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Just realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)mpolonest123, have you seen the trailer for Widows? Zimmer created the music for that trailer and I assume it came from the movie. If that is the case, it will sound nothing like TTRL.M:I2 is a blast to listen to. I just have a hard time imagine it to be a MI score. But it is one of the most fun scores from Zimmer.And as far Zimmer scores that I don’t like for the most part, there is a small handful (Madagascar, MI2, etc.)
That’s completely fair, and I honestly couldn’t defend this score and be genuine about it. I think it does help that I love this movie (despite being hard to watch) and have come to associate the music with it so much. Still, I can’t lie that I find portions of it to be incredibly effective, even when the music does become solely ambient. In terms of listenability/originality the best cue is, ironically, the 24-second “Washington” cue.<br><br>I would kill to know what Zimmer personally thinks of this score. I’m sure he had a great working relationship with Steve, hence him working on “Windows”, but I’m sure the temptrack must have been murder on his creativity...This is my least favorite Zimmer score, actually. Or else the one that I feel has the least going for it; I guess it doesn't make me mad like On Stranger Tides, but at the same time it lacks anything even remotely compelling. "Boat Trip to New Orleans" is the only halfway interesting cue and even then I don't really like to listen to it much. The experimental parts aren't interesting experiments (ooh...clapping...wow), and the Journey to the Line stuff is just tired and bland (on top of being super derivative). I get that it works in the movie or whatever but if I had a gun to my head with orders to delete one Hans score from my library and never listen to it again, I'm pretty sure this would be the one I'd go for.Even 5 years later, I’m still not sure how I feel about this score. <br><br>On one hand, the music complements the film extremely well. “Boat Trip to New Orleans” and “Soap” are both incredible in context, and even some of the more ambient cues are pretty effective. Alongside Interstellar probably Hans’ most minimilastic score, something which actually suits him well.<br><br>On the other hand, the Time/Journey to the Line temp is extremely blatant, and it definitely doesn’t help that 60% of the music used in film is basically a variation on that one idea (and some cues are purely sound effects). I still admire the score though, regardless of the familiarity issues.<br><br>With Windows coming out I’m very curious to see what approach will be. Personally, I like seeing Zimmer tackle a project with minimalism. Hopefully McQueen (who is a very talented director) doesn’t box Hans in with another TTRL temp... or any temp for that matter.Are you going to visit Russia?!) We are waiting for very much!)He posted it before this site added the tracklist.
Did you just copied and paste the tracklist above? lmaoThe reprise of "Batman on Fire" from Begins (1:59-2:30 in the Transfiguration suite) is good stuff! I wonder why Hans decided to reuse that particular idea.When are we going to see you in Chicago?Indeed, this score reminds me — in a good way — of The Rock.Track 11, Onwards, here is my most favorite cue from the CoH franchise. It has that old school "power anthem" thing going on about it with full force. I truly wish this style is brought back to life again soon.
