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Journalists say he will act as a composer.If some time down line it gets revealed that all of these Lornanists were on someone’s payroll, you heard it here first.Confirmed by Lorne, the score album for Bad Boys 3 is coming... the next FrridayMarr is probably performing the James Bond theme...you know, on the electric guitar? Which is the instrument he's famous for?<br><br>Jesus, I swear there are some people who won't be happy until Lorne Balfe is singlehandedly both composing and performing the score to every film that is ever made.I can't say that I am happy.  I love Marr, but I don't want Marr in Lorne's position.  #BalfeforBond
Johnny Marr has been confirmed to be performing on the score...<br><br>Is there going to be a separate discussion thread for this btw?Dark Materials was anything but "a pure orchestral sound" lolIt largely has to do with the types of films he scores.Meh, you're not alone. Not a big fan of Desplat, especially when it comes to his contributions to pre-established franchises.Track 9. Stop The Crane and 11. Burn Or Jump<br><br>Excellent.
One of the most elite scores produced.I might get hate for this and Desplat might be a cool guy, but I have no idea why he gets so many Oscar nominations... please don´t kill meMan, I am actually excited to hear Balfe's score for Bad Boys for Life - the clips he's posted on his Facebook page sound awesome and like they could truly honour Mancina. The Balfe components sound epic and the Mancina integrations dynamic. What's to fear, right?  <br><br><br>I do fear that someone makes Alan Myerson to distill these 100s of performers, choral and orchestral, to make the whole score sound like an 80s casio synth again - please don't!! Balfe's had huge success with Dark Materials and Gemini Man with a pure orchestral sound - don't fuck it up, PLEASE.meh to desplat. this score needs jackman...The "Knight March" theme is really potent. Hans should release his suites for this! I know it'll never happen, but a CD of just his original demos for his various projects would be really fun to hear.
I also want to remind people that Cate Shortland is directing this film. This is a director that said James Horner destroyed the movie Avatar with his manipulative  music.<br><br>I wouldn't be surprised if most of the music is more tame without melodies. But then again, Disney is really the composer here, not Desplat.Shince, outside of the admittedly great main theme I do find Silvestri's Avengers music to be fairly forgettable...the sort of standard watered down orchestral sound that Marvel loves, not badly composed or anything but not particularly distinctive and a bit disappointing coming from a composer who in the past was capable of stuff like Judge Dredd, The Mummy Returns or Van Helsing.We never usually have the credits of Lorne's projects.  Could Hybrid get the credits of Lorne's projects?Some additional credits from the cuesheet:<br><br>Lorne Balfe, Steffen Thum<br><br>COFFEE TIME<br>NIGHT VISITORS<br><br><br>Lorne Balfe, Steve Davis<br><br>FIRST CONFRONTATION<br>VAN ATTACK<br><br><br>Lorne Balfe, Sven Faulconer<br><br>MOTORCYCLE CHASE<br>URIE TALKS TO HENRY<br><br><br>Lorne Balfe, Max Aruj<br><br>BUDAPEST<br>TRAIN RIDE<br><br><br>Steffen Thum<br><br>MEET JACKBut the style in Bad Boys 2 is totally different to the style in part 1. so the explanation doesn't make much sense.
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Marc Streitenfeld
Composer
Poltergeist
Label: Sony Masterworks
Length: 43'41
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3805 votes)
  1. Poltergeist Opening (1:39)
  2. They're Here (2:02)
  3. Angry Spirits (1:37)
  4. Electronics Awakening (1:45)
  5. They're Not Pretend, Mommy (1:24)
  6. The Storm Is Coming (1:17)
  7. Clown Attack (2:43)
  8. Into The Closet (2:06)
  9. Maddy Is On TV (3:18)
  10. You Have To Get My Sister Back (1:21)
  11. A Poltergeist Intrusion (2:16)
  12. Home Improvements (3:31)
  13. Somebody Is With Her (1:47)
  14. Take A Peek (2:12)
  15. I Feel A Little Braver (0:56)
  16. Into The Portal (2:06)
  17. The Other Side (2:46)
  18. Reunited (1:26)
  19. Let Her Go (4:32)
  20. Home Free (2:57)
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trent easton navarro reply Replies: 0 || 2015-05-10 11:04:30
Listened to the samples on Amazon. Lots of ambient filler that's all the hype in horror scoring these days, but there's also plenty of interesting things going on.

It will never be a classis like Goldsmith's, but it seems to be a very solid score

Edmund Meinerts reply Replies: 1 || 2015-04-16 10:43:57
I wish Gil Kenan had stuck with Andrew Lockington on this one. Massively talented composer.


trent easton navarro2015-04-18 08:33:44
Agreed, Lockington is great. In all fairness, Streitenfeld is getting better with each score, so maybe he'll surprise us. Although the Goldsmith fan in me, expects to be disappointed with this one

Jay the Dinosaur reply Replies: 0 || 2015-04-16 01:31:23
This shall be interesting to see how this one turns out. :)

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Poltergeist soundtrack - Marc Streitenfeld 2015