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balfe composed great orchestral actionmusic for Home and the Kung Fu Panda scores. all 3 scores have not the typical rcp actionmusic, so why shouldn't it be possible for him, to write an orchestral bond score? and if u wanna hear jackman in orchestral action mode, then listen to his Captain America scores. give both composers the bond theme and they will write you at least a more bondian score than thomas newman with Skyfall. but of course john powell would be also great.And David Arnold needs to get back on track for the blockbuster's game. His work on Sherlock is wonderful, but I do not see television as a safe path to his career.This is sacrilege! haha<br><br>Jablonsky or any other MV/RCP composer has never been able to write a good, classic jazz score worthy of 5 stars. As quoted above, Powell and Zimmer were the closest to this, but frankly there are sacred projects, such as Bond, which should have their music universe respected.<br>What in Balfe's filmography points to him being a good Bond choice? Powell's back catalogue is littered with cues that prove he'd be good with Bond. "Escape from the Dragon" from Shrek is basically a David Arnold Bond action cue already. "The New Plan" from Italian Job. "Hog Chase Part 2" from Paycheck. "SUV Chase" from Hancock. Has Balfe ever written anything with that much style and verve? Penguins of Madagascar is the only thing that really comes to mind but that feels more like parody than the genuine article.<br><br>Call me a fanboy all you like, but at least I give reasons for why I support Powell, and am not just clogging threads with "omg POWELLLL BEST COMPOSER OF THE WORLD !11!1!!!11oneone1"if the bond producers would let the rcp guys write an orchestral score, then balfe or jackman would be a good fit. but also a bond score by harry gregson-williams would be interesting for me.
Edmund ! Thatís a surprise you would only choose John Powell. Amazing you have the nerve to talks about the Balfe fanboys !!!!!When Will Complete Motion Picture ScoreA total revelation about Wallfisch "Horse Theme" (AKA K/Joe's theme) and its relation with original Tears in the Rain.<br><br>http ://www.mundobso.com/bso/blade-runner-2049Just listen to "Invasion Begins", it's almost like a small suite of Shen's theme.The only MV/RC composer I ever would want to see work on James Bond is John Powell. He's more than capable of doing the sort of cool, suave, jazzy sound that Bond needs. Beyond that...maybe if Zimmer was able to go way, way, *way* back to A League of Their Own mode, that could be neat, but otherwise MV/RC style is simply not a good fit for Bond.<br><br>The Goldeneye score SUCKS. The Thomas Newman ones are only OK. Bring David Arnold back. I have spoken.
Saw the movie over the weekend.The music was the best thing about the movie.not the best but the score made it 1000 times better for sureyeah!!! He was amazing!!! After Dunkrik the best movie in 2017 (for me)Skarsgard really nailed that scene, it was the scene which made it clear how different his Pennywise is from Tim Curry's.Does the blu-ray come with a CD or digital download? Or do you have to buy the album also.Time To Float is sooo strong :-) And a nice Scene btw :-)
All i'd say its worth it in a complete score is We Have To Go film version, and maybe some snippets of Seglass and Merlin's Staff variations.<br><br>Other than that, we got more music in the soundtrack than in the film since most was cut off.Everybody is talking about Shen's Theme. I just can't figure out what his theme really is.<br>Could someone please note where in wich song and at what time his theme appears?<br><br>Thanks very much!mpolonest123 - definitely sounds like it might be inspired by it. I heard the "glockenspiel roll" employed by Bellis used in the track "Deadlights" as well. If these things are intentional nods, then it's pretty cool that the score at least acknowledges the past.I don't know if anybody stayed behind long enough to find out given that the only thing waiting at the end of the credits is one last Pennywise laugh and "IT: Chapter 1". I'd assume "Georgie's Theme" played next.Seriously, I didn't catch very much at all that was left out of the soundtrack....I DID hear alot of repeated tracks in the movie, however...So I can't say what would be notably absent. Anybody got a good example?
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Trevor RabinPaul Linford
ComposerAdditional Music
Deep Blue Sea
Label: Varese Sarabande
Length: 30'11
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3840 votes)
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  1. Aftermath (2:47)
  2. Susan Softens (2:26)
  3. Journey (4:48)
  4. Main (3:07)
  5. Hunting In Packs (1:42)
  6. Experiment (4:28)
  7. Jim Returns (1:21)
  8. Shark Side (4:27)
  9. Anarchy (4:23)
  10. Doctor's Orders (0:33)
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Anonymous reply Replies: 9 || 2012-07-09 20:04:12
DEEP BLUE SEA COMPLETE SCORE:

1m1 Main Title (6:24)
1m2 Susan's Cause (1:03)
1m3 Aquatica (1:31)
1m4 Carter's Swim (1:30)
1m5 Gliding Monsters (0:40)
1m7 Some Other Way (1:43)
1m8 Doctor's Orders (1:06)
1m9 I Don't Make Waves (1:20)
2m13 Susan's Speech (1:27)
2m13b You Guys Hungry (2:20)
2m14 Hunting in Packs (1:44)
2m17 The Experiment (4:30)
3m18 Armageddon (6:01)
3m19 Jim's Return (1:22)
3m20 No Way Out (4:50)
3m23 Smart Sharks (2:42)
3m24 Preacher Pursued (1:10)
3m25 Trouble in the Kitchen (2:16)
3m27 Chief's Surprise (1:55)
4m28 Franklin's Tale (3:13)
4m30 I Hear You Knocking (5:43)
4m31 Exit Strategy (0:48)
4m32 Susan Softens (1:25)
4m33 Back to the Lab (1:30)
5m33a Jaws of Death (1:37)
5m34 Getting to Knaw You (4:33)
5m35 Susan and the Shark (3:57)
5m36 Journey Topside (5:26)
6m37 Kill Big Shark (6:25)
6m38 Aftermath (2:48)



Mr Tweedy2012-07-09 21:29:05
Hey this is my tracklist !!!


Anonymous2012-07-10 00:41:40
No it aint


Mr Tweedy2012-07-14 20:30:54
Yes it is.

I compiled all the tracknames found on ascap on put them in chronological order and it was exactly the same.


Anonymous2012-07-15 04:04:17
Then the cues are not your own then, are they? If you made up the titles, fine, but this is different.


Mr Tweedy2012-07-15 04:26:25
Well... "I Dont Make Waves" and "You Guys Hungry ?" weren't featured on ascap. I made up those titles. I wonder how you ended up with those as I don't think we have connection together.
And "6m37 Kill Big Shark" is named "We've Got to Kill Her" on ascap. Don't know which one is the true one.


Anonymous2012-07-15 04:44:47
Oh I see. Then I take back what I said, I do apologize.


Mrs. Tweedy2012-07-15 12:21:03
don't cry


Per2012-07-21 18:49:32
Not entirely complete, it's missing like 5-6 min. from where they are getting the experiment ready (before '2m17 The Experiment').

Some interesting things I've noticed now when I've taken a "look" at the film again, is that quite a lot of stuff is actually not used. Like most of 'Aftermath', and, as far as I could tell, both 'Susan Softens' (part 1 on OST track 2) and '2m13 Susan's Speech' is not in the film at all.

And perhaps the best part of the whole score (in my opinion), the action variation of the 'Aftermath'/main(?) theme (++) in '6m37 Kill Big Shark' seems to have been replaced with parts from '3m18 Armageddon' (09 - Anarchy on OST) in the film... don't know why. Maybe the original cue didn't work as they thought. Have no idea. But to me it's bit of a strange choice... (I have the region 2 DVD, so I don't know if it's different in the US version ?)

And some other stuff, like '1m2 Susan's Cause' is completely different in the film. And there's some other differences in the mix etc. as well, like some choir on the versions on this leaked version not in the film and so on...


Medigo2017-07-08 14:52:28
Its possible Kill Big Shark/Aftermath were remixed after the movie itself was re-edited to have Susan die during that segment

badbu reply Replies: 0 || 2014-08-02 11:11:27
an amazing score! :)

Jess reply Replies: 0 || 2008-02-27 00:00:00
Deep blue sea rocks!

Arthen reply Replies: 0 || 2005-09-18 00:00:00
One of the most instantly recognizeable modern filmscores. Trevor has struck a very powerful and memorable theme to go by the years, and it is so memorable that if Aftermath was played 20 years later when i'm like 42 years old-- I'd still immediately sit up from whatever I'm doing, and drift back into the serenity of the score.

And I'd tell my children, you see? Back then visual effects in my time was sooo amazing!

And they'd say, "--what?? you call that amazing???"--


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