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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Conductor
Hans ZimmerGavin GreenawayHarry Gregson-WilliamsAdam Smalley
ComposerAdditional MusicAdditional MusicScore Producer
The Peacemaker (Limited)
Label: La-La Land Records
Length: 152'13
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4505 votes)
CD1
  1. Voice Of God - Vassily's Dilemma (6:49)
  2. Hijack (7:46)
  3. It Wasn't An Accident - Exporting Good Will - Smoke Screen (3:55)
  4. Bombs On The Move - Alexsander Kodoroff - Kodoroff's Alive (5:11)
  5. Good Guys - Bad Guys - Dusan's Village (1:51)
  6. Keep On Truckin' - Head Of Transportation - Hasselhoff - Escape (4:38)
  7. Car Chase (5:51)
  8. Forty-Four E - Dusan's Confession (3:24)
  9. Truck Convoy - License Plate (2:46)
  10. Nocturne In C# Minor (1:15) (Frederic Chopin)
  11. Get Me Authorized (feat. Mamak Khadem) (2:38)
  12. Checkpoint - Helicopter Chase (12:11)
  13. One Unaccounted For - Dusan Gets Bomb - Dusan's speech (5:06)
  14. He's Going To New York - F.B.I. N.Y. - Swiss Flight #1204 (4:37)
  15. Dusan's Flashback (6:18)
CD2
  1. Dusan With Bomb - Dusan In Church (11:18)
  2. Dusan Kills Himself (3:28)
  3. Dr. Kelly Is O.K. - Dr. Kelly Got 10 More (3:28)
    BONUS TRACKS
  4. Trains (Original Album Version) (13:54)
  5. Devoe's Revenge (Original Album Version) (5:16)
  6. Sarajevo (Original Album Version) (8:43)
  7. Chase (Original Album Version) (17:06)
  8. Peacemaker (Original Album Version) (9:45)
  9. Get Me Authorized (Alternate Vocals feat. Lisbeth Scott) (2:42)
  10. The Peacemaker Trailer Music (2:18)
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SPECTER reply Replies: 3 || 2018-05-09 05:18:57
Hi guys, is the climax of album version "Peacemaker" with Lisbeth Scott and the male choir featured in the movie somewhere? Saw the film today and didn't hear that awesome singing.

Mike (OTM)2018-05-09 05:51:45
I haven't seen the movie, but "Peacemaker" is a suite. So if you didn't hear it, it's probably not in there. Classic situation with Hans. lol.

SPECTER2018-05-09 23:32:27
kept my ears open the whole time didn't hear it the film. The part in referring to is 8:20 of album version "Peacemaker". Another piece that is in the album but not in the movie is 14:10 of "Chase". It's funny to me because usually some really good film cues are left out of the album but it's the opposite in this case.

Mr Tweedy2018-05-10 10:20:48
As Mike (OTM) mentioned, the track Peacemaker is a theme suite, and isn't used at all in the movie.

As for the "Chase" cue, in my memories it's used in its entirety in the film (but as it is a medley of different tracks, it's popping in several sequences of the film : Helicopter Chase, New York, End Credits). I'm not 100% sure, but I guess the part at 14:10 was used during the NY Chase.

MrFix reply Replies: 10 || 2014-05-31 00:44:44
Wow, the sound on this is hurtful to my ears. the highs and mids are crazily painful and hardly anything at the bottom. very disappointed with LLL

trent easton navarro2014-06-01 13:13:24
Haven't listened to this one with headphones yet but at first listen I don't hear anything wrong with it. But I must admit I'm not a major audiophile, so what do I know.

Hybrid Soldier2014-06-01 13:36:54
Well they didn't kick anyone's ass with the mastering...


The 1997 OST was a lot more violent (and suitable for this kind of score)... They played it weak here (they even made the 1997 OST selection softer here)...

Cloud2014-06-01 19:21:12
The only thing I don't like about this is that some parts are way more silent than I'd like them to be. I find myself adjusting the volume constantly while listening to this.

Hybrid Soldier2014-06-01 19:34:15
Which is exactly the definition of a not great mastering... lol

Edmund Meinerts2014-06-01 22:33:00
I haven't listened to the new release yet but is the sound still better than the boot?

Anonymous2014-06-02 04:22:41
Actually, dynamic range is a good thing, Hybrid.

RealFfingMusic2014-06-02 07:22:36
Dynamic range is definitely a good thing, but only when it enhances the music. But this one has such a high dynamic range that one has to keep a finger on volume control, or risk missing out certain portions. That, m'friend, is BAD remastering.

P.S. I've listened to only 4-5 tracks and I already HATE it.

Hybrid Soldier2014-06-02 07:59:10
It's a good thing for an orchestral score like Kingdom of Heaven...

For Peacemaker, not so much...

MrFix2014-06-02 11:40:39
@hybrid
Exactly!! For the peacemaker, because it's mainly synthetic (not to sure if it is completely) it's like volume was intentionally dropped and peaked during post recording to try and give more of a dynamic sound for on screen purposes. I've noticed a few scores like that too from zimmer, crimson tide for one comes into mind.

