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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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David BuckleyLuke RichardsMartin Tillman
ComposerAdditional Music ProgrammerMusician
Call Of Duty - Ghosts (VG)
Label: Activision (Digital Download Only)
Length: 73'38
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4892 votes)
  1. Main Theme (3:13)
  2. Ghost Stories (1:46)
  3. Rorke Files (1:58)
  4. Loki Combat (2:00)
  5. Infiltration (2:04)
  6. Tower Battle (1:14)
  7. Sin City (2:01)
  8. Santa Monica Beach Invasion (2:13)
  9. Computer Hack (1:39)
  10. Enemy HQ (1:55)
  11. Threnody (0:54)
  12. Space Suicide (2:04)
  13. End Of The Line (2:38)
  14. Severed Ties (2:12)
  15. Clockwork (1:50)
  16. San Diego Burning (3:31)
  17. Atlas Falls (1:29)
  18. Space Enemy (2:45)
  19. Odin (2:19)
  20. Gathering Intel (1:31)
  21. No Man's Land Battle (1:09)
  22. Trench Run (1:41)
  23. Stealth Kill (3:11)
  24. Liberty Wall (2:37)
  25. Brave New World (2:00)
  26. Northern Andes Mountains, Venezuela (1:41)
  27. Birds Of Prey (1:09)
  28. Federation Base (1:48)
  29. The Hunted (2:01)
  30. Struck Down (1:27)
  31. Ghost Killer (1:14)
  32. Train Chase (1:58)
  33. Federation Battle (2:00)
  34. Legends Never Die (4:37)
  35. Atonement (3:49)
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Michael Poleschuck reply Replies: 0 || 2017-02-14 13:26:46
But why? Why did Harry left, Hybrid Soldier? In 2013 he only write a theme for The East. How it all connected with Tony Scott's death?

isildur reply Replies: 5 || 2014-05-05 20:59:33
Call of Duty: Advanced Warfare is going to be scored by Harry Greson-Williams reports gamespot.

This should be interesting. Buckley did such a fantastic job on the "Ghosts" I though they would hire him again.

http: //www.gamespot.com/articles/tons-of-call-of-duty-advanced-wa rfare-details-emerge/1100-6419415/


Mike2014-05-05 21:51:34
I loved Harry/Stephen Barton's work on COD4.....does this mean we might get a return to the sound of MW1? :D


Hybrid Soldier2014-05-05 22:15:15
Harry was supposed to do Ghosts with David but left for his year off in the end...


Mike2014-05-05 22:24:52
Funny you say that, Hybrid, because when I first heard the theme for Ghosts, I thought, "This is reminiscent in tone of the COD4 theme...."


Anonymous2014-05-07 21:05:34
i assume harry will just end up doing the theme and someone else will do the score?


Evenstar2014-05-08 02:57:11
exactly my toughts Anonymous

Tim reply Replies: 1 || 2014-04-12 23:44:18
Guys, Rocksteady and Warner just confirmed David Buckley scoring Batman Arkham Knight along with Franchise veteran Nick Arundel! I'm excited about this!!


isildur2014-04-13 00:38:19
Awesome news! I hope it would be as kick-ass as this.

dark prince reply Replies: 2 || 2014-02-02 00:13:35
Nice score by David Buckley. It's a challenge try to overcome the score by Hans Zimmer & Lorne Balfe, Brian Tyler and Jack Wall for this franchise, and David didn't, but anyway, this is a good aportation for this videogame saga, is really exciting as should be the scores for this saga


Mike2014-02-02 00:33:46
Again no one talks about the Modern Warfare 1 score by Harry Gregson Williams and Stephen Barton? :( It was awesome, dripping with tension.


dark prince2014-02-02 00:40:48
I didn't hear Modern Warfare 1

Patrick Pondaag reply Replies: 0 || 2014-02-01 17:58:26
Awesome score for Ghosts

MacArthur reply Replies: 2 || 2013-11-27 22:46:08
Again great score.


MacArthur2014-01-17 17:14:35
Any one know who's scoring the next CoD


Mike2014-01-17 17:23:16
No way, man! The next CoD hasn't even been given a title yet! :P

Tunerline reply Replies: 0 || 2013-11-18 08:36:51
David Buckley respect!!!!

MacArthur reply Replies: 2 || 2013-11-12 16:52:35
Are you kidding I love it.


Bioscope2013-11-12 18:21:55
Give it time. It will grow on you. I think it is actually epic!


