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Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter eggI haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.The Henry Jackman I know died out after Civil War and Kingsman 2. After that you can hear faint fizzles of his electronic greatness, but nothing more. <br><br>But hey maybe he just doesn't wanna do that crap anymore...so..eh.Hard to believe this is a follow up to Wreck-It Ralph. Did he remove the electronics from this one too? Sounds too serious and at times dark and dramatic for a kid's movie score. Whatever happened to the fun?
Imperial March and Luke's theme are in it!Widows is actually a pretty interesting score. Not one of Zimmer's best from for an isolated listening experience standpoint, but as a textual score, I was engaged for the most part. The score effectively builds momentum throughout from beginning to end and I could feel the movie just by listening to the music.Tracklist:<br><br>01. Imagine Dragons Ė Zero (3:32)<br>02. Sarah Silverman, Gal Gadot, Cast Ė Ralph Breaks the Internet Ė A Place Called Slaughter Race (3:28)<br>03. Julia Michaels Ė In This Place (3:21)<br>04. Karol Sevilla Ė El lugar (3:21)<br>05. Best Friends (2:53)<br>06. Circuit Breaker (2:22)<br>07. Pulling the Plug (1:14)<br>08. On the Rooftop (1:04)<br>09. The Big Idea (1:16)<br>10. The Internet (2:47)<br>11. KnowsMore & Spamley (1:18)<br>12. Site Seeing (1:30)<br>13. Checkout Fiasco (1:33)<br>14. Get Rich Quick (1:43)<br>15. Shank (3:03)<br>16. Hanginí Out (1:03)<br>17. BuzzzTube (1:42)<br>18. Overnight Sensation (2:52)<br>19. Separate Ways (1:04)<br>20. Vanellopeís March (0:46)<br>21. Desperate Measures (1:20)<br>22. Donít Read the Comments (1:49)<br>23. Growing Pains (1:35)<br>24. Double Dan (3:36)<br>25. Scanning for Insecurities (1:54)<br>26. Breaking Up (2:46)<br>27. Replicate-It-Ralph (1:21)<br>28. Operation Pied Piper (2:38)<br>29. Kling Kong (3:39)<br>30. The Meaning of Friendship (2:16)<br>31. A Big Strong Man in Need of Rescuing (1:55)<br>32. Letting Go (1:49)<br>33. Comfort Zone (1:33)<br>34. Worlds Apart (1:22)<br>35. Alan Menken, Phil Johnston, Tom MacDougall Ė A Place Called Slaughter Race (Instrumental) (3:28)<br>36. Alan Menken, Phil Johnston, Tom MacDougall Ė In This Place (Instrumental) (3:20)And top gun:maverick....big 4Yeah seriously, he hasnít done much in a year plus. Heís definitely taken some time off for touring and other things, which may be a great thing for his inspiration... who knows, but Iím guessing the time off has let his brain take a break and maybe he has a ton of new ideas for the big 3 (WW:84, Dark Phoenix, Lion King) coming up in the next year and a half. <br><br>Or maybe Iím just hopeful/wishful thinking lol.
Plus, Blue Planet II came out last year. That score is as far from Widows as possible.I'm not sure, but I think this site is not the right place to ask for copyright, since it is "almost official". But, here you can find the label of every officially released album you want, so you can ask the company labeled.That collaboration was barely a year ago. This is literally Zimmer's first significant score since then. You can't deduce a pattern from two data points.IMDb says that Lorne is one of the 3 composers of Battlefield V. I am confused.... :DWell, if you check what Hans Zimmer did recently there wasn't much material for him to write a good theme too. A lot of it was types of movies that were synth type music. I think The Dark Phoenix and Wonder Woman (apart from his amazing theme for her already) will have some good typical Hans Zimmer feel to it which I am excited for.
