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Well, if you check what Hans Zimmer did recently there wasn't much material for him to write a good theme too. A lot of it was types of movies that were synth type music. I think The Dark Phoenix and Wonder Woman (apart from his amazing theme for her already) will have some good typical Hans Zimmer feel to it which I am excited for.For the first time of my life but with sound experience, I assist on that one too.  A very good job from all that team.<br>I only was surprised to not see Hans Zimmer itself and quickly understood that it was "the world of..." and not HZ live ! No regret for my first even if I'm a bit frustrated and regret my mistake ;o)<br>Do you have a tip for me to do it again and avoid that mistake again? When you purchase a ticket, it's hard, you have sometimes to go deeper to see that, finally, he's not gonna be there!<br>Have a great day U all.<br>I wishCool Hybrid! Been at the concert in Oberhausen last Saturday. A lot better then expected to be honest. Pedro's Oogway's Ascend was very good, Pedro outdid himself there (at the 2nd Zimmer concerts I thought he wasnt that great compared to Richard).<br><br>Yeah! The hell are the other comments about though? The Last Stand is miles ahead of X2. You weren't even saying TLS was the best X-men score, you were just saying it's Powell's best score. Man people are dumb
Hi, I want to add some seconds of 8 track for the background of my small documentary about races, my first one, is it possibile to ask for copyright? Should I write to some email addresses?<br>I'm kind of the same way, even on a personal level. The synth and power anthems, even from the Media Ventures era, is just kind of getting old to me. The incessant momentum, the lack of thematic progression, it all wears on you eventually.I think you really nailed how I feel about this score. I don’t personally mind the tense electronic elements (this is music that I can enjoy on its own level) but I do feel let down by the lack of a theme or any solid motif to anchor the music. Especially in the emotional cues.<br><br>The one thing that I keep coming back to is how this sounds so much like something Johann Johansson would have written. I actually really like his music style, but it is pretty jarring to see Zimmer do minimalism on this level. No objections here, but I can’t wait to get some exciting Zimmer music again.Not for nothing but it's kinda odd how Zimmer has been declining ever since, IMO, his collaboration with Wallfisch on Blade Runner 2049.... <br><br>Honestly, I've been straying towards John Carpenter's Halloween 2018 and horror synth ever since....is Zimmer retiring or something? Because I'm finding myself not into him so much, anymore.I honestly wasn't expecting much from this film on a musical level, but some tracks that are available are OK to listen to. McQueen has never been a proponent of larger-scale thematic music in his scores, he seems to be a mood-inspired person, and Zimmer can do that very, very well. <br><br>Coming back to the music, Zimmer seems to have embraced his textural roots. 2018 has been all about texture really in the action films, i.e. Black Panther's percussion layers, Mission Impossible: Fallout, Widows. Thematically, there seems to be a solemn progression for Marcus that reappears in "My Son", that relies on familiar elements (i.e. drone strings layered on top of each other, lower bass accompaniment), and some of the action textures in "We Have A Job To Do" and "Perimeter Check" is a nice callback to the Media Ventures style of things. <br><br>I'm admittedly disappointed with the fact that there is nothing beyond residually, well-anchored momentum and tension to the score,and the album length is shocking. But it is what it is. I love the underlying, throbbing synth bass ripples, I've always had a soft spot for them. <br><br>Honestly, it's a one time listen for me. I'm more excited about his dual superhero bonanza return next year- Wonder Woman 1984 and X-Men Dark Phoenix. I'm definitely not expecting him to use John Ottman's brilliant theme for the latter, although I will definitely be impressed if by slight chance, he does. The "Money" is quite soothing in a melancholy way. "The Calm Before The Storm" uses some worthwhile sombre piano treading that I'm always a stickler for.