Are there any more tour dates planned?Lord of the Rings - Shore<br>Battlestar Galactica - McCreary<br><br>Both are up there as my two favorite collection of works. GOT doesn't even compare to BSG. <br><br>For solo albums, my candidates are:<br><br>Titanic<br>The Lion King<br>Interstellar<br>Memoirs of a Geisha<br>Jurassic Park<br><br><br> <br><br>@superultramega<br>Honestly I feel like most of the issues with AUJ (and the other two hobbit films) were stemming from Peter Jackson editing the hell out of the music after the fact. It could be why they ended up dumping some themes in the following films.<br><br>Still, I don’t understand some of the criticism that the Hobbit trilogy scores received. DoS has some of the best action material imo, and the interpolations of Smaug’s theme(s) throughout the films are personally some of my favorite music from any LoTR project.<br><br>And this might be controversial, but I would put PoTC (the first three at least) on the level of Lord of the Rings in terms of the sheer amount of themes and development they receive. Maybe not quite as complex but they shouldn’t be overlooked.The Lion King and The Last Samurai are good choices, but I'm not as much of a fan as Zimmer's aesthetic or thematic work nearly as much as Howard Shore, or even Jablonskly at times. Game of Thrones I still can't comment on as I've never watched the show, or payed attention to Djawadi in general.<br><br>I would say Shore's heart wasn't in Desolation and Five Armies, but to say that about Unexpected Journey doesn't really feel right to me. Even themes like Gondor Restored and Nazgul's uses have some logic to them. <br><br>Gondor Restored was also used when the Ring is destroyed, meaning it also has a secondary meaning of victory against evil, (yes I know it affected Gondor too, but Gondor it isn't as direct). Which also applies in The Hobbit, as Bilbo saving Thorin was not only important for their relationship but also the future of Middle Earth as Thorin is vital to the battle against the orcs in Five Armies. <br><br>The Nazgul theme also makes sense as its first appearance is in Fellowship's opening, playing over Sauron's army of orcs, then Sauron himself. So it's linked both to Sauron himself and his servants, which includes Azog. Plus the version that plays in the film is the exact same variant (and lyrics) that plays in the Fellowship prologue. It serves almost as a precursor to the Nazgul. Plus I don't see why themes can't have several meanings anyway.  <br><br>Plus I love most of the new themes of AUJ (before they were abandoned in later films).Not really a fair comparison, Hybrid, since videogames as a medium are much younger than films, and their scores weren't using real orchestras right until... mid 90's, would be my guess (feel free to correct me, guys).<br><br>The all time best film score for me would be a battle between The Last Samurai and Lion King. If "movie" includes TV shows, then it's Game of Thrones without a doubt, but I'm not gonna have this argument again ;)<br><br>Btw. I wouldn't mention Hobbit in the same sentence with LotR, even music-wise. A couple of great cues cannot hide the fact that Shore's heart wasn't in it.
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Henry JackmanMatthew MargesonChristopher WillisDominic Lewis
ComposerAdditional MusicAdditional MusicAdditional Music
X-Men - First Class (Complete Score)
Label: Unofficial Release
Length: 118'21
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2892 votes)
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  1. 1944 (0:23)
    Michael Kamen, Henry Jackman
  2. Hot Chocolate (Part 1) (0:28)
    Henry Jackman
  3. Hot Chocolate (Part 2) (1:34)
    Henry Jackman
  4. Nazi Methods (1:18)
    Henry Jackman
  5. Main Title (1:47)
    Henry Jackman
  6. Swiss Search (1:03)
    Henry Jackman
  7. Would You Date Me? (2:23)
    Henry Jackman
  8. The Swiss Banker (1:48)
    Henry Jackman
  9. Non-CIA Issue (0:43)
    Henry Jackman, Noah Sorota
  10. Shaw Instinct (2:18)
    Henry Jackman, Christopher Willis
  11. Alterting Washington (1:35)
    Henry Jackman, Christopher Willis
  12. Argentinian Bar (3:15)
    Henry Jackman
  13. You Already Know The Answer (0:39)
    Henry Jackman
  14. Energized Shaw (Part 1) (1:11)
