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Lorne Balfe score for Fallout was perfection so would be perfect for a Chris Nolan film. He also has worked with him on Dunkirk and Inception.But I expect and hope Hans is doing the score .If Hans is notworking with Nolan then Lorne Balfe should do it .So... Can it be considered as the second CD? Or something like that?<br>If Nolan is not working with Zimmer, Ludwig Göransson would be a dream choice for me. I really think he is an up and coming composer capable of great things. <br><br>But of course, I rather Nolan stick with Zimmer.Ludwig Göransson
Nolan's movie IT IS CONFIRMED ;)As much as I liked Julyan's work - especially his score for Insomnia, don't think it would work. I mention Lorne because he has worked with Nolan as part of Zimmer's team and his sound is very familiar to Zimmer's. <br><br>Of course, everything is kept under wraps. I personally think Zimmer doesn't want to confirm his involvement so that he doesn't get asked about it. I mean the film starts filming in three months and we only have a date. Hans usually starts very early on Nolan's films that's what surprises me the most, if he really is in the dark with this one.I really can't see Nolan going back to Julyan. The guy's a TV composer at heart. He's not suited for these big epics Nolan keeps making. The last "major" movie he scored was The Cabin the Woods in 2012.Trust me, I hope so !Stay calm folks, the name of the film has not yet been disclosed. When it announced, you see there ''Music by HANS ZIMMER''
To be honest, Dunkirk kind of sounded like Nolan asking Hans to take inspiration from David Julyan anyway. In some ways.If Hans wouldn't score a Nolan project, just expect David Julyan, they are close friends you know...I certainly expect that Hans will score the Nolan movie, but we'll see. It's certainly possible that, like other directors Hans has worked with off and on, Nolan won't choose Zimmer for every project moving forward, but will still collaborate with him again on the right project. We'll see, I guess.To me, Nolan and Zimmer have become inseparable so I'd be really surprised if he doesn't score the film. But if not Zimmer than who? Balfe? :D - Hope I didn't open the floodgates of hell... <br><br>Anyway, super excited and happy that Zimmer is scoring Dune. It was an obvious choice just glad it was confirmed - Would've also liked a collab with Wallfisch since BR2049 is one of my favorite scores.I hope Nolan and Hans haven't had a falling out.... I may not like every single choice they've made, but I always enjoy their collaborations and look forward to them.
Apparently Zimmer didn't have a good time on Dunkirk (according to Nolan himself) but I never got the feeling that they weren't happy in the end about the score.WHAAAAAATTTTTT? Nolan's movie is not confirmed??? But Nolan-Zimmer is the rule, no? But why wouldn't Hans score Nolan's movie? Did something happen between them?Wait wait wait Nolan's movie for Hans is not confirmed... Far from it...This is also releasing in 2020. How many movies are up for release now from 2019-2020, Lion King, Dark Phoenix, Wonder Woman 2, Top Gun - Maverick, SpongeBob, Nolan's movie, this, and that BBC show. We are gonna get so much stuff. I am very excited.YES!!!!!<br><br>So happy that Villeneuve is directing and Zimmer is attached to score. While I know it’s unlikely I hope this score is more than just sound design, there is so much opportunity here to write some kickass music.
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Trevor RabinPaul Linford
ComposerAdditional Music
Deep Blue Sea
Label: Varese Sarabande
Length: 30'11
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4499 votes)
  1. Aftermath (2:47)
  2. Susan Softens (2:26)
  3. Journey (4:48)
  4. Main (3:07)
  5. Hunting In Packs (1:42)
  6. Experiment (4:28)
  7. Jim Returns (1:21)
  8. Shark Side (4:27)
  9. Anarchy (4:23)
  10. Doctor's Orders (0:33)
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Anonymous reply Replies: 9 || 2012-07-09 20:04:12
DEEP BLUE SEA COMPLETE SCORE:

1m1 Main Title (6:24)
1m2 Susan's Cause (1:03)
1m3 Aquatica (1:31)
1m4 Carter's Swim (1:30)
1m5 Gliding Monsters (0:40)
1m7 Some Other Way (1:43)
1m8 Doctor's Orders (1:06)
1m9 I Don't Make Waves (1:20)
2m13 Susan's Speech (1:27)
2m13b You Guys Hungry (2:20)
2m14 Hunting in Packs (1:44)
2m17 The Experiment (4:30)
3m18 Armageddon (6:01)
3m19 Jim's Return (1:22)
3m20 No Way Out (4:50)
3m23 Smart Sharks (2:42)
3m24 Preacher Pursued (1:10)
3m25 Trouble in the Kitchen (2:16)
3m27 Chief's Surprise (1:55)
4m28 Franklin's Tale (3:13)
4m30 I Hear You Knocking (5:43)
4m31 Exit Strategy (0:48)
4m32 Susan Softens (1:25)
4m33 Back to the Lab (1:30)
5m33a Jaws of Death (1:37)
5m34 Getting to Knaw You (4:33)
5m35 Susan and the Shark (3:57)
5m36 Journey Topside (5:26)
6m37 Kill Big Shark (6:25)
6m38 Aftermath (2:48)



Mr Tweedy2012-07-09 21:29:05
Hey this is my tracklist !!!


Anonymous2012-07-10 00:41:40
No it aint


Mr Tweedy2012-07-14 20:30:54
Yes it is.

I compiled all the tracknames found on ascap on put them in chronological order and it was exactly the same.


Anonymous2012-07-15 04:04:17
Then the cues are not your own then, are they? If you made up the titles, fine, but this is different.


Mr Tweedy2012-07-15 04:26:25
Well... "I Dont Make Waves" and "You Guys Hungry ?" weren't featured on ascap. I made up those titles. I wonder how you ended up with those as I don't think we have connection together.
And "6m37 Kill Big Shark" is named "We've Got to Kill Her" on ascap. Don't know which one is the true one.


Anonymous2012-07-15 04:44:47
Oh I see. Then I take back what I said, I do apologize.


Mrs. Tweedy2012-07-15 12:21:03
don't cry


Per2012-07-21 18:49:32
Not entirely complete, it's missing like 5-6 min. from where they are getting the experiment ready (before '2m17 The Experiment').

Some interesting things I've noticed now when I've taken a "look" at the film again, is that quite a lot of stuff is actually not used. Like most of 'Aftermath', and, as far as I could tell, both 'Susan Softens' (part 1 on OST track 2) and '2m13 Susan's Speech' is not in the film at all.

And perhaps the best part of the whole score (in my opinion), the action variation of the 'Aftermath'/main(?) theme (++) in '6m37 Kill Big Shark' seems to have been replaced with parts from '3m18 Armageddon' (09 - Anarchy on OST) in the film... don't know why. Maybe the original cue didn't work as they thought. Have no idea. But to me it's bit of a strange choice... (I have the region 2 DVD, so I don't know if it's different in the US version ?)

And some other stuff, like '1m2 Susan's Cause' is completely different in the film. And there's some other differences in the mix etc. as well, like some choir on the versions on this leaked version not in the film and so on...


Medigo2017-07-08 14:52:28
Its possible Kill Big Shark/Aftermath were remixed after the movie itself was re-edited to have Susan die during that segment

badbu reply Replies: 0 || 2014-08-02 11:11:27
an amazing score! :)

Jess reply Replies: 0 || 2008-02-27 00:00:00
Deep blue sea rocks!

Arthen reply Replies: 0 || 2005-09-18 00:00:00
One of the most instantly recognizeable modern filmscores. Trevor has struck a very powerful and memorable theme to go by the years, and it is so memorable that if Aftermath was played 20 years later when i'm like 42 years old-- I'd still immediately sit up from whatever I'm doing, and drift back into the serenity of the score.

And I'd tell my children, you see? Back then visual effects in my time was sooo amazing!

And they'd say, "--what?? you call that amazing???"--


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Deep Blue Sea soundtrack - Trevor Rabin 1999