MacArthur2013-11-12 18:36:19
I do like it it's awesome!

cody reply Replies: 0 || 2013-11-12 15:39:38
kind of a disappointment

Amr Ahmed reply Replies: 0 || 2013-11-12 14:22:26
Very Nice :):):):)

MacArthur reply Replies: 2 || 2013-11-08 22:14:37
Good score! really great stuff


tomPoland2013-11-09 11:22:40
Doesn't have a start to MW3 or especially to BO2.


MacArthur2013-11-10 17:33:46
I didn't Think it did.

MacArthur reply Replies: 2 || 2013-11-07 14:23:06
Who did David work with from RCP (Meaning what main guy Zimmer, Powell, Gregson-Williams...etc)


trent easton navarro2013-11-07 15:03:19
Looking at his credits, he seems to have mostly worked with HG-W


Anonymous2013-11-07 16:39:22
David has been working with HG-W for years and has written many great tracks for films HG-W scored.

TheARMusicGroup reply Replies: 9 || 2013-11-05 19:31:54
Does anybody know where they would release this? The only website that I found that had it available to purchase said that it was only available in the UK.

Also, what are your thoughts on Infinity Ward following Hans Zimmer and Brian Tyler with David Buckley? Personally, I am livid. However, it is still a Call of Duty soundtrack.


MacArthur2013-11-05 19:45:07
iTunes


theeaglesfan0052013-11-05 21:13:26
iTunes


Edmund Meinerts2013-11-05 23:10:32
iTunes

(Am I doing it right?)


Mike2013-11-06 01:45:47
"...what are your thoughts on Infinity Ward following Hans Zimmer and Brian Tyler with David Buckley?"

Why no mention of the excellent, tension filled COD4 score by Stephen Barton and Harry Gregson Williams? ;)


MacArthur2013-11-06 04:35:38
I would comment on that Mike but the thing is it never was released.


MacArthur2013-11-06 16:33:13
@ Mike, who would you want them to follow with.


Mike2013-11-06 17:25:38
I don't have a "who", exactly, but I absolutely loved the tone of Call of Duty 4's score. It was serious, dark, and full of tension. The score was very reflective of the game itself, trying to create a realistic, no-nonsense experience that paints the picture of modern war as it is, with no impossible action scenes or "bad ass" slo mo kills (as opposed to the CoD games from Black Ops onwards :P). CoD4 didn't have an uplifting, heroic Transformers-style theme like Tyler's MW3 score, nor a "The Rock"-style theme like the one Zimmer wrote for MW2. I know it's not gonna happen, but I'd love to have a score like CoD4's again. One that treats CoD like a war game, not an action film.

But then, CoD doesn't treat itself like a war game anymore, really. The reason the CoD scores now sound like action film scores is because the CoD games treat you like Ethan Hunt or Jason Bourne, not a soldier. lol.


MacArthur2013-11-06 20:47:06
Agreed you tend to be a spec force I kinda hope that they go back to WW2 scenario MW2 was good because you were more of a solider. But hearing David's score I like it


MacArthur2013-11-06 22:17:04
My bad They* tend to be more Spec forces.

Hybrid Soldier reply Replies: 8 || 2013-11-03 10:51:07
Thanks to Ado for pointing this out ! ;)


Evenstar2013-11-03 10:53:22
Wow, finally we know who composed it. David Buckley did some nice work in the past. Thanks!


al bundy2013-11-03 10:58:35
When will this be released? I can't find anything on Amazon or iTunes.


Hybrid Soldier2013-11-03 11:09:26
In 2 days !


eXe2013-11-03 11:28:39
Samples 7digital.com/artist/david-buckley/release/call-of-duty-ghost s


MacArthur2013-11-03 16:34:28
I thought It was going to be an RCP guy.

Excited


Mike2013-11-03 18:17:47
"Computer Hack" is striking similar to "Shanghai Infiltration" from Splinter Cell: Double Agent.


Mike2013-11-03 18:18:16
strikingly*


Manulder2013-11-06 19:06:10
why the soundtrack is avaible on amazon.com and not on amazon.fr ?

MacArthur reply Replies: 0 || 2013-11-06 16:33:54
Sounds Good

Legends never die is Awesome.

Anonymous reply Replies: 0 || 2013-11-03 18:43:46
why are there no pages on this site for geoff zanelli's nintendo ds call of duty scores? he did mw: mobilized, black ops, and mw3: defiance.

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Call Of Duty - Ghosts (VG) soundtrack - David Buckley 2013