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Shame like every other Jablonsky release, the recording sessions have no credits whatsoever.Accurate?<br><br>01. 1m01 Opening – Meet Mickey (2:29)<br>02. 1m01s The Hills Of California (2:35)<br>03. 1m02 Save the Blonde (3:13)<br>04. 1m03 Bathtub Oath (0:52)<br>05. 1m04 Fire – You’re Talking To God (1:39)<br>06. 1m05s No Baby, Nobody But You (2:48)<br>07. 1m06s Mr Five By Five (3:13)<br>08. 1m07s Perdido (3:20)<br>09. 1m08s Early Autumn (3:30)<br>10. 2m09 War for the Soul of LA (1:22)<br>11. 2m11 Going After Mickey (0:56)<br>12. 2m12s Mr. Fool (2:57)<br>13. 2m13s Chicken Shack Boogie (Part 2) (2:56)<br>14. 2m13s Jelly Wiggle Boogie (Part 3) (2:29)<br>15. 2m13s Kiss Kiss (Part 1) (2:16)<br>16. 2m14 Choosing The Squad (2:47)<br>17. 2m18 Cohen Threatens Reporter (0:22)<br>18. 2m19s Amado Mio (2:38)<br>19. 2m20 Cohen and Dragna (1:35)<br>20. 2m21 When Do We Start (1:01)<br>21. 2m21a When Do We Start (0:29)<br>22. 2m22s Bull Fiddle Boogie (2:37)<br>23. 2m23 Crashing the Casino (1:13)<br>24. 2m25s So Tired (2:58)<br>25. 3m26 Pete Killed (3:53)<br>26. 3m28 Burbank Jail Breakout (2:29)<br>27. 3m29 Dragna Killed (0:54)<br>28. 3m30 Planting the Wire (2:15)<br>29. 3m32 Car Chase (3:20)<br>30. 4m33 You Know the Drill (1:05)<br>31. 4m35s A Little Bird Told Me (2:40)<br>32. 4m37s Route 66 (2:36)<br>33. 4m38s Big Jay’s Hop (2:55)<br>34. 4m39s Blow Blow Blow (2:06)<br>35. 4m41 Don’t Go (1:31)<br>36. 4m41a Boxing Video (0:55)<br>37. 4m42 Identifying the Wire (0:59)<br>38. 4m43 Chica Boom Chic Score Insert (Part 2) (0:37)<br>39. 4m43a Everybody Out (0:25)<br>40. 4m43s Chica Chica Boom Chic (Part 1) (3:01)<br>41. 4m44 Boogie In the Front (2:33)<br>42. 4m44a Cohen Beats the Cop (0:34)<br>43. 4m46 Coordinating The Response (2:21)<br>44. 4m46a I Need You On the Wire Tonight (0:34)<br>45. 4m47 Cliftons (1:10)<br>46. 4m48s Apricot Flowers Blossoming (Part 1) (2:52)<br>47. 4m48s The Evening Primrose (Part 2) (3:20)<br>48. 5m49 Keeler Killed (0:42)<br>49. 5m49a Chinatown (4:23)<br>50. 5m49b Drive By – Grace – Jack’s Escape – Keeler’s Dead (3:05)<br>51. 5m50 Connie Lives (1:56)<br>52. 5m51 Train Station Goodbye (1:34)<br>53. 5m52 Grace Is Alive (1:07)<br>54. 5m53 Let’s Finish It (1:41)<br>55. 6m55 Ole Buttermilk Sky (2:17)<br>56. 6m57 Serving the Warrant (7:36)<br>57. 6m58 Fist Fight – The End (4:13)<br>58. 6m59 Bless You (For the Good That’s In You) (2:55)<br>59. 6m61 End Credit Score Suite (5:22)Where can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.
I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>You fools, the tracklist was but a scam. The tracks simply wanted to EAT you.
Yeah, while this does have a great deal more substance than most of the work Hans has done the past few years, I struggle to say it's a genuinely *good* score.<br><br>I mean, within the first minute I'm reminded of Dunkirk, then we get a pretty standard Zimmer/Balfe buildup we've heard a million times since Inception... and it doesn't get hugely better from there.<br><br>I will definitely give Zimmer credit for the unique and genuinely creative use of female choir in some of the cues, though.Not to disagree for its own sake, but I think Powell has been up there with the greatest film composers since the first HTTYD score. I just wish he'd take on more projects.Yeah, Jesus. This is a prime example of why I'm tempted to think John Powell is more talented than even Williams (yes, I went there).There's so, so many great themes in the HTTYD scores. And he almost never lets a moment go by where he isn't stating or restating or developing one or more of them (although honestly that's true of a ton of Powell's scores and not an exclusive feature of HTTYD). You can never get bored listening to these, there's always something interesting around the next corner.I got confirmation HGW only wrote Haitian House Shootout (with the help of Mel Wesson). The same ideas were edited into the shorter cue Zoepound, so I'd say you can add this one to his credits.<br><br>Credits on IMDB mentions Paul Linford on the Main Titles.<br><br>Trevor Morris helped Jablonsky on the Ferrari Causeway Chase.<br>Jablonsky worked, for sure, on the Hallway and Helicopter Inserts.<br><br>100% sure Rabin worked on Tapia, Tapia Pissed Off, The Stuff, Wiretap Results, Ocean, Dead Bodies #2, Heart to Heart, Breaking Into Mortuary, Syd's Cover Is Blown, Tapia Has Syd (without Inserts), Prep for Tapia Sneak, Cuba Chase, Guantanamo (those tracks are on the Rabin only-bootleg).
Hoping for the Rocketman score to get a release. Loved the score in the movie. Any updates on this ?Additionally, for anyone interested, I've managed to come up with a final list of themes from the series that I believe to be mostly accurate.<br><br>HTTYD 1: Hiccup & Toothless, The Friendship ostinato, Viking Theme, Viking "B" Theme, Dragons, Berk, The Dragon Tamer (Hiccup's unique qualities), Vikings & Dragons, Astrid<br><br>HTTYD 2: Loss, Exploration/Hiccup's Maturance, Drago, Hiccup & Valka, The Alpha, Stoick & Valka, The Chief<br><br>HTTYD 3: The Furies ostinato, Love, The Dragon Liberators, Moving On, The Hidden World, Toothless & The Light Fury, Grimmel, Dragon Trappers<br><br>A list more impressive than Star Wars, and with almost every new theme returning for the next film, while keeping most of the base themes. A masterful achievement by John Powell and his crew, as others have said!Just finished watching the movie, and while it's not much more than fine, it's sure as hell better than every other Star Wars movie that's come out since The Force Awakens (minus the ugly fucking visuals). <br><br>However the score is absolutely amazing. Powell's adaptation and development of the new Han Solo theme from Williams is flawless, the callbacks to other themes from the series are mostly appropriate (and good on him for not using the Force theme once!) and Powell's original material is fresh and exciting in a way that even Williams himself hasn't been able to pull off with the new films. <br><br>Powell might very well be up there with the greatest film composers if he continues to produce work like this from now on (which from HTTYD 3 seems very possible!)Some of the synth work throughout is definitely like Spirit. The first couple minutes of Coda are one example.It's only suggestions based on about few dozen listened scores of those composers.<br>By the way known that HGW was part of it.
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Harry Gregson-WilliamsJustin BurnettLadd McIntoshMalcolm Luker
ComposerAdditional MusicOrchestratorMusic Scoring Mixer
The Equalizer
Label: Varese Sarabande
Length: 51'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5117 votes)
  1. Alone (4:08)
  2. Change Your World (4:07)
  3. McCall's Decision (4:08)
  4. On A Mission (3:51)
  5. Corrupt Cops (2:47)
  6. A Quiet Voice (3:37)
  7. It's All A Lie (10:35)
  8. Concerned Citizen (2:43)
  9. Make An Exception (5:08)
  10. Torturing Frank (3:43)
  11. The Equalizer (6:39)
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Anonymous reply Replies: 0 || 2018-11-21 18:35:35
Does anyone have any idea the name of the song for when you see Teddy’s tattoos? Specifically when he leans back at 48:34. I’ve tried finding it through the soundtrack, and the pieces on soundcloud. Can anyone help?

