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I hope the site hasn’t gotten in any trouble for posting the lists :-(I haven't in a long time, you'll notice...@Hybrid I don't get it. You usually post lists anyway when stuff like this happens. Why is it such a big deal when someone else does it?"it must have been deleted."<br><br>Yes. Stop this please.true...
Guess a sessions leak of a score that was already 90 minutes long on the original album isn't worth getting super excited for...Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelli’s stamp on the score...Hybrid, did Zimmer composed any of the music in the second trailer? <br><br>Interesting that nobody's mentioned the sessions leak. Pretty sure I posted a cue list but it must have been deleted.@mephariel<br>None of the styles work for me really. Most of the score comes across as a pastiche of ideas from other Zimmer scores where they were better developed (Gladiator, The Rock, Crimson Tide, etc.) and Even the action is kind of hit or miss. I just don’t find it to be an interesting score honestly.
@kiki: delete inferno for me aswell......and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me. <br><br>Hey, while I'm here, any word on Hans doing the third movie?i would delete Dunkirk immediately from that library. That's the WORST score ever written from any composer out there. This isn't even a score or film music. Just pure sound effects.No, "Psychological Recovery" is scored to picture, a bunch of cues put together from the climax of the film. IIRC the first three minutes or so are a solo Balfe cue actually.Nope, not a suite, a mix of about 4/5 cues.
M:I2 is definitely a polarizing score. But I have to say, this is the first time I heard the criticism stylistically bland refer to this score. Because for most people who dislike the score, they think the score is too stylish.love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanksEven then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)
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Guillaume Roussel
Composer
FastLife
Label: EuropaCorp (Digital Download Only)
Length: 46'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3036 votes)
  1. Franklin Au Sommet (1:56)
  2. Kalash - Booba feat. Kaaris (3:48)
  3. Pass Out - Tinie Tempah (4:27)
  4. Danza Kuduro (Version MTO) - Lucenzo, Don Omar (3:31)
  5. O-O-H Child - The Five Stairsteps (3:13)
  6. Les Mains Dans L'Dos - Kaaris (5:12)
  7. Revelation (1:26)
  8. Alwayz Into Somethin' - N.W.A. (4:29)
  9. If Loving You Is Wrong I Don't Want To Be Right - Millie Jackson (3:25)
  10. Phoenix - Thomas Ngijol (1:59)
  11. Jammu Africa - Ismaël Lô (5:00)
  12. Retour Aux Sources (0:43)
  13. Ils Se Manquent (0:47)
  14. L'Epreuve Des Seaux (1:15)
  15. Back In The Game (1:42)
  16. FastLife - Didaï feat. Nico Eno (3:53)
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FastLife soundtrack - Guillaume Roussel 2014