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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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David BuckleyLuke RichardsMartin Tillman
ComposerAdditional Music ProgrammerMusician
Call Of Duty - Ghosts (VG)
Label: Activision (Digital Download Only)
Length: 73'38
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5001 votes)
  1. Main Theme (3:13)
  2. Ghost Stories (1:46)
  3. Rorke Files (1:58)
  4. Loki Combat (2:00)
  5. Infiltration (2:04)
  6. Tower Battle (1:14)
  7. Sin City (2:01)
  8. Santa Monica Beach Invasion (2:13)
  9. Computer Hack (1:39)
  10. Enemy HQ (1:55)
  11. Threnody (0:54)
  12. Space Suicide (2:04)
  13. End Of The Line (2:38)
  14. Severed Ties (2:12)
  15. Clockwork (1:50)
  16. San Diego Burning (3:31)
  17. Atlas Falls (1:29)
  18. Space Enemy (2:45)
  19. Odin (2:19)
  20. Gathering Intel (1:31)
  21. No Man's Land Battle (1:09)
  22. Trench Run (1:41)
  23. Stealth Kill (3:11)
  24. Liberty Wall (2:37)
  25. Brave New World (2:00)
  26. Northern Andes Mountains, Venezuela (1:41)
  27. Birds Of Prey (1:09)
  28. Federation Base (1:48)
  29. The Hunted (2:01)
  30. Struck Down (1:27)
  31. Ghost Killer (1:14)
  32. Train Chase (1:58)
  33. Federation Battle (2:00)
  34. Legends Never Die (4:37)
  35. Atonement (3:49)
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Michael Poleschuck reply Replies: 0 || 2017-02-14 13:26:46
But why? Why did Harry left, Hybrid Soldier? In 2013 he only write a theme for The East. How it all connected with Tony Scott's death?

isildur reply Replies: 5 || 2014-05-05 20:59:33
Call of Duty: Advanced Warfare is going to be scored by Harry Greson-Williams reports gamespot.

This should be interesting. Buckley did such a fantastic job on the "Ghosts" I though they would hire him again.

http: //www.gamespot.com/articles/tons-of-call-of-duty-advanced-wa rfare-details-emerge/1100-6419415/


Mike2014-05-05 21:51:34
I loved Harry/Stephen Barton's work on COD4.....does this mean we might get a return to the sound of MW1? :D


Hybrid Soldier2014-05-05 22:15:15
Harry was supposed to do Ghosts with David but left for his year off in the end...


Mike2014-05-05 22:24:52
Funny you say that, Hybrid, because when I first heard the theme for Ghosts, I thought, "This is reminiscent in tone of the COD4 theme...."


Anonymous2014-05-07 21:05:34
i assume harry will just end up doing the theme and someone else will do the score?


Evenstar2014-05-08 02:57:11
exactly my toughts Anonymous

Tim reply Replies: 1 || 2014-04-12 23:44:18
Guys, Rocksteady and Warner just confirmed David Buckley scoring Batman Arkham Knight along with Franchise veteran Nick Arundel! I'm excited about this!!


isildur2014-04-13 00:38:19
Awesome news! I hope it would be as kick-ass as this.

dark prince reply Replies: 2 || 2014-02-02 00:13:35
Nice score by David Buckley. It's a challenge try to overcome the score by Hans Zimmer & Lorne Balfe, Brian Tyler and Jack Wall for this franchise, and David didn't, but anyway, this is a good aportation for this videogame saga, is really exciting as should be the scores for this saga


Mike2014-02-02 00:33:46
Again no one talks about the Modern Warfare 1 score by Harry Gregson Williams and Stephen Barton? :( It was awesome, dripping with tension.


dark prince2014-02-02 00:40:48
I didn't hear Modern Warfare 1

Patrick Pondaag reply Replies: 0 || 2014-02-01 17:58:26
Awesome score for Ghosts

MacArthur reply Replies: 2 || 2013-11-27 22:46:08
Again great score.


MacArthur2014-01-17 17:14:35
Any one know who's scoring the next CoD


Mike2014-01-17 17:23:16
No way, man! The next CoD hasn't even been given a title yet! :P

Tunerline reply Replies: 0 || 2013-11-18 08:36:51
David Buckley respect!!!!

MacArthur reply Replies: 2 || 2013-11-12 16:52:35
Are you kidding I love it.


Bioscope2013-11-12 18:21:55
Give it time. It will grow on you. I think it is actually epic!