Come to Bratislava, Slovakia too.I wonder with all of the Easter eggs if Jackman will incorporate some character themes like possibly the Imperial March for Storm Troopers Or Disney themed for the Disney characters@Anonymous on the Blu-ray it should have surround sound. Just that it's out on iTunes in Australia already - which is how I got it - and iTunes bonus features are obviously only in stereo.<br><br>@Ahmad - the benefit here is really all the film version edits of the cues we already have on the album. And some of them are quite different from the album ones....<br><br>The tracklist I came up with for now for the iso score. Total runtime is 2:08:16.<br><br>A Storm Is Coming (Logos) / Julia / Good Evening, Mr. Hunt	4:51			<br>Self-Destruct	0:23			<br>Plutonium Trade / A Terrible Choice	6:14			<br>The Manifesto	1:46			<br>Fallout (Main Titles) / Your Mission (Part 1)	2:07			<br>Your Mission (Part 2)	2:21			<br>Free Fall (Part 1)	1:57			<br>Free Fall (Part 2)	2:14			<br>Grand Palais / Consequences Of Love	2:01			<br>Bathroom	6:12			<br>No Pain, No Gain (Outro) / As Ugly As They Come 	2:09			<br>I'll See You In My Dreams / Widow Bar	2:33			<br>The White Widow / Should You Choose To Accept...	5:38			<br>Busy Day Tomorrow	0:41			<br>Framing Ethan / The Exchange	6:37			<br>Escape Through Paris	6:11			<br>Steps Ahead	1:11			<br>Je Suis Désolé	1:04			<br>Unfinished Business	0:34			<br>Did You Ever Choose Not To?	1:51			<br>You're Mine Now	0:30			<br>We Are Never Free	4:52			<br>Widow In London	1:45				<br>Trapped	3:14				<br>The Mission Is Terminated	2:02			<br>No Hard Feelings / The Exhortation	6:46			<br>Stairs & Rooftops	6:25			<br>Kashmir	7:10				<br>Julia (Reprise) / Fate Whispers To The Warrior	5:06			<br>And The Warrior Whispers Back	8:20			<br>I Am The Storm (Part 1)	4:12			<br>I Am The Storm (Part 2)	1:21			<br>Scalpel & Hammer	3:47			<br>Cutting On One	1:25			<br>The Last Resort 1:48			<br>There's No Reason To Be Sorry / Mission: Accomplished (Curtain Call)	4:51	<br>End Credits	6:28I wonder what the quality on the disc will be like but definitely not expecting lossless. Three commentaries and the isolated score and language tracks. That's a lot and the movie is not short lol. <br><br>In general, I don't think we're missing much to begin with (but it's really cool and should be done more often). There's a cool bit where the "Syndicate" theme was used I think in the film version of "Escape Through Paris" and the album version doesn't have that bit.ur kidding. is it like the last jedi? why cant it be in surround sound
I believe it's stereo at around 160kbps (since it's a stream from iTunes Extras)What quality does the isolated score from iTunes have?Have any of the slate titles surfaced for this? Would be useful when dividing up that (brilliant!) isolated score into tracks. Got it off iTunes earlier this week and pretty much been on repeat all week, so awesome.I wish. I live like 15 miles away from Golden 1 Center.come to Sacremento,california!!!
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Hans ZimmerAndrew KawczynskiSteve MazzaroChris Craker
ComposerAdditional ArrangementsAdditional ArrangementsMusic Producer
Interstellar (Complete Score)
Label: Unofficial Release
Length: 193'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8056 votes)
  1. Dreaming Of The Crash (3:35)
  2. Chasing Drone (2:08)
  3. Flying Drone (1:52)
  4. Combines Went Haywire (1:54)
  5. Dust Storm (1:14)
  6. Decoding The Message (5:41)
  7. Who's They? (7:18)
  8. Stay (5:33)
  9. Docking (1:29)
  10. Entering Endurance (2:40)
  11. Rage Against The Dying Of The Light (0:56)
  12. Down For The Long Nap (0:56)
  13. Message From Home (1:41)
  14. Through The Wormhole (1:31)
  15. We're Here (0:43)
  16. Atmospheric Entry (2:45)
  17. They're Not Mountains (3:39)
  18. Years Of Messages (5:26)
  19. Afraid Of Time (2:33)
  20. Murph Comes Home (1:45)
  21. No Need To Come Back (4:34)
  22. Our World (3:54)
  23. We Are The Future (3:27)
  24. We're Running Out Of Time (1:57)
  25. I'm Going Home (5:49)
  26. Coward (8:27)
  27. Imperfect Contact (6:55)
  28. No Time For Caution (4:06)
  29. Detach (6:42)
  30. Eject (2:13)
  31. Landing In Tesseract (4:42)
  32. S.T.A.Y. (6:22)
  33. Quantifiable Connection (3:31)
  34. What Happens Now? (2:05)
  35. Where We're Going (7:36)
  36. End Credits (4:59)
  37. Day One Suite (3:22)
  38. Murph Suite (11:21)
  39. Tick-Tock Suite (8:19)
  40. Stay Suite (6:52)
  41. Day One Dark Suite (6:38)
  42. Organ Variation Suite (4:52)
  43. Day One (Original Demo) (3:49)
  44. Do Not Go Gentle Into That Good Night (Poem) (1:39)
  45. Chasing Drone (Alternate) (2:07)
  46. Decoding The Message (Alternate) (5:42)
  47. No Time For Caution (Alternate) (4:06)
  48. First Step (Teaser Music) (1:48)
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Mike reply Replies: 2 || 2018-11-08 04:06:08
Watched Interstellar tonight and remembered the whole "No Time For Caution" debacle with the track not being released, and everyone falling in love with the music in that scene.