For the first time of my life but with sound experience, I assist on that one too.  A very good job from all that team.<br>I only was surprised to not see Hans Zimmer itself and quickly understood that it was "the world of..." and not HZ live ! No regret for my first even if I'm a bit frustrated and regret my mistake ;o)<br>Do you have a tip for me to do it again and avoid that mistake again? When you purchase a ticket, it's hard, you have sometimes to go deeper to see that, finally, he's not gonna be there!<br>Have a great day U all.<br>I wishCool Hybrid! Been at the concert in Oberhausen last Saturday. A lot better then expected to be honest. Pedro's Oogway's Ascend was very good, Pedro outdid himself there (at the 2nd Zimmer concerts I thought he wasnt that great compared to Richard).<br><br>Yeah! The hell are the other comments about though? The Last Stand is miles ahead of X2. You weren't even saying TLS was the best X-men score, you were just saying it's Powell's best score. Man people are dumbHi, I want to add some seconds of 8 track for the background of my small documentary about races, my first one, is it possibile to ask for copyright? Should I write to some email addresses?<br>
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Hans ZimmerGeoff ZanelliTom GireJohn Sponsler
ComposerAdditional MusicAdditional MusicAdditional Music
Pirates Of The Caribbean - On Stranger Tides (Complete Score)
Label: Unofficial Release
Length: 161'53
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4520 votes)
  1. Opening (3:39)
    Hans Zimmer, Geoff Zanelli
  2. The Courtroom (1:39)
    Hans Zimmer, Matthew Margeson
  3. Paddy Wagon (2:53)
    Hans Zimmer, Matthew Margeson (Klaus Badelt)
  4. Palace Courtyard (0:32)
    Hans Zimmer, Guillaume Roussel
  5. Creampuff - King's Entrance (1:07)
    Hans Zimmer, Guillaume Roussel
  6. Barbossa's Entrance (2:03)
    Hans Zimmer, Guillaume Roussel (Blake Neely)
  7. Jack's Escape (2:15)
    Hans Zimmer, Geoff Zanelli (Klaus Badelt)
  8. Carriage Chase (2:09)
    Hans Zimmer, Tom Gire, John Sponsler
  9. Filthy Pirate (0:20)
    Hans Zimmer, Jacob Shea (Klaus Badelt)
  10. Imposter Swordfight (2:55)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  11. Meet Angelica - Jack & Angelica Bicker (2:14)
    Hans Zimmer, Matthew Margeson
  12. British Attack (1:16)
    Hans Zimmer, Geoff Zanelli
  13. Gibbs Burns Map (2:17)
    Hans Zimmer, Geoff Zanelli
  14. Aboard The Queen Anne's Revenge (1:32)
    Hans Zimmer, Tom Gire, John Sponsler
  15. First Mate Is A Her - The Prophecy (2:14)
    Hans Zimmer, Matthew Margeson
  16. Barbossa Seeks Heading (0:22)
    Hans Zimmer, Guillaume Roussel
  17. Spanish Ignore Barbossa (1:31)
    Hans Zimmer, Geoff Zanelli, Guillaume Roussel
  18. Spanish Still Ignore Barbossa (0:19)
    Hans Zimmer, Guillaume Roussel
  19. Mutiny Meeting (0:47)
    Hans Zimmer, Geoff Zanelli
  20. Mutiny (3:06)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  21. Blackbeard's Entrance - Mutineers Hang (2:28)
    Hans Zimmer, Matthew Margeson
  22. Upside Down Jack (0:22)
    Hans Zimmer, Jacob Shea
  23. Fry The Cook (3:00)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  24. Blackbeard's Cabin (2:09)
    Hans Zimmer, Guillaume Roussel
  25. Barbossa Having Tea (1:16)
    Hans Zimmer, Guillaume Roussel
  26. Barbossa Rallies The Crew (0:44)
    Hans Zimmer, Guillaume Roussel
  27. The Dance - Bottle Room - Voodoo Doll (3:38)
    Hans Zimmer, Matthew Margeson (Klaus Badelt)
  28. Mermaid Hunt - Mermaid Tale (2:41)
    Hans Zimmer, Tom Gire, John Sponsler
  29. Mermaids Appear - Mermaids Attack (9:29)
    Hans Zimmer, Geoff Zanelli
  30. The Beach - To The Fountain - Jungle Trek (3:06)
    Hans Zimmer, Matthew Margeson
  31. Syrena Needs Air (0:51)
    Hans Zimmer, Tom Gire, John Sponsler
  32. The Cliff (0:59)
    Hans Zimmer, Tom Gire, John Sponsler
  33. Jack Jumps (1:17)
    Hans Zimmer, Jacob Shea
  34. Shirtless - Naming Syrena - Ponce De Leon (5:36)
