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Well here is my last response... this is beyond absurd... & I feel Mr MK is somebody with a weird agenda posing as a fan.  Yes, I AM THE REAL PEDRO EUSTACHE [not somebody "posing" for me] & I truly think this is useless... specially with people impossible to exchange honest, constructive opinions with... Please, whoever MK is, please, before you "tear me down" do your homework, & check out what God has blessed me with [yes, even if you don't believe in him, he is real tome... WHEN I ALMOST COMMITTED SUICIDED AFTER MY DAUGHTER—THREE-YEARS OF AGE— DIED OF BRAIN CANCER, JESUS SAVED MY LIVE, SIR!!  YES, HE IS THAT REAL TO ME... IN SPITE OF YOUR MOCKERY & DISRESPECTFUL SARCASM... you might be surprised… I have composed & performed a 47 minute long, 12 movement concerto for 21 solo wind instruments of the world with Mtro. Gustavo Dudamel & his extraordinary orchestra, for example, in which I perform Raga Todi in a unique 15-hole bansuri built by myself, or when I mix a fugue Bach-style with Spanish “Bulería” Flamenca, or use a “mirror-form” in the Armenian piece in which the actual musical orchestral score—literally!—‘draws’ the silhouette of mount Ararat, the symbol of Armenia, or a 21/8 piece for the Easter-European section that starts with 12 upright basses slapping & doing ‘pizzicato Bartok’, or etc… you get the picture!!…] or recording three times with Mtro John Williams [missed the fourth time just now: “Star Wars VIII” due to being in world tour w Hans,,, (recordings where in May 2 & 4)—besides MANY other movie scores with Hans, John Powell, John Debney, James-Newton Howard, etc... or building more than 100 instruments, including unique instruments that nobody else in the world has, after doing research in acoustics with highly specialized Ph, D’s in flute & wind acoustics like Dr. John Coltman & Dr. Peter Hoekje, for example… & etc, ETC… My point: this is ridiculous!! I do not have to defend myself from such absurdity... Ah, forgot to mention: I just finished a 242 pages long book on "How to Write our Own Cadenzas in Mozart Style", or my studies of “Musical Phenomenology” with Mtro Markand Thakar--disciple of the genius Sergiu Celibidache--or that I have more than 7 years of Symphonic experience, studied Indian classical music with luminaries like Pnd Ravi Shankar—yes, THE legendary, iconic, irreplaceable & historic Ravi Shankar!— & Pndt. Hariprasad Chaurasia... but wait... I'm wasting my time!!… Mr MK might not even know who these geniuses are!… He just thinks I am a "jazz player”… such rubbish!! …And concerning your mockery of the Creator, please do not make public your ignorance in such an obvious way... THE GREATEST MUSICIAN IN ALL HISTORY: J.S. BACH SAID THAT MUSIC EXISTS TO "GLORIFY GOD & TO SUBLIMATE THE HUMAN SOUL'... but of course, you might not even know who J. S. Bach is… So, I will refrain from honoring your absurdly useless, empty, & strangely biased criticism... And no, sorry, I love Hans, BUT HE IS NOT GOD... He is a wonderful human being with great talent & wonderful heart... Only God is GOD--whether you believe on Him or not--May GOD BLESS YOU sir!! I will not waist more of my time in this... Blessings to all!!It's feel like they all look like images they use for merchandise books and magazine's, also the posters look like they are for a movie for children. But that's my opinion. The postes for all other films were fantastic, these feel like a big downgrade. Maybe that's why I don't like them.Great!Hi, how long is the average concert? Specifically the one in the Qudos Bank Aetna, Sydney Olympic Park.The first trailer had a bit of Tessa's music at the start, the second a bit of Lockdown's theme, the big kinda orchestral bit, instead of the electronic braaaaams.
Got a special chance to hear a part of salazar's theme, sounds like a varied version of blackbeard's theme but it fits appropriately, very evil. You all should like it.Woops! Made a typo. <br><br>What was used in the final trailer *wasn't* exactly what ended up being used in the film ;)Sounds like a suite<br><br>And wasn't it only the final trailer that used material from the actual score? It was Lockdown's theme. But what was used in the trailer was exactly what ended up being used in the film.@MrTweedy <br>That is true, and you do get the guitars in "Barbarian Horde" (not sure where else though).<br><br>I have to admit, as revolutionary as Gladiator was at the time, I think it's one of Zimmer's more overrated scores. Not that I necessarily think it's bad, but IMO both Last Samurai and King Arthur show a much stronger balance of themes and action writing, yet unfortunately were never as recognized by the mainstream the same way Gladiator was.That synth in the main theme! I didn't expect that. It's really good.