And I wonder, what will Hans' next "No Time For Caution" moment be? The track that everyone just flocks to in a new film cause it resonates really powerfully with audiences, and which shows Hans writing something a bit out of the usual box?


Mephariel2018-11-08 06:39:02
That scene is seriously one of the greatest scene in sci-fi movies. Zimmer's music just elevated it to space.


ThePhantasm 2018-11-08 19:22:29
I always wanted to know why that is? when you hear music in the movie composed by Hans or company they sometimessound different, or are not in the soundtrack. Perfect example the Batman trilogy and specially Man of steel. John powell has a lot of missing music as well.

1.25 Seconds reply Replies: 1 || 2018-07-21 20:33:30
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.


superultramegaa2018-07-23 03:01:27
Yep, Hans can be a musical genius when given the opportunity.

Bruno Politchuk reply Replies: 0 || 2018-06-15 01:26:16
What a wonderful soundtrack, I can not stop listening either. When I get home after work, Interstellar is the best soundtrack to listen to in the quiet of dawn. It's to get in touch with the Cosmos. Congratulations Hans Zimmer.

Stellar reply Replies: 1 || 2016-01-10 23:53:46
out of random curiosity are there credits for what scenes andrew k and steve m did arranging on ?


Mike Peterson2017-10-27 20:49:03
What a great score for a great movie. I cannot stop listening to the soundtrack. For me it is quite moving and when I show my friends portions of the movie and the soundtrack, they are just as affected as I am.

isildur reply Replies: 4 || 2015-09-14 21:06:35
Hey Hybrid, is Hans going to score the next with Nolan which is going to release in 2017?

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Ds2015-09-14 21:25:36
Of course he will, why are you even asking? Hans and Chris are fond of each other, and Hans has proven countless times he was able to adapt to any genre, so there is no way Nolan is going to pick up another guy...


Edmund Meinerts2015-09-14 23:39:47
He did go back to David Julyan for The Prestige after collaborating with Hans on Batman Begins...but otherwise, yeah, I think a Nolan film is as safe a bet for a Hans score as anything.


Ds2015-09-14 23:51:57
I dont think they had the same relation before. BB was their very first collaboration, it became much more special after TDK and Inception especially. Now I dont think Nolan would even think of doing a movie without Hans :-p


Mike2015-09-15 15:34:19
Especially after Interstellar, which was lauded by the general public/was made a big deal of by everyone/got a live performance with Hans and Chris in attendance. :P Whether or not the Interstellar score might be a tad overrated (I thought it was excellent myself), it's no doubt further solidified for Chris that Hans is an essential component of his movies.

Adiel reply Replies: 1 || 2015-08-18 00:20:40
I can't see any option to download or buy this soundtrack here, there is only one music "coward" that is playable here, can any one please tell me how to get this complete album?


GR72015-08-18 11:18:46
This is not a commercial website here.
Try Amazon or iTunes I think

Hybrid Soldier reply Replies: 15 || 2015-03-15 10:18:29
The final cuesheet from ASCAP :

DREAMING OF THE CRASH
CHASING DRONE
FLYING DRONE
COMBINES WENT HAYWIRE
DUST STORM
DECODING THE MESSAGE
WHO’S THEY?
STAY
DOCKING
ENTERING ENDURANCE
RAGE AGAINST THE DYING OF THE LIGHT
DOWN FOR THE LONG NAP
MESSAGE FROM HOME
THROUGH THE WORMHOLE
FIRST HANDSHAKE
WHE’RE WERE
ATMOSPHERIC ENTRY
THEY’RE NOT MOUNTAINS
YEARS OF MESSAGE
AFRAID OF TIME
MURPH COMES HOME
NO NEED TO COME BACK
OUR WORLD
WE ARE THE FUTURE
WE’RE RUNNING OUT OF TIME
I’M GOING HOME PT 1
I’M GOING HOME PT 2
COWARD
IMPERFECT CONTACT
NO TIME FOR CAUTION
DETACH
EJECT
LANDING IN TESSERACT
S.T.A.T.Y. PT. 1
S.T.A.T.Y. PT. 2
QUANTIFIABLE CONNECTION
WHAT HAPPENS NOW?
WHERE WE’RE GOING
END CREDIT 1 DAY ONE V10.03
END CREDIT 2 DAY ONE V7.09
END CREDIT 3 8M32


Murphy's Law2015-03-15 15:10:00
Ok why are there 2 parts of "I'm Going Home"? Is it split in half, like 5m23a and 5m23b?

And shouldn't it be "S.T.A.Y.", not "S.T.A.T.Y."?

Other than that, looks like everything on the FYC is here making it pretty complete


mpolonest1232015-03-15 15:37:47
Funny, I don't remember any music playing during the "First Handshake" scene. I wonder what that is?