MacArthur2013-11-12 18:36:19
I do like it it's awesome!

cody reply Replies: 0 || 2013-11-12 15:39:38
kind of a disappointment

Amr Ahmed reply Replies: 0 || 2013-11-12 14:22:26
Very Nice :):):):)

MacArthur reply Replies: 2 || 2013-11-08 22:14:37
Good score! really great stuff


tomPoland2013-11-09 11:22:40
Doesn't have a start to MW3 or especially to BO2.


MacArthur2013-11-10 17:33:46
I didn't Think it did.

MacArthur reply Replies: 2 || 2013-11-07 14:23:06
Who did David work with from RCP (Meaning what main guy Zimmer, Powell, Gregson-Williams...etc)


trent easton navarro2013-11-07 15:03:19
Looking at his credits, he seems to have mostly worked with HG-W


Anonymous2013-11-07 16:39:22
David has been working with HG-W for years and has written many great tracks for films HG-W scored.

TheARMusicGroup reply Replies: 9 || 2013-11-05 19:31:54
Does anybody know where they would release this? The only website that I found that had it available to purchase said that it was only available in the UK.

Also, what are your thoughts on Infinity Ward following Hans Zimmer and Brian Tyler with David Buckley? Personally, I am livid. However, it is still a Call of Duty soundtrack.


MacArthur2013-11-05 19:45:07
iTunes


theeaglesfan0052013-11-05 21:13:26
iTunes


Edmund Meinerts2013-11-05 23:10:32
iTunes

(Am I doing it right?)


Mike2013-11-06 01:45:47
"...what are your thoughts on Infinity Ward following Hans Zimmer and Brian Tyler with David Buckley?"

Why no mention of the excellent, tension filled COD4 score by Stephen Barton and Harry Gregson Williams? ;)


MacArthur2013-11-06 04:35:38
I would comment on that Mike but the thing is it never was released.


MacArthur2013-11-06 16:33:13
@ Mike, who would you want them to follow with.


Mike2013-11-06 17:25:38
I don't have a "who", exactly, but I absolutely loved the tone of Call of Duty 4's score. It was serious, dark, and full of tension. The score was very reflective of the game itself, trying to create a realistic, no-nonsense experience that paints the picture of modern war as it is, with no impossible action scenes or "bad ass" slo mo kills (as opposed to the CoD games from Black Ops onwards :P). CoD4 didn't have an uplifting, heroic Transformers-style theme like Tyler's MW3 score, nor a "The Rock"-style theme like the one Zimmer wrote for MW2. I know it's not gonna happen, but I'd love to have a score like CoD4's again. One that treats CoD like a war game, not an action film.

But then, CoD doesn't treat itself like a war game anymore, really. The reason the CoD scores now sound like action film scores is because the CoD games treat you like Ethan Hunt or Jason Bourne, not a soldier. lol.


MacArthur2013-11-06 20:47:06
Agreed you tend to be a spec force I kinda hope that they go back to WW2 scenario MW2 was good because you were more of a solider. But hearing David's score I like it


MacArthur2013-11-06 22:17:04
My bad They* tend to be more Spec forces.

Hybrid Soldier reply Replies: 8 || 2013-11-03 10:51:07
Thanks to Ado for pointing this out ! ;)


Evenstar2013-11-03 10:53:22
Wow, finally we know who composed it. David Buckley did some nice work in the past. Thanks!


al bundy2013-11-03 10:58:35
When will this be released? I can't find anything on Amazon or iTunes.


Hybrid Soldier2013-11-03 11:09:26
In 2 days !


eXe2013-11-03 11:28:39
Samples 7digital.com/artist/david-buckley/release/call-of-duty-ghost s


MacArthur2013-11-03 16:34:28
I thought It was going to be an RCP guy.

Excited


Mike2013-11-03 18:17:47
"Computer Hack" is striking similar to "Shanghai Infiltration" from Splinter Cell: Double Agent.


Mike2013-11-03 18:18:16
strikingly*


Manulder2013-11-06 19:06:10
why the soundtrack is avaible on amazon.com and not on amazon.fr ?

MacArthur reply Replies: 0 || 2013-11-06 16:33:54
Sounds Good

Legends never die is Awesome.

Anonymous reply Replies: 0 || 2013-11-03 18:43:46
why are there no pages on this site for geoff zanelli's nintendo ds call of duty scores? he did mw: mobilized, black ops, and mw3: defiance.

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Call Of Duty - Ghosts (VG) soundtrack - David Buckley 2013