@mpolonest123<br>Actually, there's a small hint at the "spaniard" guitar theme after the sequence where he escapes his execution (track "Homecoming" on the More Music album).No Transformers Last Knight thread yet so posting here. The official site got updated with a new piece of music, and holy hell, it's amazing!<br>www.transformers movie.com<br><br>Also pretty sure the last trailer's music was from him too, Age of Extinction had his scores on almost every trailer.I like all the posters they released for the film.<br>But if someone don't like them it's fine.<br>I will agree with you Dimitris, I too want the main poster as the cover for the album.Epic score from Harry!https://en.wikipedia.org/wiki/Pirates_of_the_Caribbean:_Dead _Men_Tell_No_Tales<br><br>The main poster of the film is the best yes. I hope they put it for the album cover.
Is this poster bad? It's one of the best I have seen.<br><br>https://static1.squarespace.com/static/5560e1bbe4b0cc18bc643 12d/5562957ce4b03107de7ca6ca/58f0476a5016e1685c5e99af/149214 1933102/17015800_10154981836668830_529268610073059017_o.jpgHopefully the artwork looks good, because the posters they released for this film are so bad and ugly.Release date 26th of May, it says under "more details".<br><br>Although maybe you should ask the 704 people who have voted on it already, because they seem to have heard the score!Beautiful musicFirst episode was really good . Lorne's score is amazing and totally different . Looking forward to this score release .
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Additional Music - Choir Conductor - Song ProducerAdditional Music - Conductor - Choir Conductor
Hans ZimmerHarry Gregson-WilliamsRupert Gregson-WilliamsKlaus Badelt
ComposerAdditional MusicAdditional MusicAdditional Music
The Prince Of Egypt (Complete Score)
Label: Unofficial Release
Length: 81'54
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2968 votes)
  1. Deliver Us (7:16)
    Stephen Schwartz, Hans Zimmer, Martin Erskine, Andrew Lippa
  2. Chariot Race (3:02)
    Hans Zimmer
  3. Brothers (4:24)
    Hans Zimmer
  4. Meeting Tzipporah (0:19)
    Rupert Gregson-Williams
  5. Desert Flower (1:37)
    Hans Zimmer
  6. Following Tzipporah (1:00)
    Hans Zimmer
  7. All I Ever Wanted (With Queen's Reprise) (2:52)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  8. Hieroglyphic Nightmare (1:38)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  9. Moses & Seti (1:46)
    Stephen Schwartz, Hans Zimmer
  10. Beating - Gate - Desert Montage (5:33)
    Stephen Schwartz, Hans Zimmer, Klaus Badelt
  11. Camel Boogie (2:12)
    Stephen Schwartz, Hans Zimmer, Rupert Gregson-Williams
  12. Through Heaven's Eyes (3:42)
    Stephen Schwartz, Gavin Greenaway
  13. Moses Finds Cave (1:14)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  14. Burning Bush - Remember (7:55)
    Stephen Schwartz, Hans Zimmer
  15. Meeting Pharaoh (1:26)
    Hans Zimmer, Rupert Gregson-Williams
  16. Playing With The Big Boys (2:53)
    Stephen Schwartz, John Powell
  17. Line In The Sand (1:33)
    Hans Zimmer, Harry Gregson-Williams
  18. Moses Reviled (3:44)
    Stephen Schwartz, Hans Zimmer
  19. The Plagues (3:23)
    Stephen Schwartz, Gavin Greenaway
  20. Memory Lane - Ultimatum (3:52)
    Hans Zimmer
  21. Death Of The First Born (1:08)
    Hans Zimmer
  22. When You Believe (4:55)
    Stephen Schwartz, Hans Zimmer
  23. Red Sea (5:51)
    Hans Zimmer
  24. Epilogue (3:39)
    Stephen Schwartz, Hans Zimmer, Gavin Greenaway
  25. Epilogue (Alternate) (3:25)
    Stephen Schwartz, Hans Zimmer
  26. The Prince Of Egypt Trailer Music (1:46)
    Hans Zimmer, Harry Gregson-Williams
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Mike (OTM) reply Replies: 1 || 2017-03-25 21:18:05
So I just picked up the Collector's Edition CD that was released (the one with the 3 extra cues), and i have to say, I'm glad I did. Having the Chariot Race and Epilogue (alternate version, granted) really rounds out the main CD. Those were two highlights. Having "Moses Reviled" is also good, as that was a strong cue (called "It is Only the Beginning" on the CD). The whole score has essentially been released when you put the main CD and the collector's one together (though sadly, the film version of the Epilogue isn't here).

