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...that response only made you look more suspicious, as it was so pre-programmed feeling.@AndrewP *Robocop voice* obey the law or get erased creepSo if I say I love the score and itís amazing then Iím a bot !!!!!!!!! What a rediculois theoryHi, I'm new to this site and a big fan of Zimmer. Blade Runner is definitely one of his best works (and don't forget Wallfisch). Anyways, I'm definitely anticipating Denis Villeneuve's upcoming Dune film and I wonder if he'll go to Zimmer to do the project. That would be awesome if that happened.This place is not exactly a democracy, if something is not of my liking I get rid of it. Plain & simple.
^^<br><br>For the sake of fairness, I think the admins should delete both the guys spamming the thread with whining, as well as the Balfe-bots spamming the thread with positivity while simultaneously denouncing "haters." (This does not apply to most people in the thread, but you know who I mean.)I created a suite of what I believe are the best cues on the album, and attempted to make some interesting variations with the cues themselves in terms of transitions and such. Tracks included are Fallout, The Exchange, Escape Through Paris, Stairs and Rooftops, Free Fall, and Mission: Accomplished. Feel free to check it out, it helps make the whole score feel more melodic in my opinion!<br><br>https://www.youtube.com/channel/UCioYxbgNsqFhZ15onqcTlFA/vid eosBalfe haters will hate this !!!<br><br>But itís amazing . <br><br>Itís emotional then EPIC!<br><br>It can only be purchased at the Kynren site in Bishop Auckland, UK, during the show season. Google Kynren and hope to see you there soon! :) Hope this helps. Kind RegardsAgree with this 100%
People are on here shitting on Giacchino and Powell saying Rouge One has a better score or people saying Solo has a better score and Iím over here like yep still listening to the Star Wars Original Trilogy And Prequel Trilogy scores over here. But I think they both gave Williams Justice and did good.@HunterTech - because Cruise and the studio *really* wanted him back after Rogue Nation's success, despite the producers' initial plan for the franchise being to have each entry done by a different director. Hence, McQuarrie's condition that he'll be back as long as he does a completely different film.<br><br>And context is important because once you realise the *film itself* is heavily influenced by Nolan with a big dash of Fury Road-esque building action momentum, then the decision to have Balfe on board and the score to sound all Zimmer/RCP as opposed to more symphonic a-la Kraemer/Giacchino makes sense.So.......why not get a new director then? I admire his efforts in trying to attempt something different for every sequel, but he's eventually gonna get tired if he keeps coming back. Plus, there's been evidence that surfaced to suggest that there was a very specific reason in Kraemer not returning, which don't necessarily contradict what McQ is saying here.<br><br>Despite all this, I'm very excited for Fallout as a whole. I've been able to enjoy films with disappointing scores before (*cough*BR2049*cough*).Mephariel, fair enough. I see your point as well.<br><br>mpolonest123, I see your point.<br><br>But looking back at the MI2 score now, compared to some recent MV/RC stuff......it's just heads and tails above them. Again, that's just my opinion. There is a clear theme here, there is an actual structure. Not just some noisy sound effects thrown in the blender.
@HunterTech - McQ said at every opportunity that a condition of his coming back would be making MI Fallout as if a different director was doing it. Which is why he got a new DoP, new composer, new costume designer etcBecause that opinion is clearly wrong when Dunkirk came out in 2017.I can't agree with Genius: Picasso. I like the score, but it doesn't have enough direction. Just a lot of soundscaping. It is like the score is just there. <br><br>Balfe has this same problem with a lot of his scores.<br><br>I am so tire of people claiming Balfe has potential. It is like a basketball fan constantly claiming that Player X is two years away from being two years away. Every year people say Balfe is going to do something great. I am still waiting for this. That said, I haven't listened to MI:6 yet.Christopher Nolan of music? You serious? You compare Balfe with Nolan, one of the most talented directors of this generation? Nolan always does his own shit. He doesn't tempt scenes from other movies and recolor them and call them his. <br><br>Has Balfe written a great score that is truly his own yet? Maybe I just haven't heard it. <br><br>The only thing Balfe and Nolan has in common is that they are both white and they are both British.So I've finally decided to give this a listen today, and it was a lot of fun! The general quirkiness, source cues that actually benefit the score, and one of the best themes that I've heard from Zimmer in Moriarty certainly make this one a keeper. A lot of people barp on the OST, but it certainly made me interested to hear the music in a better form. I'll probably have to listen to it again before forming a definitive opinion, but as is, it managed to actually live up to the hype.
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Additional MusicAdditional MusicAdditional Music
Hans ZimmerNick Glennie-SmithMark MancinaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
True Romance (Expanded Score)
Label: Unofficial Release
Length: 34'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3622 votes)
  1. Main Title (2:32)
  2. Marry Me (2:48)
  3. Drive To Drexl's (1:06)
  4. Isn't It Romantic? (1:01)
  5. One Favor (1:13)
  6. Dad Saves The Day (2:04)
  7. Roller Coaster Guitars (1:08)
  8. Bama Gets Beaten (1:45)
  9. Airport (1:33)
  10. Mentor (1:12)
  11. Elevator (2:02)
  12. Cops Barge In (0:57)
  13. Final Confrontation (5:59)
  14. End Scene (1:48)
  15. Main Title (Alternate I) (2:32)
  16. Main Title (Alternate II) (2:32)
  17. Main Title (Alternate III) (2:32)
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mittens reply Replies: 0 || 2018-01-15 19:32:06
Yeah, I guess that makes sense. Thanks for clarification.