Soundtracks942017-09-20 19:32:29
I own the CD and I agree there are times in the score where it's so bombastic it distorts your speakers.

Still, I felt this was a great score from Zimmer. It was peak Russian sounding chorus time for Hans and the action cues were better than other scores of this time like The Rock.

Mike reply Replies: 2 || 2015-03-08 22:14:36
I feel like John Powell's name for "Additional Music" is new here...Have I just been missing it, or has new info come to light?

Edmund Meinerts2015-03-08 22:48:41
Yeah, I never noticed that either. Didn't think HGW was involved with this either outside of the trailer music (or is that all that is meant by "additional music" here?).

We all know Greenaway worked extensively on this and he did Face/Off with Powell the same year, so who knows...

Hybrid Soldier2015-03-08 23:15:01
I found that. Hans couldn't confirm nor deny, he doesn't remember... lol

Anonymous reply Replies: 2 || 2014-08-22 19:30:39
who arranged the trailer track?

Hybrid Soldier2014-08-22 20:14:19
Click "See details..."

Anonymous2014-08-22 23:14:36
thanks

Anonymous reply Replies: 15 || 2014-05-16 15:13:04
anyone got a tracklist? :P

trent easton navarro2014-05-16 16:41:29
not yet, guess we'll have to wait till tuesday

Poe2014-05-20 05:52:06
DISC 1
1. Voice of God / Vassily’s Dilemma 6:49
2. Hijack 7:46
3. It Wasn’t an Accident / Exporting Good Will / Smoke Screen 3:55
4. Bombs on the Move / Alexsander Kodoroff / Kodoroff’s Alive 5:11
5. Good Guys / Bad Guys / Dusan’s Village 1:51
6. Keep On Truckin’ / Head of Transportation / Hasselhoff / Escape 4:38
7. Car Chase 5:51
8. Forty-Four E / Dusan’s Confession 3:24
9. Truck Convoy / License Plate 2:46
10. Nocturne in C# Minor 1:15 (Frederic Chopin)
11. Get Me Authorized (feat. Mamak Khadem) 2:38
12. Checkpoint / Helicopter Chase 12:11
13. One Unaccounted For / Dusan Gets Bomb/ Dusan’s Speech 5:06
14. He’s Going to New York / F.B.I. N.Y. / Swiss Flight #1204 4:37
15. Dusan’s Flashback 6:18
TOTAL DISC TIME: 74:16

DISC 2
1. Dusan With Bomb / Dusan in Church 11:18
2. Dusan Kills Himself 3:28
3. Dr. Kelly Is O.K. / Dr. Kelly Got 10 More 3:28
BONUS TRACKS
4. Trains (original album version) 13:54
5. Devoe’s Revenge (original album version) 5:16
6. Sarajevo (original album version) 8:43
7. Chase (original album version) 17:06
8. Peacemaker (original album version) 9:45
9. Get Me Authorized (alternate vocals feat. Lisbeth Scott) 2:42
10. The Peacemaker Trailer Music 2:18

Edmund Meinerts2014-05-20 12:12:14
Oh La-La Land...I love you, but it seems like your trend of pointlessly combining separate cues into lengthier ones shows no sign of abating. :/

Aggelos2014-05-20 14:24:02
It's great to have all this material remastered, restored and dressed in an official package/disc.

However, I was wondering what happened to the unused cues of Peacemaker?
There is a rumour that some composers block(ed) various scores from receiving an official expanded release. Do you think that something like that happened in this case?
LaLaLand must have known that there was an unofficial release with unused cues.
I was expecting surprises from this (such as previously unreleased material etc), but so far I don't see anything big.
It looks more in the style of Broken Arrow and Speed 2. That is to say, on the one hand they were official expanded releases, but on the other hand there had been more material available (on promo releases, et al) that wasn't include for some reason.




Hybrid Soldier2014-05-20 15:52:57
What are you talking about ? The fake thing floating around for a decade ? lol

Aggelos2014-05-20 17:18:22
Ya dat thing.
Was it phoney??
In any case, where iz da previouzly unrealeazed material??

mark2014-05-20 19:08:38
hey there, just wanted to to clear this up, i remastered a few of the tracks from peacemaker just for fun, and added some extra sounds i created on my synthesizer, i named it the unused cues which is where those tracks came from, hope this helps

Hybrid Soldier2014-05-20 19:14:11
And people were naive enough to believe it, especially 10 years ago...

Poe2014-05-20 19:58:23
What fake thing are we referring to?

And yes, Edmund, my first thought was exactly the same.

Aggelos2014-05-20 22:00:13
Excellent! Not that we have clarified this up, I think we can go on with our lives. Cheers!!!