I got the thing for $3.00. I was inspired to look into it due to a comment about it below.


Mike (OTM)2017-03-25 21:24:40
Not to double post, but can I just say that both versions of the Finale - the one using Hans' theme and the one using the Deliver Us theme - are really, really epic? Zimmer outdid himself with this segment particularly. The Prince of Egypt is a truly underrated score.

Anonymous reply Replies: 4 || 2016-07-06 01:47:52
Okay. Listen to Hero from 13 Hours, then Burning Bush...


Waymann2016-07-06 08:38:47
I knew it. When I saw 13 Hours I kept thinking about another score that sounded just like that theme.


Mike2016-07-06 17:12:02
Yikes! Temp track? Well, Hans was producer on 13 Hours... Maybe that was his suggestion. :P


Mike2016-07-06 17:15:02
The similarity I caught while watching the film was the "Deshi Deshi Basara" percussion in "Welcome to Benghazi." It sounds like Zimmer-temp (or Zimmer suggestions?) was used in a couple places.


jrej35552017-03-20 13:56:02
WOW!!! That is shameless!

Anonymous reply Replies: 0 || 2017-03-19 22:30:51
The Collector's Edition contains "Moses Reviled," along with "Chariot Race" and Zimmer's original Epilogue as one track, is that correct?

Mike reply Replies: 6 || 2016-07-04 20:27:10
Interesting little thing... If you listen to the director commentary on the film, they say that Hans' original idea for the Burning Bush sequence had "choir and organ and stuff," but they asked for a re-write because that was stereotypical and they wanted something different for the scene. I love the final version, too, but I can't help wanting to know what the original sounded like.


Hybrid Soldier2016-07-04 21:12:50
Stay from Interstellar ?! :P


Mike2016-07-04 22:37:01
Quite possibly. Has Hans done any interviews for this score? I haven't found any.

Also a little interesting was that the directors mentioned Harry Gregson-Williams by name with regard to the "Line in the Sand" cue. As Rameses opens his eyes while holding the ring, one of them talks about how it was "scary" and "that was Harry Gregson-Williams' idea." :P


anonymous2016-07-04 22:58:47
on a somewhat related page... zimmer produced the first use of "all i ever wanted" sung by moses, and harry did the queen's reprise, right? or did harry do both?


Hybrid Soldier2016-07-04 23:39:34
Yep !

To be complete on POE, on the cuesheet HGW & RGW get 100% on the following cues :

HGW :
Hieroglyphic Nightmare (with Schwartz)
Moses Finds Cave
Line In The Sand

RGW :
Meeting Tzipporah
Camel Boogie
Meeting Pharaoh

Klaus got 0, lol, did some arranging...

