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It's not in the OST release... :/Do anyone know what was that soundtrack that plays at opening scene? There where The Flying Dutchman rises from the sea, adn will and Henry have a little discourse. I think it`s some variation of "one day".I love this musicStill doesn't beat Lego Batman for best soundtrack this year. But a close secondI saw the movie tonight and I think that the music is great on the album, but in the movie it's fantastic. It gives something special and something extra to a lot of scenes. I think Zanelli did a great job on the score, with the use if new and old themes.
"This is the best score of the franchise since At World's End."<br><br>Watch out you don't trip over that low bar. ;)Maybe because it is IDENTICAL the another theme of the same series?I haven't seen the movie yet, but I will soon, but I've heard the soundtrack and I have only one thing to say. This is the best score of the franchise since At World's End. I had tears in my eyes every time an old theme played. I liked the score for On Stranger Tides, but I didn't like how it relied too much on older themes. I appreciate this score for not using the Ship battle theme and the rolling cage chase motif which I'm kinda tired of hearing them. I love the clever use of One Day as a theme for Henry Turner. Of course, everytime Jack's Themes (both the intro theme, the cello theme, and his DMC theme) and He's A Pirate show up, I can't help but smile and jump up and down. What about the new stuff? A lot of people have criticized Salazar's Theme for sounding like Blackbeard. It does don't get me wrong, but Zanelli isn't the first person to do this. The Winter Soldier is derived from Why So Serious. Optimus Prime's theme is IDENTICAL to the Knights March from King Arthur. Discombobulate from Sherlock Holmes, Absurdity from The Lone Ranger, and The Red Capes Are Coming from Batman v. Superman ALL SOUND THE SAME. They're awesome, but similar. Why is it so bad now? I like the rock elements in Salazar's theme and it makes it quite scary. Carina's Theme (The Brightest Star in the North) is also the main theme of the movie and it is perfect beyond belief. Her theme very much resembles past love themes, but it has a sense of herorism to it. I always gravitate to composer's themes for female characters (John Williams with my girls from Star Wars). The new adventure theme is epic! It does sound like He's A Pirate, but it is very catchy. I don't know what the score sounds like in the movie, but it sounds really good on the official soundtrack. To end this, all the action music is incredibly fun. Hans should be proud. Here are my top  5 favorite tracks:<br><br>1. Beyond My Beloved Horizon<br>2. The Brightest Star in the North<br>3. No Woman Has Ever Handled My Herschel<br>4. My Name is Barbossa<br>5. The Dying GullThe orchestrators are the same.<br><br>You really think the other composers aren't busy enough these days ? It was 10 YEARS ago ! lol*necessary (sorry about my english)
This composing lacks on every important aspect that make a film music score so nessesary to the movie itself. This music has no evolution, has no entity or identity.<br><br>You only know that you are listening the "WONDER WOMAN" ost when you listen the references to the now mythical (Zimmer) theme from Batman v Superman. And when this theme sounds in this composing it feels totaly out of place, really a shame.<br><br>Beyond, this music could easily work with another summer blockbuster like Transformers, Pirates of the Caribbean or a generic action flick.<br>For years Iíve been defending "DC" music works against the  Marvelís (MCU) soul-less soundtracks. And now after three awesome ost (DCEU) I have to eat my words.<br>Is not necessary to talk about how great are Man of Steel, Batman v Superman and Suicide Squad (ok, this last less, but with a epic main theme). You only need to listen Rupert Gregson-Williams Wonder Woman, and then play one of this three compositions.<br><br>But the most disappointing thing, is the great missed oportunity with the Wonder Woman Theme last year. That exotic tone, that woman strengh that you feel when you are listen this epic theme. Here all this feelings are lost. At the end, another Zimmer-Like Šlbum. <br>But like always in the "Zimmer-Like" longtime Šlbum library, not that height, not that quality, because if Wonder Womanís score remebers us something, is one and clear truth: Only Exists One Hans Zimmer.