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That makes perfect sense and I fully agree with you :pScience & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.
Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.
Is this cd of the complete score available for purchase somewhere?I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHows
Meistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>Balfe is what in the 80s you might have called a TV composer. He has skills to get the job done but no imagination on anything. There'll be a few live bongos in the next film, a lot of supposedly live brass that sounds exactly like my keyboard, and no imagination. <br><br>That's the seemingly Chris Nolan way they want to go here. But if McQuarrie and Cruise are sticking to their mandate on making every film different, well how about (they are not going to go full Lathimos whatever), trying the Jeremy Dyson way, and go for Frank Ilfman. How about being more creative, Mansell has burned his bridges but still does excellent music but how about Richter, he can do anything, or even a Murray Gold. If you hire a pointless HZ flunkie, we'll get someone good, This used to be fine, but now with these dingdongs it is increasingly difficult<br>Balfe did produce both !!!!!!!!!!so ofcause they would sound related <br>Fallout was an excellent film and great soundtrackIn my opinion this soundtrack is very different than the others.<br>Six films and five composers, with a different styles and this soundtrack is very different.<br>For me it's a great soundtrack but the sound is too similar at the dark Knight and Dunkirk.Have to agree about Balfe and Fallout being the best mission score.would be interesting to see what he would do with bond or even Star Wars.<br>There seems to be comments on twitter that Balfe will be doing the score live at the The Royal Albert Hall.anyone know ?
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Additional MusicAdditional MusicAdditional Music
Hans ZimmerNick Glennie-SmithMark MancinaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
True Romance (Expanded Score)
Label: Unofficial Release
Length: 34'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3816 votes)
  1. Main Title (2:32)
  2. Marry Me (2:48)
  3. Drive To Drexl's (1:06)
  4. Isn't It Romantic? (1:01)
  5. One Favor (1:13)
  6. Dad Saves The Day (2:04)
  7. Roller Coaster Guitars (1:08)
  8. Bama Gets Beaten (1:45)
  9. Airport (1:33)
  10. Mentor (1:12)
  11. Elevator (2:02)
  12. Cops Barge In (0:57)
  13. Final Confrontation (5:59)
  14. End Scene (1:48)
  15. Main Title (Alternate I) (2:32)
  16. Main Title (Alternate II) (2:32)
  17. Main Title (Alternate III) (2:32)
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mittens reply Replies: 0 || 2018-01-15 19:32:06
Yeah, I guess that makes sense. Thanks for clarification.

Marty reply Replies: 8 || 2016-05-17 11:01:32
5/5 !! I just love Hans! :)


meg2016-05-19 06:06:05
where can I get this expanded OST?


JohnF2017-08-05 22:54:19
Surprised no one has commented here about the fact a label is releasing this score for the first time only on lp. Anyone know if this will get a release on cd??


Hybrid Soldier2017-08-06 00:08:32
Don't you think it's a little fishy that a label is releasing exactly the content of a bootleg with a tracklist I literally made myself 5 years ago, with the exact same cues missing ?

I wonder what's the story behind this... lol


Bondo2017-08-06 01:34:50
Too bad they aren't using my terrible cover lol :P


Yumbo2018-01-13 05:59:01
https://itunes.apple.com/us/album/true-romance-original-moti on-picture-score/1310599297


mittens2018-01-15 18:12:39
I'm not an expert on exclusive rights, but I'm pretty sure that you can't just download some expanded score from the internet and publish it and sell it like it's yours. I mean when I got score from Rain Man I was so happy, until I started to play it. The quality was so bad, it was barely listenable. Then I started to search why is that and found out they didn't get the rights and (still) published some barely listenable bootleg of the score they found on the internet. Now this looks like exactly the same case, except that they found the bootleg in good quality. Ridiculous.


Per2018-01-15 18:46:01
As for Perseverance's Rain Man, they did get the rights (as far as I know ... there was some other score there were some rights issues with, but can't remember exactly now ... think it was some John Barry score or something), but no masters was found at the studio (supossedly anyway), but they had gotten the impression that Zimmer himself would help with a master, but when that didn't happen, they decided to go for it with the material they could get a hold of. Wether it was a good choice or not ($ - wise) I don't know, but while they could have gotten all the thousands ! of $ they had spent on it back, they might not have, so... it's not like if you buy something, and then get a refund by sending it back ... a bit more complicated I guess


Per2018-01-15 18:59:36
As a side note, where the source of the material comes from, doesn't matter. Those who release the music license the recorded music, not the mp3/flac files hat circulate (sort of).

And in many cases the material circulating on the internet is from the same (or just as good a) source (certainly for scores from the last 15-20 or so years) as whatever they use as source for the official releases.

And, as mentioned before by Hybrid, while it do look "suspicious" when something that gets an official release is more or less the exact same as what's circulating on the net, in general, I'd rather have the people doing a release, do a good enough reserach, so that they acknowledge (not necessarily by mentioning it in words, or by, in this case, release the exact same content) the unofficial material by including all they can, to more or less make any unofficial versions uninteresting.

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True Romance (Expanded Score) soundtrack - Hans Zimmer 1993