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Mr. Zimmer sir you have to do a concert in Nashville Tennessee in 2019. I as many others have hoped for years you would come here, I think you could easily fill up the Nissan Stadium it holds about 70 thousand or maybe you would like Bridgestone Arena capacity about 20 thousand, it is said by many to have the best acoustics of any arena in the U.S. We also have the Nashville Symphony in the Schermerhorn Symphony Center. We would LOVE to have you, Sir. God bless.<br>@fkik<br>On WaterTower official youtube page here<br>https ://www.youtube.com/user/ WaterTowerWB<br>The complete playlist link:<br>https ://www.youtube.com/ playlist?list=PLBKadB95sF470tLYY4VNDuL7mzCAv8bwN<br>[* delete the spaces in the URLs above]I think 'Arthur' is more a combination of cues than a proper suite.<br>Not sure,  but I'd say the first part plays before 'Permission to come aboard', and the second part plays after 'The Ring of fire'.<br>'Reunited' is definitely the final cue.<br><br>And there's shitload of action music missing after 'The Black Manta' though :-pAnybody got an indea for chronological order?Why lisa gerrard wasnt in this concert???<br>
Why lisa gerrard wasnt in this concert???<br>And just to clarify, “Atlantean Soldiers” is Orms’ theme right?OK, now that I’ve had some time to sit on this I can say that I get the praise finally. The Vangelis inspiration works wonders for the score, and it actually is integrated incredibly well (as opposed to just being there for show).<br><br>Themewise, both the Arthur and Atlanna tunes are winners. Not sure why the album is so out of sequence though. I feel like the actual film presentation would give better thematic development.I think it's like this:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>What Could Be Greater Than A King?<br>Reunited<br>Suited And Booted<br>Between The Land Amd Sea<br>He Commands The Sea<br>Reunited<br><br>Arthur is a suite I think<br>Everything from "He Commands the Sea" on is awesome. In many ways, this is a RCP superhero score. Not much depth, but contains some awesome highlights.
Off the top of my head:<br><br>It Wasn't Meant To Be<br>Atlantean Soldiers<br>Permission To Come Aboard<br>Swimming Lessons<br>Kingdom of Atlantis<br>The Legend of Atlan<br>The Ring of Fire<br>What Does That Even Mean?<br>Map In A Bottle<br>The Black Manta<br>Trench Engaged<br>Reunited<br>What Could Be Greater Than A King?<br>He Commands The Sea<br>Suited And Booted<br><br>Not sure about Arthur, Between Land And Sea, and He Commands The Sea. I think Arthur may be a suite that includes his main theme, the Atlantis chase, and some action themes. I'd have to listen to the other two tracks again to be sure, but I think He Commands The Sea is near the end.anyone care to take a stab at the chronological trask listing?Yes, both played in the film, and it's sort of a suite: It's split into two in the film, first part sounds close to the opening, the heavy synth part plays in really well when it's used, you'll hear it the moment it starts, no spoilers from me, but it's an awesome sequence.Does the cue "Arthur" play during the film or is it a theme suite?It's confirmed a CD release, but not confirm if is a CD-R
Is the soundtrack released on CD, or it's only digital ?by that logic he would’ve done blade runner 2049. He’s retiredMakes you wonder why they didn't get Vangelis himself.Naw man this is the right page lolWrong page?
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Additional Music - Choir Conductor - Song ProducerAdditional Music - Conductor - Choir Conductor
Hans ZimmerHarry Gregson-WilliamsRupert Gregson-WilliamsKlaus Badelt
ComposerAdditional MusicAdditional MusicAdditional Music
The Prince Of Egypt (Complete Score)
Label: Unofficial Release
Length: 81'54
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4057 votes)
  1. Deliver Us (7:16)
    Stephen Schwartz, Hans Zimmer, Martin Erskine, Andrew Lippa
  2. Chariot Race (3:02)
    Hans Zimmer
  3. Brothers (4:24)
    Hans Zimmer
  4. Meeting Tzipporah (0:19)
    Rupert Gregson-Williams
  5. Desert Flower (1:37)
    Hans Zimmer
  6. Following Tzipporah (1:00)
    Hans Zimmer
  7. All I Ever Wanted (With Queen's Reprise) (2:52)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  8. Hieroglyphic Nightmare (1:38)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  9. Moses & Seti (1:46)
    Stephen Schwartz, Hans Zimmer
  10. Beating - Gate - Desert Montage (5:33)
    Stephen Schwartz, Hans Zimmer, Klaus Badelt
  11. Camel Boogie (2:12)
    Stephen Schwartz, Hans Zimmer, Rupert Gregson-Williams
  12. Through Heaven's Eyes (3:42)
    Stephen Schwartz, Gavin Greenaway
  13. Moses Finds Cave (1:14)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  14. Burning Bush - Remember (7:55)
    Stephen Schwartz, Hans Zimmer
  15. Meeting Pharaoh (1:26)
    Hans Zimmer, Rupert Gregson-Williams
  16. Playing With The Big Boys (2:53)
    Stephen Schwartz, John Powell
  17. Line In The Sand (1:33)
    Hans Zimmer, Harry Gregson-Williams
  18. Moses Reviled (3:44)
    Stephen Schwartz, Hans Zimmer
  19. The Plagues (3:23)
    Stephen Schwartz, Gavin Greenaway
  20. Memory Lane - Ultimatum (3:52)
    Hans Zimmer
  21. Death Of The First Born (1:08)
    Hans Zimmer
  22. When You Believe (4:55)
    Stephen Schwartz, Hans Zimmer
  23. Red Sea (5:51)
    Hans Zimmer
  24. Epilogue (3:39)
    Stephen Schwartz, Hans Zimmer, Gavin Greenaway
  25. Epilogue (Alternate) (3:25)
    Stephen Schwartz, Hans Zimmer
  26. The Prince Of Egypt Trailer Music (1:46)
    Hans Zimmer, Harry Gregson-Williams
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Mike reply Replies: 3 || 2018-09-01 00:26:24
Which version of "Epilogue" do you guys like better? The film version with the Zimmer-ified "Deliver Us" theme, or the version from the expanded album that uses the "Egypt" theme? I love both, personally.