Hybrid Soldier2015-03-15 15:47:26
Yeah the guys that type that are pretty bad usually...


First Handshake, yeah it's either sound design or an unused cue...


Murphy's Law2015-03-15 16:39:52
After I downloaded the Blu-ray last night I watched the "first handshake" scene and I kinda heard what sounded like the "Down for the Long Nap" cue. But it was through my laptop. I'll be paying extra close attention when I watch it through my stereo and HDTV today.

"End Credit 3" is labeled as 8m32. But 8m32 is really "What Happens Now?". Is it labeled like that because it's the same theme? Cause if not that makes 8m33 Where We're Going and 8m34 End Credits the end credits parts 4 and 5. Am I right?


Hybrid Soldier2015-03-15 17:18:03
Like slates have any importance ? lol


Murphy's Law2015-03-15 17:21:39
If slates didn't have importance then they wouldn't be used :P


Hybrid Soldier2015-03-15 19:08:10
I mean for YOU... For the composer, the music editor, okay... But for the rest ? lol


Murphy's Law2015-03-15 22:18:15
I know, I was only kidding ;)

I found all of the cues on ASCAP same as you did, and even that BMI site. They're pretty cool places if you want credits, I should do this for all scores. Anyway, I found the entire cue list and HZ is not alone. There's Alex Gibson and Ryan Rubin. The 3 of them all credited for every single cue on both sites. Is that correct?


Mike2015-03-15 22:49:27
Well those two were the editors who tailored Hans' cues to picture, right? I think it's been stated already that Hans wasn't *watching* the movie while writing the score, so I guess to some extent his music would have had to be edited to make it "synchronous" with the onscreen material (but then, that makes me wonder..... how were cues like Cornfield Chase written, which match up with the image pretty precisely?).


Murphy's Law2015-03-15 22:55:25
Hmmm......


Hybrid Soldier2015-03-15 23:21:00
The music editors are usually credited & get royalties on HZ scores (Interstellar, Rush, How Do You Know, TASM2, TDK, Bat Begins & more)...

They hard work on many films, even if they don't write music. It's some kind of reward for them... Not everyone would do that...


Murphy's Law2015-03-16 00:05:42
Is that why (HZ & JNH aside) Alex Gibson, Mel Wesson, Henry Jackman (although I know he did stuff towards the end like "Ferries"), and Lorne Balfe are credited with the entire Dark Knight score?


Mike2015-05-05 22:36:51
If a certain uploader's YouTube channel/Interstellar works are correct, the tracklist here is actually right, and there is indeed brief music during the First Handshake scene (sounds like the first part of "Our World").


Murphy's Law2015-05-06 05:20:37
It's definitely there. After hearing the version that was ripped from the Blu-ray and then watching the film it's in there. And yes it's basically a short version of "Down for the Long Nap" or even "Our World"


Boldizar2015-05-06 20:35:57
Does the bluray have the score isolated on its own track?

HZfan reply Replies: 10 || 2015-03-11 12:32:15
So, I know this is being discussed (read: disgust) to death, but is there any word on the complete COMPLETE score (the one above with 48 tracks) ever being released?

I've got the projection edition, which came with the 24 track digital deluxe edition, and the vinyl edition is on it's way. I've also hunted for the missing tracks like "Day One Dark" and "Quantifiable Connection (fixed)" and "No Time for Caution" (which frustratingly wasn't on the Illuminated Projection Set.

Am I missing anything else? I haven't even listened to anything proper yet because my only goal was to obtain every track Hans made for this film.


Boldizar2015-03-11 14:17:45
The listing above is almost entirely the FYC score, with the missing tracks/bonuses tagged onto the end.

Unless Hybrid is hiding something, this list is a hybrid of the various releases.


Boldizar2015-03-11 15:54:00
I should add certain tracks on here are not available on any (known) release. These include End Credits, Day One Dark, and the Stay Suite.

I am not sure what 46/47 are or the Day One Suite. I use Randal's (yourfavoritemusic)Quantifiable Connection, No Time For Caution (dubbed Endurance Mix, and IMAX end credits for my playlist.


Medigo2015-03-11 17:42:22
The Stay Suite is just 'Stay' from the original album
'Stay' in this list is the FYC version which is the movie version

45/46 are also the album versions of those tracks instead of the correct FYC versions


Boldizar2015-03-11 19:12:38
@Medigo: Ahh thanks. I thought so but wasn't sure. To me the whole FYC sounds like an alternate mix, aside from the obvious audio resolution issues. That would mean all of the album mixes are alternates or vice versa. Do you know why these tracks specifically were duplicated on this list as opposed to others?

