"Hotel Jazz" Composed by Wolfgang Amadeus Mozart Arranged by Martin Phipps Performed by The London Session Orchestra
Music by Martin Phipps & Hans Zimmer
Score Produced by Martin Phipps & Hans Zimmer Soundtrack Album Producer: Richard Glasser Music Legal: David Helfant Mastered at MM-Sound by Manfred Melchior Sony Classical Licensing: Mark Cavell Sony Classical Product Development: Guido Eitberger
Release date : 05/29/2015
O Mary Don't You Weep - Deron Johnson (3:16)
Hotel Jazz (1:10) W. A. Mozart, Martin Phipps
Deh, Vieni Alla Finestra - Dawid Kimberg (1:12)
Restless (2:10) Hans Zimmer
Maria Altman (3:09) Martin Phipps
The Belvedere (2:40) Martin Phipps
Vienna (1:15) Hans Zimmer, Martin Phipps, Andrew Kawczynski
Randy Schoenberg (1:27) Martin Phipps
Open The Door (2:09) Hans Zimmer, Martin Phipps
Apotheke (1:26) Martin Phipps
Fleeing Vienna (4:15) Hans Zimmer, Andrew Kawczynski
Flight 12 To Cologne (3:26) Hans Zimmer, Andrew Kawczynski
First Hurdle Down (2:01) Martin Phipps
Art Theft (2:43) Hans Zimmer, Andrew Kawczynski
Statues (1:08) Martin Phipps
Final Testimony (2:13) Martin Phipps
The Language Of Our Future (3:18) Martin Phipps, Natalie Holt
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While I’m not crazy about the film, I’m surprised no one really talks about this score. Both Zimmer and Phipp’s sections are equally strong, with the Zimmer parts being so much darker in tone.
“Fleeing Vienna” is such an intense cue, especially in context.
Mike
2018-08-28 03:21:14
I'm curious about the "Open the Door" cue... Did Hans and Martin Phipps work together on it, or did one of them have a cue partly written and the other guy came in and added to it?
Also, Hybrid, you have the "Maria Altman" track credited to HZ and Martin Phipps on your Youtube channel. It's just Phipps here. Which credit is correct?
Daniel
2018-08-28 15:44:26
If interested, here's my cut out film version of 'Fleeing Vienna' https://www.youtube.com/watch?v=x_paTen_2-Y
Hybrid Soldier
2018-08-28 19:47:40
"Maria Altman" is Phipps... I uploaded that long before the score was out. Never changed the title, but it's Phipps.
Hans really just wanted to score all the "flashback" sequences.
...
2018-08-28 20:40:35
This release is rather complete right? There’s nothing missing from Hans from what I can see.
I have seen the movie and the score works very well. I also figured out how the two composers approached this. The movie primarily plays in 1999, but it has flashbacks to the time of WW2. Phipps primarily composed the music for 1999 and Hans did the music for the WW2 period scenes. Hans stands for the darker cues.
I just finished the album and honestly, it's a strange one. Have to relisten to make a final opinion.
Ds
2015-05-31 14:31:02
Listened to it yesterday, didn't really like it. It sounds like a minor work from Hans. It's not bad but not the kind of soundtrack I like to listen out of context. And overall I think Phipps' tracks are better than Hans'.
...
2015-05-31 14:38:35
Maria Altman and Fleeing Vienna are the best cues on the album in my opinion.
Anonymous
2015-06-01 04:18:58
OMG Ds!!! How dare you say you don't like a Hans Zimmer soundtrck on this website. Don't you realize the amount of Zimmer worshiping drone-trolls that frequent this site? Prepare to be tortured, persecuted and kicked in the gut (figuratively of course). That's what happened to me when I dared to say I didn't care for Interstellar. Just saying.
Edmund Meinerts
2015-06-01 08:56:01
Oh my good God, Anonymous, let that go already.
Ds
2015-06-01 18:22:09
Anonymous, actually I felt a bit ashamed of writing that. It's the first time in my life I don't feel anything when listening to a Zimmer score. Usually I'm moved or entertained or blown away, but here I felt nothing. I'll go see a doctor ;-)
...
2015-06-01 21:11:30
Hybrid, do you know if zimmer helped write the maria altman track? I saw on some website that he was credited for that track but I must say I doubt it as most sites say he didn't.
So where did this collaboration come from? Are Zimmer and Phipps friends, did the director think, "Gee, we really want Hans' style for *insert scenes here*," or was Zimmer originally attached to this project and then he wanted Phipps to come on board? Or did Phipps request Zimmer?
It just seems out of the ordinary. :P
Hybrid Soldier
2015-05-06 15:44:08
The film was produced in the UK, they needed a London based composer to work with. Phipps had worked for those producers before.
Both composers came in pretty late to score it, after october (score recorded in January), and Hans was in the middle of Chappie (and in LA for the most part).
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