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Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.com
Hi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit UpI'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.
Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>Any chance you could do a what makes up the tracks for the BB album Hybrid?Just want to give this score (and film) some major props. It seems like Ron Howard is one of those great directors who brings the best out of the composers he works with. It’s also interesting hearing just how much Lorne Balfe’s voice really comes through here.<br><br>Also, I wonder if it’s a coincidence just how much the OSCORP tune from TASM2 sounds like “Watergate Montage” (or did Marc Webb like a temp lol)Yeah, that theme starting at 1:35 is totally Black Rain! I love it though.
So is nobody going to point out that Hans just casually slipped a theme from Black Rain into the middle of "Millennium Theme"...like, note for note? :pI hope there will be an album for Angel Has Fallen by 	David Buckley.PM me on YouTube for further questions.Mazzaro and Lorne would work togetherThe Railroad Waits for No One is Mazzaro
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Hans ZimmerAndrew KawczynskiBob BadamiSteven Kofsky
ComposerAdditional MusicMusic SupervisorMusic Production Services
Woman In Gold
Label: Sony Classical
Length: 40'47 (Score: 36'19)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5662 votes)
  1. O Mary Don't You Weep - Deron Johnson (3:16)
  2. Hotel Jazz (1:10)
    W. A. Mozart, Martin Phipps
  3. Deh, Vieni Alla Finestra - Dawid Kimberg (1:12)
  4. Restless (2:10)
    Hans Zimmer
  5. Maria Altman (3:09)
    Martin Phipps
  6. The Belvedere (2:40)
    Martin Phipps
  7. Vienna (1:15)
    Hans Zimmer, Martin Phipps, Andrew Kawczynski
  8. Randy Schoenberg (1:27)
    Martin Phipps
  9. Open The Door (2:09)
    Hans Zimmer, Martin Phipps
  10. Apotheke (1:26)
    Martin Phipps
  11. Fleeing Vienna (4:15)
    Hans Zimmer, Andrew Kawczynski
  12. Flight 12 To Cologne (3:26)
    Hans Zimmer, Andrew Kawczynski
  13. First Hurdle Down (2:01)
    Martin Phipps
  14. Art Theft (2:43)
    Hans Zimmer, Andrew Kawczynski
  15. Statues (1:08)
    Martin Phipps
  16. Final Testimony (2:13)
    Martin Phipps
  17. The Language Of Our Future (3:18)
    Martin Phipps, Natalie Holt
  18. I Lived Here (1:49)
    Martin Phipps
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mpolonest123 reply Replies: 4 || 2018-01-03 22:32:28
While I’m not crazy about the film, I’m surprised no one really talks about this score. Both Zimmer and Phipp’s sections are equally strong, with the Zimmer parts being so much darker in tone.

“Fleeing Vienna” is such an intense cue, especially in context.


Mike2018-08-28 03:21:14
I'm curious about the "Open the Door" cue... Did Hans and Martin Phipps work together on it, or did one of them have a cue partly written and the other guy came in and added to it?

Also, Hybrid, you have the "Maria Altman" track credited to HZ and Martin Phipps on your Youtube channel. It's just Phipps here. Which credit is correct?


Daniel2018-08-28 15:44:26
If interested, here's my cut out film version of 'Fleeing Vienna'
https://www.youtube.com/watch?v=x_paTen_2-Y


Hybrid Soldier2018-08-28 19:47:40
"Maria Altman" is Phipps... I uploaded that long before the score was out. Never changed the title, but it's Phipps.

Hans really just wanted to score all the "flashback" sequences.


...2018-08-28 20:40:35
This release is rather complete right? There’s nothing missing from
Hans from what I can see.

... reply Replies: 3 || 2015-08-08 14:39:21
I have seen the movie and the score works very well. I also figured out how the two composers approached this. The movie primarily plays in 1999, but it has flashbacks to the time of WW2. Phipps primarily composed the music for 1999 and Hans did the music for the WW2 period scenes. Hans stands for the darker cues.


Hybrid Soldier2015-08-08 15:03:16
Absolutely ! I noticed that as well ! :)


garavel2015-08-08 18:08:38
what is that WW2 ?


Mike2015-08-08 18:12:30
"World War 2"

lio reply Replies: 1 || 2015-06-30 09:50:02
funny that hans's part is the weakest part of the score


Anonymous2015-07-01 04:12:13
Incorrect. And if you don't hear his influence in Track #5, you are really missing something.

