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I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.
To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((
The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!
It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?
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Steve JablonskyJacob SheaJoseph TrapaneseDavid Fleming
ComposerAdditional MusicAdditional MusicAdditional Music
Transformers - Age Of Extinction (The EP)
Label: Paramount Pictures (Digital Download Only)
Length: 19'35
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5235 votes)
  1. Hunted (5:57)
  2. Tessa (5:45)
  3. Autobots Reunite (2:57)
  4. Lockdown (4:54)
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Lutz reply Replies: 8 || 2014-10-05 21:07:00
Transformers: Age Of Extinction (2014), Steve Jablonsky (CD)
[0027324CD]
Transformers: Age Of Extinction (2014), Steve Jablonsky (Score-CD)
Auf 3000 StŁck limitierte CD
Infos vom Label: "TRANSFORMERS AGE OF EXTINCTION! Clocking in at well over an hour, this full throttle, non-stop action score will take your breath away. Jablonsky has delivered his best Transformers score yet with Age of Extinction - a score filled action packed adrenaline pumping cues and touching melodies. Alternative rock band IMAGINE DRAGONS provide some back ground vocals on a number of tracks that lend a lyrical touch to this driving score.
PRODUCED BY STEVE JABLONSKY and RANDY SPENDLOVE
MASTERED BY PATRICIA SULLIVAN AT BERNIE GRUNDMAN MASTERING"

LLLCD 1311 LaLaLandRecords
0027324CD

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Please enter number: 1248 


Edmund Meinerts2014-10-05 21:41:20
I know it's PR, but best Transformers score yet? I think it's the worst, personally...


Anonymous2014-10-05 22:17:08
This information is for the La-La Land CD release. You're posting in the EP not the OST


Score Seeker2014-11-04 01:23:39
Hi,

Does anybody know what happened to the score & Ep downloads on iTunes/Amazon? I looked there today to download them & they were gone on both sites. Any info/insights would be really helpful.
Thanks.


Hybrid Soldier2014-11-20 23:44:20
Steve posted an answer on FB, and I learned something today, even digital music is "limited" (crazy) :

"Iíve received a lot of questions on Facebook and Twitter asking why the TF4 soundtrack was removed from iTunes. Hereís the short-ish answer: The AFM (American Federation of Musicians) has rules regarding soundtrack releases and re-use fees. One option they offer is the option to produce and sell 14,999 units without any additional re-use fees. Once sales hit 15,000+ units, additional payments kick in. The number 15,000 was chosen I believe because a good selling soundtrack generally sells around 5k-10k units, so this option provides most union film productions the opportunity to release a soundtrack and sell up to 15k units without incurring any additional re-use costs.

Now because you guys are so awesome, the TF4 score hit 15,000 units really quickly. I honestly had no idea the score had been pulled down until fans started contacting me asking why the soundtrack had vanished from iTunes, only a couple months after the release of the film. I suspected the 15k limit was the reason, a little investigation proved that to be the case.
Some of you have asked another great question: why are TF1 and TF2 still available? For both of those scores, the people responsible for paying the additional re-use costs chose to go ahead and pay them. In other words they allowed sales to go beyond the 15k limit. Different people are in charge of TF3 and TF4, and they have chosen not to pay the additional costs, which is why neither TF3 or TF4 are available any longer. Itís strictly an economic decision. The additional re-use costs can and do add up to significant numbers, especially with scores like Transformers. These movies are huge with a ton of score, and I hire a lot of very talented musicians to perform, which results in even higher re-use costs if we go beyond the 15k limit.

I have had many many discussions about this topic, unfortunately it is out of my hands because I am not the one responsible for paying the re-use fees. For those interested in a physical TF4 CD I believe La La Land records has some unsigned copies left (sorry the signed ones are all gone). After these are gone, the TF4 score will no longer be available. The TF3 score is already gone. My hope is that we will figure out a way to re-release in the future, but for now this is the situation.

This topic is very close to my heart. Itís really hard to put so many months of work into a score and then hear from people all over the world that they would love to purchase your music but they cannot because itís not available. These are good people looking to buy this music, asking me what happened where did it go, and I donít have a good answer for them. Iím hoping with more discussion we can find better ways to address this issue. I do believe there are better ways, where everyone can benefit without fans being left out in the cold because they didnít buy the score fast enough.
thanks

Steve"


Ds2014-11-21 00:17:40
I've read that too. It's really crazy :p

I'll make sure never to erase those 2 scores from my computer :D


Anonymous2014-11-21 08:15:25
I heard Zimmer once say they sometimes come to Europe to record a score. We don't have crazy rules like that here for re-use.

That's exactly why I don't put money on Spotify and all. The music can disppear overnight.


Hybrid Soldier2014-11-21 08:44:25
Any time they, any composer will record in Europe...


But if the film is a complete US production (like Disney movies, or Michael Bay movies), you have no choice but go with unions...


