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You're right, matthew, but i'd said everyone here is used to this kind of album release with HZ/RCP, like The Thin Red Line or Inception with a lot of suites and not so much of the actual movie score. Personally i don't mind because I know the full score will be release some day and I really enjoy suites. However, I'm afraid there is nothing else to do that wait.<br><br>ps : i think Hans or RCP has no right to publish a full score (even they own), it's up to the studio--If they decide to release a proper FYC hopefully that will contain the film order/versions/unreleased/etc. <br><br>But I do agree, this is one of those scores that is tremendously improved by the film flow. Honestly I never understood the thinking behind putting out an album if you aren’t going to use the full 79 minutes it allows. Especially when you are missing cues which are vastly different from what’s presented. Why “Escape From Ship” or “No Time For Caution” weren’t there to begin with confuses me.Love Ocean Bloom. Hybrid, no release date yet for the album? The first episode is coming out in a week.as a giant fucking fan of this movie, I can't put it into words just how lazy is this presentation of the actual music. <br><br>it annoys the shit out of me when I read comments on youtube, Itunes, Amazon and also here, like whats the opening music? and the stupid answer is from everybody: "oh yeah, you're looking for The Mole, thats the opening scene!" well, fuck, the movie opens with The Mole, but it goes on for only 2 minutes, and the rest 4 minutes is unused, and the actual 4 minutes after 2 minutes, from the opening is unreleased. it is a minor fact that seems 100% unnoticed by every person. because the music is non-stop in the film, I consider the opening from the logos, until we arrive to the beach.<br><br>Shivering Soldier is the first track that appears "as used in the film" form on the release.<br><br>Supermarine is a misleading action suite released before the premiere, because of marketing purposes, I think the studio was a bit scared, so they wanted to demonstrate that this is more of a summer blockbuster than a black and white war movie. <br><br>Home is the classic "different version in film" case, only to give Hybrid Soldier the chance to come here and give a defense speech about how Zimmer, Nolan, and every soul at warner bros, at water tower music, at remote control and every world-class star status earned professionals in hollywood couldn't make the "as used in film" presentation dream come true. the "no the time for caution" event is still comes hilariously amature from a creative business built on the words: "Make it happen" <br><br><br>include the bible and i agree
Balfe is with all this year. <br>Best tv score of the year: Genius<br>Best movie score of the year: Lego Batman<br>Best action score of the year: Geostorm<br>Best drama score of the year: Churchill<br>And best scifi score: Ghost in the shell<br>2017 has been a hell of a year for him<br>It really is an excellent soundtrack with cool action and big epic tunes .Thanks for reply. I asked Watertower Music and they said they did limited edition and that it may be sold out. I was looking if somebody got it from them or if it's just a mistake on their part.The Best Action Score of the Year??? Please hear more Score!Have had the album on constantly all weekend and it’s the best
"Rage and Serenity" can be heard again in Kingsman 2 when Harry remembersNew to this web site and came across it because of this score .can not wait to actually watch the movie but for the moment the score is the bestDefiantly the best action score his yearTake a look at top of this page www.hans-zimmer.com/index.php?rub=discography&bt=3&numid=1<br>This is the reason why you can't find it in any shop and you will not get an answer here.Listened on friday to Professor Marston. Wonderful score! Really good best of the week. Also Marco Beltrami his work on The Snowman is spot on.
Does anyone know the musical instruments incorporated in Equation?This was recently added back onto Spotify. Just an FYI for those of us who actually wanted to listen to this soundtrack for the past 2 years.Yes yes yes yesBecause he's been working a lot with HGW & RGW...Howe is not Remote Control . Why create a page ?
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Lorne BalfeMax ArujKelly JohnsonSteven Kofsky
ComposerAdditional ArrangementsMusic Production CoordinatorMusic Production Services
Home
Label: Relativity Music Group
Length: 39'50
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3938 votes)
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  1. Symphony In Oh (3:29)
  2. Gratuity's Apartment (1:58)
  3. Saying The Sorry (2:45)
  4. Two Fugitives (3:04)
  5. Come Into The Out Now (2:47)
  6. Smek Down (4:18)
  7. Patched-In (4:08)
  8. Moving Day (2:47)
  9. Sad-Mad (2:22)
  10. Running Towards Danger (2:16)
  11. Knock-Knock (2:39)
  12. Returning The Shusher (3:41)
  13. Frolicking In Paris (3:30)
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Ds reply Replies: 1 || 2016-01-10 15:20:58
While waiting for "13 Hours", I'm replaying all the Lorne stuff I have on my computer... I didn't really pay attention to this one when it came out, but it's so nice and catchy. Lorne amazes me more and more, and I think the best is yet to come!