    Hans Zimmer, Matthew Margeson
  35. Chest Sting (0:14)
    Hans Zimmer, Guillaume Roussel
  36. Don't Touch The Map (0:47)
    Hans Zimmer, Guillaume Roussel (Klaus Badelt)
  37. Ole (0:35)
    Hans Zimmer, Geoff Zanelli
  38. Mermaid Pools (1:00)
    Hans Zimmer, Tom Gire, John Sponsler
  39. Mermaids Are Tough (2:42)
    Hans Zimmer, Guillaume Roussel
  40. Spanish Camp (3:02)
    Hans Zimmer, Tom Gire, John Sponsler
  41. Mermaid Tears (2:12)
    Hans Zimmer, Matthew Margeson (Klaus Badelt)
  42. Palm Tree Grove (2:03)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  43. Jazz Hands (3:06)
    Hans Zimmer, Geoff Zanelli
  44. Is That It? (1:54)
    Hans Zimmer, Matthew Margeson
  45. Water Drop (1:53)
    Hans Zimmer, Geoff Zanelli
  46. Aqua De Vida (0:32)
    Hans Zimmer, Guillaume Roussel
  47. The Fountain Of Youth (2:52)
    Hans Zimmer, Geoff Zanelli
  48. The Faceoff (1:32)
    Hans Zimmer, Geoff Zanelli
  49. Battle For The Fountain Of Youth (Part 1) (1:16)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  50. Battle For The Fountain Of Youth (Part 2) (1:01)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  51. Philip Returns To Syrena (0:50)
    Hans Zimmer, Matthew Margeson
  52. The Battle Continues (0:51)
    Hans Zimmer, Tom Gire, John Sponsler
  53. Spanish Arrive (2:25)
    Hans Zimmer, Geoff Zanelli (Klaus Badelt)
  54. Angelica Cut (3:16)
    Hans Zimmer, Geoff Zanelli (Klaus Badelt)
  55. Blackbeard's Demise (1:17)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  56. Syrena Saves Philip (1:40)
    Hans Zimmer, Matthew Margeson
  57. One Pistol, One Shot (0:25)
    Hans Zimmer, Guillaume Roussel
  58. Jack Leaves Angelica (1:07)
    Hans Zimmer, Matthew Margeson
  59. Make Way For Tortuga (1:53)
    Hans Zimmer, Guillaume Roussel
  60. Jack & Gibbs (1:41)
    Hans Zimmer, Tom Gire, John Sponsler
  61. End Credits (1:57)
    Hans Zimmer, Geoff Zanelli
  62. Voodoo Dool (0:24)
    Hans Zimmer, Guillaume Roussel
  63. Angelica Theme (4:16)
    Hans Zimmer
  64. Mermaids Theme (5:10)
    Hans Zimmer
  65. The Pirate That Should Not Be (Theme Idea) (3:55)
    Hans Zimmer, Rodrigo Y Gabriela
  66. South Of Heaven's Chanting Mermaids (Theme Idea) (5:48)
    Hans Zimmer, Rodrigo Y Gabriela
  67. Angry & Dead Again (Theme Idea) (5:33)
    Hans Zimmer, Rodrigo Y Gabriela
  68. Paddy Wagon (Alternate) (0:20)
    Hans Zimmer, Matthew Margeson
  69. Aboard The Queen Anne's Revenge (Alternate) (0:56)
    Hans Zimmer, Jacob Shea
  70. Blackbeard's Cabin (Alternate) (1:11)
    Hans Zimmer, Guillaume Roussel
  71. Barbossa Having Tea (Alternate) (0:40)
    Hans Zimmer, Guillaume Roussel
  72. Mermaid Hunt (Alternate) (1:27)
    Hans Zimmer, Tom Gire, John Sponsler
  73. The Cliff (Alternate) (0:27)
    Hans Zimmer, Tom Gire, John Sponsler
  74. Naming Syrena (Alternate I) (1:58)
    Hans Zimmer, Matthew Margeson
  75. Naming Syrena (Alternate II) (0:25)
    Hans Zimmer, Matthew Margeson
  76. Naming Syrena (Alternate III) (0:33)
    Hans Zimmer, Matthew Margeson
  77. Don't Touch The Map (0:59)
    Hans Zimmer, Guillaume Roussel
  78. Mermaids Are Tough (2:43)
    Hans Zimmer, Guillaume Roussel
  79. Jazz Hands (Alternate) (0:29)
    Hans Zimmer, Geoff Zanelli
  80. Battle For The Fountain Of Youth (Part 1) (Alternate I) (0:23)
    Hans Zimmer, Tom Gire, John Sponsler
  81. Battle For The Fountain Of Youth (Part 1) (Alternate II) (0:19)
    Hans Zimmer, Tom Gire, John Sponsler
  82. Blackbeard's Demise (Alternate) (0:52)
    Hans Zimmer, Tom Gire, John Sponsler
  83. Jack & Gibbs (Alternate I) (0:29)
    Hans Zimmer, Tom Gire, John Sponsler
  84. Jack & Gibbs (Alternate II) (0:10)
    Hans Zimmer, Tom Gire, John Sponsler
  85. Mermaids Theme (Alternate) (5:11)
    Hans Zimmer
Create Topic