<br>What I don't understand is why couldn't they at least aim for the best soundscape this franchise have had by bringing the rest of the team from AWE of composers, arrangers and orchestrators back. If we look at AWE, apart from Zimmer, there was Zanelli, Jackman, Glennie-Smith, Balfe, ÷rvarsson, Gire and Sponsler on board. If they could choose one lead composer in Zimmer's absence, then whatever some dude wrote would at least sound interesting because of the colorful instrumentation and big, fresh orchestral sound AWE had. Or maybe, just rearrange old themes from the other movies in true AWE style would work just as well. There's plenty of material from POTC 1 that hasn't been used in the other films, and much of it would shine if orchestrated and performed in AWE's sonic fashion rather than the cheap sound the first film had.Fantastic album, particularly HGW's Metal Gear Solid and HZ's Call of Duty! Highly recommendedZanelli made a wonderful job with Zimmer's themes.<br>The new themes are great too, but he really did Zimmer's themes justice. I like the continuity.<br>Track 9.El Matador Del Mar, my favorite on the album.Maybe it's the end credits after the song
I also love the appearence of the theme in the end of Trafalgar Celebartion. Does anybody know what Action Reaction exactly is? It sounds a bit like a remix from the main theme but it could also be a part of the movie soundtrack. i don't know but it sounds cool.After listening to it the first time I thought this was a very good Zimmer score, but suddenly realized it was Rupert Gregson-Williams and that's a very good thing because he has been able to bring this Zimmer classic sound but with his own voice, as they said above here, with Last Samurai-like anthems and also remind me a bit of the second half of Hacksaw Ridge score, and that's great.<br>I specially liked No Man's Land, Wrath of Wonder Woman, Hell Hath No Fury and Lightning Strikes (well, in general, the second half is pretty awesome with many action heroic themes).<br>Cannot wait to hear it in the context of the movie.Love Maestro in The Holiday! The music keeps bringing me back to the movie. Something delightful about it!This is "One day" theme of the third soundtrack xDListen to 12:38 above and then also Main Title or Top of the World from Last of the Mohicans. Trevor Jones should have a listen.
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Hans ZimmerAndrew KawczynskiSteve MazzaroChris Craker
ComposerAdditional ArrangementsAdditional ArrangementsMusic Producer
Interstellar (Complete Score)
Label: Unofficial Release
Length: 193'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (6701 votes)
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  1. Dreaming Of The Crash (3:35)
  2. Chasing Drone (2:08)
  3. Flying Drone (1:52)
  4. Combines Went Haywire (1:54)
  5. Dust Storm (1:14)
  6. Decoding The Message (5:41)
  7. Who's They? (7:18)
  8. Stay (5:33)
  9. Docking (1:29)
  10. Entering Endurance (2:40)
  11. Rage Against The Dying Of The Light (0:56)
  12. Down For The Long Nap (0:56)
  13. Message From Home (1:41)
  14. Through The Wormhole (1:31)
  15. We're Here (0:43)
  16. Atmospheric Entry (2:45)
  17. They're Not Mountains (3:39)
  18. Years Of Messages (5:26)
  19. Afraid Of Time (2:33)
  20. Murph Comes Home (1:45)
  21. No Need To Come Back (4:34)
  22. Our World (3:54)
  23. We Are The Future (3:27)
  24. We're Running Out Of Time (1:57)
  25. I'm Going Home (5:49)
  26. Coward (8:27)
  27. Imperfect Contact (6:55)
  28. No Time For Caution (4:06)
  29. Detach (6:42)
  30. Eject (2:13)
  31. Landing In Tesseract (4:42)
  32. S.T.A.Y. (6:22)
  33. Quantifiable Connection (3:31)
  34. What Happens Now? (2:05)
  35. Where We're Going (7:36)
  36. End Credits (4:59)
  37. Day One Suite (3:22)
  38. Murph Suite (11:21)
  39. Tick-Tock Suite (8:19)
  40. Stay Suite (6:52)
  41. Day One Dark Suite (6:38)
  42. Organ Variation Suite (4:52)
  43. Day One (Original Demo) (3:49)
  44. Do Not Go Gentle Into That Good Night (Poem) (1:39)
  45. Chasing Drone (Alternate) (2:07)
  46. Decoding The Message (Alternate) (5:42)
  47. No Time For Caution (Alternate) (4:06)
  48. First Step (Teaser Music) (1:48)
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Stellar reply Replies: 0 || 2016-01-10 23:53:46
out of random curiosity are there credits for what scenes andrew k and steve m did arranging on ?