Bob reply Replies: 3 || 2018-07-01 07:39:07
Is Harry returning to part 2?


Lejti2018-07-01 11:47:16
obviously


gringo2018-07-01 14:51:57
yes, he confirmed it.


MrZimmerFan2018-07-01 16:39:52
And soundtrack confirmed, by Sony Classical

Jean-Luc reply Replies: 2 || 2018-04-22 07:31:47
I'm waiting for Harry's response for returning for the sequel or not? My opinion is, I think Harry seem like working with Denzel Washington often in the movies like Man Of Fire, Deja Vu, and The Taking Of Pelham 123 and Unstoppable, The Equalizer, I think Antoine Fuqua director should hire him back again, but I don't know if his schedule conflicts with busy working with MEG Score.


Edmund Meinerts2018-04-22 17:32:39
Pretty sure the reason HGW works with Washington so often is because Tony Scott worked with him so often... :p


Jean-Luc 2018-04-23 05:45:37
I'm agree that

Felix reply Replies: 2 || 2018-04-21 20:32:41
Hey Hybrid Soldier, is Harry returning for the Sequel??


...2018-04-22 08:03:44
I can confirm that he is working on it.


Hybrid Soldier2018-04-22 10:25:10
Yes it was announced a while back, Harry returns !

Poe reply Replies: 3 || 2015-03-22 06:18:42
Does anyone know a general chronological order to put this score in for a playlist? It seems most tracks are suites but listening to it it seems to be out of order. And where would the Justin Burnett soundcloud tracks go in the same playlist as well?


Poe2015-04-17 20:49:19
Can anyone help at all with this?


Anonymous2015-04-18 00:18:09
Here's the ''cue sheets''.

