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Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.I'm agree thatThey are independent events, but I think they are working in conjunction with each other. I based this on the description on the Vienna website. Their program is called The World of Hans Zimmer and some of the arrangements will be written by Zimmer himself. That leads me to believe this year's gala is a bit different and is just a stop for Zimmer's tour.Probably not. The two are indepedent events.
@Edmund<br><br>actually i wasn't interested in the Dragon scores...or Pan, for that matter. Xmen 3 wasn't too bad, but he still had that tight RCP score techniques...Yeah, I think he must have changed his methods since Hancock/Green Zone...Because I'm not interested in hsi work after that. Must be those pesky drums he doesnt use anymore?Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :pPretty sure the reason HGW works with Washington so often is because Tony Scott worked with him so often... :pWait, Meta, you haven't liked Powell since Hancock? This despite putting out his career peak in the How to Train Your Dragon scores? I mean, if there's anything that proves he's got the chops for Star Wars style orchestral and thematic music, it's those two (and X-Men: The Last Stand, and Pan).Excellent score!  Reminds me of pieces of The Rock, BHD, Drop Zone, stuff from The Pacific.  Great job Andrew!  Nice themes!  Fun RCP stuff!
Yes it was announced a while back, Harry returns !I can confirm that he is working on it.I'm waiting for Harry's response for returning for the sequel or not? My opinion is, I think Harry seem like working with Denzel Washington often in the movies like Man Of Fire, Deja Vu, and The Taking Of Pelham 123 and Unstoppable, The Equalizer, I think Antoine Fuqua director should hire him back again, but I don't know if his schedule conflicts with busy working with MEG Score.@superultramegaa and others<br><br>Honestly, if you take an objective look back, you can still see RC written all over Powell...And thats all well and good, because I like Powell. Well, maybe not since Hancock, but I like his style.<br><br>That being said, This will be the official first Star Wars outing with an RC score. Sure, Williams phoned in a theme...But going forward I expect RC influence to be the norm.<br><br>And, as for Giacchino...Jesus Christ. For someone who practically MADE his career apeing Williams (Jurassic Park and Medal of Honor video games spring to mind), his Rogue One was  dreadful...I cant disagree with you. <br><br><br>Powell is heavily influenced by Zimmer. The only thing that differs him from the others is that he really has a style of his own that matches the traces of the career he shared with Zimmer. If you listen to any of your action scores, you will notice that they are clearly RCP scores. Even the orchestral, especially "Pan" have some passages that are very reminiscent of Pirates, Prince of Egypt and Gladiator.
Really awesome "Is She With You?" cover by Nir Shor!Hey Hybrid Soldier, is Harry returning for the Sequel??Hybrid, Hollywood in Vienna just announced that Zimmer will be receiving the Max Steiner award. Do you know if the Hollywood in Vienna program the same as the The World of Hans Zimmer program? If it is, King Arthur is confirmed to be in the program as well.I wasn't saying Powell sounds like Williams. I'm saying he's closer in sound to Williams than he is to Zimmer for his animated movies.While John Powell is usually far more melodic and classical than your usual RCP composer, I don't see the Williams similarity. His music doesn't really sounds like Williams' scores. But I think he is perfect for Star Wars. I am much more excited about this than Giacchino's Rogue One.
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Additional MusicAdditional MusicAdditional Music
Hans ZimmerNick Glennie-SmithMark MancinaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
True Romance (Expanded Score)
Label: Unofficial Release
Length: 34'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3504 votes)
  1. Main Title (2:32)
  2. Marry Me (2:48)
  3. Drive To Drexl's (1:06)
  4. Isn't It Romantic? (1:01)
  5. One Favor (1:13)
  6. Dad Saves The Day (2:04)
  7. Roller Coaster Guitars (1:08)
  8. Bama Gets Beaten (1:45)
  9. Airport (1:33)
  10. Mentor (1:12)
  11. Elevator (2:02)
  12. Cops Barge In (0:57)
  13. Final Confrontation (5:59)
  14. End Scene (1:48)
  15. Main Title (Alternate I) (2:32)
  16. Main Title (Alternate II) (2:32)
  17. Main Title (Alternate III) (2:32)
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mittens reply Replies: 0 || 2018-01-15 19:32:06
Yeah, I guess that makes sense. Thanks for clarification.

Marty reply Replies: 8 || 2016-05-17 11:01:32
5/5 !! I just love Hans! :)


meg2016-05-19 06:06:05
where can I get this expanded OST?


JohnF2017-08-05 22:54:19
Surprised no one has commented here about the fact a label is releasing this score for the first time only on lp. Anyone know if this will get a release on cd??


Hybrid Soldier2017-08-06 00:08:32
Don't you think it's a little fishy that a label is releasing exactly the content of a bootleg with a tracklist I literally made myself 5 years ago, with the exact same cues missing ?

I wonder what's the story behind this... lol


Bondo2017-08-06 01:34:50
Too bad they aren't using my terrible cover lol :P


Yumbo2018-01-13 05:59:01
https://itunes.apple.com/us/album/true-romance-original-moti on-picture-score/1310599297


mittens2018-01-15 18:12:39
I'm not an expert on exclusive rights, but I'm pretty sure that you can't just download some expanded score from the internet and publish it and sell it like it's yours. I mean when I got score from Rain Man I was so happy, until I started to play it. The quality was so bad, it was barely listenable. Then I started to search why is that and found out they didn't get the rights and (still) published some barely listenable bootleg of the score they found on the internet. Now this looks like exactly the same case, except that they found the bootleg in good quality. Ridiculous.


Per2018-01-15 18:46:01
As for Perseverance's Rain Man, they did get the rights (as far as I know ... there was some other score there were some rights issues with, but can't remember exactly now ... think it was some John Barry score or something), but no masters was found at the studio (supossedly anyway), but they had gotten the impression that Zimmer himself would help with a master, but when that didn't happen, they decided to go for it with the material they could get a hold of. Wether it was a good choice or not ($ - wise) I don't know, but while they could have gotten all the thousands ! of $ they had spent on it back, they might not have, so... it's not like if you buy something, and then get a refund by sending it back ... a bit more complicated I guess


Per2018-01-15 18:59:36
As a side note, where the source of the material comes from, doesn't matter. Those who release the music license the recorded music, not the mp3/flac files hat circulate (sort of).

And in many cases the material circulating on the internet is from the same (or just as good a) source (certainly for scores from the last 15-20 or so years) as whatever they use as source for the official releases.

And, as mentioned before by Hybrid, while it do look "suspicious" when something that gets an official release is more or less the exact same as what's circulating on the net, in general, I'd rather have the people doing a release, do a good enough reserach, so that they acknowledge (not necessarily by mentioning it in words, or by, in this case, release the exact same content) the unofficial material by including all they can, to more or less make any unofficial versions uninteresting.

 HANS-ZIMMER.com 2001-2017 OST 
True Romance (Expanded Score) soundtrack - Hans Zimmer 1993