D-Fens2014-12-03 17:06:13
Better keep this on the DL then; HMV Digital in the UK are still selling downloads of both the EP and score album. Not sure if people outside the UK can download from HMV Digital, but it's probably worth a look, especially if you still want the EP tracks.

Scorefan reply Replies: 0 || 2014-09-09 06:17:36
Autobots Reunite is a different versiůn from the movie. The film versiůn sounds more epic

RealFfingMusic reply Replies: 1 || 2014-07-05 11:16:16
WTF happened to my question?

Okay, here it is again:
The cover art's the same as the EP. Hybrid, are you gonna change any or do you just put the official one?


Hybrid Soldier2014-07-05 12:58:24
Official OSTs : official covers... :)

D A R T H reply Replies: 1 || 2014-07-04 17:09:21
Fulle Track listing ;-)

1. Decision
2. Best Thing That Ever Happened
3. I'm an Autobot
4. Optimus Is Alive
5. Cemetery Wind
6. His Name Is Shane and He Drives
7. Hacking the Drone
8. Transformium
9. Galvatron Is Online
10. Your Creators Want You Back
11. The Final Knight
12. Punch Hold Slide Repeat
13. The Presence of Megatron
14. Galvatron Is Active
15. Have Faith Prime
16. Hong Kong Chase
17. The Legend Exists
18. Dinobot Charge
19. Thatís a Big Magnet
20. Drive Backwards
21. Honor to the End
22. Leave Planet Earth Alone
23. The Knight Ship


Everan2014-07-04 17:33:45
And the iTunes link!!
https: //itunes.apple.com/us/album/transformers-age-extinction/ id896006953

Bought and downloading right now!

Hybrid Soldier reply Replies: 16 || 2014-07-01 18:56:51
Here it is... :P


Macejko2014-07-01 19:09:52
Awesome cues, Steve's still got it!


Ds2014-07-01 19:41:32
It's very nice, and I'm glad these tracks are only demos and not real album tracks, because they really sound like demos (especially the drums).

What I don't like is that maybe it means that the album isn't coming until a couple of weeks... If it was gonna be released in 2 days, I doubt Steve would've put this EP out... But I may be wrong :-)


MrZimmerFan2014-07-01 19:47:48
I really digging into Lockdown's theme, is so tremendous and darker


Adam2014-07-01 20:45:04
So glad this was released last night, I had it on repeat for hours.


jewen2014-07-01 21:08:12
By far Lokdown's theme is te best. But after the great job in Ender's Game last year, I was hoping an improve over the last Transformers movie. This material is miles ago of the notable "Dark of the Moon" score.
And yes I know this is only a sneak peek but my hopes of great music are gone. For example Autobots Reunite in my personal opinion lose against the original Autobots Theme.
And if your memory fail, check this epic track again.


Adam2014-07-01 22:23:38
I agree, original Autobot theme is better. But the new one will grow on me


David2014-07-01 23:08:36
Can anyone else hear a slight variation of "4m59 The Drop" from RoTF in "Hunted"?


Everan2014-07-01 23:51:29
Around what minute, David?

I'm loving these demos, and I think they sound brilliantly for being demos and all. Will hear the whole score tomorrow with the film, finally.


David2014-07-03 06:28:48
At around 5 seconds in, and various points from then on. No specific area, just kinda all around - and then it switches to 5m39a/7m55 from DotM


David2014-07-03 06:33:15
But, that's not before Imagine Dragons show up and do their thing, then the "Battle" theme from DotM (5m39a/7m55) shows up at about 4:31 ;)


Agent Smith2014-07-03 09:42:32
i can't understand why you people like "Lockdown" the most. It's that typical electro BS, which is so present thesedays. Zimmer lost his orientation totally because of this damn electro pop sound.

Everyone critizes him because of that, and now here, everyone loves this electro dump track. While Hunted, Tessa and Autobots Reunite are also electronical sounddesign, they also have melodical themes, which makes them beautiful.

i hope we don't have too many of these "lockdown" tracks in the final ost or in the future of scores. enough of it!


theeaglesfan0052014-07-03 14:28:15
Agent Smith, Lockdown is amazing and fits the character so well.

Have you even seen the film?


Edmund Meinerts2014-07-03 14:34:03
"Fits the character so well"? It's a Michael freaking Bay film. I could write a good score for a cardboard box too.


RealFfingMusic2014-07-03 14:38:22
The music fitting Bay's character is a hilarious notion, but you have to admit, it's pretty cool -- even to Jab's standards.


Edmund Meinerts2014-07-03 16:28:15
I'll admit no such thing. "Lockdown" (the second half at least) is exactly the kind of music Jablonsky's been pumping out lately that I HATE...abuse of the BWAAA, low ugly crackling beats, no melodic line whatsoever, unpleasant sound design (thanks for nothing, Skrillex). It's all the heinous attributes of Battleship all over again. Compare that with the clever, flexible choral theme/ostinato for the Decepticons in the first movie. Much better. More of THAT please, Steve.