isildur reply Replies: 4 || 2015-09-14 21:06:35
Hey Hybrid, is Hans going to score the next with Nolan which is going to release in 2017?


Ds2015-09-14 21:25:36
Of course he will, why are you even asking? Hans and Chris are fond of each other, and Hans has proven countless times he was able to adapt to any genre, so there is no way Nolan is going to pick up another guy...


Edmund Meinerts2015-09-14 23:39:47
He did go back to David Julyan for The Prestige after collaborating with Hans on Batman Begins...but otherwise, yeah, I think a Nolan film is as safe a bet for a Hans score as anything.


Ds2015-09-14 23:51:57
I dont think they had the same relation before. BB was their very first collaboration, it became much more special after TDK and Inception especially. Now I dont think Nolan would even think of doing a movie without Hans :-p


Mike2015-09-15 15:34:19
Especially after Interstellar, which was lauded by the general public/was made a big deal of by everyone/got a live performance with Hans and Chris in attendance. :P Whether or not the Interstellar score might be a tad overrated (I thought it was excellent myself), it's no doubt further solidified for Chris that Hans is an essential component of his movies.

Adiel reply Replies: 1 || 2015-08-18 00:20:40
I can't see any option to download or buy this soundtrack here, there is only one music "coward" that is playable here, can any one please tell me how to get this complete album?


GR72015-08-18 11:18:46
This is not a commercial website here.
Try Amazon or iTunes I think

Hybrid Soldier reply Replies: 15 || 2015-03-15 10:18:29
The final cuesheet from ASCAP :

DREAMING OF THE CRASH
CHASING DRONE
FLYING DRONE
COMBINES WENT HAYWIRE
DUST STORM
DECODING THE MESSAGE
WHOíS THEY?
STAY
DOCKING
ENTERING ENDURANCE
RAGE AGAINST THE DYING OF THE LIGHT
DOWN FOR THE LONG NAP
MESSAGE FROM HOME
THROUGH THE WORMHOLE
FIRST HANDSHAKE
WHEíRE WERE
ATMOSPHERIC ENTRY
THEYíRE NOT MOUNTAINS
YEARS OF MESSAGE
AFRAID OF TIME
MURPH COMES HOME
NO NEED TO COME BACK
OUR WORLD
WE ARE THE FUTURE
WEíRE RUNNING OUT OF TIME
IíM GOING HOME PT 1
IíM GOING HOME PT 2
COWARD
IMPERFECT CONTACT
NO TIME FOR CAUTION
DETACH
EJECT
LANDING IN TESSERACT
S.T.A.T.Y. PT. 1
S.T.A.T.Y. PT. 2
QUANTIFIABLE CONNECTION
WHAT HAPPENS NOW?
WHERE WEíRE GOING
END CREDIT 1 DAY ONE V10.03
END CREDIT 2 DAY ONE V7.09
END CREDIT 3 8M32


Murphy's Law2015-03-15 15:10:00
Ok why are there 2 parts of "I'm Going Home"? Is it split in half, like 5m23a and 5m23b?

And shouldn't it be "S.T.A.Y.", not "S.T.A.T.Y."?

Other than that, looks like everything on the FYC is here making it pretty complete


mpolonest1232015-03-15 15:37:47
Funny, I don't remember any music playing during the "First Handshake" scene. I wonder what that is?


Hybrid Soldier2015-03-15 15:47:26
Yeah the guys that type that are pretty bad usually...


First Handshake, yeah it's either sound design or an unused cue...


Murphy's Law2015-03-15 16:39:52
After I downloaded the Blu-ray last night I watched the "first handshake" scene and I kinda heard what sounded like the "Down for the Long Nap" cue. But it was through my laptop. I'll be paying extra close attention when I watch it through my stereo and HDTV today.

"End Credit 3" is labeled as 8m32. But 8m32 is really "What Happens Now?". Is it labeled like that because it's the same theme? Cause if not that makes 8m33 Where We're Going and 8m34 End Credits the end credits parts 4 and 5. Am I right?


Hybrid Soldier2015-03-15 17:18:03
Like slates have any importance ? lol


Murphy's Law2015-03-15 17:21:39
If slates didn't have importance then they wouldn't be used :P


Hybrid Soldier2015-03-15 19:08:10
I mean for YOU... For the composer, the music editor, okay... But for the rest ? lol


Murphy's Law2015-03-15 22:18:15
I know, I was only kidding ;)

I found all of the cues on ASCAP same as you did, and even that BMI site. They're pretty cool places if you want credits, I should do this for all scores. Anyway, I found the entire cue list and HZ is not alone. There's Alex Gibson and Ryan Rubin. The 3 of them all credited for every single cue on both sites. Is that correct?


Mike2015-03-15 22:49:27
Well those two were the editors who tailored Hans' cues to picture, right? I think it's been stated already that Hans wasn't *watching* the movie while writing the score, so I guess to some extent his music would have had to be edited to make it "synchronous" with the onscreen material (but then, that makes me wonder..... how were cues like Cornfield Chase written, which match up with the image pretty precisely?).


