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Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:<br><br>01 Dublin, 1996<br>02 <br>03 <br>04 <br>05 Second Warning<br>06 Research<br>07 Driving<br>08 The Beating<br>09 Traynor Lies<br>10 Never Show Your Fear<br>11 Preparations<br>12 The Killing<br>13 Bad News<br>14 The Funeral<br>15 One More Day<br><br>But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctlyif you read my first sentence you can see I dismisded this rumor as crap<br>..................<br><br>Fair enough....But look back on the comment itself. It's kinda confusing. The way you wrote it created the illusion that Lorne not only ghostwrote the score, but he also dismissed it as crap. You didn't say "I dismissed the rumor". You said: "...a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap." <br> <br><br>Anyway, moving on.....<br><br>Steve was interviewed a lot about The Last Knight and it's pretty obvious that he worked hard on that score. From the day they started shooting the movie. Was he supported by other composers? Absolutely. You can't score such a huge movie by yourself. Any composer who claims that is lying.<br><br>So there's nothing shocking or surprising about the fact that other composers were involved here. As for them being "Lorne's people"......well, considering how MV/RC-related composers work and how interconnected everything is, the "Lorne guys" could very well be friends with Steve too and perhaps he simply brought them on board. Or they were recommended by Lorne. It certainly doesn't mean that there was this top secret plan of them and Lorne actually ghostwriting the entire score. I still wonder tho......how do these rumors even come up? Who spreads them? And why? I ask because this is not the first time I've heard rumors about Zimmer scores and Jablonsky scores. It's always these two guys. Which happen to be two of the most prominent and popular MV/RC guys. Coincidence? Not to sound like a conspiracy nut, but it kinda makes me think that someone is intentionally trying to undermine the biggest MV/RC names by constantly throwing shade at their work."Deserving" is a word that doesn't exist in Hollywood, so stop thinking that way... lolThe problem I have with Junkie XL scoring Avatar is just that there are so many RCP composers better or more deserving. You have Zimmer, Powell, Gregson-Williams, Mancina, Jackman, Wallfisch...it is just so wrong to think Junkie XL is scoring Avatar and none of those guys are.I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.
@Edmund <br>I still stand by my opinion that Holkenborg scoring Avatar 2 could be pretty interesting. Pairing him up with a director who is known to be strict with his musical choices and continuing on from James Hornerís classic might produce something really good. And seeing his gradual progress as a composer with Mortal Engines and Alita have personally given me some hope (2 years ago I would have said hell no).<br><br>And Iím not surprised by the choice for T6. Not looking forward to this project at all but we did get a cool score from Balfe for the last one so maybe there is some hope for the music at least.I think Terminator is a decent match for JXL's talents (listen to "The March" from Divergent), but this feels like further evidence that James Cameron is grooming him for Avatar 2, which I really hope ends up not being the case.Yes, Tom will be scoring the new Terminator movieChill out Bayhem, if you read my first sentence you can see I dismisded this rumor as crap.<br>But seeing people from his team ivolved and considering the fast and furious situation, I canít help but wondering if thereís some truth to that rumor.<br>Now for a guy talking about haters, saying that Lorne scores 36million projects and B movies (forgetting mission impossible) I think youíre pushing it a bit.<br>Anyway no hate I donít care who wrote it Iím just curious about the behind the scenes stuff.You're reaching there a bit Bayhem, I see no one in this thread trying to undermine Steve's work or the score. Hell the first poster was just asking if Lorne worked on it and if so, to what extent. And the "rumor comment" is a logical extension of Lorne's whole regular team being credited on the score, therefore it is possible that he did additional work on it.
Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfeyou can absolutely hear the 13 hours temp track in Battlefield and We Have to GoNot to mention that Steve and Lorne structure their power anthems differently.<br>To me this score sounds like 100% Steve
I wouldn't say so, Lorne stacks his ostinatos and rhythms on top of each other (see Blackwood, Last Man on the Moon) and shotguns piano writing all over his scores in addition to using it for almost any kind of emotional scene (see Manny, Duck Shoot, Brothers Theme from Hurricane Heist)Well, if all we're using to distinguish Lorne is ostinatos and piano writing, then in that case, he's all over this film!The interesting thing is, that if Lorne did work on it, his work is indistinguishable from Steve's cause I hear none of his ostinatos or extensive piano writing.@Hybrid, a while ago I saw a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap.<br>But looking at the credits I see some people from his team have been involved( his assistant Queenie Li as music coordinator, and Max Aruj and Steffen Thum did arrangements..)<br>Do you know why and to which extent he was involved or why his team worked on the score?This little gem of a score is one of my favourites of Lorne's smaller projects.<br>Got a great main theme and varying instrumentations of it throughout, plus he's using a real orchestra which is always good. (Check out The Heist, very upbeat jazzy piece)
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Ramin DjawadiBrandon CampbellStephen ColemanGreg Vines
ComposerAdditional MusicOrchestratorMusic Editor
Dracula Untold
Label: Back Lot Music
Length: 60'06
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4467 votes)
  1. Prologue (2:26)
  2. Dracula Untold (2:13)
  3. Mirena (2:40)
  4. Sultan Mehmed (2:46)
  5. The Handover (2:27)
  6. Eternal Love (2:28)
  7. Janissary Attack (2:17)
  8. Broken Tooth (5:31)
  9. Hand O' Bats, Pt. 1 (2:43)
  10. Hand O' Bats, Pt. 2 (2:14)
    Ramin Djawadi, Brandon Campbell
  11. This Life And The Next (3:10)
  12. Son Of The Dragon (2:20)
  13. The Brood (2:20)
  14. Three Days (1:41)
  15. Son Of The Devil (4:26)
    Ramin Djawadi, Brandon Campbell
  16. Lord Impaler (3:45)
  17. Vlad Vs. 1000 (1:50)
  18. The Silver Tent (4:45)
    Ramin Djawadi, Brandon Campbell
  19. I Will Come Again (4:45)
  20. Epilogue (3:19)
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Frank reply Replies: 0 || 2015-08-19 03:12:59
According to Film Music Reporter, Ramin is gonna score another Legendary Pictures, Inc. blockbuster The Great Wall, which is directed by Chinese director Zhang Yimou (Hero, House of the Flying Dagger). Can you confirm this Hybrid?