Unknown reply Replies: 4 || 2018-10-13 03:45:21
I learned that Steve Jablonsky actually composed three tracks:
Mermaids
Palm Tree Escape,
stranger tides.

Here is Proof from copyright.gov
https://cocatalog.loc.gov/cgi-bin/doctitles.cgi?V3630D042
&
https://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=2&ti=1,2& Search_Arg=V3630D042&Search_Code=REGS&CNT=25&PID=0krD73MjsLc 4PU7YurzaqS0SJAe4&SEQ=20181012214432&SID=3


Hybrid Soldier2018-10-13 08:49:51
Yeah sure.

What about, I don't know, just saying, those cues have direct temptrack of cues from POTC 1 by Steve, hence they decided to credit him ?

I guess you didn't think about that or have any idea how all this crediting works ?


Unknown2018-10-13 21:27:21
Just thought it was cool little secret credit given despite the actual album cover just says Zimmer for those tracks. Itís just a technicality that I thought was pretty cool. I always kind of felt Zimmer always takes credit for things that donít belong to him always. So itís nice to see the fine print .


Hybrid Soldier2018-10-14 09:28:31
As a matter of fact, Djawadi is also credited, basically for the note to note use of a segment from "Sword Fight" from POTC 1... Atli is also credited for Mermaids for the use of "Beckett's Death" from POTC 3...


Unknown2018-10-15 21:54:42
Wow that pretty neat.

a reply Replies: 0 || 2018-08-20 23:55:07
You know this score can be quite good sometimes. i find myself getting really into the new themes and ideas and thinking this score really had potential.. but then the track awkwardly switches to a painfully obvious temp from AWE that doesn't make any sense any way you think about it and my eyes roll so hard it hurts.


mpolonest123 reply Replies: 2 || 2018-07-26 16:50:13
So I FINALLY gave this one a listen, I hadnít really explored this score outside of the demos that had been available all these years (which are actually pretty interesting if you want to hear Zimmerís early ideas while the score was getting butchered)

To my genuine surprise, itís not as bad as I remembered. GRANTED, the misuse of themes and temp tracking still are a major issue. If you are familiar with the other scores in the franchise you can basically hear which temp was used and exactly where it was edited. I donít blame the team for half assing certain cues. Funnily enough ďDead Men Tell &#209;o TalesĒ has a similar problem, but with that score you still get consistency with the themes.

But as for the new material, itís still incredibly solid. The mermaid theme gets constant development, and there are certain cues (Naming Syrena/Fountain of Youth) where the theme is genuinely beautiful and epic. And while it was most likely a PR move by Zimmer, the Spanish guitar sound is incorporated ALOT, not just in the suites. And it still sounds pretty damn good.