... reply Replies: 6 || 2015-05-31 10:49:57
Has anyone listened to this yet?

I just finished the album and honestly, it's a strange one. Have to relisten to make a final opinion.


Ds2015-05-31 14:31:02
Listened to it yesterday, didn't really like it. It sounds like a minor work from Hans. It's not bad but not the kind of soundtrack I like to listen out of context. And overall I think Phipps' tracks are better than Hans'.


...2015-05-31 14:38:35
Maria Altman and Fleeing Vienna are the best cues on the album in my opinion.


Anonymous2015-06-01 04:18:58
OMG Ds!!! How dare you say you don't like a Hans Zimmer soundtrck on this website. Don't you realize the amount of Zimmer worshiping drone-trolls that frequent this site? Prepare to be tortured, persecuted and kicked in the gut (figuratively of course). That's what happened to me when I dared to say I didn't care for Interstellar. Just saying.


Edmund Meinerts2015-06-01 08:56:01
Oh my good God, Anonymous, let that go already.


Ds2015-06-01 18:22:09
Anonymous, actually I felt a bit ashamed of writing that. It's the first time in my life I don't feel anything when listening to a Zimmer score. Usually I'm moved or entertained or blown away, but here I felt nothing. I'll go see a doctor ;-)


...2015-06-01 21:11:30
Hybrid, do you know if zimmer helped write the maria altman track? I saw on some website that he was credited for that track but I must say I doubt it as most sites say he didn't.

A girl from Persia reply Replies: 0 || 2015-06-01 12:13:37
Why is it so simple? But still enjoyable. Maybe because I love his music.

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Mark reply Replies: 3 || 2015-05-29 04:41:37
When will this be released in the States?


...2015-05-29 08:20:28
It's out in Europé.


Mark2015-05-29 17:31:11
Oh thats good to hear. Hopefully it will get released in the US soon too. I hope its good.


...2015-05-29 18:04:10
The samples sound promising!

Hal reply Replies: 2 || 2015-05-26 14:09:25
Please, someone leak this!!! Hybrid do you have a track you could add here?


Hybrid Soldier2015-05-26 14:38:33
Nope !

Wait & see !


Hal2015-05-27 18:52:44
Well 2 more days to go. We can wait that long!

Hybrid Soldier reply Replies: 3 || 2015-05-02 16:02:23
Tracklist !


Mark2015-05-02 17:16:00
Thanks, Hybrid. Can't wait to listen. :)


Hybrid Soldier2015-05-15 19:35:29
Lenghts added !


Mike2015-05-17 19:14:20
I assume these credits are not complete just yet, but are instead simply breaking down which one worked on each track?

Anonymous reply Replies: 1 || 2015-05-06 15:36:08
So where did this collaboration come from? Are Zimmer and Phipps friends, did the director think, "Gee, we really want Hans' style for *insert scenes here*," or was Zimmer originally attached to this project and then he wanted Phipps to come on board? Or did Phipps request Zimmer?

It just seems out of the ordinary. :P


Hybrid Soldier2015-05-06 15:44:08
The film was produced in the UK, they needed a London based composer to work with. Phipps had worked for those producers before.

Both composers came in pretty late to score it, after october (score recorded in January), and Hans was in the middle of Chappie (and in LA for the most part).

Leo reply Replies: 4 || 2015-04-22 06:51:40
Is this a real piece from the score?

https: //www.youtube.com/watch?v=sZFQiy9daY4


Hybrid Soldier2015-04-22 08:23:14
Yes it is.


Frank2015-04-22 08:42:54
It's the end credits


Mike2015-04-25 16:25:21
I like it. Hybrid, you said this wasn't a "normal" collaboration or something like that...what did you mean?


Anonymous2015-04-25 19:18:44
which composer is this by? or both? I love it!

Hybrid Soldier reply Replies: 3 || 2015-04-21 13:41:04
So it'll be released in a month ! :)


Dimitris Krommidas2015-04-21 13:50:52
Great!!!


JamesT2015-04-21 18:39:53
Great news!!!


Frank2015-04-21 23:11:34
Yes!!!

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Woman In Gold soundtrack - Hans Zimmer 2015