Murphy's Law2015-03-15 22:55:25
Hmmm......


Hybrid Soldier2015-03-15 23:21:00
The music editors are usually credited & get royalties on HZ scores (Interstellar, Rush, How Do You Know, TASM2, TDK, Bat Begins & more)...

They hard work on many films, even if they don't write music. It's some kind of reward for them... Not everyone would do that...


Murphy's Law2015-03-16 00:05:42
Is that why (HZ & JNH aside) Alex Gibson, Mel Wesson, Henry Jackman (although I know he did stuff towards the end like "Ferries"), and Lorne Balfe are credited with the entire Dark Knight score?


Mike2015-05-05 22:36:51
If a certain uploader's YouTube channel/Interstellar works are correct, the tracklist here is actually right, and there is indeed brief music during the First Handshake scene (sounds like the first part of "Our World").


Murphy's Law2015-05-06 05:20:37
It's definitely there. After hearing the version that was ripped from the Blu-ray and then watching the film it's in there. And yes it's basically a short version of "Down for the Long Nap" or even "Our World"


Boldizar2015-05-06 20:35:57
Does the bluray have the score isolated on its own track?

HZfan reply Replies: 10 || 2015-03-11 12:32:15
So, I know this is being discussed (read: disgust) to death, but is there any word on the complete COMPLETE score (the one above with 48 tracks) ever being released?

I've got the projection edition, which came with the 24 track digital deluxe edition, and the vinyl edition is on it's way. I've also hunted for the missing tracks like "Day One Dark" and "Quantifiable Connection (fixed)" and "No Time for Caution" (which frustratingly wasn't on the Illuminated Projection Set.

Am I missing anything else? I haven't even listened to anything proper yet because my only goal was to obtain every track Hans made for this film.


Boldizar2015-03-11 14:17:45
The listing above is almost entirely the FYC score, with the missing tracks/bonuses tagged onto the end.

Unless Hybrid is hiding something, this list is a hybrid of the various releases.


Boldizar2015-03-11 15:54:00
I should add certain tracks on here are not available on any (known) release. These include End Credits, Day One Dark, and the Stay Suite.

I am not sure what 46/47 are or the Day One Suite. I use Randal's (yourfavoritemusic)Quantifiable Connection, No Time For Caution (dubbed Endurance Mix, and IMAX end credits for my playlist.


Medigo2015-03-11 17:42:22
The Stay Suite is just 'Stay' from the original album
'Stay' in this list is the FYC version which is the movie version

45/46 are also the album versions of those tracks instead of the correct FYC versions


Boldizar2015-03-11 19:12:38
@Medigo: Ahh thanks. I thought so but wasn't sure. To me the whole FYC sounds like an alternate mix, aside from the obvious audio resolution issues. That would mean all of the album mixes are alternates or vice versa. Do you know why these tracks specifically were duplicated on this list as opposed to others?

In reality, shouldn't this page define the album as an FYC and eliminate all tracks except the 33 that come on it? This "complete" version doesn't really exist, as opposed to other completes (Dark Knight Trilogy, Inception, etc...) that do. It seems misleading, in regards to confusion, as it is now.

@HZfan, the official, poorly mastered version of No Time For Caution is the last track on disc 2 of the ISP edition.


HZfan2015-03-12 11:05:08
@Boldizar The last track on the Illuminated Star Projection Set is No Time For Caution? Disc 2, Track 12 of the ISP set is "Do Not Go Gentle Into That Good Night". I'm looking at the back of the actual box set right now.

I see no track called "No Time For Caution" on the ISP.


Boldizar2015-03-12 11:36:00
@HZfan: It is not listed on the back of the case. They just tagged it onto the end. However, are you in the US? If not it is possible they did not include it in other regions. That doesn't make sense but who knows.


HZfan2015-03-12 17:02:03
@Boldizar That would be adding more confusion if that's true. Yes, I'm in the US. It's not listed on the box, and I haven't opened it yet and actually listened so I can't confirm what you're saying. I know the UK got the ISP later, but I'd be shocked if it had that track and the US version didn't. This whole situation is a mess. I mean, I appreciate this music so much (this music meaning soundtracks in general) and I literally can't even pay them to just release the complete recordings of my favorite composers! I mean, I just want every song these guys created and I'll pay for it! Instead they do these single disc CDs leaving out tons of tracks and worse, creating suites or different than the movie. Only thing I'm happy with is a very rare thing in the industry where The Lord of the Rings The Complete Recordings were created. I'm very proud to have them. Why can't they do that with any and every soundtrack?? So frustrating. Hilarious they don't want money.


