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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Score recorder / Mixer
Gavin GreenawayAlan Meyerson
ComposerMusic Scoring Mixer
Millenium Celebration
Label: Disney Records
Length: 45:32
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5921 votes)
1. Reflections Of Earth (9'31)
    Prologue : Acceleration
    Chaos
    Space
    Life
    Adventure
    Home
    Celebration
    Meaning
2. We Go On (2'26)
3. Tapestry Of Nations (23'53)
    The Sage Of Time Prologue
    Millenium Heartbeat
    The Great Millenium Walk
    Reach For The Stars
    The Human Spirit
4. Promise (4'23)
5. Celebrate The Future Hand In Hand (5'11)
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mpolonest123 reply Replies: 3 || 2017-06-19 23:51:18
Not living too far from Disneyworld, I grew up hearing "Reflections of Earth" as part of Epcot's closing show each night. For anyone who's a fan of "Run Free" from Spirit, definitely take a listen to this album.

It's a shame Gavin doesn't compose more often nowadays, this showcases some true talent!


James2017-06-20 01:16:16
He recently composed an album called Il Falco Bianco.


mpolonest123 2017-06-20 03:22:45
I took a listen to it... not bad at all. Definitely would love to hear more film scores from him, I wonder why he is only conducting though...


Gotham Rogue2017-06-20 06:36:40
This is definitely one of my favorite stand alone compositions in recent history, it's absolutely gorgeous and takes my breath away each time I hear it.

Ginny Lockwood reply Replies: 0 || 2011-04-14 00:00:00
Our symphonic band would like to purchase an arrangement of Reflections of Earth (Greenway) but cannot find it anywhere. Can you help point me in the right direction? We do not want the marching band arrangement on the Hal Leonard site. We want the original. Thanks!

Ele reply Replies: 0 || 2010-05-12 00:00:00
Tapestry Of Nations is a really nice theme! It's The Hourne/Copano Part 2. Plus it has some Dark Knightish percussion. Overall, this compilation is must-hear for any RCP fan.

Ka'Ron Rogers reply Replies: 0 || 2009-04-22 00:00:00
OMG...if anyone sees this and know where to get this soundtrack...PLEASE let me know... I need it bad and I can't find it anywhaere right now.

Steve reply Replies: 0 || 2008-07-18 00:00:00
WOW! Just returned from Epcot and saw the show again for the sixth time and it is just as awesome as the first. I don't think there has ever been a more perfect marriage of audio and visual than this. "Reflections of Earth" by itself is a remarkable piece of music. "We Go On" not only brings tears to my eyes, but I love when people start to leave after "Reflections" thinking the show is over, then are left in awe after seeing this finale. It dosen't get much better than this. Thank You Gavin.

Arthur C reply Replies: 0 || 2008-05-07 00:00:00
Track 1 is: Masterful. Dynamic. Rhythmic. It lives in my CD player. I get chills every time I listen. I would love to look at the score. Do I hear 7/4? Best ever use of 5/4 meter.

Dave reply Replies: 0 || 2007-08-02 00:00:00
Wonderfull from the start to the finish. I think the music and orchestrations are wonderfull. More please Gavin!

Anonymous reply Replies: 0 || 2007-01-30 00:00:00
What a fantastic and amazing score. Track 1 (Reflections of Earth) is the most drammatic and rythmic song I have ever listened to. Thanks for composing such an amazing song Gavin Greenaway!

Lauren reply Replies: 0 || 2006-01-16 00:00:00
Have been in LOVE with this score ever since I first heard it back in Jan. 2000, and continue to listen to it all the time. Recent graduate from the University of Michigan School of Music, and I join Steven and the many others around the world in giving these works their due praise!

Steven reply Replies: 0 || 2005-11-14 00:00:00
I am a Juilliard Graduate with a BM and an MM in music and I'm not ashamed to say that I get choked up every I hear this masterful work. Good job, Gavin!

Dan reply Replies: 0 || 2005-07-30 00:00:00
Commissioning Gavin Greenaway to write the music for the Millenium Celebration was quite possibly the best artistic move Disney has ever done. His work creates the emotional outreach and vivid mindscapes that Disney strives for. Kudos to him for such great work.

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Millenium Celebration soundtrack - Gavin Greenaway 1999