Itís funny how a score that was initially considered bad can actually hold up and even work to a degree years later. Same thing with Clash of the Titan for me personally. Now I wonít argue how much of a mess this one is, but at least itís a fun mess, which is more than I can say about some of the scores weíve been getting lately...


Edmund Meinerts2018-07-27 10:06:03
There's a core of about 25-30 minutes of material from this score that I think is genuinely good and fresh. The rest I never listen to because why would I when I could just listen to 1-3? But yeah...I still file this one under the "unforgivable" category even despite those decent moments. It's just hard for me to look past the disappointment and the butchery.


mpolonest123 2018-07-27 14:18:21
The butchery definitely is unforgivable, but I still somehow managed to have fun with the music. Which is funny, because I remember outright hating this score when I saw the film.

Also something that no one ever mentions, DMC (while it has plenty of new material) is almost just as bad when it comes to sticking to the temp track. And while the themes arenít misused like OST, there are still lengthy passages taken directly from CoTBP. (Still an amazing score though)

Edmund Meinerts reply Replies: 0 || 2018-04-04 12:16:19
Was Eduardo Cruz actually involved at all with the Angelica theme? Because he's credited on the OST but not here, similar to Eric Whitacre...

theGordo reply Replies: 4 || 2017-12-26 13:21:53
Whats funny is that angelica and mermaids both got like a suite, but blackbeard didn't??? Hmmm...


james (now james callahan)2017-12-26 19:42:18
Blackbeard also is a suite!


Medigo2017-12-27 01:53:41
Mermaids is more like a microedited combination of the whole mermaid hunt/tale/attack scene

and Blackbeard I would call his two scenes pasted together with his deathscene music


ak2017-12-28 01:21:01
wasn't Blackpeard 50% reused music from previous scores?


theGordo2017-12-30 04:42:53
even so. Blackbeard was a song on the official OST, and being reused music eeeehhh dooesssnn't really explain the lack of a suite here, but I'm not completely bummed out by it.

theGordo reply Replies: 1 || 2017-12-15 17:24:26
...why is Eric Whitacre's credit being omitted?


James (now James Callahan)2017-12-16 14:44:17
What's the involvement of EW in the Mermaid Suite? I always imagined it that way: Hans being responsible for the first part of the suite, the calmest, Geoff taking care of the piece that corresponds to the moment of the sirens attack and that Eric inserted the choir to finish the composition.

mpolonest123 reply Replies: 3 || 2017-07-24 03:30:50
This might seriously be overthinking things but I think I understand why Barbossa's theme in this film happens to be the third Beckett motif. Rewatching AWE it seems this theme always appears when a betrayal is happening. Considering Barbossa is "allied" with the British navy it somewhat makes sense that the betrayal theme is used for him. Realistically I'm sure it's just another bad temp but it's still fun to imagine what Zimmer and Co. were thinking here...


Iamtommie2017-11-17 19:01:26
Can I ask why everybody is so negative about this score.
I actually really love it. New themes for Spaniard, Mermaids and Blackbeard are good.
Okay, Hans re-used stuff from the previous 3 but it's still a great score.

Why does everybody else think it's bad? Would somebody please explain this to me


Olive2017-11-17 20:52:26
Because they mixed several passages of past scores into scenes completely disconnected from those for which the music was composed at first. There is a chase scene with the music for the maelstrom. The love theme for Will and Elisabeth comes up without either of them being in the movie or in scenes that nerver mention their names. The same with the theme for Beckett. And half of the commercial CD was remixes of DJs


Alexander2017-11-17 21:06:05
I don't think everybody thinks it's bad you just have to look at the development of the franchise. In the first pirates we got very nice melodys and tunes that are still legendary and so they set the tune for all the other pirates movies. In the second one we got a much darker yet very good developed score that has again new themes for new characters but uses themes from the first one as well. Then the third movie came along and everybody can think about the film what he wants but the music... man the music from the third one is really the cherry on the top of the entire franchise cause here we got all themes in new majestic versions plus one of the most beautyful love themes ever. So now you would think "Ok, I guess by judging by the development, the next one will be at least as great as the last one" but instead of this case we just got old themes in flat versions and the music is not bad but it just has not this kind of drive like the others. For sure if this score would have been the first one, the crowd would have reacted differently but hey, the movie wasn't that good as well so I guess it all equals out :D

:) reply Replies: 13 || 2016-01-21 22:52:04
I hear from a close source (I can't say) that Zimmer is going to do pirates 5 but will be more focused on Nolans new film Dunkirk coming out at the same time.


