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please god (HZ, of course) stop teasing us x'D, the longest 22 days left of my live :)Why can't I buy this anywhere?<br>Want to download it to ITunes so I can play it without the need to connect to the internet but can't.  Please put back on ITunes or have a "Buy song" and Download option on your website.  <br><br>Have tried everywhere for months now.I searched on the internet! The CD was released as a limited edition. Both. There was already a reply regarding this matter.<br><br>What I didn't knew: TF4 "Age of extinction" was limited to 3,000(!) pieces! Produced by Lalaland Records. They also release the TF5 score.Because i saw IMAX prologue, if this track opening, track. It's probably be. Opening scene starting clock-ticking.Probably cycles through them all. Rotation. Or he just chooses who he wants. He's the boss.
How does Hans Zimmer choose who is going to help him on his scores?How do you know? Have you heard it yet?Short bits from the zurich concert:<br><br>--> the e-guitar mixed with percussion is too loud. During the Dark Knight and Crimson Tide you could barely hear the melody lines played by the strings which is my biggest complain (the only one actually)<br>--> choir is amazing and can luckily beat the loud drums.<br>--> music selection is good and most of the time nice medleys<br>--> live singer are a lot better (on the stage !) than i expected. Especially the lion king and gladiator pieces are well done with the voices.<br>--> surprisingly long concert with over 3 hours (including 20 minutes break)<br>--> First half of the concert is perfect ! Good mix of classic and modern pieces/styles. Second half is a bit too much with spiderman, inception, interstellar, man of steel as they are all very percussion heavy. At that point you may get tired of it. Still i was impressed until the last minute and most people in the crowd too i guess.<br>--> hans said zurich is his 38th show on the tour and he showed no lack of energy. He was quite entertaining during his talk bits.<br><br>I hope in some years he will do another tour with some new pieces :)The Mole - Full clock-ticking and rythm<br>@MrZimmerFan Oh I love Inception too, it's a great score. But that album situation though.,.. missing some major cues. At least Interstellar was a solid release, only missing one major track.
Doesn't anyone know which track is the piece used for the end of the series ? Is it on the EP?The movie is 1H47Mins long with credits. If credits are 7 minutes long, we're left with a 100 minute movie (who knows how much music was written/used). Not to mention the relentless pace. I want to believe that we might get everything we want/need out of this release but I'm really not sure.I love Inception<br><br>;PWhile it would be unusual for a Zimmer/Nolan collab to not have any suites, we still don't know how much music is in the film itself. Take 12YAS for example; a 2 hour movie with only 40 minutes of score. For all we know, this release might be 80% of the music written.... or more.<br><br>Now if it's anything like Inception (which is such a disappointing album) then this will be a letdown.Definitely not two hours though since CDs are limited to 74-80mins of audio. I was hoping for an extended digital deluxe edition. <br>
It's a bootleg so no release on CD but it's available in some others places...Dear Hans,<br><br>I'm french and drove 400 km to be in Nīmes on june the 24th and I've never felt so lucky than this day. <br>To see and to hear your musicians and you playing was a dream. I fell in love with your music when I was about 15 and had tears in my eyes when hearing the Rain Man theme. <br>You're a great composer M. Zimmer and a great man. Respectful to your musicians and audience. <br><br>I hope you'll be back in France soon, not just for me but for all those who couldn't see you until then and, even if I have more kilometers to drive, I'll do them easily to have the chance to see you again on stage.<br><br>Affectionately.<br><br>GaėlleThis album will probably around 1 hour... Inception had 12 tracks and was 49 minutes without the two bonus tracks.Those 11 tracks could be each over ten minutes long and the album be pushing two hours for all you know.Aside from the suites it appears to be!!
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Additional Music - Choir Conductor - Song ProducerAdditional Music - Conductor - Choir Conductor
Hans ZimmerHarry Gregson-WilliamsRupert Gregson-WilliamsKlaus Badelt
ComposerAdditional MusicAdditional MusicAdditional Music
The Prince Of Egypt (Complete Score)
Label: Unofficial Release
Length: 81'54
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3273 votes)
  1. Deliver Us (7:16)
    Stephen Schwartz, Hans Zimmer, Martin Erskine, Andrew Lippa
  2. Chariot Race (3:02)
    Hans Zimmer
  3. Brothers (4:24)
    Hans Zimmer
  4. Meeting Tzipporah (0:19)
    Rupert Gregson-Williams
  5. Desert Flower (1:37)
    Hans Zimmer
  6. Following Tzipporah (1:00)
    Hans Zimmer
  7. All I Ever Wanted (With Queen's Reprise) (2:52)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  8. Hieroglyphic Nightmare (1:38)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  9. Moses & Seti (1:46)
    Stephen Schwartz, Hans Zimmer
  10. Beating - Gate - Desert Montage (5:33)
    Stephen Schwartz, Hans Zimmer, Klaus Badelt
  11. Camel Boogie (2:12)
    Stephen Schwartz, Hans Zimmer, Rupert Gregson-Williams
  12. Through Heaven's Eyes (3:42)
    Stephen Schwartz, Gavin Greenaway
  13. Moses Finds Cave (1:14)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  14. Burning Bush - Remember (7:55)
    Stephen Schwartz, Hans Zimmer
  15. Meeting Pharaoh (1:26)
    Hans Zimmer, Rupert Gregson-Williams
  16. Playing With The Big Boys (2:53)
    Stephen Schwartz, John Powell
  17. Line In The Sand (1:33)
    Hans Zimmer, Harry Gregson-Williams
  18. Moses Reviled (3:44)
    Stephen Schwartz, Hans Zimmer
  19. The Plagues (3:23)
    Stephen Schwartz, Gavin Greenaway
  20. Memory Lane - Ultimatum (3:52)
    Hans Zimmer
  21. Death Of The First Born (1:08)
    Hans Zimmer
  22. When You Believe (4:55)
    Stephen Schwartz, Hans Zimmer
  23. Red Sea (5:51)
    Hans Zimmer
  24. Epilogue (3:39)
    Stephen Schwartz, Hans Zimmer, Gavin Greenaway
  25. Epilogue (Alternate) (3:25)
    Stephen Schwartz, Hans Zimmer
  26. The Prince Of Egypt Trailer Music (1:46)
    Hans Zimmer, Harry Gregson-Williams
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Mike (OTM) reply Replies: 1 || 2017-03-25 21:18:05
So I just picked up the Collector's Edition CD that was released (the one with the 3 extra cues), and i have to say, I'm glad I did. Having the Chariot Race and Epilogue (alternate version, granted) really rounds out the main CD. Those were two highlights. Having "Moses Reviled" is also good, as that was a strong cue (called "It is Only the Beginning" on the CD). The whole score has essentially been released when you put the main CD and the collector's one together (though sadly, the film version of the Epilogue isn't here).