The first half of the Lockdown cue is OK though.


RealFfingMusic2014-07-03 19:03:24
I should have said *the first half* instead of *it's*. My mistake. And yes, the beats painfully remind me of that God-awful Battleship.

Edmund said above just about the Decepticons theme from 2007.
Personally, I miss the loud and fast-varying beat-based style along with the melody of SOCCENT Attack more. IMHO, the overtness of melody was what set Jablonsky apart -- among the more electronic composers.

Edmund Meinerts reply Replies: 1 || 2014-07-03 09:58:52
I was liking it up until I got to whatever the shit was up with the last couple minutes of "Lockdown". They could have found a BAAAAWWWM that sounds a bit less like the parody BAAAWWWM everyone's been using for the last four years. It's kind of hard to take seriously anymore.

Other than that, though, I quite like this. The production values aren't great and I hope we'll see a step up for the actual album (Dark of the Moon had a similar synthy sound though, so I'm not super hopeful). But the themes themselves are pretty enjoyable. "Hunted" is a good climactic-type cue (although I could kind of do without Imagine Dragons; the vocal is well integrated but there's a reason I don't listen to music with lyrics), "Tessa" a very pleasant soft-rock track in the style of Divergent or Lone Survivor, and "Autobots Reunite" a cool, energetic new theme. Even the first half of "Lockdown" is enjoyable.

This could be Steve's first really decent score since Gears 3.


MrZimmerFan2014-07-03 10:12:29
Gears 3 is a very good score ;)

Hale reply Replies: 9 || 2014-07-02 12:33:18
After a first listening, i think this is good stuff. Hunted seems to be perfect with the movie climax. However, it's a pity that the end of the track sounds too trailerish! The add of "Imagine Dragons"' song is, by contrast, very well arranged.
Tessa is a great track, very spiritual. It's like a mix of "Lone Survivor" design with the voice of Imagine Dragons.
"Autobots Reunite" isn't the best "Transformers" theme but it has merit to bring new stuff to the franchise. By the way, the theme is similar to a theme of a song in 'Gears of Wars 3' (Gary Jules - Mad World).
And, to finish, Lockdown, copy-paste of some "Man of Steel" ambient cue. I think it will be well-adapted to the movie but I regret the way Steve had chosen in previous movies (mechanical choir, big brass and old Remote Control themes : remember "Bogey Approach" in TF1).

Finally,this EP leads to predict a good score with good new stuff and a beautiful collaboration with "Imagine Dragons". I hope Steve has integrated some reprise of "Arrival to Earth" in his score because it's simply the best track of TF, this is THE main theme of the franchise, in my opinion. The theme you are waiting to listen and when it appears, it's always the best part!!

Ps - sorry for my approximative english! :D


jewen2014-07-02 12:52:47
Yes, I feel the same when I listen Lockdown many times more. Very similar sound like "DNA" track in MoS score.

Steve needs find his own sound, because many times sound like a regular clon of Zimmer. His career is literaly very short, and we hope an evolution, but for this he must be join with a great filmaker that helps him to mature and grow up.
It's my humble opinion of course.


MrZimmerFan2014-07-02 13:10:18
The original theme of Autobots is in the movie ;)


Hale2014-07-02 15:42:30
And "Arrival to Earth" theme is in the movie, Mr ZimmerFan?


theeaglesfan0052014-07-02 16:46:55
MrZimmerFan, that cue should be called "The Legend Exists" ;)


MrZimmerFan2014-07-02 18:34:31
@Hale: Well, Arrival to Earth is a variation from the Autobots' theme, but isn't in the movie is that form, but the Autobot's theme is in the movie, like eaglesfans says ;)


Kingstyn2014-07-02 19:19:39
I agree with the MoS. I kept thinking of DNA when I was listening to Lockdown.


Brent2014-07-03 00:20:48
It seems like Lockdown's theme has drums inspired by Revenge of the Fallen, synths inspired by Man of Steel and sound effects from Battleship. Nonetheless, it's still a fantastic cue.


Hal02014-07-03 00:25:47
Or perhaps it's just Jablonsky's style


MacArthur2014-07-03 03:52:41
I like the song. all of them are great.

theeaglesfan005 reply Replies: 1 || 2014-07-02 16:42:55
MrZimmerFan, that cue should be called "The Legend Exists" ;)


theeaglesfan0052014-07-02 16:47:18
whoops... i thought i replied on the other topic lol

Geofcraze634 reply Replies: 0 || 2014-07-02 06:56:04
Yes, it is finally here. I have been looking for it. :D

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Transformers - Age Of Extinction (The EP) soundtrack - Steve Jablonsky 2014