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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984May know how to downloaddamn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.
I like the tracksWow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2
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Hans ZimmerLorne BalfeThomas FarnonSteven Kofsky
Composer : Main ThemeComposerAdditional MusicMusic Production Services
Sons Of Liberty (TV Series)
Label: A&E Television Networks (Digital Download Only)
Length: 50'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5732 votes)
  1. Sons Of Liberty Main Title Theme (3:53)
  2. Boston Radicals (2:16)
  3. Dark Horses (1:38)
  4. Seider's Death (2:24)
  5. Queen And Country (2:31)
  6. Liberty Tree (3:14)
  7. Small Victories (2:15)
  8. Making Waves (3:09)
  9. Coin Con (2:58)
  10. Sons Of Liberty Variation (2:07)
  11. Fifty Shades Of Red (2:03)
  12. Smuggling (5:32)
  13. United We Stand (1:53)
  14. Boston Seige (2:14)
  15. Uneasy Calm (2:36)
  16. Red Coats At Dawn (2:41)
  17. The East India Company (2:41)
  18. Sons Of Liberty Reprise (4:13)
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Max reply Replies: 0 || 2017-11-13 11:58:46
Any idea when or if this soundtrack will be available on iTunes again?

Luciano reply Replies: 0 || 2015-09-03 15:58:46
Grande Hans & co

Felix reply Replies: 0 || 2015-03-01 17:25:54
@Hybrid: The Pantani Score has a release Hybrid Soldier, it's a Single with 5 Tracks, it's now on Spotify

OKKU reply Replies: 0 || 2015-02-10 20:37:56
Liberty Theme is very good.Thanks

Ds reply Replies: 5 || 2015-01-27 21:25:06
So it's available today... but where? Can't find it on iTunes or Amazon...


Mike2015-01-27 21:31:38
"Label: A&E Television Networks (Digital Download Only)"

Try a search for that label. ;)


Hybrid Soldier2015-01-27 21:33:46
Well so far I only found it on Spotify, nowhere else... But History was handling this release, Lorne didn't have anything to do with it, he just got notified of this release today like us...

I guess it'll hit more "general" stores soon...


KC2015-01-31 18:02:15
I keep checking and still nothing..
So looking forward to the release!


Kc2015-02-03 03:25:47
It's on ITunes today. great score!!


Anonymous2015-02-04 17:59:58
Yes it is indeed a great score. Too bad the TV show itself was so silly. I think the founding fathers would be turning over in their graves if they knew how they were portrayed in this soap opera. I believe the History Channels "Revolutionary War" docu-series from a few years ago was much better.

Mike reply Replies: 3 || 2015-01-30 21:06:09
"Boston Radicals"...Skylanders, anybody?


Andrew2015-01-31 22:03:14
Yes, because it composed by Balfe :)


Anonymous2015-01-31 22:07:38
Sounds great so far but I'm gonna wait for the illuminated star edition. :)


Edmund Meinerts2015-01-31 22:44:12
Sure, Andrew...that explains part of it, but man, it really, really does sound veeeery close to Skylanders. You can't just write that off as "it's Balfe" entirely, any more than you can write off 12 Years a Slave sounding like Time because "it's Zimmer".

Dimitris Krommidas reply Replies: 0 || 2015-01-27 20:50:32
Great!!!!

Macarenox reply Replies: 2 || 2015-01-27 17:28:08
They return: Hans and Balfe


Bioscope2015-01-27 18:40:34
Wow.Lorne returns to the same arena he explored in ASSASSIN'S CREED III.


Lambegue2015-01-27 19:50:40
I liked the theme, so I'm quite curious to hear it in his long version.

And... "Fifty shades of Red" ?^^

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Sons Of Liberty (TV Series) soundtrack - Lorne Balfe 2015