I got the thing for $3.00. I was inspired to look into it due to a comment about it below.


Mike (OTM)2017-03-25 21:24:40
Not to double post, but can I just say that both versions of the Finale - the one using Hans' theme and the one using the Deliver Us theme - are really, really epic? Zimmer outdid himself with this segment particularly. The Prince of Egypt is a truly underrated score.

Anonymous reply Replies: 4 || 2016-07-06 01:47:52
Okay. Listen to Hero from 13 Hours, then Burning Bush...

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Please enter number: 1249 


Waymann2016-07-06 08:38:47
I knew it. When I saw 13 Hours I kept thinking about another score that sounded just like that theme.


Mike2016-07-06 17:12:02
Yikes! Temp track? Well, Hans was producer on 13 Hours... Maybe that was his suggestion. :P


Mike2016-07-06 17:15:02
The similarity I caught while watching the film was the "Deshi Deshi Basara" percussion in "Welcome to Benghazi." It sounds like Zimmer-temp (or Zimmer suggestions?) was used in a couple places.


jrej35552017-03-20 13:56:02
WOW!!! That is shameless!

Anonymous reply Replies: 0 || 2017-03-19 22:30:51
The Collector's Edition contains "Moses Reviled," along with "Chariot Race" and Zimmer's original Epilogue as one track, is that correct?

Mike reply Replies: 6 || 2016-07-04 20:27:10
Interesting little thing... If you listen to the director commentary on the film, they say that Hans' original idea for the Burning Bush sequence had "choir and organ and stuff," but they asked for a re-write because that was stereotypical and they wanted something different for the scene. I love the final version, too, but I can't help wanting to know what the original sounded like.


Hybrid Soldier2016-07-04 21:12:50
Stay from Interstellar ?! :P


Mike2016-07-04 22:37:01
Quite possibly. Has Hans done any interviews for this score? I haven't found any.

Also a little interesting was that the directors mentioned Harry Gregson-Williams by name with regard to the "Line in the Sand" cue. As Rameses opens his eyes while holding the ring, one of them talks about how it was "scary" and "that was Harry Gregson-Williams' idea." :P


anonymous2016-07-04 22:58:47
on a somewhat related page... zimmer produced the first use of "all i ever wanted" sung by moses, and harry did the queen's reprise, right? or did harry do both?