In reality, shouldn't this page define the album as an FYC and eliminate all tracks except the 33 that come on it? This "complete" version doesn't really exist, as opposed to other completes (Dark Knight Trilogy, Inception, etc...) that do. It seems misleading, in regards to confusion, as it is now.

@HZfan, the official, poorly mastered version of No Time For Caution is the last track on disc 2 of the ISP edition.


HZfan2015-03-12 11:05:08
@Boldizar The last track on the Illuminated Star Projection Set is No Time For Caution? Disc 2, Track 12 of the ISP set is "Do Not Go Gentle Into That Good Night". I'm looking at the back of the actual box set right now.

I see no track called "No Time For Caution" on the ISP.


Boldizar2015-03-12 11:36:00
@HZfan: It is not listed on the back of the case. They just tagged it onto the end. However, are you in the US? If not it is possible they did not include it in other regions. That doesn't make sense but who knows.


HZfan2015-03-12 17:02:03
@Boldizar That would be adding more confusion if that's true. Yes, I'm in the US. It's not listed on the box, and I haven't opened it yet and actually listened so I can't confirm what you're saying. I know the UK got the ISP later, but I'd be shocked if it had that track and the US version didn't. This whole situation is a mess. I mean, I appreciate this music so much (this music meaning soundtracks in general) and I literally can't even pay them to just release the complete recordings of my favorite composers! I mean, I just want every song these guys created and I'll pay for it! Instead they do these single disc CDs leaving out tons of tracks and worse, creating suites or different than the movie. Only thing I'm happy with is a very rare thing in the industry where The Lord of the Rings The Complete Recordings were created. I'm very proud to have them. Why can't they do that with any and every soundtrack?? So frustrating. Hilarious they don't want money.


Boldizar2015-03-12 18:41:14
@HZF Yes I have the LOTR sets too. They are excellent.

If you live here then it definitely has NTFC as the last track on the second disc (as it should in all regions barring the possibility I mentioned). It indicates nowhere that it is on the CD you just have to play it lol

Hopefully in 10 years LaLaLand/Intrada or their future equivalents release this and other Zimmer scores properly.


HZfan2015-03-13 16:09:15
@Boldizar Well, I'll take your word for it that it's at the end of the actual CD, disc 2. Why it's printed wrong on the back of the box set is unfortunate. I'm just glad it's on there. Not that I didn't already download it from other sources, and I got the digital version of it when I bought the box set. I wanted it on CD, so I'm glad it's there.


Boldizar2015-03-13 21:30:47
I think because it was more of a last minute thing. They may have even repressed the discs after the fact to add the track, but did not redo the track listings as it would be more wasted resources.

Do not get too excited, this version is pretty bad. Not because it doesn't sound like the film but because it isn't leveled or mastered to match the rest of the soundtrack. It was an after thought all the way through.

keys39 reply Replies: 3 || 2015-02-23 14:56:04
How can I listen full Score? Only "2014 Interstellar - Coward" is available


SuffZ_ru2015-02-23 17:14:09
I dont understand it too) I have only text with names of tracks and its length



Mike2015-03-08 16:39:12
If you want to listen to the whole score, you'll need to find another site. The tracks you can listen to here are just to highlight a given composer's work on a score.


NM2015-03-08 19:10:06
You could even buy it, though I know that's a crazy idea to many people these days.

&#12615;&#12615; reply Replies: 1 || 2015-01-24 12:49:22
When does this album release?

I've got almost dying

And What's the format? CD? FLAC(Digital DL)?


Mike2015-01-24 16:02:57
This is not a commercially available album. If you look, it says, "Unofficial release".

Mikkel reply Replies: 6 || 2015-01-20 12:10:14
Hybrid?!
What for a Cubase VST Piano Plugin used hans? :)


bro2015-01-20 18:07:27
There's no plugin available that he used because he uses his own sample library but the piano in interstellar was recorded specifically for the score do this is a stupid question


bro2015-01-20 18:08:06
So*


DanTri2015-01-21 13:12:40
I think it was the Malsmjo Acoustic Grand by ArtVista, which Hans often uses :)
It has this special "Hansy" Sound :D


Mikkel2015-01-21 13:27:59
Thanks :) Only for win? Or mac too? :-)


DanTri2015-01-22 09:38:11
Both :) just search for it in google. I think the price is 99$ !
I use it for my intimate piano pieces


Mikkel2015-01-22 10:42:52
Thanks :)

Mike reply Replies: 7 || 2014-12-09 17:04:34
Was any good music played during the ending credits? I actually stayed through all the credits when I saw the movie, but I don't remember much of the music at this point.


badbu2014-12-09 18:02:11
I think it was a piano part of day one :)


theeaglesfan005 2014-12-15 17:06:33
badbu

It is the first 2:44 of "Who's They?" and "What Happens Now?"

