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From albums yes, not from the scores... lolemoji movie. live action Pokémon movie. 5 transformers movies. Let’s be honest studios have no clue what people wantAre you sure Jackmans been removing the electronics from his music, or just from his albums?<br><br>Civil War was noticeably different, if you compare the OST to what you heard in the movie.Hybrid said there was some sort of legal issue that came up which prevented use of the samples or something like that.Eh, Shore is a smart composer. He could make it work. I guess whether that's what studios think audiences want is another question entirely...
Is it me or are none of the soundtracks on the website showing the sample tracks that you could listen to anymore?Have you heard that Henry Jackman will composing his music for the upcoming 2019 picture called Pokemon: Detective Pikachu?  I wonder what the film soundtrack would sound like.  Hmm...I think that Howard´s style of music doesn´t really fit to the post apocalyptic genreFor a Peter Jackson production I was expecting Howard Shore.I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.<br><br>Really great score!
I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen NightAbout his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury road
Tom is gonna score Mortal Engines<br>What kind of sound do you expect?He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.
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Hans ZimmerGeoff ZanelliRupert Gregson-WilliamsLorne Balfe
ComposerAdditional MusicAdditional MusicAdditional Music
The Lone Ranger (Complete Score)
Label: Unofficial Release
Length: 127'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5192 votes)
  1. Logos - Exhibit (1:33)
  2. Meet Old Tonto (1:14)
  3. This Is A Robbery (1:16)
  4. Building Railroad (1:13)
  5. The Rangers (1:02)
  6. Meet John (1:05)
  7. Cavendish (0:35)
  8. Cavendish Gang - Gun (2:05)
  9. Gang Boards - Cavendish Escapes (3:59)
  10. Runaway Train (5:30)
  11. Arrest Trio (0:42)
  12. John & Becca (1:50)
  13. Tonto Chant (0:48)
  14. Ride Out - Spirit Horse (2:53)
  15. Tracking (1:30)
  16. No Cover (0:53)
  17. Ambush (1:29)
  18. Cannibal (2:37)
  19. Dead Rangers (1:28)
  20. Old Tonto Pre Burial (0:36)
  21. Burial (1:04)
  22. Spirit Horse - John (1:08)
  23. Poop (0:21)
  24. John's Vision (0:31)
  25. Precarious Perch (0:24)
  26. Sneaking (0:38)
  27. Silver Bullet (0:41)
  28. Justice (1:58)
  29. Windingo Getting Away (0:32)
  30. Silver Vision (0:21)
  31. Leaving Reds (1:58)
  32. Comanche On Ridge (0:42)
  33. Ranch Attack (0:44)
  34. Embers (1:19)
  35. Barn Burn - Stand Off (2:51)
  36. Limp Crow (0:17)
  37. Wrong Brother (1:12)
  38. Valley Of Tears (0:48)
  39. Collins & Dead Horse (2:08)
  40. Because I Am Savage (2:02)
  41. Comanche Border Train (1:18)
  42. Old Tonto Pauses (0:15)
  43. Young Tonto - Silver Discovery (2:02)
  44. Aftermath Village Slaughter (2:05)
  45. Scorpions (2:11)
  46. Where The River Begins (0:47)
  47. Frank In Tunnel (0:27)
  48. Cave Walkout (0:47)
  49. Finish Him (3:16)
  50. John Captures Cavendish (0:31)
  51. Alexander The Great (0:53)
  52. Prayer (2:09)
  53. Stupid White Man (0:30)
  54. Supply Car (1:00)
  55. Daddy Dead (4:38)
  56. Build To Execution (3:27)
  57. Night Mine (2:58)
  58. Aftermath - Wear The Mask (2:08)
  59. Ignition (0:39)
  60. Bank Robbery (0:27)
  61. Train Chase (Part 1) (10:09)
  62. Train Chase (Part 2) (1:09)
  63. World Evolving (3:15)
  64. Crow (0:25)
  65. End Credits (2:53)
  66. Home Suite (6:54)
  67. Absurdity Suite (4:03)
  68. Silver Suite (4:03)
  69. Poop (Alternate) (0:21)
  70. Leaving Reds (Alternate) (0:23)
  71. Wrong Brother (Alternate) (1:12)
  72. Frank In Tunnel (Alternate) (0:26)
  73. Prayer (Alternate) (1:52)
  74. World Evolving (Alternate) (0:55)
  75. Crow (Alternate) (0:25)
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Edmund Meinerts reply Replies: 10 || 2018-05-02 11:11:49
Listening to this complete score and once again it strikes me how much weaker, quieter, less punchy recording sessions frequently sound when compared to the equivalent album tracks. The Pirates of the Caribbean completes have the same problem. It puts me in kind of a conundrum because take from this score "Runaway Train" vs. its album track "The Railroad Waits for No One". The percussion in particular sounds so much more satisfying and prominent in the latter. So do I take the version with the two extra minutes of material, or the version that sounds much more vibrant and exciting to listen to? Or do I edit together some weird mixture of the two (which is actually what I did, but that's an imperfect solution too because a) it's time-consuming and b) then the track constantly moves back and forth between two different mastering styles which is distracting).

