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No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits updateA bit of who did what...
Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great job
Bob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.
I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!
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Additional Music Arranger - Musician : Drum & Guitar
Hans ZimmerLorne BalfeMichael A. LevineTom Holkenborg (Junkie XL)
ComposerComposerAdditional ArrangementsAdditional Arrangements
Megamind (Complete Score)
Label: Unofficial Release
Length: 81'47
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4764 votes)
  1. Opening (1:03)
  2. Face Of Evil (4:29)
  3. Baddest Boy Of Them All (1:29)
  4. Metroman Day (1:26)
  5. Kidnapping Roxanne (0:35)
  6. Escape From Prison (1:21)
  7. Metroman Ceremony (0:49)
  8. Megamind's Evil Lair (1:12)
  9. Wooing Roxanne (1:21)
  10. Metroman's Celebration (0:29)
  11. Megamind Crashes Party (0:28)
  12. Metroman To The Rescue (2:19)
  13. Metroman's Weakness Revealed (0:46)
  14. Metroman Arrives (0:48)
  15. Megamind In City Hall (1:32)
  16. Meloncholy (2:10)
  17. Metroman Remembered (2:33)
  18. If Only... - Hatches A Plan (3:07)
  19. Roxanne Finds Megamind's Lair (3:29)
  20. Roxanne Opens Exit Door (0:13)
  21. Roxanne & Bernard Hug - Destiny Of Hal (3:40)
  22. Love On Blanket (0:39)
  23. Hal Becomes Titan (1:35)
  24. Megamind & Minion Fall Out (1:47)
  25. Roxanne Meets Titan (2:42)
  26. Roxanne & Bernard Dinner Date (2:31)
  27. Rejection In The Rain (1:45)
  28. Black Mamba Revealed (1:13)
  29. Being A Hero Is For Losers (4:52)
  30. Megamind & Roxanne Join Forces (1:18)
  31. Hey Stinger (0:48)
  32. Metroman Flashback (1:40)
  33. Roxanne Gives Megamind A Pep Talk (2:37)
  34. Roxanne In Jeopardy & Hal Terrorizes City (3:08)
  35. Final Battle - Return Of Hal (5:59)
  36. Drama Queen - We Did It (1:40)
  37. Bad Tail (1:02)
  38. End Credits (3:33)
  39. Hal's Theme (2:16)
  40. Love Theme (2:36)
  41. Metroman Ceremony (Alternate) (0:48)
  42. Metroman To The Rescue (Alternate) (2:17)
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mpolonest123 reply Replies: 2 || 2018-06-11 00:09:39
As many amazing animation scores as Zimmer wrote (almost all of them honestly) I would easily put this one in the top 3. And number one in Balfe’s case. Honestly it is surprising how intelligent it is. Each of the themes get significant development throughout, and the subtle incorporation of the “Bad to the Bone” riff is genius (any lesser composer/director would probably have it at the forefront constantly).

And the Love Tune is just beautiful....


Mike (OTM)2018-06-11 21:31:25
This is one I still need to listen to, surprisingly...Never gotten around to it, after 8 years. Is the album presentation good or should I stick with the complete score?


mpolonest123 2018-06-11 22:11:34
The album pres. isn’t great, it’s missing a number of essential cues and the flow is off. Stick with the CS :-)

Harry Harry reply Replies: 0 || 2018-01-22 00:03:07
How do I listen to this tracklist?

T-Mann036 reply Replies: 1 || 2014-04-28 07:40:32
One word when it comes to Hans & Lorne's music prowress-- Masterpiece!

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Jay the Dinosaur2014-08-30 19:17:40
You know, this is my cover at the top of the screen! so amazed that they used this. :D

NM reply Replies: 0 || 2014-08-30 00:15:21
Awesome score. Just listened to this full thing for the first time. An enjoyable score, can definitely hear a lot of Hans & Lorne's individual trademarks.

RealFfingMusic reply Replies: 0 || 2014-04-28 14:04:12
Just got this. Awesome.

Edmund Meinerts reply Replies: 2 || 2014-04-28 01:33:54
Excellent! Now all that's missing is a who-did-what... ;)


Mike2014-04-28 01:40:33
What this guy said.... ;)


Hybrid Soldier2014-04-28 08:49:19
Impossible to say... Apart from Bad Tail being Junkie... That's all...

Anonymous reply Replies: 0 || 2014-04-27 21:05:05
Niiiiice :)

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Megamind (Complete Score) soundtrack - Hans Zimmer - Lorne Balfe 2010