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Can't wait to hear this. I am huge fan of Planet Earth II and Blue Planet II.Is nobody going to talk about this amazing soundtrack???I know I´m 10 years late, but god wish this got complete recordings release, so much music is missing...The track in the video I linked sounds decent. Works well for the scene.Back in 2003/2004 some guy made his own fan-made "expanded score". <br>Some tracks were actually OST tracks looped, with some drums added in the mix, some were from an unknown source. I only remember some badly-mixed synth cues that sounded like home-made, experimental material.
would love to help out, but the video/track is blocked :/Think about Gemini Man, the score come out the same day as the movie (in that case, 11th October), and the details come the same week.<br><br>We'll likely get final details towards the end of the week or early next week. I guess I'm just a little surprised that it's taken this long. The movie had surprise screenings either yesterday or the day before, so it seems like everything's pretty final.Sorry, that is the wrong link above (film version)<br><br>This is the track I'm talking about. Does anyone recognize this version.<br><br>https://youtu.be/etkri6OKLpEThere is an expanded score album with the track called "Sniper/Border Post". It is different from the piece used in the film. Does anyone know the true identity of that track. I like the synth sound and the male vocal singing/wailing/crying in this cue.<br><br>https://youtu.be/DbENmej_cH0
But the scores comes out in 1th NovemberThe movie is out this Wednesday in some territories."In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is UNMEMORABLE"<br><br><br>Aaaaaaaaaaaaand your whole analysis falls flat right there ! :PThanks Edmund.<br><br>@PaulH I am not meaning to say that Balfe cannot compose good music. There are compositions that I like: the Picasso theme is creative and well-written. Just that I find his arrangements of others more compelling usually than his own material.<br><br>An example that is good of this is kung fu panda. His arrangements of themes are really fun and energetic. In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is unmemorable. Contrast to Hans: the Po theme and Spirit theme are precise, fun, harmonically clever, and memorable. But his score cues sometimes feel lacking: his transitions are clunky, the bridge material is uncreative and basic. <br><br>It must be so much fun to work on those projects together. Coming up with idea and hearing what someone can turn it into, or getting to play with someone's idea without the pressure of starting from scratch.And also, be prepared for more Studio Time for the score
Tom said in his Twitter: 'Details very soon'<br><br>Altough, is only a week awayThe Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>
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Hans ZimmerAndrew KawczynskiBob BadamiSteven Kofsky
ComposerAdditional MusicMusic SupervisorMusic Production Services
Woman In Gold
Label: Sony Classical
Length: 40'47 (Score: 36'19)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5715 votes)
  1. O Mary Don't You Weep - Deron Johnson (3:16)
  2. Hotel Jazz (1:10)
    W. A. Mozart, Martin Phipps
  3. Deh, Vieni Alla Finestra - Dawid Kimberg (1:12)
  4. Restless (2:10)
    Hans Zimmer
  5. Maria Altman (3:09)
    Martin Phipps
  6. The Belvedere (2:40)
    Martin Phipps
  7. Vienna (1:15)
    Hans Zimmer, Martin Phipps, Andrew Kawczynski
  8. Randy Schoenberg (1:27)
    Martin Phipps
  9. Open The Door (2:09)
    Hans Zimmer, Martin Phipps
  10. Apotheke (1:26)
    Martin Phipps
  11. Fleeing Vienna (4:15)
    Hans Zimmer, Andrew Kawczynski
  12. Flight 12 To Cologne (3:26)
    Hans Zimmer, Andrew Kawczynski
  13. First Hurdle Down (2:01)
    Martin Phipps
  14. Art Theft (2:43)
    Hans Zimmer, Andrew Kawczynski
  15. Statues (1:08)
    Martin Phipps
  16. Final Testimony (2:13)
    Martin Phipps
  17. The Language Of Our Future (3:18)
    Martin Phipps, Natalie Holt
  18. I Lived Here (1:49)
    Martin Phipps
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mpolonest123 reply Replies: 4 || 2018-01-03 22:32:28
While I’m not crazy about the film, I’m surprised no one really talks about this score. Both Zimmer and Phipp’s sections are equally strong, with the Zimmer parts being so much darker in tone.

“Fleeing Vienna” is such an intense cue, especially in context.


Mike2018-08-28 03:21:14
I'm curious about the "Open the Door" cue... Did Hans and Martin Phipps work together on it, or did one of them have a cue partly written and the other guy came in and added to it?

Also, Hybrid, you have the "Maria Altman" track credited to HZ and Martin Phipps on your Youtube channel. It's just Phipps here. Which credit is correct?


Daniel2018-08-28 15:44:26
If interested, here's my cut out film version of 'Fleeing Vienna'
https://www.youtube.com/watch?v=x_paTen_2-Y


Hybrid Soldier2018-08-28 19:47:40
"Maria Altman" is Phipps... I uploaded that long before the score was out. Never changed the title, but it's Phipps.

Hans really just wanted to score all the "flashback" sequences.


