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Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.
A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :p
Hi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit UpI'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mate
I agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>Any chance you could do a what makes up the tracks for the BB album Hybrid?Just want to give this score (and film) some major props. It seems like Ron Howard is one of those great directors who brings the best out of the composers he works with. It’s also interesting hearing just how much Lorne Balfe’s voice really comes through here.<br><br>Also, I wonder if it’s a coincidence just how much the OSCORP tune from TASM2 sounds like “Watergate Montage” (or did Marc Webb like a temp lol)
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Trevor Morris
Composer
Michiel De Ruyter
Label: Riva Media Records (Digital Download Only)
Length: 93'35
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4299 votes)
  1. Michiel Is Out There - The Battle Of Scheveningen (8:49)
  2. It's Our Blood (3:19)
  3. Was It A Boy Or A Girl (Anna's Theme) (1:27)
  4. Meeting With De Witt (1:03)
  5. Off You Go (1:43)
  6. Michiel's Commissioning (3:06)
  7. Preparing The Fleet (1:38)
  8. To The Fatherland (0:36)
  9. Battling The Royal Charles (14:02)
  10. Michiel's Happy Family (0:43)
  11. The King Will See You Now (3:55)
  12. St. James Day Battle (3:03)
  13. Anna Receives Letters (1:36)
  14. Sneaking Into English Harbor (3:53)
  15. Presenting The Stern (1:45)
  16. Anna & Michiel Losing Sleep (1:14)
  17. Burn His House Down (3:33)
  18. Maastricht (2:20)
  19. Torturing Cornelis (2:12)
  20. Setting The Trap (1:53)
  21. Death Of The De Witts - Michiel Escapes The Mob (6:10)
  22. Back To Sea - Strategy (1:16)
  23. Planning The Battle (1:42)
  24. The Battle Of Kijkduin - Bestevaer (6:52)
  25. The Powers Convene (1:27)
  26. One Final Mission (1:47)
  27. Saying Goodbye (2:46)
  28. Death Of A Legend (6:06)
  29. The End Of An Age (3:38)
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Felix reply Replies: 0 || 2018-09-07 20:21:56
Any plans for updating Trevor's site here ?!

Macejko reply Replies: 0 || 2018-07-22 18:21:18
I hope there is going to be a "Redbad" release. MdR is basically Trevor's best work, and I really want to hear what he did for the director's current film.

TrevorFan reply Replies: 0 || 2018-05-18 15:04:25
@Hybrid
You don't add anymore Trevor Morris things ?

rockhound reply Replies: 2 || 2016-01-29 20:01:23
on amazon you will find unreleased scores by trevor. for example Stolen, Beautiful Boy, Kings, E-Ring and unused cues from Vikings.


John2016-01-29 21:18:36
Hopefully, they post The Borgias season 2 & 3 unreleased soundtrack. The music there is my favorite so far.


JamesT2016-01-30 04:59:58
Wow!! Stolen has always been one of my fav scores by Trevor!!

Thanks!

Anonymous reply Replies: 6 || 2015-02-21 01:24:47
What a long and kick ass action scores. I has some cool themes and a lot of battle tracks


rockhound2015-02-21 17:26:27
The End Of An Age is such a beautiful piece of music with wonderful vocal performances. kind of Vide Cor Meum style. great end for an album.


phil2015-02-22 00:00:46
where can i listen to it?


Anonymous2015-02-22 10:56:00
It is on Spotify


phil2015-02-22 22:01:04
thanks


alexander2015-03-03 18:17:28
It is also on Rdio forgive me personally this has become one of my favorite scores though i have not seen the film it is mindblowing!!!


JamesT2015-03-30 03:32:53
I like this score more and more with every listen -- some great action and a beautiful theme with several variations.

Hybrid: is that Lisbeth Scott in many of the tracks? The booklet on iTunes does not list any musician or production credits.

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Michiel De Ruyter soundtrack - Trevor Morris 2015