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Any news about Hans Next project?Does Hans compose music for releasing as his own records? I wish he'll make someI think BGM stands for any sort of background music, e.g. caffe music, game themes and, sometimes, film scores. But, IMO, "score" sounds way beter than "BGM"<br><br>p.s. Plz, do not my English, imma russian...One last topic I want to cover for this score, and that's the references to past films. I've found quite a few new ones that may be interesting.<br><br>"Today We Hunt" - Reference to "Bumblebee" at the end of the track.<br><br>"History of Transformers" - Reference to "Bumblebee", the end of "Are You Ladiesman 217?", and a sort of rebuilding of the Autobot theme using it's main notes.<br><br>"Two Moons" - Contains the main 2 notes of "Decepticons" repeated through the entire track, and of course elements of "We Were Gods Once".<br><br>"Prime Versus Bee" - Contains the drum beat featured in "Optimus vs Megatron"<br><br>"Your Voice" - Reference to "Optimus", the escalation of notes featured in scenes where Optimus is almost defeated ("Optimus vs Megatron" and the beginning of "I Claim Your Sun"), the 3 notes of "We Were Gods Once" when Optimus is about to be killed, and of course "Arrival to Earth/There Is No Plan".<br><br>"Battlefield" - Basic notes of the end of "You're A Soldier Now" and the Autobot theme in the 3 note horn section.<br><br>"Did You Forget Who I Am" - Autobot theme plays in the build-up before the "You're a Soldier Now" reprise. (Also maybe a hint of "Skorponok" at the end?)<br><br>The rest has already been pointed out on this website.Bring Him Home and Future King are great
The show is very good.we managed to watch the show in two days!the music by Gregson-Williams and Balfe is perfect. The score is some of the best TV music at the moment.going to defiantly buy the album now and see what itís like2049 is by Ben, confirmed.generalizing all direct and indirects participations in Zimmer's career, I think this role is of Glennie Smith...<br><br>Second half of 1970-forever.@Ben: "Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either."<br><br>The original presentation, of 1994, is not very good to confess. They left out the score to emphasize the songs. However the latest launches "expanded score" and "Legacy Collection" (in my opinion) are among the best as Gladiator, the last Samurai,Prince of Egypt, House of Spirits, Rain Man,<br>Backdraft, regarding Henry,Beyond Ragoon, the Rock, King Arthur, Interstellar, Rush, At worlds End and the Dark Knight (The Collector's version). I like many themes by Hans, but when I come to head the organization factor of the albums most satisfactory these are some of the few that comes to mind.What's the involvement of EW in the Mermaid Suite? I always imagined it that way: Hans being responsible for the first part of the suite, the calmest, Geoff taking care of the piece that corresponds to the moment of the sirens attack and that Eric inserted the choir to finish the composition.
In the last 7 years or so the only Oscar that I think was deserved is Gravity by Steven price. By the way hybrid it was a tough comment for me. Thanks to all people here who think it was.<br>I totally agree that the music fit the movie perfectly Hans always did great job in this but as a standalone music for me and again (for me) the docking in interstellar do all the job on Dunkirk ( I mean suspense) so for me all Dunkirk soundtrack = docking in interstellar.<br>quote: "This score is nothing compared to interstellar or even to POTC 3."<br><br>How do you know or how do you judge? By musical complexity, number of themes, etc.? I think the Dunkirk score perfectly serves the movie - which is what it's supposed to do.<br><br>Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either - on its own. So it would kind of make sense for a score like Dunkirk to get him the award.<br><br>After all, when it comes to the academy, I don't think they look at a score in isolation - like we do as Zimmer fans - but rather how well it serves the film. If they love a film and let it win best picture and other categories, it's very likely they'll also give it "best original score".Great this is geting a release!<br>I am from Greece and the same is Nikos Mastorakis, the director.<br>He always recalls working with Hans Zimmer and Stanley Myers here.Ultimate masterpiece... 8-) lolVery impressed with the music from this season. Enjoying listening to it.there doesnít seem to be much of the main theme used ?
man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?Music is royal and grand and the show is very good. Looking forward to more seasonsGreat score! Lots of fun.
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Hans ZimmerAndrew KawczynskiBob BadamiSteven Kofsky
ComposerAdditional MusicMusic SupervisorMusic Production Services
Woman In Gold
Label: Sony Classical
Length: 40'47 (Score: 36'19)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4779 votes)
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  1. O Mary Don't You Weep - Deron Johnson (3:16)
  2. Hotel Jazz (1:10)
    W. A. Mozart, Martin Phipps
  3. Deh, Vieni Alla Finestra - Dawid Kimberg (1:12)
  4. Restless (2:10)
    Hans Zimmer
  5. Maria Altman (3:09)
    Martin Phipps
  6. The Belvedere (2:40)
    Martin Phipps
  7. Vienna (1:15)
    Hans Zimmer, Martin Phipps, Andrew Kawczynski
  8. Randy Schoenberg (1:27)
    Martin Phipps
  9. Open The Door (2:09)
    Hans Zimmer, Martin Phipps
  10. Apotheke (1:26)
    Martin Phipps
  11. Fleeing Vienna (4:15)
    Hans Zimmer, Andrew Kawczynski
  12. Flight 12 To Cologne (3:26)
    Hans Zimmer, Andrew Kawczynski
  13. First Hurdle Down (2:01)
    Martin Phipps
  14. Art Theft (2:43)
    Hans Zimmer, Andrew Kawczynski
  15. Statues (1:08)
    Martin Phipps
  16. Final Testimony (2:13)
    Martin Phipps
  17. The Language Of Our Future (3:18)
    Martin Phipps, Natalie Holt
  18. I Lived Here (1:49)
    Martin Phipps
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... reply Replies: 3 || 2015-08-08 14:39:21
I have seen the movie and the score works very well. I also figured out how the two composers approached this. The movie primarily plays in 1999, but it has flashbacks to the time of WW2. Phipps primarily composed the music for 1999 and Hans did the music for the WW2 period scenes. Hans stands for the darker cues.