    Henry Jackman, Christopher Willis
  15. Energized Shaw (Part 2) (0:30)
    Henry Jackman, Christopher Willis
  16. How's That For A Magic Trick? (0:52)
    Henry Jackman
  17. Mutant Car Park (0:37)
    Henry Jackman
  18. Little Erik Lensherr (1:03)
    Henry Jackman
  19. Shaw Ship Redemption (3:17)
    Henry Jackman, Matthew Margeson
  20. Welcome To Division X (1:10)
    Henry Jackman
  21. You Can Show Off (1:19)
    Henry Jackman, Christopher Willis
  22. Shaw Helmet (Part 1) (1:09)
    Henry Jackman
  23. Shaw Helmet (Part 2) (0:39)
    Henry Jackman
  24. Take The Blood (1:20)
    Henry Jackman
  25. Stay Out Of My Head - Cerebro (3:57)
    Henry Jackman
  26. They're Recruiting (1:38)
    Henry Jackman
  27. Havoc Slices Statue (Part 1) (0:37)
    Henry Jackman, Noah Sorota
  28. Havoc Slices Statue (Part 2) (0:20)
    Henry Jackman
  29. Mobilize For Russia (Part 1) (0:41)
    Henry Jackman, Dominic Lewis
  30. Mobilize For Russia (Part 2) (1:19)
    Henry Jackman, Dominic Lewis
  31. Mobilize For Russia (Part 3) (1:16)
    Henry Jackman, Dominic Lewis
  32. Shaw Nuff (5:02)
    Henry Jackman, Christopher Willis
  33. Under Attack (3:30)
    Henry Jackman, Matthew Margeson
  34. Rise Up To Rule (3:33)
    Henry Jackman, Christopher Willis
  35. 525,600 Mutants (0:28)
    Henry Jackman
  36. One Week (4:07)
    Henry Jackman
  37. Training Montage (5:22)
    Henry Jackman
  38. Between Rage & Serenity (2:10)
    Henry Jackman
  39. Shaw Sub (0:58)
    Henry Jackman
  40. His & Hers Normal Juice (2:18)
    Henry Jackman, Dominic Lewis
  41. Be The Better Men (2:35)
    Henry Jackman, Christopher Willis
  42. The Real Raven (1:13)
    Henry Jackman, Christopher Willis
  43. Behold The Beast (1:54)
    Henry Jackman, Christopher Willis
  44. Two Tribes (2:24)
    Henry Jackman, Matthew Margeson
  45. The Blockade (2:26)
    Henry Jackman, Matthew Margeson
  46. X-Jet (2:24)
    Henry Jackman, Dominic Lewis
  47. Sub Lift (Part 1) (0:35)
    Henry Jackman
  48. Sub Lift (Part 2) (0:30)
    Henry Jackman
  49. Sub Lift (Part 3) (2:19)
    Henry Jackman
  50. Mutant-On-Mutant Action (6:11)
    Henry Jackman, Matthew Margeson
  51. Shaw Splitter (2:59)
    Henry Jackman, Christopher Willis
  52. Smoky Shaw (2:21)
    Henry Jackman, Christopher Willis
  53. Missile Launch (0:50)
    Henry Jackman, Matthew Margeson
  54. Just Following Orders (0:47)
    Henry Jackman, Christopher Willis
  55. Missile Rebound (1:06)
    Henry Jackman, Matthew Margeson
  56. Charles Shot (1:22)
    Henry Jackman
  57. Mutant & Pround (3:47)
    Henry Jackman
  58. You're X-Men (Part 1) (1:56)
    Henry Jackman
  59. You're X-Men (Part 2) (1:07)
    Henry Jackman
  60. I Prefer Magneto (Main On End) (1:53)
    Henry Jackman, Matthew Margeson
  61. First Class Suite (3:21)
    Henry Jackman
  62. X Theme (Original Demo) (2:22)
    Henry Jackman
  63. Non-CIA Issue (Alternate) (0:44)
    Henry Jackman, Noah Sorota
  64. Behold The Beast (Alternate) (1:56)
    Henry Jackman, Christopher Willis
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Edmund Meinerts reply Replies: 1 || 2014-11-26 09:16:05
Never noticed there was a page for this...but neither the track titles nor the times match up with mine at all! My version has some hugely lengthy cues towards the end...I assume they're edited together. That's gonna be a bit of a pain...


thejok3rrules2014-11-26 18:16:34
The version you have is the same as mine. It's the isolated scorre, while these are the sessions.

thejok3rrules reply Replies: 1 || 2014-11-26 08:03:30
First; I'm glad you did a page for that.

Second; The expanded score for X-Men: DOFP briefly came out, and it is sooo cool to hear Magneto's theme in it.


thejok3rrules2014-11-26 08:26:57
As written by Jackman, of course.

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X-Men - First Class (Complete Score) soundtrack - Henry Jackman 2011