Hybrid Soldier2016-07-04 23:39:34
Yep !

To be complete on POE, on the cuesheet HGW & RGW get 100% on the following cues :

HGW :
Hieroglyphic Nightmare (with Schwartz)
Moses Finds Cave
Line In The Sand

RGW :
Meeting Tzipporah
Camel Boogie
Meeting Pharaoh

Klaus got 0, lol, did some arranging...

Up until the early 2000s, HZ used to give 100% of some of the cues to additionals even when it used some of his music. But then all the rest of the cues were credited to HZ only while some were arranged by these guys... So I guess nowadays way of doing is not so bad...


Mike2016-07-05 00:11:29
Here's something I've wondered:

Do Hans' additional guys do substantially more than they did in the 90's / 2000's, or is it really a matter of crediting differently like your comment suggests? Cause it seems like Zimmer had a lot more "solo" credits on his scores back then (70% of cues, typically), whereas now he'll have only 2 or 3 on a given score. So did Hans' methodology change at some point and now he's more collaborative than he used to be, or is it mostly that now he credits "arrangers" and he didn't used to?


Hybrid Soldier2016-07-05 00:19:22
Well, I don't think it's much different, in proportion it's the same thing...

Remember in the 90s he had to do scores quite short, even big action films were 90 min long...

Now when you have an Inception, POTC or whatever, it's always between 2 & 2,5 hours of music to write... And relatively less time to write them ! lol

Hybrid Soldier reply Replies: 4 || 2015-01-07 22:16:25
Found some credits for it, should look like that ! :)


Mike2015-01-08 00:24:58
Thank you! I've wanted these forever!


Mike2015-01-08 00:26:18
Where Stephen Schwartz is credited, it's because it contains some of his song material, but Zimmer did the cue, right?


Hybrid Soldier2015-01-08 11:42:03
Yeah there are quotes of the songs but Schwartz only did the songs...

But credit is due... :)


NM2015-01-08 22:29:13
Haha, the ones I guessed were HGW were spot on. I have no idea how I was able to tell.

Anonymous reply Replies: 9 || 2014-12-06 16:08:19
Zimmer made Such. An Epic. Arrangement. of Deliver Us for that last scene. My goodness. It gets me every time.


Mike2014-12-06 16:15:53
This is a sadly under-spoken-about score. It's probably one of my favorite Zimmer scores of the 1990s, and it uses his big, epic sound to really good effect. It just manages to complement the film really well, and it even has a nice Eastern flair sometimes.


Edmund Meinerts2014-12-06 23:43:12
This is something like my third-favorite Zimmer score. I don't think he ever quite managed to go as grandiose and BIG as this again, not even in Gladiator.

On a vaguely related note, wouldn't it have been hilarious if Ridley Scott had decided to reunite with Hans on Exodus: Gods and Kings of all things? :p


Hybrid Soldier2014-12-06 23:53:55
I would have loved to... :(


Adam2014-12-07 00:13:20
I would have loved that as well :(

Hey Hybrid, do you know why Ridley & Hans stopped working together? They were partners since Thelma & Louise. I mess their collaborations :'(


Ds2014-12-07 00:40:10
Edmund, I think PotC 3 and King Arthur are even BIGGER than this one :-)


Edmund Meinerts2014-12-07 02:08:36
Funny that you mention those two, Ds, they're my other two favorite Zimmer scores. ;)

Yeah, they're both pretty massive, but more in an action-score kind of way. I don't think King Arthur in particular hits quite the same grandly religious heights as Prince of Egypt. For overall size At World's End wins everything, though.


NM2014-12-07 09:07:50
Nice to see some appreciation for this score. I really love it.


Hybrid Soldier2014-12-07 09:10:39
Hans & Ridley isn't gonna happen ever again. They keep talking about each other a lot in interviews & stuff, they are still in contact, phoning or dining from time to time...

But the look on Hans' face when I asked him said it all... He just said they were "out of synch"...


Anonymous2015-01-07 22:36:28
Oh good grief. When "you" asked him?? LOL

Mike reply Replies: 0 || 2014-07-29 19:54:28
Good to see this one up here!

NM reply Replies: 0 || 2014-07-25 18:00:38
The theme for the two brothers is heartbreaking, I wish this score got more attention. There's some really great thematic writing.

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The Prince Of Egypt (Complete Score) soundtrack - Hans Zimmer 1998