Anonymous reply Replies: 6 || 2014-11-03 15:19:31
I don't get this either. The Warcraft universe always stood for amazing music. The "main theme suites" of every WOW expansions are masterpieces. They are sung by a real choir with a real symphonic orchestra. Also the thematic use is brilliant.

I like some of Ramin his scores but he will never top the existing catalogue of Warcraft material.


Hybrid Soldier2014-11-03 15:34:15
It's well known that Duncan Jones is the worst director ever, and completely stupid. He probably had no idea what he was doing !


Among the producers are Pacific Rim producers, just THINK twice...


Edmund Meinerts2014-11-03 21:00:36
Worst director ever? Source Code was fantastic! Liked the score too.


Hybrid Soldier2014-11-03 21:06:31
Irony Ed, irony...


Edmund Meinerts2014-11-03 21:35:44
Derrrrrrrrrrppp


RealFfingMusic2014-11-04 06:50:32
I still think they should've the game-scorers do the main theme, and let a film pro (like RD) take it from there.


Zimson2014-11-14 20:39:33
If Ramin won't use the new Draenor themes and the stormwind theme I'm out. :D (The use of the latter one is inevitable since I couldn't imagine they wouldn't show a longshot of stormwind)
However, I think it was a good decision to let a experienced blockbuster composer do the score. The cinematics are perfectly scored but scoring a 2 hour movie is a lot more difficult. I'm still hoping Hans will have a hand in it. :)

Macejko reply Replies: 5 || 2014-10-11 17:05:24
This is simply a brilliant score. Dark, epic and with distinctive themes. Furthermore, it has a truly unique style with it's use of ethnic instruments, like the dominant cimbalom (and I was pleased to hear Slovakian fuyara - also know as the shepherd's pipe - in the track "Broken Tooth"), and it captures the Transylvanian vibe perfectly. Ramin did it again. I love it.


Macejko2014-10-11 17:06:43
Oh, and guess who is scoring the upcoming "WARCRAFT" movie? ;)


Anonymous2014-10-11 18:54:50
Uhh no one cause it's not being made anymore LOL


Macejko2014-10-11 20:42:55
So I guess that movie coming up on March 11 2016, directed by Duncan Jones and produced by Legendary, currently in post-production, is just something they made up for shits and giggles :)


Frank2014-10-11 23:38:59
Ramin gonna compose for WARCRAFT!! The biggest score he has ever done?


Edmund Meinerts2014-11-03 10:13:50
I really wish they had let Russell Brower and his team score the Warcraft movie. They've come up with some fantastic stuff for the games. But I guess that was never going to happen... :b

badbu reply Replies: 0 || 2014-10-06 09:08:23
Nice Score!!!

Felix reply Replies: 0 || 2014-10-02 14:27:38
Yes, nice Tracklist

Macejko reply Replies: 0 || 2014-09-21 18:47:08
Worry not, gentlemen, here I am, psyched and excited for this sure-thing-masterpiece of a score!

Hybrid Soldier reply Replies: 4 || 2014-09-20 15:57:31
OST available in 3 weeks ! Can't wait ! :D


Ds2014-09-20 18:51:37
Macejko, is that you??


Hybrid Soldier2014-09-20 19:02:28
No but I'm scared I messaged him and he still hasn't showed up ! :/

I'm worried ! :/ :/


lol :)


Zimson2014-09-20 23:12:09
I really like these Gothic scores. Looking forward to this. I hope it's gonna be like Ars&#232;ne Lupin by Debbie Wiseman or the recent Maleficent.


Adam2014-09-20 23:47:00
The movie looks awful but Ramin Djawadi is always good!

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Dracula Untold soundtrack - Ramin Djawadi 2014