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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Henry JackmanMatthew MargesonChristopher WillisDominic Lewis
ComposerAdditional MusicAdditional MusicAdditional Music
X-Men - First Class (Complete Score)
Label: Unofficial Release
Length: 118'21
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3124 votes)
  1. 1944 (0:23)
    Michael Kamen, Henry Jackman
  2. Hot Chocolate (Part 1) (0:28)
    Henry Jackman
  3. Hot Chocolate (Part 2) (1:34)
    Henry Jackman
  4. Nazi Methods (1:18)
    Henry Jackman
  5. Main Title (1:47)
    Henry Jackman
  6. Swiss Search (1:03)
    Henry Jackman
  7. Would You Date Me? (2:23)
    Henry Jackman
  8. The Swiss Banker (1:48)
    Henry Jackman
  9. Non-CIA Issue (0:43)
    Henry Jackman, Noah Sorota
  10. Shaw Instinct (2:18)
    Henry Jackman, Christopher Willis
  11. Alterting Washington (1:35)
    Henry Jackman, Christopher Willis
  12. Argentinian Bar (3:15)
    Henry Jackman
  13. You Already Know The Answer (0:39)
    Henry Jackman
  14. Energized Shaw (Part 1) (1:11)
    Henry Jackman, Christopher Willis
  15. Energized Shaw (Part 2) (0:30)
    Henry Jackman, Christopher Willis
  16. How's That For A Magic Trick? (0:52)
    Henry Jackman
  17. Mutant Car Park (0:37)
    Henry Jackman
  18. Little Erik Lensherr (1:03)
    Henry Jackman
  19. Shaw Ship Redemption (3:17)
    Henry Jackman, Matthew Margeson
  20. Welcome To Division X (1:10)
    Henry Jackman
  21. You Can Show Off (1:19)
    Henry Jackman, Christopher Willis
  22. Shaw Helmet (Part 1) (1:09)
    Henry Jackman
  23. Shaw Helmet (Part 2) (0:39)
    Henry Jackman
  24. Take The Blood (1:20)
    Henry Jackman
  25. Stay Out Of My Head - Cerebro (3:57)
    Henry Jackman
  26. They're Recruiting (1:38)
    Henry Jackman
  27. Havoc Slices Statue (Part 1) (0:37)
    Henry Jackman, Noah Sorota
  28. Havoc Slices Statue (Part 2) (0:20)
    Henry Jackman
  29. Mobilize For Russia (Part 1) (0:41)
    Henry Jackman, Dominic Lewis
  30. Mobilize For Russia (Part 2) (1:19)
    Henry Jackman, Dominic Lewis
  31. Mobilize For Russia (Part 3) (1:16)
    Henry Jackman, Dominic Lewis
  32. Shaw Nuff (5:02)
    Henry Jackman, Christopher Willis
  33. Under Attack (3:30)
    Henry Jackman, Matthew Margeson
  34. Rise Up To Rule (3:33)
    Henry Jackman, Christopher Willis
  35. 525,600 Mutants (0:28)
    Henry Jackman
  36. One Week (4:07)
    Henry Jackman
  37. Training Montage (5:22)
    Henry Jackman
  38. Between Rage & Serenity (2:10)
    Henry Jackman
  39. Shaw Sub (0:58)
    Henry Jackman
  40. His & Hers Normal Juice (2:18)
    Henry Jackman, Dominic Lewis
  41. Be The Better Men (2:35)
    Henry Jackman, Christopher Willis
  42. The Real Raven (1:13)
    Henry Jackman, Christopher Willis
  43. Behold The Beast (1:54)
    Henry Jackman, Christopher Willis
  44. Two Tribes (2:24)
    Henry Jackman, Matthew Margeson
  45. The Blockade (2:26)
    Henry Jackman, Matthew Margeson
  46. X-Jet (2:24)
    Henry Jackman, Dominic Lewis
  47. Sub Lift (Part 1) (0:35)
    Henry Jackman
  48. Sub Lift (Part 2) (0:30)
    Henry Jackman
  49. Sub Lift (Part 3) (2:19)
    Henry Jackman
  50. Mutant-On-Mutant Action (6:11)
    Henry Jackman, Matthew Margeson
  51. Shaw Splitter (2:59)
    Henry Jackman, Christopher Willis
  52. Smoky Shaw (2:21)
    Henry Jackman, Christopher Willis
  53. Missile Launch (0:50)
    Henry Jackman, Matthew Margeson
  54. Just Following Orders (0:47)
    Henry Jackman, Christopher Willis
  55. Missile Rebound (1:06)
    Henry Jackman, Matthew Margeson
  56. Charles Shot (1:22)
    Henry Jackman
  57. Mutant & Pround (3:47)
    Henry Jackman
  58. You're X-Men (Part 1) (1:56)
    Henry Jackman
  59. You're X-Men (Part 2) (1:07)
    Henry Jackman
  60. I Prefer Magneto (Main On End) (1:53)
    Henry Jackman, Matthew Margeson
  61. First Class Suite (3:21)
    Henry Jackman
  62. X Theme (Original Demo) (2:22)
    Henry Jackman
  63. Non-CIA Issue (Alternate) (0:44)
    Henry Jackman, Noah Sorota
  64. Behold The Beast (Alternate) (1:56)
    Henry Jackman, Christopher Willis
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Edmund Meinerts reply Replies: 1 || 2014-11-26 09:16:05
Never noticed there was a page for this...but neither the track titles nor the times match up with mine at all! My version has some hugely lengthy cues towards the end...I assume they're edited together. That's gonna be a bit of a pain...


thejok3rrules2014-11-26 18:16:34
The version you have is the same as mine. It's the isolated scorre, while these are the sessions.

thejok3rrules reply Replies: 1 || 2014-11-26 08:03:30
First; I'm glad you did a page for that.

Second; The expanded score for X-Men: DOFP briefly came out, and it is sooo cool to hear Magneto's theme in it.


thejok3rrules2014-11-26 08:26:57
As written by Jackman, of course.

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X-Men - First Class (Complete Score) soundtrack - Henry Jackman 2011