Dimitris Krommidas2016-01-21 23:41:38
I hope it's true!


Hybrid Soldier2016-01-22 00:06:40
Let me seriously doubt that... lol


rockhound2016-01-22 00:11:34
i would love to hear a trevor rabin score for this movie, although we would get more new themes than he would use the old ones. but i would love to hear a new take on this franchise.


Edmund Meinerts2016-01-22 08:17:49
Even though I still think Geoff Zanelli is a pretty great choice, I would be TOTALLY on board with a Trevor Rabin Pirates score. If anyone's got the fun-thematic old-school MV sound down, he does.

Actually, even better - Mark Mancina! He's a little better with orchestra than Trevor. Plus has a rapport with Disney. Would be awesome. :D


Brent2016-01-22 09:07:30
Geoff is certainly my top choice, but do you know what my absolute dream would be (and one that would certainly never ever happen)? A freakin' John Powell Pirates score. ;)


rockhound2016-01-22 09:11:34
Pan is a kind of pirtaes score by powell. but mark mancina would also be a really nice choice. i hope we will get to know at least this year, who will compose the music.


0-^-02016-01-22 10:37:13
Personally, I care not who gets this gig.

All I want is something in the spirit of what Pirates 2/3 - particularly 3 - were to the original. Whoever can deliver this please come aboard!


Macejko2016-01-22 11:28:49
I would sell my kidney to hear Mark Mancina do the Pirates!


Solidsnoke2016-01-22 16:53:10
Hans was great on POTC but Disney totally messed up the fourth score so I can understand Hans won't do the next


Scorefan2016-01-22 20:10:07
My choices:
1.- Geoff Zanelli
2.- Trevor Rabin & Mark Mancina
3.- Alan Silvestri
4.- John Debney

Zimmer won't go back to score Pirates 5. That's sure.


Prott2016-01-23 13:35:52
Macejko: My kidney is in as well! :) It would be awesome to hear a pirates score by The M.M.!


Hybrid Soldier2016-01-26 19:24:11
And btw, I can confirm AGAIN, Hans won't be doing POTC 5... ;)


Eric2017-03-28 01:11:07
Geoff Zanelli who has worked on every Pirates film is doing Pirates 5

crazyackleholic reply Replies: 1 || 2016-12-25 21:27:35
Is track 70 a full alternate take or an insert? Same question regarding track 82.


Anonymous2016-12-27 13:31:47
These 're demos.

Daniel reply Replies: 1 || 2016-05-28 04:12:27
Should the tracklist reflect the use of other previous composers' themes? I'm sure there's lots of composers from 1 2 and 3 whose themes were adapted in this score. Should they get a (parentheses) credit as well? That's why his name is in parentheses right? because theyre using his themes?


Anonymous2016-05-28 07:43:14
Yes. Same with dead man's chest and at worlds end

Daniel reply Replies: 8 || 2015-09-13 22:36:36
Anyone knows if Hans gonna make soundtrack for potc 5??


Hybrid Soldier2015-09-13 22:56:37
No he is not... Let's hope Geoff does it... :)


Anonymous2015-09-14 02:14:14
I can't imagine a Pirates movie without Badelt/Zimmer's music themes. At least, they bring one of POTC old collaborations (RCP). My bet is for Balfe, Zanelli, Morris or Jackman.


Joshua2015-09-14 06:59:34
Zanelli was in RCP, and his influence is all over the previous scores. He had alot to do on the first one.


Ds2015-09-14 10:56:30
Hybrid, wasn't Geoff already confirmed? I thought I read it somewhere a while ago but can't remember exactly :-p


Anonymous2015-09-14 11:48:48
I've been following the production of this film on the net and I got this vibe that it might be troubled production with lots of hiatus and push backs and changes. Hope this is not carried over to the score.