There is a piece that plats in between the two, but I do not think has been released on the FYC or OST


badbu2014-12-15 18:07:00
Yep, you're right :)
But the part at the piano part at the end is a different version of "Quantifiable Connection". (i think) :-)
Btw, awesome end credits ;)


badbu2014-12-15 18:07:52
gosh...
The piano part at the end -> :D


badbu2014-12-15 18:09:58
ah :D btw...
maybe we get the end credits on the illuminated edition ;-)


Anonymous2015-01-21 18:08:16
LOL and maybe we'll get it on the "Super Duper Absolutely Positively Final All-Encompassing Unabridged Essential and Totally Complete Interstellar Soundtrack" We are such saps to put up with this crap.


bro2015-01-21 18:56:07
nobody really knows what is used in the end credits, it's sure as hell not "Who's They" if you actually payed attention to the piano and the organ playing the woodwind part instead. There's a lot of stems replaced, stuff that seems to be alternates of tracks we did have, unreleased material, ending is a blend of "Our World and What Happens Now?", little parts of Day One (Original Demo) are all over the place that help fade the three parts of the end credits together, and the piano part at the end isn't "Quantifiable Connection" at all, it's similar but it's just a much more simple piano variation of the main theme. There's a lot going on in the end credits, much more than you guys realize.

D A R T H reply Replies: 0 || 2015-01-20 11:21:27
No trace of "A place among the stars" the tracks was cut-edited into several other tracks ?

Laurens reply Replies: 5 || 2015-01-18 20:04:45
Perhaps its just me but the FYC release has pretty bad audio quality, even for MP3 standards... The loud parts during Mountains for example are creaking and cracking all over the place. Are these FYCs always in such low quality? I mean, the MP3 Inception bonus tracks sound a lot better than this release, so what makes it so difficult to release a decent MP3 version of the complete score?


Anonymous2015-01-18 21:59:20
The difference is that it's a 192k web rip vs a 320k download


Per2015-01-18 23:15:05
Yeah, the difference alone (the original source has nothing to do with it) between 320k and 192k is what makes the sound to be either great, or pretty bad...


Anonymous2015-01-19 00:01:54
And in this case, it's total shite


Anonymous2015-01-19 23:04:53
someone mentioned Batman Begins as the beginning of Hans' suite mania...actually there were only two suites in that score, and both not used too often...that score was really written to picture, I think...


bro2015-01-19 23:45:25
TDVC and POTC 2 & 3 were pretty suite heavy, especially after considering the amount of suites released with the treasures collection edition - plus the other suites included in the OSTs and the leaked complete scores.

Hybrid Soldier reply Replies: 18 || 2015-01-10 16:08:35
Updated this a bit...

And yeah I changed the OST Stay definitely sounds like a suite to me...


Mike2015-01-11 23:11:48
My gosh, the Murph suite beginning around 9:00 or so is awesome. A nice extended version of the end of "Detach". :)


theeaglesfan005 2015-01-11 23:16:07
Yeah it's a suite... the FYC version is the film mix for sure

I noticed it on my 4th viewing


Mike2015-01-11 23:28:10
I know Hans likes his suites, but I must say it did kind of surprise me how much of this score is just suites copied and pasted to the picture. It's a greatscore, don't get me wrong, but it looks like the only "original" music (i.e., non-suite material) is Cornfield Chase and the piano part of Quantifiable Connection.


Anonymous2015-01-11 23:43:37
Cornfield Chase is actually more of a copy and paste job than most of the other parts of the score


Ds2015-01-11 23:57:19
Well, at the same time I find it frustrating that there's a lot of repetition in this release, while some very important themes/cues have been forgotten.

"Day One Dark", one of the best suites of Interstellar, hasn't been released properly. Hans probably worked a lot on it, and this whole organ tune is nowhere to be found, except for a small bit in "Coward" (and in "No Time For Caution", but that one wasn't supposed to be released in the first place).

Same thing about the piano part of "Quantifiable Connection". The only missing track is damaged on the FYC, can you believe it? It's almost like it was done on purpose :-p

So what's the point of filling the 2nd disc with original demo, teaser trailer music, poem, "organ variation" which is über repetitive and already featured in the first album? I really can't understand.