Boldizar2015-03-12 18:41:14
@HZF Yes I have the LOTR sets too. They are excellent.

If you live here then it definitely has NTFC as the last track on the second disc (as it should in all regions barring the possibility I mentioned). It indicates nowhere that it is on the CD you just have to play it lol

Hopefully in 10 years LaLaLand/Intrada or their future equivalents release this and other Zimmer scores properly.


HZfan2015-03-13 16:09:15
@Boldizar Well, I'll take your word for it that it's at the end of the actual CD, disc 2. Why it's printed wrong on the back of the box set is unfortunate. I'm just glad it's on there. Not that I didn't already download it from other sources, and I got the digital version of it when I bought the box set. I wanted it on CD, so I'm glad it's there.


Boldizar2015-03-13 21:30:47
I think because it was more of a last minute thing. They may have even repressed the discs after the fact to add the track, but did not redo the track listings as it would be more wasted resources.

Do not get too excited, this version is pretty bad. Not because it doesn't sound like the film but because it isn't leveled or mastered to match the rest of the soundtrack. It was an after thought all the way through.

keys39 reply Replies: 3 || 2015-02-23 14:56:04
How can I listen full Score? Only "2014 Interstellar - Coward" is available


SuffZ_ru2015-02-23 17:14:09
I dont understand it too) I have only text with names of tracks and its length



Mike2015-03-08 16:39:12
If you want to listen to the whole score, you'll need to find another site. The tracks you can listen to here are just to highlight a given composer's work on a score.


NM2015-03-08 19:10:06
You could even buy it, though I know that's a crazy idea to many people these days.

&#12615;&#12615; reply Replies: 1 || 2015-01-24 12:49:22
When does this album release?

I've got almost dying

And What's the format? CD? FLAC(Digital DL)?


Mike2015-01-24 16:02:57
This is not a commercially available album. If you look, it says, "Unofficial release".

Mikkel reply Replies: 6 || 2015-01-20 12:10:14
Hybrid?!
What for a Cubase VST Piano Plugin used hans? :)


bro2015-01-20 18:07:27
There's no plugin available that he used because he uses his own sample library but the piano in interstellar was recorded specifically for the score do this is a stupid question


bro2015-01-20 18:08:06
So*


DanTri2015-01-21 13:12:40
I think it was the Malsmjo Acoustic Grand by ArtVista, which Hans often uses :)
It has this special "Hansy" Sound :D


Mikkel2015-01-21 13:27:59
Thanks :) Only for win? Or mac too? :-)


DanTri2015-01-22 09:38:11
Both :) just search for it in google. I think the price is 99$ !
I use it for my intimate piano pieces


Mikkel2015-01-22 10:42:52
Thanks :)

Mike reply Replies: 7 || 2014-12-09 17:04:34
Was any good music played during the ending credits? I actually stayed through all the credits when I saw the movie, but I don't remember much of the music at this point.


badbu2014-12-09 18:02:11
I think it was a piano part of day one :)


theeaglesfan005 2014-12-15 17:06:33
badbu

It is the first 2:44 of "Who's They?" and "What Happens Now?"

There is a piece that plats in between the two, but I do not think has been released on the FYC or OST


badbu2014-12-15 18:07:00
Yep, you're right :)
But the part at the piano part at the end is a different version of "Quantifiable Connection". (i think) :-)
Btw, awesome end credits ;)


badbu2014-12-15 18:07:52
gosh...
The piano part at the end -> :D


badbu2014-12-15 18:09:58
ah :D btw...
maybe we get the end credits on the illuminated edition ;-)


Anonymous2015-01-21 18:08:16
LOL and maybe we'll get it on the "Super Duper Absolutely Positively Final All-Encompassing Unabridged Essential and Totally Complete Interstellar Soundtrack" We are such saps to put up with this crap.


bro2015-01-21 18:56:07
nobody really knows what is used in the end credits, it's sure as hell not "Who's They" if you actually payed attention to the piano and the organ playing the woodwind part instead. There's a lot of stems replaced, stuff that seems to be alternates of tracks we did have, unreleased material, ending is a blend of "Our World and What Happens Now?", little parts of Day One (Original Demo) are all over the place that help fade the three parts of the end credits together, and the piano part at the end isn't "Quantifiable Connection" at all, it's similar but it's just a much more simple piano variation of the main theme. There's a lot going on in the end credits, much more than you guys realize.