Hybrid Soldier2016-01-10 15:57:25
Yep very underrated one... :)

Hybrid Soldier reply Replies: 10 || 2015-03-26 20:31:39
I added a suite... Check this out, it's great... :)


Mike2015-03-26 21:26:34
Very nice.

I gotta say, it's pretty cool that Hans Zimmer's methods allow composers like Lorne to get their own careers kickstarted. asking this honestly, would anyone know about Lorne Balfe if he hadn't worked with Hans all those years?


Leo2015-03-27 10:00:03
Alexandre Desplat doesn't work for RCP, and he's one of the busiest and most well known composers working in Hollywood today.


rockhound2015-03-28 10:27:50
sounds wonderful. nice orchestration and very catchy themes. a lil bit john powell style i would say. i have to say, i prefer the orchestral balfe than the synth balfe, although this music sounds like a very good mix of both.


JamesT2015-03-30 02:42:33
This is a great suite!!! Fun, fun music.

Hybrid: on another note, do you know anything about a soundtrack for Killing Jesus, The Woman In Gold, or A.D.?


Anonymous2015-04-04 20:00:13
I love the first cue that appears in the suite until around 3:20. Is that "Symphony In Oh"?


Mike2015-04-04 20:15:32
Yeah, this score has some very fun music. Though I can't help thinking of Kung Fu Panda 2 with some of it! :P


Hybrid Soldier2015-04-04 20:30:27
Yes it is the first track ! :)


rockhound2015-04-12 19:23:36
i love this score. what a wonderful music. very thematic, excited, playful and emotional. lovely orchestral score by lorne.


Scarecrow92015-04-17 18:25:20
LOVE IT, is it possible to buy it in Lossless, anywhere else than on QOBUZ?


sepehr 2015-06-30 21:42:16
it was great.

Leo reply Replies: 2 || 2015-04-17 04:03:08
Who's Stargate? O:


Hybrid Soldier2015-04-17 08:59:32
Stargate is the band who wrote the songs...

The official movie credit is Music by LB & Stargate... So it's like that on the cover, but there's nothing of theirs in the score... It's all LB...


Leo2015-04-17 17:33:57
Songs =/= Score

it's a little different I must say, lol

Mike reply Replies: 0 || 2015-04-04 17:42:22
So I just realized looking at Lorne's page...Wow...tons of projects he's working on!

macarenox reply Replies: 0 || 2015-04-03 22:36:08
It is similar to Megamind and Madagascar. LIKE

Felix reply Replies: 0 || 2015-04-03 16:13:54
Cover Released :D
filmmusicreporter. com/2015/04/02/home-score-album- details/

Hybrid Soldier reply Replies: 22 || 2015-03-26 08:38:19
The artwork just got approved, it should be out in a couple of weeks... :)

And yes Lorne is scoring Terminator 5... lol


ggctuk2015-03-26 11:16:27
An interesting turn of events indeed. I wonder what kind of score it will be like. I confess to being completely unaware of his works because I've never watched or played anything he scored. I kind of hope for a synthetic influence, actually, to harken back to the Brad Fiedel days.


Bioscope2015-03-26 15:44:38
I think this could be brilliant. the darkest moments in Transformers 2 featured his contributions, if I am right. He is comfortable with scoring mechanised characters.


Anonymous2015-03-26 22:05:31
right. just like daft punk "scored" tron legacy. lorne balfe will score one of the biggest american franchises ever. he'll have help.


ggctuk2015-03-26 22:15:03
Perhaps it's just me being naive, but I'm also hoping for a proper version of the Terminator theme. Elfman was told not to do it in the last one and Beltrami did do a full version but it only got used in the end credits.


Edmund Meinerts2015-03-26 22:33:53
What's that supposed to mean, Anonymous? Lorne Balfe is an actual film composer, not a pop/electronica group - why the skepticism?

Whether he'll have help or not is a separate question. This is RC after all. And there's no problem with that.


ggctuk2015-03-26 23:19:08
I'm told Zimmer will be taking an "executive music producer" credit.


Anonymous2015-03-27 02:30:07
daft punk did not do as much on legacy as they get credited for. zimmer was paid a huge hush hush check for his involvement which was very heavy. i work in the industry so i know it's true. but i am sure this hybrid soldier will tell you otherwise

zimmer will no doubt do most of the work for terminator 5. this makes me happy though. it's how tron legacy turned out to be so awesome


thejok3rrules2015-03-27 06:34:02
Conspiracy theories everywhere, I guess.