Mike2018-09-01 01:09:24
Film version with Zimmer-ified “Deliver Us”, vocals from Miriam’s Song, horns and Ofra Haza’s vocals from “Deliver Us”


Mike (First)2018-09-01 01:12:34
There really needs to be a way to differentiate all the Mikes on this site! lol


Mike2018-09-01 03:59:43
Sry Mike lol

chime in while you’re here :)

Oscarilbo reply Replies: 0 || 2018-08-27 15:58:53
Finally this movie is coming to blu-ray mid October!! It would be wonderful if we could get an expanded music release too.

M Papeghin reply Replies: 0 || 2018-04-06 11:09:29
Absolute masterpiece !
Love it so much that I transcribed and recorded all of the french horn/trumpets parts ( and a bit more ^^ ) from Chariot Race and The Rea Sea !

=> https://youtu.be/VwmWnVIoA7M
=> https://youtu.be/O8nhbnwths0

Hybrid Soldier reply Replies: 5 || 2015-01-07 22:16:25
Found some credits for it, should look like that ! :)


Mike2015-01-08 00:24:58
Thank you! I've wanted these forever!


Mike2015-01-08 00:26:18
Where Stephen Schwartz is credited, it's because it contains some of his song material, but Zimmer did the cue, right?


Hybrid Soldier2015-01-08 11:42:03
Yeah there are quotes of the songs but Schwartz only did the songs...

But credit is due... :)


NM2015-01-08 22:29:13
Haha, the ones I guessed were HGW were spot on. I have no idea how I was able to tell.


mittens2018-01-08 01:31:23
Regarding these songs where HZ is also listed (besides Stephen Schwartz), is he listed as composer or producer? Because on this list https://vgmdb.net/album/38986 he is mostly credited as producer...

Mike (OTM) reply Replies: 1 || 2017-03-25 21:18:05
So I just picked up the Collector's Edition CD that was released (the one with the 3 extra cues), and i have to say, I'm glad I did. Having the Chariot Race and Epilogue (alternate version, granted) really rounds out the main CD. Those were two highlights. Having "Moses Reviled" is also good, as that was a strong cue (called "It is Only the Beginning" on the CD). The whole score has essentially been released when you put the main CD and the collector's one together (though sadly, the film version of the Epilogue isn't here).

I got the thing for $3.00. I was inspired to look into it due to a comment about it below.


Mike (OTM)2017-03-25 21:24:40
Not to double post, but can I just say that both versions of the Finale - the one using Hans' theme and the one using the Deliver Us theme - are really, really epic? Zimmer outdid himself with this segment particularly. The Prince of Egypt is a truly underrated score.

Anonymous reply Replies: 4 || 2016-07-06 01:47:52
Okay. Listen to Hero from 13 Hours, then Burning Bush...


Waymann2016-07-06 08:38:47
I knew it. When I saw 13 Hours I kept thinking about another score that sounded just like that theme.


Mike2016-07-06 17:12:02
Yikes! Temp track? Well, Hans was producer on 13 Hours... Maybe that was his suggestion. :P


Mike2016-07-06 17:15:02
The similarity I caught while watching the film was the "Deshi Deshi Basara" percussion in "Welcome to Benghazi." It sounds like Zimmer-temp (or Zimmer suggestions?) was used in a couple places.


jrej35552017-03-20 13:56:02
WOW!!! That is shameless!