Hybrid Soldier2015-01-12 00:01:19
Well Mike that's exactly the point of suites, to be copied & pasted to picture... lol


Mike2015-01-12 00:48:58
Well, yeah, I get that, but usually there will be more variations between suites and cues than is the case here. :P Again, I love the score, and the suites, but I couldn't help noticing that.


bro2015-01-12 03:35:42
I know what you mean Mike, in Angels & Demons there were probably 15 different new variations and arrangements lifted from ideas in the 160 BPM suite and they were masterfully applied to picture. (Mostly thanks to Lorne and Zanelli)

And the suite track itself never had a second of screen time.


theeaglesfan005 2015-01-13 00:55:27
I have been told that HZ writes the suites first and then the individual cues are derived from them

That would explain why most Zimmer OSTs are suite heavy


Per2015-01-13 02:53:03
Not to start a discussion here, but why does everyone say, or think most Zimmer CDs are suite - heavy ... Maybe it's true for the last 10 years, but it wasn't really before that. But of course, I guess there's been quite a few releases the last 10 years, so... maybe it's starting to get "most" soon...

well, completely (un)related, I miss the Zimmer(-style) from 10 years ago and back :)


Edmund Meinerts2015-01-13 09:21:04
Well, it seems like Zimmer's only adopted his "suite" methodology over the last 10 years or so (starting around the time of King Arthur and Batman Begins, it would seem), so maybe that's why.


Per2015-01-13 10:03:13
Yea, probably around Batman Begins I'd say to.

There are no theme suites on the King Arthur CD though.


Edmund Meinerts2015-01-13 11:26:12
They're not on the CD or even the complete score. I recall Hybrid saying there were two suites written for that film but they've never seen the light of day (probably were never more than demos).


Hybrid Soldier2015-01-13 12:28:06
I asked Hans this he was never precise but it depends on the projects... I think the first suite I know of is from Nine Months (We Can Work It Out is my memory doesn't suck). There's the Gladiator Waltz, the Peacemaker suite too.

But for sure he developped the process a lot more later. Though it's not ALL THE TIME, on Rush for instance he wrote directly to picture, improvising & writing most of themes than only after got a little rearranged...


Mortifer V.2015-01-13 16:26:58
I personally enjoy every suite a lot and I am very glad Hans works that way. Tick-Tock and Murph are masterpieces for me, I don't think I'd want to live in a world where those suites weren't released :p In the suite you get to hear the themes in a more full and satisfying way IMO. Of course I'd like to hear some more tracks from the score itself, instead of the pointless poem track... which doesn't at least feature Michael Cane's awesome voice :P


Poe2015-01-13 21:46:03
Hyrbid, did you mainly use OST tracks in place of FYC tracks for better sound quality?? Maybe someone could be so kind as to mention which tracks come from which (the boxed set tracks are obvious but some of the others may not be).


El Baradei2015-01-14 14:27:02
It's the voice of John Lithgow, not Michael Caine.


Mortifer V.2015-01-14 16:28:08
Well, @El Baradei, I know, that's why I said "doesN'T at least feature..." :p

Aro reply Replies: 0 || 2014-12-29 19:46:19
I want to have song from end credits.

Hybrid Soldier reply Replies: 18 || 2014-11-27 21:01:11
Here we are with this one, though subject to change if depending on what's in the Illuminated...

Again a combo off all that's available so far (FYC & OST).


Poe2014-11-27 22:27:15
Is Track 42 the FYC track with the slightly different mixing levels?


Hybrid Soldier2014-11-27 22:38:01
Yeah...


T-Mann0362014-11-27 23:06:43
I tip my hat off to you, Soldier. I hope someone out there has the "Quantifiable Connection" track that has 0% static or distortion.


Hybrid Soldier2014-11-27 23:11:50
Well if the CD version of the FYC aren't as screwed up as this web upload, we might... lol


Medigo2014-11-27 23:12:48
so are the FYCs closer to the movie version?


Medigo2014-11-27 23:12:49
so are the FYCs closer to the movie version?


Hybrid Soldier2014-11-27 23:13:32
Of what exactly ?

Of what exactly ?

lol


Medigo2014-11-27 23:18:34
of the alternates

the *gets shot twice*


Hybrid Soldier2014-11-27 23:20:55
Yeah, usually they are...


Joe2014-12-05 19:52:58
What a show-off!
To say that you own a copy the bootleg and not to share not even where you got it?!
Hmmm!
Bootlegs are illegal....Please do not ask us any copy of them.
But if you are recognizing you have it!
Nobody is asking for a copy, not even a link, but just the words to Google it!
Is that "illegal"?


T-Mann0362014-12-07 04:05:32
Joe... are you a republican?


Slavic G2014-12-25 07:33:30
Does anybody know where I can get the album with 43 tracks? I've been on the Paramount site and they only have like 33 tracks.


Slavic G2014-12-25 07:33:32
Does anybody know where I can get the album with 43 tracks? I've been on the Paramount site and they only have like 33 tracks.


Per2014-12-25 11:21:10
You answered your own question; Paramount site, and I'm sure you're aware of the OST(s)...

Merry Christmas !


Slavic G2014-12-25 19:43:39
@Per
You didn't read clearly! I said they only have 33 tracks! Where are the other 10?


