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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Henry JackmanMatthew MargesonChristopher WillisDominic Lewis
ComposerAdditional MusicAdditional MusicAdditional Music
X-Men - First Class (Complete Score)
Label: Unofficial Release
Length: 118'21
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3302 votes)
  1. 1944 (0:23)
    Michael Kamen, Henry Jackman
  2. Hot Chocolate (Part 1) (0:28)
    Henry Jackman
  3. Hot Chocolate (Part 2) (1:34)
    Henry Jackman
  4. Nazi Methods (1:18)
    Henry Jackman
  5. Main Title (1:47)
    Henry Jackman
  6. Swiss Search (1:03)
    Henry Jackman
  7. Would You Date Me? (2:23)
    Henry Jackman
  8. The Swiss Banker (1:48)
    Henry Jackman
  9. Non-CIA Issue (0:43)
    Henry Jackman, Noah Sorota
  10. Shaw Instinct (2:18)
    Henry Jackman, Christopher Willis
  11. Alterting Washington (1:35)
    Henry Jackman, Christopher Willis
  12. Argentinian Bar (3:15)
    Henry Jackman
  13. You Already Know The Answer (0:39)
    Henry Jackman
  14. Energized Shaw (Part 1) (1:11)
    Henry Jackman, Christopher Willis
  15. Energized Shaw (Part 2) (0:30)
    Henry Jackman, Christopher Willis
  16. How's That For A Magic Trick? (0:52)
    Henry Jackman
  17. Mutant Car Park (0:37)
    Henry Jackman
  18. Little Erik Lensherr (1:03)
    Henry Jackman
  19. Shaw Ship Redemption (3:17)
    Henry Jackman, Matthew Margeson
  20. Welcome To Division X (1:10)
    Henry Jackman
  21. You Can Show Off (1:19)
    Henry Jackman, Christopher Willis
  22. Shaw Helmet (Part 1) (1:09)
    Henry Jackman
  23. Shaw Helmet (Part 2) (0:39)
    Henry Jackman
  24. Take The Blood (1:20)
    Henry Jackman
  25. Stay Out Of My Head - Cerebro (3:57)
    Henry Jackman
  26. They're Recruiting (1:38)
    Henry Jackman
  27. Havoc Slices Statue (Part 1) (0:37)
    Henry Jackman, Noah Sorota
  28. Havoc Slices Statue (Part 2) (0:20)
    Henry Jackman
  29. Mobilize For Russia (Part 1) (0:41)
    Henry Jackman, Dominic Lewis
  30. Mobilize For Russia (Part 2) (1:19)
    Henry Jackman, Dominic Lewis
  31. Mobilize For Russia (Part 3) (1:16)
    Henry Jackman, Dominic Lewis
  32. Shaw Nuff (5:02)
    Henry Jackman, Christopher Willis
  33. Under Attack (3:30)
    Henry Jackman, Matthew Margeson
  34. Rise Up To Rule (3:33)
    Henry Jackman, Christopher Willis
  35. 525,600 Mutants (0:28)
    Henry Jackman
  36. One Week (4:07)
    Henry Jackman
  37. Training Montage (5:22)
    Henry Jackman
  38. Between Rage & Serenity (2:10)
    Henry Jackman
  39. Shaw Sub (0:58)
    Henry Jackman
  40. His & Hers Normal Juice (2:18)
    Henry Jackman, Dominic Lewis
  41. Be The Better Men (2:35)
    Henry Jackman, Christopher Willis
  42. The Real Raven (1:13)
    Henry Jackman, Christopher Willis
  43. Behold The Beast (1:54)
    Henry Jackman, Christopher Willis
  44. Two Tribes (2:24)
    Henry Jackman, Matthew Margeson
  45. The Blockade (2:26)
    Henry Jackman, Matthew Margeson
  46. X-Jet (2:24)
    Henry Jackman, Dominic Lewis
  47. Sub Lift (Part 1) (0:35)
    Henry Jackman
  48. Sub Lift (Part 2) (0:30)
    Henry Jackman
  49. Sub Lift (Part 3) (2:19)
    Henry Jackman
  50. Mutant-On-Mutant Action (6:11)
    Henry Jackman, Matthew Margeson
  51. Shaw Splitter (2:59)
    Henry Jackman, Christopher Willis
  52. Smoky Shaw (2:21)
    Henry Jackman, Christopher Willis
  53. Missile Launch (0:50)
    Henry Jackman, Matthew Margeson
  54. Just Following Orders (0:47)
    Henry Jackman, Christopher Willis
  55. Missile Rebound (1:06)
    Henry Jackman, Matthew Margeson
  56. Charles Shot (1:22)
    Henry Jackman
  57. Mutant & Pround (3:47)
    Henry Jackman
  58. You're X-Men (Part 1) (1:56)
    Henry Jackman
  59. You're X-Men (Part 2) (1:07)
    Henry Jackman
  60. I Prefer Magneto (Main On End) (1:53)
    Henry Jackman, Matthew Margeson
  61. First Class Suite (3:21)
    Henry Jackman
  62. X Theme (Original Demo) (2:22)
    Henry Jackman
  63. Non-CIA Issue (Alternate) (0:44)
    Henry Jackman, Noah Sorota
  64. Behold The Beast (Alternate) (1:56)
    Henry Jackman, Christopher Willis
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Edmund Meinerts reply Replies: 1 || 2014-11-26 09:16:05
Never noticed there was a page for this...but neither the track titles nor the times match up with mine at all! My version has some hugely lengthy cues towards the end...I assume they're edited together. That's gonna be a bit of a pain...


thejok3rrules2014-11-26 18:16:34
The version you have is the same as mine. It's the isolated scorre, while these are the sessions.

thejok3rrules reply Replies: 1 || 2014-11-26 08:03:30
First; I'm glad you did a page for that.

Second; The expanded score for X-Men: DOFP briefly came out, and it is sooo cool to hear Magneto's theme in it.


thejok3rrules2014-11-26 08:26:57
As written by Jackman, of course.

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X-Men - First Class (Complete Score) soundtrack - Henry Jackman 2011