Not to mention the huge chunks of silence at the beginning and end (and sometimes middle) of tracks, and the crappy sound quality on "Ride Out/Spirit Horse" and "Aftermath Village Slaughter". It's great to be able to hear these recording sessions but sometimes their flaws are too irritating to ignore...it's quite clear that they weren't prepared for consumption at all, and getting them to the point where you can listen to them is hard work sometimes!


Mike (OTM)2018-05-02 15:45:11
I noticed that with The Dark Knight Rises... a lot of the cues sound like demos almost, even the final versions, where the score in-film is a lot more polished.


Mr Tweedy2018-05-02 18:58:22
That's why I'm mastering my bootlegs before givin them a "real" listen.
Though you can't really master stereo files the same way studios do masterings (with separate layers of instruments), I manage to add some noticeable energy to the bootleg tracks.


mpolonest123 2018-05-02 19:47:24
It’s funny how certain RS are affected by this whole mastering thing while others aren’t. TASM2 and MoS sound almost perfect, while AWE has completely different instrumental layering (although in that case I prefer the more traditional sound as opposed to the bass heavy album).


Joshua2018-05-02 20:37:44
Well considering the film versions have to compete with dialogue and sound effects, it's an absolute must to make them "less punchy" or "quieter". There's only so much sonic space to play with. But with album versions you can go balls to wall. It's not a problem in the recordings. They're doing exactly what there designed to do.


Edmund Meinerts2018-05-02 21:05:58
Yeah I know, it's only a "problem" if you're listening on its own, which these files were never really meant for. I understand the circumstances, it's still just a bit frustrating.

Incidentally, I actually prefer the sessions' mix of "Train Chase" (or "Finale"). It lets the dynamics breathe a bit more whereas the album version was a bit brickwalled and over-loud and exhausting (which works okay for your usual Zimmer/RC-style simplistic power action music but not quite as well for a more dynamically orchestral piece like this; I have the same issue with Thomas Bergersen's "That's a Wrap"). Also the opening trumpet isn't quite as piercing and abrupt (I actually get a huge "jump-scare" sometimes when it comes up on shuffle). So you win some, you lose some. :)

mpolonest, I sort of agree on AWE, although I do wish the sessions had just a *bit* more power. It's not 100% traditionally composed orchestral music, after all, still has that Zimmer heavy touch which goes missing a bit in the sessions. The ideal medium would be somewhere between the sessions and the overly-loud album (which is hopefully what we'll get when that score gets an official complete release one of these years from someone like La-La-Land, which I'm perhaps foolishly optimistic it will, there's so much great unreleased material and it's a very, very popular score, with good reason).


mpolonest123 2018-05-02 21:28:13
@Edmund Well more traditional in the Zimmer sense lol.
With the first Pirates and DMC, you need to have that bass heavy “rock’n’roll” sound, AWE was always a pretty different score tonally.

As for the issues with session mastering, I always edit my copies to remove silences and boost volumes when needed. The only major issue that seems to arise is when lossy files are released. BvS, as one example, sounds atrocious in parts due to the quality of sound.


Edmund Meinerts2018-05-02 21:58:25
Boosting volume helps but it doesn't bring the music up to album levels. There's a much more involved amount of balancing/mixing/mastering that goes into albums that is far beyond my rudimentary Audacity skills...


mpolonest123 2018-05-02 22:04:57
Oh definitely not... I think you would need the stems to have a 100% perfect representation of the album sound. (Though I’m sure some people have strong enough editing skills to come close)

Two asides:

1. In Cavendish Escape (film version) there are some awesome drum placements when he exits the train with his gang that aren’t on the sessions. We’re those done by a music editor?

2. How on earth did the skeleton dance and finale cue from Curse of the Black Pearl pass the bar with those horrible bass distortions? I don’t think I’ve ever heard an official release with something as botched as that....


Edmund Meinerts2018-05-02 23:11:12
There's some pretty gnarly bass distortions in "Terraforming" from Man of Steel as well (at around the 2:30 mark) but I'm not sure those aren't on purpose...


mpolonest123 2018-05-03 02:34:28
Those are pretty noticeable, although they do fit the whole terraforming sound design in a weird way. I want to say there is some awful mixing in the Hero Fight cue from BVS as well. Actually, make that most of Junkie XL’s scores. Run All Night and Mad Max have some genuinely bad portions.

Daniel reply Replies: 0 || 2017-04-07 23:13:16
"After the Battle of Aughrim" was inspired to the theme

Felix reply Replies: 2 || 2016-06-25 18:59:38
Do you have any credits here Hybrid?


Hybrid Soldier2016-06-25 19:10:31
No.


Anonymous2017-03-01 03:11:40
Andrew Kawcynski has a few cues from here on his soundcloud. So there's that.

Daniel reply Replies: 0 || 2015-12-04 21:53:10
It's here!!

Sam reply Replies: 0 || 2015-05-12 21:54:40
Is there a way to actually listen to these?