D A R T H reply Replies: 0 || 2015-01-20 11:21:27
No trace of "A place among the stars" the tracks was cut-edited into several other tracks ?

Laurens reply Replies: 5 || 2015-01-18 20:04:45
Perhaps its just me but the FYC release has pretty bad audio quality, even for MP3 standards... The loud parts during Mountains for example are creaking and cracking all over the place. Are these FYCs always in such low quality? I mean, the MP3 Inception bonus tracks sound a lot better than this release, so what makes it so difficult to release a decent MP3 version of the complete score?


Anonymous2015-01-18 21:59:20
The difference is that it's a 192k web rip vs a 320k download


Per2015-01-18 23:15:05
Yeah, the difference alone (the original source has nothing to do with it) between 320k and 192k is what makes the sound to be either great, or pretty bad...


Anonymous2015-01-19 00:01:54
And in this case, it's total shite


Anonymous2015-01-19 23:04:53
someone mentioned Batman Begins as the beginning of Hans' suite mania...actually there were only two suites in that score, and both not used too often...that score was really written to picture, I think...


bro2015-01-19 23:45:25
TDVC and POTC 2 & 3 were pretty suite heavy, especially after considering the amount of suites released with the treasures collection edition - plus the other suites included in the OSTs and the leaked complete scores.

Hybrid Soldier reply Replies: 18 || 2015-01-10 16:08:35
Updated this a bit...

And yeah I changed the OST Stay definitely sounds like a suite to me...


Mike2015-01-11 23:11:48
My gosh, the Murph suite beginning around 9:00 or so is awesome. A nice extended version of the end of "Detach". :)


theeaglesfan005 2015-01-11 23:16:07
Yeah it's a suite... the FYC version is the film mix for sure

I noticed it on my 4th viewing


Mike2015-01-11 23:28:10
I know Hans likes his suites, but I must say it did kind of surprise me how much of this score is just suites copied and pasted to the picture. It's a greatscore, don't get me wrong, but it looks like the only "original" music (i.e., non-suite material) is Cornfield Chase and the piano part of Quantifiable Connection.


Anonymous2015-01-11 23:43:37
Cornfield Chase is actually more of a copy and paste job than most of the other parts of the score


Ds2015-01-11 23:57:19
Well, at the same time I find it frustrating that there's a lot of repetition in this release, while some very important themes/cues have been forgotten.

"Day One Dark", one of the best suites of Interstellar, hasn't been released properly. Hans probably worked a lot on it, and this whole organ tune is nowhere to be found, except for a small bit in "Coward" (and in "No Time For Caution", but that one wasn't supposed to be released in the first place).

Same thing about the piano part of "Quantifiable Connection". The only missing track is damaged on the FYC, can you believe it? It's almost like it was done on purpose :-p

So what's the point of filling the 2nd disc with original demo, teaser trailer music, poem, "organ variation" which is Łber repetitive and already featured in the first album? I really can't understand.


Hybrid Soldier2015-01-12 00:01:19
Well Mike that's exactly the point of suites, to be copied & pasted to picture... lol


Mike2015-01-12 00:48:58
Well, yeah, I get that, but usually there will be more variations between suites and cues than is the case here. :P Again, I love the score, and the suites, but I couldn't help noticing that.


bro2015-01-12 03:35:42
I know what you mean Mike, in Angels & Demons there were probably 15 different new variations and arrangements lifted from ideas in the 160 BPM suite and they were masterfully applied to picture. (Mostly thanks to Lorne and Zanelli)

And the suite track itself never had a second of screen time.


theeaglesfan005 2015-01-13 00:55:27
I have been told that HZ writes the suites first and then the individual cues are derived from them

That would explain why most Zimmer OSTs are suite heavy


Per2015-01-13 02:53:03
Not to start a discussion here, but why does everyone say, or think most Zimmer CDs are suite - heavy ... Maybe it's true for the last 10 years, but it wasn't really before that. But of course, I guess there's been quite a few releases the last 10 years, so... maybe it's starting to get "most" soon...

well, completely (un)related, I miss the Zimmer(-style) from 10 years ago and back :)


Edmund Meinerts2015-01-13 09:21:04
Well, it seems like Zimmer's only adopted his "suite" methodology over the last 10 years or so (starting around the time of King Arthur and Batman Begins, it would seem), so maybe that's why.


Per2015-01-13 10:03:13
Yea, probably around Batman Begins I'd say to.