The thematic material that appears on the events that take place in Sarajevo somehow reminds me ideas by Ippolitov-Ivanov featured in his orchestral suite Caucasian Sketches.
Search on youtube for Ippolitov-Ivanov "In a Village" (the 2nd movement of the suite)
www.youtube.com/watch?v=_pqperR8R4g

Mr Tweedy2014-05-21 00:31:01
10 or 15 years ago, there was a "Peacemaker - unused cues" bootleg album floating around. I think they refer to this. And yes, it was a bunch of bootleg cues edited together with some synth and drums added on top of it. There was no "real" new music from Hans' studio at all.

LP2014-05-21 16:36:01
@Edmund Meinerts

More tracks = more money. So they end up compromising by way of combining the cues together. I hate this, because it's never sounded seamless, but I have to accept it because it's the only way these thing could be released legitimately

Poe2014-05-22 19:23:00
Number of tracks has nothing to do with it. More music=more money, if anything, but having split tracks wouldn't make it more expensive.

Aggelos2014-05-23 13:37:35
Regarding cues such as Dusan's Confession, Dusan's Village, Dusan's speech, the thematic material somehow bears an interesting resemblance to ideas by Mikhail Ippolitov-Ivanov featured in his orchestral suite Caucasian Sketches ("In a Village" the 2nd movement of the suite).
Am I the only one who has noticed this?



Aggelos2014-05-25 16:52:00
In addition, Trains (album version) or Hijack have moments that remind a little bit Sergei Prokofiev's "Tylbat's Death" from Romeo and Juliet.

Hybrid Soldier reply Replies: 5 || 2014-05-22 22:23:28
I added all the booklet credits... :)

thejok3rrules2014-05-22 23:28:50
Did Zimmer actually wrote everything except ''Devoe's Revenge'' and the trailer music?

Edmund Meinerts2014-05-23 12:14:49
That's ironic considering "Devoe's Revenge" is the one cue we know is cowritten by Gavin Greenaway.

thejok3rrules2014-05-23 19:53:17
It's nothing ironic, mate... I checked the booklet, it said ''All Songs Written by Hans Zimmer Except
"Devoe's Revenge" Written by Gavin Greenaway
& "The Peacemaker Trailer Music" Written by Harry Gregson-Williams'', so I asked myself: Is it true? Whatever.

Edmund Meinerts2014-05-23 21:46:10
Oh, sorry! I somehow managed to read your comment the wrong way around. Silly me... :p

thejok3rrules2014-05-24 16:23:20
Don't worry, mate, it's not a problem ;)

marco reply Replies: 0 || 2014-05-20 23:24:19
i hope the remastering on this isn't as harsh on the ears as broken arrow was

MrZimmerFan reply Replies: 7 || 2014-05-04 15:09:05
The best of the best for Hans

Aggelos2014-05-04 19:00:47
This is going to be very interesting, nonetheless!
Hopefully, LaLaLand will release more stuff from the Media Ventures gang of the '90s before long.


trent easton navarro2014-05-04 20:13:16
LaLaLand has already released quite some quality stuff from the 90's (Mancina's Bad Boys, Money Train and Speed scores, Zimmer's Broken Arrow and Days of Thunder). But there are still a few I like so released (Fair Game, Assassins) or expanded (The Fan, The Rock)

Anonymous2014-05-05 18:52:11
Next up please, The Fan, The Fan, The Fan!!!

Edmund Meinerts2014-05-05 19:30:18
I'm really surprised how many, uh, fans The Fan has. I know that apparently the album isn't a good representative of the score, but still - I didn't think what's there is really much good. I'm much more excited about The Peacemaker (even though I've already heard it :p )

Lambegue2014-05-05 19:40:18
I'm really excited about this one too

trent easton navarro2014-05-05 22:42:34
Like I said in an other thread, for me The Fan is the perfect combination between Hans Zimmer and NIN. Considering you don't like Trent Reznor, I'm not surprised you don't really care for The Fan.

As for this one, can't wait to own it! One of my fave Zimmer scores and of his finest action scores.

Aggelos2014-05-13 21:24:27
From LLL's FB page
@"
REISSUE PRODUCED FOR LA-LA LAND RECORDS BY DAN GOLDWASSER
MASTERED BY DOUG SCHWARTZ AT MULHOLLAND MUSIC
LINER NOTES BY TIM GREIVING
ART DIRECTION BY DAN GOLDWASSER

At long last, La-La Land Records, UME and Paramount Pictures (in association with Dreamworks Pictures) present one of Hans Zimmer’s greatest action scores – THE PEACEMAKER. This 1997 crackerjack thriller features one of Mr. Zimmer’s most legendary, jaw-droppingly awesome scores. Jam packed with over 2 &#189; hours of music -- including original album edits, an alternate vocal featuring Lisbeth Scott and music exclusively written for the film’s trailer -- this 2 cd set features in depth liner notes by film music writer Tim Greiving and spectacular art direction by Dan Goldwasser. A must have purchase for any fan of high octane, memorable action music.
"@
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The Peacemaker (Limited) soundtrack - Hans Zimmer 1997