LCB2014-12-25 20:13:24
This is a compilation putted into written of all the existing music regarding this film (mixing the music of CDs, recording sessions, etc), not a physical one. You understand now?


Slavic G2014-12-25 23:17:22
@LCB

I understood from the beginning. I just wanna know if there is a folder that I can download all of these tracks? I don't wanna be buying all the album versions.


LCB2014-12-26 00:25:11
Ok... Emm... No.

T-Mann036 reply Replies: 1 || 2014-12-18 03:56:40
Out of all the tracks in the FYC/"Sessions", Quantifiable Connection is my new favorite track!


badbu2014-12-18 07:24:16
x2 :-)

DayOneDark reply Replies: 1 || 2014-12-15 12:39:31
Hello,

Does anyone know where this release information came from?


badbu2014-12-15 12:49:51
FYC Awards! -> paramountguilds

Anonymous reply Replies: 1 || 2014-12-05 16:55:15
Science and Religion in "Our World", anyone? :D


Anonymous2014-12-07 04:32:03
And hints of Last Samurai in No Time for Caution.

mat78 reply Replies: 1 || 2014-11-28 04:50:59
Ok im confused lol... All 24 tracks from the deluxe version are in the FYC but with diferent names?


clon2014-12-01 12:33:31
not all of them i think. only a few tracks and additional ones.

Mikkel reply Replies: 2 || 2014-12-01 08:25:14
In which scene is the track played?
"Landing In Tesseract".


Hybrid Soldier2014-12-01 08:50:49
When he... lands in the Tesseract... lol


badbu2014-12-01 08:57:56
hahaha :D :D

Mike reply Replies: 5 || 2014-11-28 22:03:01
I wasn't expecting it, but I found myself genuinely moved during the Years of Messages cue, when he realizes just how long he's been away, and sees his son as a grown up, and realizes now that he's a grandfather.... The music was so simple and yet so effective during that scene.


Edmund Meinerts2014-11-28 22:27:47
That scene is one of the most gutwrenching I've seen in a film in a long, long time. And yes, Zimmer does his part to make it so. Oddly enough I find that piece to be no more than pleasant on album. Weird...


Anonymous2014-11-28 23:20:45
"No more than pleasant"? What are you talking about? That's the most beautiful piece of music ever written by anyone in the history of mankind... ever. Pretty negative of you to say otherwise because everyone else here loves every single second of the score right Edmund?


Edmund Meinerts2014-11-29 02:32:00
Okay, Anonymous (if you're the same Anonymous from before), you've made your point I think.


RealFfingMusic2014-11-29 06:56:17
I don't know how others feel, but I can almost feel Cooper comprehending the fact that he has missed his kids' adolescence, early adulthood, and youth, that is, their transformation from children to grown-ups.

"Gut-wrenching" is quite precise.


Anonymous2014-11-29 17:45:32
Thanks Edmund, now can we be friends again? I'll try to be more positive from now on too.

Hybrid Soldier reply Replies: 1 || 2014-11-28 10:42:18
Actually I'm wondering if the Stay on OST isn't just a theme suite...

It has the part from Dreaming Of The Crash, and the big ending, quite different in the film version...


NM2014-11-29 11:51:30
I think you might be right, though I'm hoping not. I would love to hear a longer arrangement of it, it's stunning.

JR reply Replies: 2 || 2014-11-28 09:01:17
Finally, is there any version of "Quantifiable Connection" without noise??!


badbu2014-11-28 09:09:54
Nope!


T-Mann0362014-11-29 06:59:41
Not at this moment. Sorry...

Anonymous reply Replies: 1 || 2014-11-28 22:18:58
Does this have the music when the NASA people are explaining things to Cooper and Murphy at their base? I remember that being an interesting cue.


TNT2014-11-28 22:22:08
Yes, it does! The cue is called "Who's They?"

Kenny reply Replies: 1 || 2014-11-28 08:53:35
Um... is this going to be released or is a fan-made ablum?
And what does FYC mean exactly?

Interstellar (Expanded Score)
Label: Unofficial Release


Jonathan2014-11-28 22:00:06
FYC means "for your consideration." FYC is a 33-track promotional release from Paramount for Oscar consideration and is presently available in MP3 form.

theeaglesfan005 reply Replies: 0 || 2014-11-28 17:29:35
I see you left off the "pt. 1" on I'm Going Home and S.T.A.Y. ;)

I have no idea why those are at the end of those tracks lol

I also changed "Imperfect Contact" to "Imperfect Lock" on my set

Kenny reply Replies: 0 || 2014-11-28 07:19:28
Um... is this going to be released or is a fan-made ablum?
Interstellar (Expanded Score)
Label: Unofficial Release

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