Hybrid Soldier2015-08-08 15:03:16
Absolutely ! I noticed that as well ! :)


garavel2015-08-08 18:08:38
what is that WW2 ?


Mike2015-08-08 18:12:30
"World War 2"

lio reply Replies: 1 || 2015-06-30 09:50:02
funny that hans's part is the weakest part of the score


Anonymous2015-07-01 04:12:13
Incorrect. And if you don't hear his influence in Track #5, you are really missing something.

... reply Replies: 6 || 2015-05-31 10:49:57
Has anyone listened to this yet?

I just finished the album and honestly, it's a strange one. Have to relisten to make a final opinion.


Ds2015-05-31 14:31:02
Listened to it yesterday, didn't really like it. It sounds like a minor work from Hans. It's not bad but not the kind of soundtrack I like to listen out of context. And overall I think Phipps' tracks are better than Hans'.


...2015-05-31 14:38:35
Maria Altman and Fleeing Vienna are the best cues on the album in my opinion.


Anonymous2015-06-01 04:18:58
OMG Ds!!! How dare you say you don't like a Hans Zimmer soundtrck on this website. Don't you realize the amount of Zimmer worshiping drone-trolls that frequent this site? Prepare to be tortured, persecuted and kicked in the gut (figuratively of course). That's what happened to me when I dared to say I didn't care for Interstellar. Just saying.


Edmund Meinerts2015-06-01 08:56:01
Oh my good God, Anonymous, let that go already.


Ds2015-06-01 18:22:09
Anonymous, actually I felt a bit ashamed of writing that. It's the first time in my life I don't feel anything when listening to a Zimmer score. Usually I'm moved or entertained or blown away, but here I felt nothing. I'll go see a doctor ;-)


...2015-06-01 21:11:30
Hybrid, do you know if zimmer helped write the maria altman track? I saw on some website that he was credited for that track but I must say I doubt it as most sites say he didn't.

A girl from Persia reply Replies: 0 || 2015-06-01 12:13:37
Why is it so simple? But still enjoyable. Maybe because I love his music.

Mark reply Replies: 3 || 2015-05-29 04:41:37
When will this be released in the States?


...2015-05-29 08:20:28
It's out in Europť.


Mark2015-05-29 17:31:11
Oh thats good to hear. Hopefully it will get released in the US soon too. I hope its good.


...2015-05-29 18:04:10
The samples sound promising!

Hal reply Replies: 2 || 2015-05-26 14:09:25
Please, someone leak this!!! Hybrid do you have a track you could add here?


Hybrid Soldier2015-05-26 14:38:33
Nope !

Wait & see !


Hal2015-05-27 18:52:44
Well 2 more days to go. We can wait that long!

Hybrid Soldier reply Replies: 3 || 2015-05-02 16:02:23
Tracklist !


Mark2015-05-02 17:16:00
Thanks, Hybrid. Can't wait to listen. :)


Hybrid Soldier2015-05-15 19:35:29
Lenghts added !


Mike2015-05-17 19:14:20
I assume these credits are not complete just yet, but are instead simply breaking down which one worked on each track?

Anonymous reply Replies: 1 || 2015-05-06 15:36:08
So where did this collaboration come from? Are Zimmer and Phipps friends, did the director think, "Gee, we really want Hans' style for *insert scenes here*," or was Zimmer originally attached to this project and then he wanted Phipps to come on board? Or did Phipps request Zimmer?

It just seems out of the ordinary. :P


Hybrid Soldier2015-05-06 15:44:08
The film was produced in the UK, they needed a London based composer to work with. Phipps had worked for those producers before.

Both composers came in pretty late to score it, after october (score recorded in January), and Hans was in the middle of Chappie (and in LA for the most part).

Leo reply Replies: 4 || 2015-04-22 06:51:40
Is this a real piece from the score?

https: //www.youtube.com/watch?v=sZFQiy9daY4


Hybrid Soldier2015-04-22 08:23:14
Yes it is.


Frank2015-04-22 08:42:54
It's the end credits


Mike2015-04-25 16:25:21
I like it. Hybrid, you said this wasn't a "normal" collaboration or something like that...what did you mean?


Anonymous2015-04-25 19:18:44
which composer is this by? or both? I love it!

Hybrid Soldier reply Replies: 3 || 2015-04-21 13:41:04
So it'll be released in a month ! :)


Dimitris Krommidas2015-04-21 13:50:52
Great!!!


JamesT2015-04-21 18:39:53
Great news!!!


Frank2015-04-21 23:11:34
Yes!!!

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Woman In Gold soundtrack - Hans Zimmer 2015