Up until the early 2000s, HZ used to give 100% of some of the cues to additionals even when it used some of his music. But then all the rest of the cues were credited to HZ only while some were arranged by these guys... So I guess nowadays way of doing is not so bad...


Mike2016-07-05 00:11:29
Here's something I've wondered:

Do Hans' additional guys do substantially more than they did in the 90's / 2000's, or is it really a matter of crediting differently like your comment suggests? Cause it seems like Zimmer had a lot more "solo" credits on his scores back then (70% of cues, typically), whereas now he'll have only 2 or 3 on a given score. So did Hans' methodology change at some point and now he's more collaborative than he used to be, or is it mostly that now he credits "arrangers" and he didn't used to?


Hybrid Soldier2016-07-05 00:19:22
Well, I don't think it's much different, in proportion it's the same thing...

Remember in the 90s he had to do scores quite short, even big action films were 90 min long...

Now when you have an Inception, POTC or whatever, it's always between 2 & 2,5 hours of music to write... And relatively less time to write them ! lol

Hybrid Soldier reply Replies: 4 || 2015-01-07 22:16:25
Found some credits for it, should look like that ! :)

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Mike2015-01-08 00:24:58
Thank you! I've wanted these forever!


Mike2015-01-08 00:26:18
Where Stephen Schwartz is credited, it's because it contains some of his song material, but Zimmer did the cue, right?


Hybrid Soldier2015-01-08 11:42:03
Yeah there are quotes of the songs but Schwartz only did the songs...

But credit is due... :)


NM2015-01-08 22:29:13
Haha, the ones I guessed were HGW were spot on. I have no idea how I was able to tell.

Anonymous reply Replies: 9 || 2014-12-06 16:08:19
Zimmer made Such. An Epic. Arrangement. of Deliver Us for that last scene. My goodness. It gets me every time.


Mike2014-12-06 16:15:53
This is a sadly under-spoken-about score. It's probably one of my favorite Zimmer scores of the 1990s, and it uses his big, epic sound to really good effect. It just manages to complement the film really well, and it even has a nice Eastern flair sometimes.


Edmund Meinerts2014-12-06 23:43:12
This is something like my third-favorite Zimmer score. I don't think he ever quite managed to go as grandiose and BIG as this again, not even in Gladiator.

On a vaguely related note, wouldn't it have been hilarious if Ridley Scott had decided to reunite with Hans on Exodus: Gods and Kings of all things? :p


Hybrid Soldier2014-12-06 23:53:55
I would have loved to... :(


Adam2014-12-07 00:13:20
I would have loved that as well :(

Hey Hybrid, do you know why Ridley & Hans stopped working together? They were partners since Thelma & Louise. I mess their collaborations :'(


Ds2014-12-07 00:40:10
Edmund, I think PotC 3 and King Arthur are even BIGGER than this one :-)


Edmund Meinerts2014-12-07 02:08:36
Funny that you mention those two, Ds, they're my other two favorite Zimmer scores. ;)

Yeah, they're both pretty massive, but more in an action-score kind of way. I don't think King Arthur in particular hits quite the same grandly religious heights as Prince of Egypt. For overall size At World's End wins everything, though.


NM2014-12-07 09:07:50
Nice to see some appreciation for this score. I really love it.


Hybrid Soldier2014-12-07 09:10:39
Hans & Ridley isn't gonna happen ever again. They keep talking about each other a lot in interviews & stuff, they are still in contact, phoning or dining from time to time...

But the look on Hans' face when I asked him said it all... He just said they were "out of synch"...


Anonymous2015-01-07 22:36:28
Oh good grief. When "you" asked him?? LOL

Mike reply Replies: 0 || 2014-07-29 19:54:28
Good to see this one up here!

NM reply Replies: 0 || 2014-07-25 18:00:38
The theme for the two brothers is heartbreaking, I wish this score got more attention. There's some really great thematic writing.

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The Prince Of Egypt (Complete Score) soundtrack - Hans Zimmer 1998