Hybrid Soldier2015-09-14 16:42:03
Geoff is in talks with production for quite some time. It's too early to say anything officially.


Zimson2015-09-14 17:56:58
I really hope they give the gig to someone who was involved in the previous scores, Geoff or Henry would be great.
The score should feel like it is continuing a series.


Edmund Meinerts2015-09-14 17:59:42
They certainly have no shortage of people who have already worked on the series! They could make up to a Pirates 20 and never use the same guy twice and still keep it within the family...lol

Medigo reply Replies: 5 || 2015-03-11 12:27:12
true
allthough with how the movie uses some inserts and not others
Its not easy to get a clear list anyway


Tobias2015-03-18 09:38:57
I can't find the track Nr. 47 "The Fountain Of Youth"....


Anonymous2015-03-18 13:20:12
Look again. If you can't find it where it should be, Geoff Zanelli also released it on his website a couple years ago.


Bioscope2015-03-18 16:51:19
6m57 untitled....


Anonymous2015-07-18 18:20:02
Anyone find a way to download this track (#47 "The Fountain of Youth")?

I found it on Zanelli's website as someone suggested, but I don't know how to download it off a website like that one.


Bioscope2015-07-19 06:16:26
Go into your browser 'treasure chest'....

speedrun reply Replies: 3 || 2015-04-29 19:06:12
So Matthew Margeson wrote the Blackbeard theme? Cool.


Hybrid Soldier2015-04-29 19:46:59
Nope, the cue is Hans' demo, orchestrated by Matthew...


speedrun2015-04-29 19:55:18
oh my bad. I got confused with credits because I didnt see a Blackbeard Theme like the other ones.

What does orchestrated mean?


Anonymous2015-04-30 05:33:04
@speedrun

Do what? Really?

Leoj reply Replies: 2 || 2015-03-29 19:45:47
What is the name of the track 2m18A?


Felix2015-03-29 22:40:41
It's an Untitled Cue


Bioscope2015-03-30 05:57:23
It is represented here as track 69 and serves as an intro to Aboard the QAR.

Hybrid Soldier reply Replies: 9 || 2015-03-10 14:15:48
I'll finish with cover later... lol


RealFfingMusic2015-03-10 16:46:32
Who cares? The score sucked as much as the movie.


Medigo2015-03-10 19:38:41
It has some nice new material
contrary to what that abomination of an album release would like us to believe


john2015-03-10 20:18:41
dont know why my message was removed but can you leak spiderman 2 as well?


Medigo2015-03-11 11:17:52
btw I could have sworn that

'Aboard The Queen Anne's Revenge Alternate' does play in the movie, but that its placed in the scene before the actual aboard the QAR scene

There is music playing when jack Sparrow wakes up after all

also shouldnt some of these alternates just be called 'Inserts'?


Hybrid Soldier2015-03-11 11:49:37
Yeah but it was written to at the same place...

Well an insert is by definition an alternate version of a segment... ;)


NM2015-03-11 13:35:31
Sorry Medigo but I have to disagree, of course this is nice to have for "completeness" sake, but unlike The Lone Ranger which has some great little gems, this is *still* not a great score.

There's some highlights like the Mermaid scene stuff, but I'm amazed that a cue as terrible as "Carriage Chase" was even recorded. With the full orchestra it actually sounds worse as the awkward transitions, weird stilted tempo change and then the utterly anonymous and generic ending are more apparent.


Medigo2015-03-11 13:51:00
well I didnt say all the tracks were good
but I appreciate all the new spanish material and versions of the mermaid theme

even if the scenes they went with were ugh


Anonymous2015-03-11 16:24:19
An insert is not necessarily an alternate.


NM2015-03-13 21:24:47
@Medigo

The Mermaid theme (and the attack music) is definitely very very good I'll grant you that. And you can hear glimpses of what they probably wanted to do with the Spanish stuff.

I would've loved to be have been there when they were recording "Blackbeard's Demise V2", they must've been laughing their asses off!

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