Marty reply Replies: 8 || 2016-05-17 11:01:32
5/5 !! I just love Hans! :)

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meg2016-05-19 06:06:05
where can I get this expanded OST?


JohnF2017-08-05 22:54:19
Surprised no one has commented here about the fact a label is releasing this score for the first time only on lp. Anyone know if this will get a release on cd??


Hybrid Soldier2017-08-06 00:08:32
Don't you think it's a little fishy that a label is releasing exactly the content of a bootleg with a tracklist I literally made myself 5 years ago, with the exact same cues missing ?

I wonder what's the story behind this... lol


Bondo2017-08-06 01:34:50
Too bad they aren't using my terrible cover lol :P


Yumbo2018-01-13 05:59:01
https://itunes.apple.com/us/album/true-romance-original-moti on-picture-score/1310599297


mittens2018-01-15 18:12:39
I'm not an expert on exclusive rights, but I'm pretty sure that you can't just download some expanded score from the internet and publish it and sell it like it's yours. I mean when I got score from Rain Man I was so happy, until I started to play it. The quality was so bad, it was barely listenable. Then I started to search why is that and found out they didn't get the rights and (still) published some barely listenable bootleg of the score they found on the internet. Now this looks like exactly the same case, except that they found the bootleg in good quality. Ridiculous.


Per2018-01-15 18:46:01
As for Perseverance's Rain Man, they did get the rights (as far as I know ... there was some other score there were some rights issues with, but can't remember exactly now ... think it was some John Barry score or something), but no masters was found at the studio (supossedly anyway), but they had gotten the impression that Zimmer himself would help with a master, but when that didn't happen, they decided to go for it with the material they could get a hold of. Wether it was a good choice or not ($ - wise) I don't know, but while they could have gotten all the thousands ! of $ they had spent on it back, they might not have, so... it's not like if you buy something, and then get a refund by sending it back ... a bit more complicated I guess


Per2018-01-15 18:59:36
As a side note, where the source of the material comes from, doesn't matter. Those who release the music license the recorded music, not the mp3/flac files hat circulate (sort of).

And in many cases the material circulating on the internet is from the same (or just as good a) source (certainly for scores from the last 15-20 or so years) as whatever they use as source for the official releases.

And, as mentioned before by Hybrid, while it do look "suspicious" when something that gets an official release is more or less the exact same as what's circulating on the net, in general, I'd rather have the people doing a release, do a good enough reserach, so that they acknowledge (not necessarily by mentioning it in words, or by, in this case, release the exact same content) the unofficial material by including all they can, to more or less make any unofficial versions uninteresting.

 HANS-ZIMMER.com© 2001-2017 OST 
True Romance (Expanded Score) soundtrack - Hans Zimmer 1993