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;)I'm guessing, based on the credits, that Williams worked on "Dice and Roll" directly?He is.i don't doubt it, he and the director are good frineds and fans of each other, also they worked together on Annabelle so I'm willing to bet money he's the composer which is AWESOMEWallfisch just Retweeted the Shazam! trailer. Does that mean he is scoring it then? Hybrid can you say anything about this?
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...
No Paul Mounsey credits?Credits added !
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<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.
I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch
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Lorne BalfeMax ArujSteven KofskyMark Wherry
ComposerAdditional ArrangementsMusic Production ServicesDigital Instrument Design
Red Wing
Label: 14th Street Music (Digital Download Only)
Length: 26'16
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3699 votes)
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  1. Opening Titles (2:57)
  2. I Wanna Stay (2:08)
  3. Everything Changed (2:23)
  4. You've Got To Go (1:39)
  5. Starting A New Life (3:04)
  6. Reflection (1:32)
  7. Leaving Love (1:28)
  8. Back Home (1:33)
  9. Time To Talk (2:58)
  10. Family (0:59)
  11. Everyone Knows (1:16)
  12. Good Luck (1:00)
  13. Maddie And Francis (3:19)
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FELIX reply Replies: 0 || 2015-03-17 00:30:57
@HYbrid: Can you tell us what Lorne did on Fast & Furious 6, because now he stand as composer, and when he compose, do you know witch cues?

Sebi reply Replies: 0 || 2013-12-17 16:12:50
Nice Score! :)

Anonymous reply Replies: 0 || 2013-12-03 03:20:00
I am liking this. The Opening titles sound like the same first notes of the American Beauty theme from Thomas Newman. His new score for Saving Mr. Banks is superb.

Back to listening to Lorne.....

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Red Wing soundtrack - Lorne Balfe 2013