T-Mann036 reply Replies: 4 || 2015-03-10 00:46:26
Mind-- FREAKING-- BLOWN!!!! The Lone Ranger complete score is here!!!!!!


Anonymous2015-03-10 18:09:28
Uhhh, sorry my friend, this "complete score" doesn't and never will exist. It is just more of Hybrids useless never-ending posting of songs we will never hear or be able to buy. Just a senseless waste of time.


Marcos2015-03-10 19:38:34
What are you talking about? I have all these tracks, this is real. Maybe you should look better


Anonymous2015-03-11 02:55:32
Well where exactly did you obtain it? It clearly states "unofficial release" next to "Label"


Anonymous 11382015-03-11 06:19:39
It's also been clearly stated that it's against the rules here to post links to other websites, especially ones where bootlegs are available for download. ### EDITED ###

Dude reply Replies: 0 || 2015-03-10 21:31:07
And in this version "Ride Out - Spirit Horse" is also in low quality?

Marcos reply Replies: 7 || 2015-03-10 10:53:01
Another one Zimmer's leak ? What 's going on? , POTC On Strangers Tides was leaked too. now just missing the complete score of the amazing spider-man 2 , does anyone know why all complete scores are been leaked in these days? Maybe @Hybrid can tell us


Hybrid Soldier2015-03-10 11:34:38
No comment Marcos...


Anonymous2015-03-10 18:06:02
"No comment" translates to Hybrid has no f-ing clue as to why


john2015-03-10 18:08:48
hey hybryd, after leaking pirates mos and lone ranger can you leak spiderman ?
thanks


Anonymous2015-03-10 18:11:50
What is the use in "leaking" these alleged "complete scores" all the time? Will we ever, or have we ever been able to buy these, let alone hear any of these extra songs? The answer is no so why keep doing it?


Marcos2015-03-10 19:35:47
now apparently the recording sessions of Amazing spider.Man 2 has been leaked. but for now is a rumor, i'm going to check now the tracklist.


Medigo2015-03-10 19:37:46
No that one was a prank apparently
dont get your hopes up on that front


Marcos2015-03-10 19:43:35
Yes, you're right , most probale is that be a prank.

RealFfingMusic reply Replies: 8 || 2015-03-10 06:00:19
I know it's a silly question, but why does this site replace slashes with hyphens?

E.g. "Logos / Exhibit 1:33" to "Logos - Exhibit (1:33)"


Anonymous2015-03-10 06:15:48
Annoying, is it not?


Hybrid Soldier2015-03-10 11:56:25
Because it's my H-Z.com standard... I personally hate the "/" !

Sue me it bothers you ! lol


RealFfingMusic2015-03-10 12:08:21
Sometimes I forget everybody here is human. Shame, I always imagined Hybrid to be like Ian McKellen in Gandalf costume.


Edmund Meinerts2015-03-10 13:51:35
I personally prefer slashes to hyphens but as long as one or the other is used consistently, everything's cool. :)


RealFfingMusic2015-03-10 16:48:20
Well, hyphens are used to join two words. Slash is used to separate two parts of the same element. So yeah, slash is more accurate.


Hybrid Soldier2015-03-10 17:45:05
Who cares, you have a problem ? You're free to leave !


RealFfingMusic2015-03-10 18:03:41
@Hybrid, don't be dick. I never said I have a problem. I don't have anything against hyphens. I just mentioned in Indian English slash is MORE accurate here, doesn't mean hyphen is wrong.


Anonymous2015-03-10 18:03:54
Hybrid, don't be such an a-hole okay?

JackieStewart reply Replies: 1 || 2015-03-10 11:07:53
What I really want is the RUSH complete score. The cd release of this was good enough.


RealFfingMusic2015-03-10 12:00:30
There won't be more than 10 minutes extra material in Rush CS. Most of the music is already in the OST.

Edmund Meinerts reply Replies: 0 || 2015-03-10 09:56:33
Now THIS I'm excited to hear.

T-Mann036 reply Replies: 1 || 2015-03-10 02:59:03
Just a curious question... Are the Absurdity and Silver suites are parts of the original film score?


Tonto2015-03-10 03:07:23
They are suites which themes get used in film

Cooper reply Replies: 2 || 2015-03-10 02:24:15
I listen now, but i cant find, where is Music Box track ?


Tonto2015-03-10 02:28:56
That is a source cue. Not included


Cooper2015-03-10 02:51:20
I thinking, Hans composed this track (Music Box) :( disappointment. :(

Hybrid Soldier reply Replies: 2 || 2015-03-10 00:43:12
Before anyone shows up...


Adam2015-03-10 01:39:17
Oh my God! First Man of Steel and now The Lone Ranger! This is awesome!

Are any credits known at this time? :P


Russel2015-03-10 02:17:07
Yeah, Hans Zimmer. Lol

Scorefan reply Replies: 0 || 2015-03-10 01:24:14
This day is awesome!!!

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The Lone Ranger (Complete Score) soundtrack - Hans Zimmer 2013