Anonymous reply Replies: 0 || 2017-03-19 22:30:51
The Collector's Edition contains "Moses Reviled," along with "Chariot Race" and Zimmer's original Epilogue as one track, is that correct?

Mike reply Replies: 6 || 2016-07-04 20:27:10
Interesting little thing... If you listen to the director commentary on the film, they say that Hans' original idea for the Burning Bush sequence had "choir and organ and stuff," but they asked for a re-write because that was stereotypical and they wanted something different for the scene. I love the final version, too, but I can't help wanting to know what the original sounded like.


Hybrid Soldier2016-07-04 21:12:50
Stay from Interstellar ?! :P


Mike2016-07-04 22:37:01
Quite possibly. Has Hans done any interviews for this score? I haven't found any.

Also a little interesting was that the directors mentioned Harry Gregson-Williams by name with regard to the "Line in the Sand" cue. As Rameses opens his eyes while holding the ring, one of them talks about how it was "scary" and "that was Harry Gregson-Williams' idea." :P


anonymous2016-07-04 22:58:47
on a somewhat related page... zimmer produced the first use of "all i ever wanted" sung by moses, and harry did the queen's reprise, right? or did harry do both?


Hybrid Soldier2016-07-04 23:39:34
Yep !

To be complete on POE, on the cuesheet HGW & RGW get 100% on the following cues :

HGW :
Hieroglyphic Nightmare (with Schwartz)
Moses Finds Cave
Line In The Sand

RGW :
Meeting Tzipporah
Camel Boogie
Meeting Pharaoh

Klaus got 0, lol, did some arranging...

Up until the early 2000s, HZ used to give 100% of some of the cues to additionals even when it used some of his music. But then all the rest of the cues were credited to HZ only while some were arranged by these guys... So I guess nowadays way of doing is not so bad...


Mike2016-07-05 00:11:29
Here's something I've wondered:

Do Hans' additional guys do substantially more than they did in the 90's / 2000's, or is it really a matter of crediting differently like your comment suggests? Cause it seems like Zimmer had a lot more "solo" credits on his scores back then (70% of cues, typically), whereas now he'll have only 2 or 3 on a given score. So did Hans' methodology change at some point and now he's more collaborative than he used to be, or is it mostly that now he credits "arrangers" and he didn't used to?


Hybrid Soldier2016-07-05 00:19:22
Well, I don't think it's much different, in proportion it's the same thing...

Remember in the 90s he had to do scores quite short, even big action films were 90 min long...

Now when you have an Inception, POTC or whatever, it's always between 2 & 2,5 hours of music to write... And relatively less time to write them ! lol

Anonymous reply Replies: 9 || 2014-12-06 16:08:19
Zimmer made Such. An Epic. Arrangement. of Deliver Us for that last scene. My goodness. It gets me every time.


Mike2014-12-06 16:15:53
This is a sadly under-spoken-about score. It's probably one of my favorite Zimmer scores of the 1990s, and it uses his big, epic sound to really good effect. It just manages to complement the film really well, and it even has a nice Eastern flair sometimes.


Edmund Meinerts2014-12-06 23:43:12
This is something like my third-favorite Zimmer score. I don't think he ever quite managed to go as grandiose and BIG as this again, not even in Gladiator.

On a vaguely related note, wouldn't it have been hilarious if Ridley Scott had decided to reunite with Hans on Exodus: Gods and Kings of all things? :p


Hybrid Soldier2014-12-06 23:53:55
I would have loved to... :(


Adam2014-12-07 00:13:20
I would have loved that as well :(

Hey Hybrid, do you know why Ridley & Hans stopped working together? They were partners since Thelma & Louise. I mess their collaborations :'(


Ds2014-12-07 00:40:10
Edmund, I think PotC 3 and King Arthur are even BIGGER than this one :-)


Edmund Meinerts2014-12-07 02:08:36
Funny that you mention those two, Ds, they're my other two favorite Zimmer scores. ;)

Yeah, they're both pretty massive, but more in an action-score kind of way. I don't think King Arthur in particular hits quite the same grandly religious heights as Prince of Egypt. For overall size At World's End wins everything, though.


NM2014-12-07 09:07:50
Nice to see some appreciation for this score. I really love it.


Hybrid Soldier2014-12-07 09:10:39
Hans & Ridley isn't gonna happen ever again. They keep talking about each other a lot in interviews & stuff, they are still in contact, phoning or dining from time to time...

But the look on Hans' face when I asked him said it all... He just said they were "out of synch"...


Anonymous2015-01-07 22:36:28
Oh good grief. When "you" asked him?? LOL

Mike reply Replies: 0 || 2014-07-29 19:54:28
Good to see this one up here!

NM reply Replies: 0 || 2014-07-25 18:00:38
The theme for the two brothers is heartbreaking, I wish this score got more attention. There's some really great thematic writing.

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The Prince Of Egypt (Complete Score) soundtrack - Hans Zimmer 1998