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would love to help out, but the video/track is blocked :/Think about Gemini Man, the score come out the same day as the movie (in that case, 11th October), and the details come the same week.<br><br>We'll likely get final details towards the end of the week or early next week. I guess I'm just a little surprised that it's taken this long. The movie had surprise screenings either yesterday or the day before, so it seems like everything's pretty final.Sorry, that is the wrong link above (film version)<br><br>This is the track I'm talking about. Does anyone recognize this version.<br><br>https://youtu.be/etkri6OKLpEThere is an expanded score album with the track called "Sniper/Border Post". It is different from the piece used in the film. Does anyone know the true identity of that track. I like the synth sound and the male vocal singing/wailing/crying in this cue.<br><br>https://youtu.be/DbENmej_cH0
But the scores comes out in 1th NovemberThe movie is out this Wednesday in some territories."In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is UNMEMORABLE"<br><br><br>Aaaaaaaaaaaaand your whole analysis falls flat right there ! :PThanks Edmund.<br><br>@PaulH I am not meaning to say that Balfe cannot compose good music. There are compositions that I like: the Picasso theme is creative and well-written. Just that I find his arrangements of others more compelling usually than his own material.<br><br>An example that is good of this is kung fu panda. His arrangements of themes are really fun and energetic. In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is unmemorable. Contrast to Hans: the Po theme and Spirit theme are precise, fun, harmonically clever, and memorable. But his score cues sometimes feel lacking: his transitions are clunky, the bridge material is uncreative and basic. <br><br>It must be so much fun to work on those projects together. Coming up with idea and hearing what someone can turn it into, or getting to play with someone's idea without the pressure of starting from scratch.And also, be prepared for more Studio Time for the score
Tom said in his Twitter: 'Details very soon'<br><br>Altough, is only a week awayThe Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>
Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?
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Matthew Margeson
Arranger
Into The Woods
Label: Walt Disney Records
Length: 96'25
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4196 votes)
CD1
  1. Prologue: Into The Woods - Company (14:35)
  2. Cinderella At The Grave - Joanna Riding (1:41)
  3. Hello, Little Girl - Johnny Depp & Lilla Crawford (2:32)
  4. Rapunzel's Song - Mackenzie Mauzy (0:56)
  5. The Cape As Red As Blood (0:42)
  6. The Cow As White As Milk - Emily Blunt & James Corden (0:30)
  7. Magic Beans (1:27)
  8. Rapunzel's Hair (1:24)
  9. Granny's Cottage (1:37)
  10. I Know Things Now - Lilla Crawford (2:05)
  11. The Beanstalk Grows (0:29)
  12. Cinderella Runs (0:54)
  13. A Very Nice Prince - Anna Kendrick & Emily Blunt (1:32)
  14. Giants In The Sky - Daniel Huttlestone (2:27)
  15. "Who Cares!" (0:31)
  16. Baker And Wife Part (0:34)
  17. Princes' Fanfare (0:17)
  18. Agony - Chris Pine & Billy Magnussen (2:33)
  19. The Forbidden Tower (2:20)
  20. "May I Compare This Ear Of Corn?" (0:48)
  21. It Takes Two - Emily Blunt & James Corden (2:31)
  22. Two Midnights Gone (0:35)
  23. One Day Left (0:59)
  24. Stay With Me - Meryl Streep (3:15)
  25. Jack Chops Down The Beanstalk (1:23)
  26. On The Steps Of The Palace - Anna Kendrick (3:15)
  27. "She Won't Go Far With One Shoe" (0:59)
  28. Searching For Cinderella (1:06)
  29. Careful My Toe - Christine Baranski, Tammy Blanchard & Lucy Punch (1:11)
  30. The Slipper Fits (1:13)
  31. Rapunzel's Tear (1:20)
  32. "This Cow Is Covered With Flour" (0:50)
  33. Almost Midnight (1:08)
  34. The Witch's Transformation (1:35)
CD2
  1. Ever After (Instrumental) (1:16)
  2. Back Into The Woods (0:50)
  3. Find The Boy (1:32)
  4. Witch's Lament - Meryl Streep (1:16)
  5. Any Moment - Chris Pine & Emily Blunt (1:41)
  6. Moments In The Woods - Emily Blunt (3:08)
  7. Your Fault - Daniel Huttlestone, James Corden, Lilla Crawford, Meryl Streep & Anna Kendrick (1:57)
  8. Last Midnight - Meryl Streep (3:35)
  9. No More (Instrumental) (2:38)
  10. The Far Away Prince (1:05)
  11. No One is Alone - Anna Kendrick, James Corden, Lilla Crawford & Tom Huttlestone (2:59)
  12. The Giant Attack (2:13)
  13. Finale/Children Will Listen (Part 1) - James Corden, Emily Blunt, Meryl Streep & Company (3:32)
  14. Finale/Children Will Listen (Part 2) - Company (1:45)
  15. Stay With Me (Instrumental) (2:39)
  16. Last Midnight (Instrumental) (3:45)
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Jay The Dinosaur reply Replies: 0 || 2014-12-15 23:34:29
thanks for adding this hybrid. :) didn't know matt was an arranger.

Hybrid Soldier reply Replies: 3 || 2014-11-28 23:15:34
This will be interesting...

Actually Matthew served here as Music Arranger / Score Adaptation with Mike Higham, using Sondheim's material.


Adam2014-11-29 02:09:13
I'm really excited for this one! So it's still all of Sondheim's material, right? No Matt Margeson cues?


Hybrid Soldier2014-11-29 09:39:40
It's Sondheim's material adaptated by Matt & Mike Higham... lol


Zimson2014-11-29 15:40:14
It's adapted from the musical, just like Sweeney Todd. There will still be a need for additional music.

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Into The Woods soundtrack 2014