There are no theme suites on the King Arthur CD though.


Edmund Meinerts2015-01-13 11:26:12
They're not on the CD or even the complete score. I recall Hybrid saying there were two suites written for that film but they've never seen the light of day (probably were never more than demos).


Hybrid Soldier2015-01-13 12:28:06
I asked Hans this he was never precise but it depends on the projects... I think the first suite I know of is from Nine Months (We Can Work It Out is my memory doesn't suck). There's the Gladiator Waltz, the Peacemaker suite too.

But for sure he developped the process a lot more later. Though it's not ALL THE TIME, on Rush for instance he wrote directly to picture, improvising & writing most of themes than only after got a little rearranged...


Mortifer V.2015-01-13 16:26:58
I personally enjoy every suite a lot and I am very glad Hans works that way. Tick-Tock and Murph are masterpieces for me, I don't think I'd want to live in a world where those suites weren't released :p In the suite you get to hear the themes in a more full and satisfying way IMO. Of course I'd like to hear some more tracks from the score itself, instead of the pointless poem track... which doesn't at least feature Michael Cane's awesome voice :P


Poe2015-01-13 21:46:03
Hyrbid, did you mainly use OST tracks in place of FYC tracks for better sound quality?? Maybe someone could be so kind as to mention which tracks come from which (the boxed set tracks are obvious but some of the others may not be).


El Baradei2015-01-14 14:27:02
It's the voice of John Lithgow, not Michael Caine.


Mortifer V.2015-01-14 16:28:08
Well, @El Baradei, I know, that's why I said "doesN'T at least feature..." :p

Aro reply Replies: 0 || 2014-12-29 19:46:19
I want to have song from end credits.

Hybrid Soldier reply Replies: 18 || 2014-11-27 21:01:11
Here we are with this one, though subject to change if depending on what's in the Illuminated...

Again a combo off all that's available so far (FYC & OST).


Poe2014-11-27 22:27:15
Is Track 42 the FYC track with the slightly different mixing levels?


Hybrid Soldier2014-11-27 22:38:01
Yeah...


T-Mann0362014-11-27 23:06:43
I tip my hat off to you, Soldier. I hope someone out there has the "Quantifiable Connection" track that has 0% static or distortion.


Hybrid Soldier2014-11-27 23:11:50
Well if the CD version of the FYC aren't as screwed up as this web upload, we might... lol


Medigo2014-11-27 23:12:48
so are the FYCs closer to the movie version?


Medigo2014-11-27 23:12:49
so are the FYCs closer to the movie version?


Hybrid Soldier2014-11-27 23:13:32
Of what exactly ?

Of what exactly ?

lol


Medigo2014-11-27 23:18:34
of the alternates

the *gets shot twice*


Hybrid Soldier2014-11-27 23:20:55
Yeah, usually they are...


Joe2014-12-05 19:52:58
What a show-off!
To say that you own a copy the bootleg and not to share not even where you got it?!
Hmmm!
Bootlegs are illegal....Please do not ask us any copy of them.
But if you are recognizing you have it!
Nobody is asking for a copy, not even a link, but just the words to Google it!
Is that "illegal"?


T-Mann0362014-12-07 04:05:32
Joe... are you a republican?


Slavic G2014-12-25 07:33:30
Does anybody know where I can get the album with 43 tracks? I've been on the Paramount site and they only have like 33 tracks.


Slavic G2014-12-25 07:33:32
Does anybody know where I can get the album with 43 tracks? I've been on the Paramount site and they only have like 33 tracks.


Per2014-12-25 11:21:10
You answered your own question; Paramount site, and I'm sure you're aware of the OST(s)...

Merry Christmas !


Slavic G2014-12-25 19:43:39
@Per
You didn't read clearly! I said they only have 33 tracks! Where are the other 10?


LCB2014-12-25 20:13:24
This is a compilation putted into written of all the existing music regarding this film (mixing the music of CDs, recording sessions, etc), not a physical one. You understand now?


Slavic G2014-12-25 23:17:22
@LCB

I understood from the beginning. I just wanna know if there is a folder that I can download all of these tracks? I don't wanna be buying all the album versions.


LCB2014-12-26 00:25:11
Ok... Emm... No.

