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Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.Maybe you have a download link?Download link?I'm just waiting for Gemini Man, that (i hope) would be fun
I love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cue
Lorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(
Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.
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Toby ChuLadd McIntoshJim DooleyKevin Globerman
ComposerOrchestratorSong WriterDigital Score Recordist
Legends Of Oz - Dorothy's Return
Label: Columbia
Length: 45'38
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3145 votes)
  1. When The World - Lea Michele (4:06)
  2. Candy Candy - Martin Short (2:25)
  3. China Princess - Megan Hilty (3:56)
  4. Jester - Martin Short (2:26)
  5. Work With Me - Lea Michele (2:40)
  6. Even Then - Lea Michele, Megan Hilty & Hugh Dancy (2:43)
  7. When The World Finale - Lea Michele (3:52)
  8. One Day - Lea Michele (3:21)
  9. Overture (3:06)
  10. Under The Jester's Spell (4:21)
  11. The Spell Is Broken (4:26)
  12. Escape From Emerald City (4:25)
  13. Dorothy Wakes (3:51)
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Michael Fields reply Replies: 0 || 2018-08-11 10:12:55
MOVIE CREDITS:

Songs By
BRYAN ADAMS
JIM VALLENCE
TIFT MERRITT
JIM DOOLEY
MIKE HIMELSTEIN

Score Composed And Arranged By
TOBY CHU

Music Supervisor
VICKI HIATT

Supervising Music Editor
VICKI HIATT

Music Editor
SEBASTIAN ZULETA

Additional Arrangements By
PAUL CRISTO
IVANA LISAK

Score Recorded And Mixed By
JEFF BIGGERS

Digital Score Recordist
KEVIN GLOBERMAN

Assitant Score Engineer
DANIEL WALDMAN

IGLOO MUSIC STUDIOS

Songs Produced And Mixed By
GUSTAVO BORNER

Songs Arranged By
TOBY CHU
NICK BAXTER

Vocal Recordings By
GUSTAVO BORNER
NICK BAXTER
JUSTIN MOSHKEVICH

Music Assistants
SERGE COURTOIS
LEAH HERDER

Score Recorded At
SONY PICTURES STUDIOS

Conducted By
NICK GLENNIE - SMITH

Orchestra
THE HOLLYWOOD STUDIO SYMPHONY

Orchestrated By
LADD McINTOSH

Orchestration Coordinator
ESTHER McINTOSH

Music Prepration By
BOOKER WHITE

Scoring Stage Recordist
ADAM MICHALAK

Scoring Stage Engineer
GREG LOSKORN

Scoring Stage Hands
DAVID MARQUETTE
MARK ESHELMAN
DANTE REYNOLDS

Orchestra Contractor
PETER ROTTER

Choir Contractor
JASPER RANDALL

Music Business Affairs
GRETCHEN O'NEAL

Music Contractor
SHARI GIRDLESTON (SAVANT PRODUCTIONS, INC.)

Vocal Coach
DARLENE KOLDENHOVEN

Music Transcription
KRISTIN SUMMERS

Choir
VANGIE ARCHER
ERIC BRADLEY
REID BUTTON
HARRY J. CAMPBELL
ERIN CARLSON
DANIEL J. CHANEY
ALVIN K. SHEA
RANDY CRENSHAW
TIM DAVIS
AMBER ERWIN
CLAIRE FEDORUK
AMY FOGERSON
CHRISTOPHER GAMBOL
MICHAEL THOMAS GEIGER
ABDIEL GONZALES
SCOTT TOBY GRAFF
JENNIFER KAY GRAHAM
JEFFREY MICHAEL GUNN
WALTER S. HARRAH
KATIE HAMPTON
AYANA HAVIV
KAREN HOGLE
TODD HONEYCUTT
CLYDENE JACKSON
ANGIE JAREE
ELISSA JOHNSTON
BOB JOYCE
MICHAEL LIGHTENAUER
CHRIS M. MANN
ELYSE MARCHANT
DONNA MEDINE
JESSICA ROTTER
NIKE ST. CLAIR
NANCY SULAHIAN
KIMBERLY SWITZER
JASPER TITMAN
MARIJKE VAN NIEKERK
SUZANNE WALTER
GREG WHIPPLE
GERALD T. WHITE

Off Camera Singers
RANDY CRENSHAW
ARIA GUNN
MISSI HALE
AYANA HAVIV
KARISSA LEE
MICHA LEE
JOE MATTHEWS
DAN NAVARRO
JASPER RANDALL
RANDI SOYLAND
LESLIE STEVENS
GERALD T. WHITE

SONGS

"WHEN THE WORLD"

Written By
TIFT MERRITT

Performed By
LIA MICHELE

"CANDY, CANDY"

Written By
BRYAN ADAMS
JIM VALLANCE

Performed By
MARTIN SHORT

"CHINA PRINCESS"

Written By
JIM DOOLEY

Performed By
MEGAN HILTY

"JESTER"

Music By
JIM DOOLEY

Lyrics By
MIKE HIMELSTEIN

Performed By
MARTIN SHORT

"WORK WITH ME"

Written By
BRYAN ADAMS
JIM VALLANCE

Performed By
LIA MICHELE

"EVEN THEN"

Written By
TIFT MERRITT

Performed By
LEA MICHELE
MEGAN HILTY
HUGH DANCY

"ONE DAY"

Written By
BRYAN ADAMS
JIM VALLANCE

Performed By
LIA MICHELE

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Legends Of Oz - Dorothy's Return soundtrack - Toby Chu 2014