Equalizer Opening [1M1]
Alone At Home [1M2]
McCall Contemplates [1M3]
Doughnuts [1M8]
Alina & McCall [1M11]
Slavi Shows Up [1M12]
She's At ICU [1M13]
Hospital [2M14]
McCall's Decision [2M15]
Killing Slavi [2M19]
Teddy Arrives [2M21]
Yes I Understand [3M24]
Little John's [3M25]
McCall & Ralphie Talk [3M27]
Teddy's Tattoos [3M28]
Corrupt Cops [3M30]
Teddy Kills Mandy [3M32]
Baseball [3M33]
Homemart Robbery [3M33A]
Sledgehammer [4M34]
The Ring [4M34A]
It's All A Lie [4M35]
Is It Just You [4M36]
McCall Escapes [4M37A]
CCTV [4M37B]
The Country [4M38]
You Were Dead [4M38A]
Susan Returns [4M39]
Susan's Intel [4M40]
Go Be Him [4M41]
Torturing Frank [5M42]
For Permission [5M42A]
Meat Packing [5M43]
Taking Andre's Gun [5M44]
Do The Right Thing Frank [5M45]
Dinner With Teddy [5M47]
Tanker Blowup [5M49]
Empty Bus [6M50]
McCall In Action [6M51]
McCall Hiding [6M53]
Buck 90 My Ass [6M54]
Killing The Russians [7M55]
Alina Thanks Robert [7M57]


Poe2015-04-18 06:31:23
Thank you very much Anonymous. I do not suppose you know which cues made their way onto the score do you? For one example, Concerned Citizen is a title that does not appear in the cue sheets list you supplied so I am assuming that the score title is some kind of compilation of cues?

Picasso reply Replies: 1 || 2015-03-13 13:59:34
watched the movie yesterday, i loved it. BUT, the whole movie and the score to it, screamed so much "Man on Fire".

"A Quiet Voice" is almost the same as "You Betrayed Me" from Man on Fire. All the sound design and effects the same over and over again.

i enjoyed it, because i liked man on fire very much, but then again... doesn't this man have any other ideas? making millions to score for a hollywood movie and giving all the years the same thing?


Hybrid-Fan2015-03-13 15:58:20
yeah, same thoughts here. interesting also to hear AGAIN a track from zack hemsey. first the inception trailer, where he stole zimmer the attention, then the transformers fiasco and then again here a cue.

why don't they just hide zack? he would be a great part of the rcp.

JamesT reply Replies: 4 || 2015-01-19 17:00:12
So according to IMDB, Harry is no longer scoring Southpaw, it's now James Horner?!?

Hybrid?


Hybrid Soldier2015-01-19 17:04:32
It is James Horner.


JamesT2015-01-19 19:18:53
Do we know why it went to Horner? Harry said in Sept that we was just about to start working on it.


Prott2015-01-19 20:13:19
I hope it's not because he had to take an extra time to work on Blackhat. :-/


Edmund Meinerts2015-01-19 23:30:57
Horner seems like a really bizarre pick for Antoine Fuqua. To be honest I wouldn't be too surprised if he gets rejected yet again. Still, I hope he stays and I'm curious to see how it turns out - maybe an extension of the most MV/RC-sounding parts of Avatar, which would be awesome IMO!

Felix reply Replies: 0 || 2015-01-05 23:19:10
Hey Hybrid, did they release the Blckhat Score by Harry & Atticus?

Do you know anything about that? , so please let us know

Ds reply Replies: 0 || 2014-09-27 17:30:50
This is an example of how to use a score in a movie. Audible throughout, fitting the mood of each scene and the overal tone of the movie, it's a work perfectly done. I enjoyed the movie a lot, and the score was a big part of it!

JamesT reply Replies: 0 || 2014-09-23 20:50:37
Yes! Harry is back. Some great stuff on here! Love the Light It Up-esque theme.

Ds reply Replies: 2 || 2014-09-05 08:52:46
Sounds really good!

Btw, didn't know you were working on that one as programmer, Hybrid :p


Hybrid Soldier2014-09-05 10:13:59
If only !! ;)

Though I guess I would just use ton of electro samples from the 90s... lol


Going For Gold2014-09-12 00:10:14
Clips now on I Tunes...

Hybrid Soldier reply Replies: 0 || 2014-09-05 00:07:41
Added credits & audio... :)

Drunkenmunkey reply Replies: 0 || 2014-08-21 19:47:52
Hybrid,

Will you be adding Call of Duty: Advanced Warfare for Harry any time soon? The score has already been confirmed in the deluxe edition of the game.

Felix reply Replies: 1 || 2014-08-14 21:41:49
soundcloud . com/justin-caine-burnett/sets/equalizer-and-un-named-project



what is this?


Marc2014-08-20 00:54:31
Yes, what is this?

Hybrid Soldier reply Replies: 4 || 2014-08-01 18:36:54
New Harry ! :)


Brent2014-08-01 19:51:09
Yes, I've been waiting for him to come back!


Aytekin2014-08-02 15:24:54
Can't wait, and yeah love to see a huge back.


Manulder2014-08-04 11:38:18
Yes !! great news


JamesT2014-08-04 16:14:45
Yes!!!

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The Equalizer soundtrack - Harry Gregson-Williams 2014