delicate, but stirring work, in the vein of his music for MILK and SILVER LININGS PLAYBOOK, that expertly finds the heart and soul of Van Sant’s delightfully offbeat romantic drama. Produced by Danny Elfman and mastered by Patricia Sullivan at Bernie Grundman mastering, this special release is limited to 2000 units and includes exclusive, in-depth liner notes from film music writer Tim Greiving which feature comments from director Gus Van Sant. The attractive art direction is by Dan Goldwasser.

TRACK LISTING:

1. titles 2:41
2. battleship 1:09
3. reconciliation 1:26
4. sorry for your loss 1:54
5. waterbirds 1:43
6. meet the parents 2:20
7. on the beach 2:09
8. hiroshima 1:06
9. morning affair 1:33
10. morgue 1:18
11. crime scene 2:45
12. death scene 2:06
13. happy dead girl 1:11
14. battleship 2 1:50
15. a ghost 1:00
16. the letter 1:34
17. parents’ grave 1:49
18. weepy donuts 3:31
19. enoch’s goodbye 1:21
total album time: 34:25

DAYS OF THUNDER: LIMITED EDITION LLLCD 1290
Music by Hans Zimmer
Limited Edition of 3000 Units

STARTS SHIPPING NOV 5
RETAIL PRICE: $19.98

ORDER “DAYS OF THUNDER: LIMITED EDITION” starting Nov 5 at 12pm PST at www.lalalandrecords.com

La-La Land Records and Paramount Pictures present the world premiere release of acclaimed composer Hans Zimmer’s (BLACK RAIN, THELMA & LOUISE, THE DARK KNIGHT, MAN OF STEEL) full-throttle original score to the 1990 racing drama feature DAYS OF THUNDER, starring Tom Cruise, Nicole Kidman and Robert Duvall, and directed by Tony Scott. After waiting decades, film music enthusiasts have finally been rewarded with a worthy release of this Zimmer classic. Clocking in at over 70 minutes, this CD absolutely roars with the kind of blistering dramatic action scoring that vividly demonstrates how Zimmer became one of filmdom’s most important contemporary composers. Rounding out the music presentation are some notable bonus tracks and the song “The Last Note of Freedom,” performed by David Cloverdale. Produced by Dan Goldwasser and mastered by Doug Schwartz, this special limited release of 3000 Units was supervised by the film’s producer, Jerry Bruckheimer and star Tom Cruise. The sleek art design is by Dan Goldwasser, with exclusive, in-depth liner notes by film music writer Tim Greiving, which include feature comments from Bruckheimer and Cruise. This release is dedicated to the late Tony Scott.

TRACK LISTING:

1. Days of Thunder (Main Title) 3:08
2. Rowdy Drives/Who Is This Driver? 2:06
3. Let Me Drive/Cole Drives Rowdy’s Car 2:26
4. Car Building 2:05
5. Darlington – Cole Wins 4:47
6. You’re Home/Daytona Race/The Crash 3:29
7. The Hospital 2:20
8. Wheelchair Race 0:37
9. Rental Car Race* 3:50
10. Claire Arrives at Her Apartment 1:55
11. Physical Kiss 1:05
12. Cole Blows His Engine 1:10
13. Wheeler/Cole Smashes 2:25
14. Cole at the Laundry/Cole Agrees to Drive Rowdy’s Car 2:11
15. Cole and Harry Fight/Harry Talks to Car 2:52
16. Cole in Truck/Pre-Race 3:52
17. The Last Race 10:20
18. “The Last Note of Freedom” 4:57
performed by David Coverdale

BONUS TRACKS
19. The Hospital (alternate) 2:21
20. Wheelchair Race (alternate) 0:38
21. Claire Arrives at Her Apartment (alternate ending) 1:53
22. Cole Blows His Engine (alternate) 1:12
23. Pre-Race (alternate mix) 2:25
24. Days of Thunder (Main Title) (rock arrangement) 4:59
TOTAL ALBUM TIME 71:14
* contains material not used in film

FINAL RACE INSIDE :D


MacArthur2013-11-05 16:32:25
So no iTunes.

But anyway you can probably get it cheaper on Amazon


trent easton navarro2013-11-05 23:16:26
Ordered! (together with Poledouris' The Hunt for Red October) Another holy grail I can cross of my list :D

MacArthur reply Replies: 2 || 2013-10-29 21:32:32
I was just on Discography. What is the red exclamation point by the CD for?


Edmund Meinerts2013-10-29 21:50:24
I think that means the page it links to is relatively new, i.e. you'll find red exclamation points next to most releases from this year, plus any complete/expanded pages that have been recently created, like the Inception sessions page.


MacArthur2013-10-29 22:41:11
Thanks!

Hybrid Soldier reply Replies: 5 || 2013-10-29 14:44:13
Coming next week at LLL !!! Amazing !!!!


JamesT2013-10-29 15:54:17
Yay!!! Great news!! Now, if we can get them to release The Fan next!


Edmund Meinerts2013-10-29 15:59:58
Will it include Mancina's cue from the final race? The bootleg was always missing that.


Bioscope2013-10-29 16:23:21
This is great!


Frisbee2013-10-29 16:30:27
Thunder-tastic!


trent easton navarro2013-10-29 21:33:47
One of my holy grails and one of Hans' greatest scores! Great to finally have an official release.

Now here's hoping an expanded "The Peacemaker" will also happen some day

ZZHH reply Replies: 0 || 2013-10-29 20:27:51
So cool !!

Anonymous reply Replies: 0 || 2013-10-29 16:28:16
Yeah! 23 years later

CAN'T WAIT.

 HANS-ZIMMER.com© 2001-2017 OST 
Days Of Thunder soundtrack - Hans Zimmer 1990