Zimson2015-03-27 07:20:45
The fact that you're trying to tell us you have secret insights into RCP no one else has because you "work in the industry" is somewhat ridiculous.
It's true that even composers such as JNH work as ghost writers for big studio or music productions from time to time but that doesn't compensate for a reputable source you obviously don't have.


Edmund Meinerts2015-03-27 08:14:22
But the Tron situation is different. I think it's not that surprising to hear that an electronica duo with zero experience in film scoring or orchestral music had a bit of help behind the scenes - honestly, I'd have been more surprised had they NOT had help.

But Balfe has been around for a while and done tons of scores proving his ability in a lot of different situations. I'm not ruling out that someone, even Zimmer, may eventually end up contributing to that Terminator flick with the stupid name (this is 2015 Hollywood film scoring after all - the notion of a solo score is becoming kind of quaint), but there's no reason to treat it with the same skepticism as Tron.


Boldizar2015-03-27 13:49:45
So Genysis dropped Beck?


Anonymous2015-03-27 19:47:21
well thats exactly it edmund. there was no way disney was going to hire to musicians who have never composed for film before for a film of that magniude. same thing happened with star dust and many other films. think ramin djawadi did iron man all by himself? zimmer helped. a lot.

but i think zimmer will end up doing all the heavy lifting for terminator. sure lorne is a successful composer but name one big film hes scored, one as big as terminator. one where he did nearly all the work and had little to no help. none. but i am very curious to hear what becomes of it. nevertheless i am very excited to hear what zimmer and balfe come up with


Macejko2015-03-27 20:12:37
We know pretty much everything there is to know about Iron Man and every other score-wise troubled production that involved RCP, Anonymous. You are bringing sand to Sahara.


Edmund Meinerts2015-03-27 23:15:07
Dude, just because Zimmer has helped out on a handful of tricky situations in the past does NOT guarantee that he's going to do it on Terminator! Why the heck are you so sure of yourself?

And Balfe may not have any solo action tentpoles to his name, but he does have some fairly big animated movies and - more importantly - has worked on practically every Zimmer score of the last decade or so (including some HUGE stuff like Inception, Dark Knight and Pirates...the sort of things this Terminator flick dreams of being as successful as). I have no doubt that the people who decided to hire him are aware of that last fact. He's hardly this untested newcomer you're making him out to be!


thejok3rrules2015-03-28 18:20:27
Lorne has also handled two Assassin's Creed scores, which are major projects, so I'm not surprised he's been given the chance of scoring T5.

Plus, nor the director or the producers of Genesys give a shit about the music in this one. The whole project's only purpose is to make millions with something people know and (used to) love. There's no creativity required for Terminator: Genesys, they could have picked anybody else.

I do wish Lorne Balfe does great. (As I l know he can)


mpolonest1232015-03-28 19:18:49
Genesys is just going to be another big cash grab, milking whatever little value this series has left.

As far as Lorne scoring this, I'm fairly excited. He did a fantastic job on Beyond: Two Souls which people always seem to forget exists. And if memory serves me right, Zimmer also produced that score.


Ds2015-03-28 22:10:53
Lol it looks like absolutely nobody is expecting this movie. I wonder if it´s going to bomb. It looks so bad and uninspired, and its director is responsible for the worst Marvel movie to date... I bet Lorne's music will be the only good thing in this movie.


NotSoAnonymous2015-03-29 01:49:22
@Ds, What Marvel movie are you referring to?


NotSoAnonymous2015-03-29 01:51:54
Nevermind. I thought we were talking about Tim Johnson (Home)


Boldizar 2015-03-29 22:49:04
I was extremely turned off by the idea for more Terminator films... Then I saw the trailer. I actually think Genisys has the potential to be really good. I get the feeling whomever wrote the script actually found an interesting spin on it.


Ds2015-03-29 23:46:37
Well for me it´s just the opposite, it´s when I saw the trailer that I realized how bad it looked like :-p


ggctuk2015-03-30 10:48:36
It can't be any worse than the previous two films. And it does seem to be offering something different to the previous films anyway. The idea seems to be the idea presented in the first film that the future is "one possible future" instead flipped around so that the future is set, but the past is "one possible past". It's an intriguing idea, as are some of the ideas alleged to be what we'll get in the film (I won't spoil those here).

The big discussion here, though, is the score. I'm hoping for a better presentation of the main theme, there's now the chance to properly reprise the T-1000 motif as well. I'm thinking that the approach should be something like an inbetween of Elfman's score for Salvation and Trond Viggo-Melsen's music for the Salvation video game.

Russel reply Replies: 0 || 2015-03-27 02:18:04
Around 4:00 I hear some Madagascar :)

Radik reply Replies: 0 || 2015-03-26 15:09:52
awsoome!!! another reason to looking forward new Termie :)

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