...2018-08-28 20:40:35
This release is rather complete right? There’s nothing missing from
Hans from what I can see.

... reply Replies: 3 || 2015-08-08 14:39:21
I have seen the movie and the score works very well. I also figured out how the two composers approached this. The movie primarily plays in 1999, but it has flashbacks to the time of WW2. Phipps primarily composed the music for 1999 and Hans did the music for the WW2 period scenes. Hans stands for the darker cues.


Hybrid Soldier2015-08-08 15:03:16
Absolutely ! I noticed that as well ! :)


garavel2015-08-08 18:08:38
what is that WW2 ?


Mike2015-08-08 18:12:30
"World War 2"

lio reply Replies: 1 || 2015-06-30 09:50:02
funny that hans's part is the weakest part of the score


Anonymous2015-07-01 04:12:13
Incorrect. And if you don't hear his influence in Track #5, you are really missing something.

... reply Replies: 6 || 2015-05-31 10:49:57
Has anyone listened to this yet?

I just finished the album and honestly, it's a strange one. Have to relisten to make a final opinion.


Ds2015-05-31 14:31:02
Listened to it yesterday, didn't really like it. It sounds like a minor work from Hans. It's not bad but not the kind of soundtrack I like to listen out of context. And overall I think Phipps' tracks are better than Hans'.


...2015-05-31 14:38:35
Maria Altman and Fleeing Vienna are the best cues on the album in my opinion.


Anonymous2015-06-01 04:18:58
OMG Ds!!! How dare you say you don't like a Hans Zimmer soundtrck on this website. Don't you realize the amount of Zimmer worshiping drone-trolls that frequent this site? Prepare to be tortured, persecuted and kicked in the gut (figuratively of course). That's what happened to me when I dared to say I didn't care for Interstellar. Just saying.


Edmund Meinerts2015-06-01 08:56:01
Oh my good God, Anonymous, let that go already.


Ds2015-06-01 18:22:09
Anonymous, actually I felt a bit ashamed of writing that. It's the first time in my life I don't feel anything when listening to a Zimmer score. Usually I'm moved or entertained or blown away, but here I felt nothing. I'll go see a doctor ;-)


...2015-06-01 21:11:30
Hybrid, do you know if zimmer helped write the maria altman track? I saw on some website that he was credited for that track but I must say I doubt it as most sites say he didn't.

A girl from Persia reply Replies: 0 || 2015-06-01 12:13:37
Why is it so simple? But still enjoyable. Maybe because I love his music.

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Mark reply Replies: 3 || 2015-05-29 04:41:37
When will this be released in the States?


...2015-05-29 08:20:28
It's out in Europé.


Mark2015-05-29 17:31:11
Oh thats good to hear. Hopefully it will get released in the US soon too. I hope its good.


...2015-05-29 18:04:10
The samples sound promising!

Hal reply Replies: 2 || 2015-05-26 14:09:25
Please, someone leak this!!! Hybrid do you have a track you could add here?


Hybrid Soldier2015-05-26 14:38:33
Nope !

Wait & see !


Hal2015-05-27 18:52:44
Well 2 more days to go. We can wait that long!

Hybrid Soldier reply Replies: 3 || 2015-05-02 16:02:23
Tracklist !


Mark2015-05-02 17:16:00
Thanks, Hybrid. Can't wait to listen. :)


Hybrid Soldier2015-05-15 19:35:29
Lenghts added !


Mike2015-05-17 19:14:20
I assume these credits are not complete just yet, but are instead simply breaking down which one worked on each track?

Anonymous reply Replies: 1 || 2015-05-06 15:36:08
So where did this collaboration come from? Are Zimmer and Phipps friends, did the director think, "Gee, we really want Hans' style for *insert scenes here*," or was Zimmer originally attached to this project and then he wanted Phipps to come on board? Or did Phipps request Zimmer?

It just seems out of the ordinary. :P


Hybrid Soldier2015-05-06 15:44:08
The film was produced in the UK, they needed a London based composer to work with. Phipps had worked for those producers before.

Both composers came in pretty late to score it, after october (score recorded in January), and Hans was in the middle of Chappie (and in LA for the most part).

Leo reply Replies: 4 || 2015-04-22 06:51:40
Is this a real piece from the score?

https: //www.youtube.com/watch?v=sZFQiy9daY4


Hybrid Soldier2015-04-22 08:23:14
Yes it is.


Frank2015-04-22 08:42:54
It's the end credits


Mike2015-04-25 16:25:21
I like it. Hybrid, you said this wasn't a "normal" collaboration or something like that...what did you mean?


Anonymous2015-04-25 19:18:44
which composer is this by? or both? I love it!

Hybrid Soldier reply Replies: 3 || 2015-04-21 13:41:04
So it'll be released in a month ! :)


Dimitris Krommidas2015-04-21 13:50:52
Great!!!


JamesT2015-04-21 18:39:53
Great news!!!


Frank2015-04-21 23:11:34
Yes!!!

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Woman In Gold soundtrack - Hans Zimmer 2015