T-Mann036 reply Replies: 1 || 2014-12-18 03:56:40
Out of all the tracks in the FYC/"Sessions", Quantifiable Connection is my new favorite track!


badbu2014-12-18 07:24:16
x2 :-)

DayOneDark reply Replies: 1 || 2014-12-15 12:39:31
Hello,

Does anyone know where this release information came from?


badbu2014-12-15 12:49:51
FYC Awards! -> paramountguilds

Anonymous reply Replies: 1 || 2014-12-05 16:55:15
Science and Religion in "Our World", anyone? :D


Anonymous2014-12-07 04:32:03
And hints of Last Samurai in No Time for Caution.

mat78 reply Replies: 1 || 2014-11-28 04:50:59
Ok im confused lol... All 24 tracks from the deluxe version are in the FYC but with diferent names?


clon2014-12-01 12:33:31
not all of them i think. only a few tracks and additional ones.

Mikkel reply Replies: 2 || 2014-12-01 08:25:14
In which scene is the track played?
"Landing In Tesseract".


Hybrid Soldier2014-12-01 08:50:49
When he... lands in the Tesseract... lol


badbu2014-12-01 08:57:56
hahaha :D :D

Mike reply Replies: 5 || 2014-11-28 22:03:01
I wasn't expecting it, but I found myself genuinely moved during the Years of Messages cue, when he realizes just how long he's been away, and sees his son as a grown up, and realizes now that he's a grandfather.... The music was so simple and yet so effective during that scene.


Edmund Meinerts2014-11-28 22:27:47
That scene is one of the most gutwrenching I've seen in a film in a long, long time. And yes, Zimmer does his part to make it so. Oddly enough I find that piece to be no more than pleasant on album. Weird...


Anonymous2014-11-28 23:20:45
"No more than pleasant"? What are you talking about? That's the most beautiful piece of music ever written by anyone in the history of mankind... ever. Pretty negative of you to say otherwise because everyone else here loves every single second of the score right Edmund?


Edmund Meinerts2014-11-29 02:32:00
Okay, Anonymous (if you're the same Anonymous from before), you've made your point I think.


RealFfingMusic2014-11-29 06:56:17
I don't know how others feel, but I can almost feel Cooper comprehending the fact that he has missed his kids' adolescence, early adulthood, and youth, that is, their transformation from children to grown-ups.

"Gut-wrenching" is quite precise.


Anonymous2014-11-29 17:45:32
Thanks Edmund, now can we be friends again? I'll try to be more positive from now on too.

Hybrid Soldier reply Replies: 1 || 2014-11-28 10:42:18
Actually I'm wondering if the Stay on OST isn't just a theme suite...

It has the part from Dreaming Of The Crash, and the big ending, quite different in the film version...


NM2014-11-29 11:51:30
I think you might be right, though I'm hoping not. I would love to hear a longer arrangement of it, it's stunning.

JR reply Replies: 2 || 2014-11-28 09:01:17
Finally, is there any version of "Quantifiable Connection" without noise??!


badbu2014-11-28 09:09:54
Nope!


T-Mann0362014-11-29 06:59:41
Not at this moment. Sorry...

Anonymous reply Replies: 1 || 2014-11-28 22:18:58
Does this have the music when the NASA people are explaining things to Cooper and Murphy at their base? I remember that being an interesting cue.


TNT2014-11-28 22:22:08
Yes, it does! The cue is called "Who's They?"

Kenny reply Replies: 1 || 2014-11-28 08:53:35
Um... is this going to be released or is a fan-made ablum?
And what does FYC mean exactly?

Interstellar (Expanded Score)
Label: Unofficial Release


Jonathan2014-11-28 22:00:06
FYC means "for your consideration." FYC is a 33-track promotional release from Paramount for Oscar consideration and is presently available in MP3 form.

theeaglesfan005 reply Replies: 0 || 2014-11-28 17:29:35
I see you left off the "pt. 1" on I'm Going Home and S.T.A.Y. ;)

I have no idea why those are at the end of those tracks lol

I also changed "Imperfect Contact" to "Imperfect Lock" on my set

Kenny reply Replies: 0 || 2014-11-28 07:19:28
Um... is this going to be released or is a fan-made ablum?
Interstellar (Expanded Score)
Label: Unofficial Release

badbu reply Replies: 0 || 2014-11-28 07:17:59
Thanks Hybrid!
Quantifiable Connection <3

bro reply Replies: 2 || 2014-11-27 23:18:47
They're not mastered for itunes and stuff and they are as close to the film mix as you will get.


bro2014-11-27 23:21:12
Also 27 is misspelled


Hybrid Soldier2014-11-27 23:27:49
Not anymore... :P


You know, I "type" all this... Can't lose focuse sometimes lol...

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