NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
.....synthesizeredAnd if he will incorporate any music from the show/games....As someone who grew up with Pokémon as a kid, I am super pumped to see how Jackman approaches this. Seeing how the marketing is skewing to 80’s music (and the visuals have that neon color scheme to match the noir tone) I wonder if this will be either be fully orchestral or synthesizered.Aviadable 3rd May<br><br>https://itunes.apple.com /es/album/pok%C3%A9mon-detective-pikachu-original- motion-picture-soundtrack/1460177128This CD contains music from 2 icelandic films Atli scored :<br><br>Blóđberg (2015) aka The Homecoming<br>Fyrir Framan Annađ Fólk (2016) aka In Front Of Others
Waiting patiently for Disney to finally announce National Treasure 3? lolDoes anyone know what happened to Trevor Rabin, he hasn't scored anything for a few years nowYou did it for the complete, which is "illegal" and only available in certain circles, not the OST which is commercially available. I simply did what you could have done yourself easily but chose not to.Says the guy who took his intel from... me...Excuse me for doing the thing you didn't bother to do.
Having an opinion is one thing. Not being intellectually able to express it without being rude & stupid is another thing. Once you find a way to combine the two, your comments will stay.<br><br>And Knight, just don't push it.Hello all. My mother is a French horn player, and we are totally in love with Hans' score for Disney's "The Lone Ranger" (the best part of that film, if you ask me). I have searched for the horn sheet music for this, but can't seem to find anything...does anyone know where I might get it? Thanks much!!huh?1- Open - (Hans Zimmer 1:03) - (1:04 -2:27- Lorne Balfe), and continue Hans Zimmer music. 2:27-2:58Also calling jumanji (the one jackman scored) anything but a good film - is also illegal and gets your comment removed
Okay, so doing the same stuff that Hybrid does is illegal here now. CoolTrue, Mr. Tweedy. I don't know how involved Hans was with Now We Are Free, but he specifically talked about Up is Down at one point. And while he did give Henry Jackman credit for the penny whistle stuff, his comment was something like, "And Henry and I just jammed with the theme a bit after he came up with that idea" (unfortunately the link to the interview, on the POTC3 page here, is dead). So Up is Down sounds like a co-composition from the two. I wouldn't be surprised if it were the same way with Lorne Balfe and the Action Ice Theme. <br><br>But we'll never know. lol.I get what you're saying Mike, but much of the action material in the section you mentioned is just stylized versions of the Batman ostinato, and 2 giant chunks of the action music were used in the film. The section with the new "Rise" theme was used in the Batman & Catwoman tunnel fight, and "Backup" was used several times in the film, just not in that exact style. <br><br>The section after the stylized "Backup" sounds more like rejected Bane material to me, so I'm not entirely sure if that counts. I do agree however that Hans' new climactic version of the 2 note motif should have been included throughout the finale though. Would have resolved the film better than the recycled "LSI Extraction" bit.The "Up is Down" track from POTC3 is used in the "Live" concert as well and it was arranged by Henry Jackman.<br>"Now We Are Free" is in the concert as well and was mainly arranged by Klaus Badelt...@superultramegaa, <br><br>Most of the awesome action material in Moody Bruce, from 4:46-15:03, is unused. Also, the last 5 minutes, with Hans' epic new take on the 2-note Batman theme (which he adds a third note two and concludes in big style) is totally unused. <br><br>@anonymous,<br><br>I actually agree with the observations you're making. Lorne didn't write like that in 2008, really, and the suite does sound like Hans' music, even if I just argued that it's unlikely he'd go that musical direction for this movie. And Hybrid has said... it's his (Hybrid's) opinion. The suite may just be Hans, and Hybrid's not saying differently. Hybrid has even admitted he's been wrong on credits before, so it's not like he's saying these are "the facts." Now that I think about it, the suite was used in HZ Live, so that tells me Hans must have been involved in composing it. Because the concerts really gravitate toward Hans' personal work.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerAndrew KawczynskiBob BadamiSteven Kofsky
ComposerAdditional MusicMusic SupervisorMusic Production Services
Woman In Gold
Label: Sony Classical
Length: 40'47 (Score: 36'19)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5549 votes)
  1. O Mary Don't You Weep - Deron Johnson (3:16)
  2. Hotel Jazz (1:10)
    W. A. Mozart, Martin Phipps
  3. Deh, Vieni Alla Finestra - Dawid Kimberg (1:12)
  4. Restless (2:10)
    Hans Zimmer
  5. Maria Altman (3:09)
    Martin Phipps
  6. The Belvedere (2:40)
    Martin Phipps
  7. Vienna (1:15)
    Hans Zimmer, Martin Phipps, Andrew Kawczynski
  8. Randy Schoenberg (1:27)
    Martin Phipps
  9. Open The Door (2:09)
    Hans Zimmer, Martin Phipps
  10. Apotheke (1:26)
    Martin Phipps
  11. Fleeing Vienna (4:15)
    Hans Zimmer, Andrew Kawczynski
  12. Flight 12 To Cologne (3:26)
    Hans Zimmer, Andrew Kawczynski
  13. First Hurdle Down (2:01)
    Martin Phipps
  14. Art Theft (2:43)
    Hans Zimmer, Andrew Kawczynski
  15. Statues (1:08)
    Martin Phipps
  16. Final Testimony (2:13)
    Martin Phipps
  17. The Language Of Our Future (3:18)
    Martin Phipps, Natalie Holt
  18. I Lived Here (1:49)
    Martin Phipps
Create Topic

mpolonest123 reply Replies: 4 || 2018-01-03 22:32:28
While I’m not crazy about the film, I’m surprised no one really talks about this score. Both Zimmer and Phipp’s sections are equally strong, with the Zimmer parts being so much darker in tone.

“Fleeing Vienna” is such an intense cue, especially in context.


Mike2018-08-28 03:21:14
I'm curious about the "Open the Door" cue... Did Hans and Martin Phipps work together on it, or did one of them have a cue partly written and the other guy came in and added to it?

Also, Hybrid, you have the "Maria Altman" track credited to HZ and Martin Phipps on your Youtube channel. It's just Phipps here. Which credit is correct?


Daniel2018-08-28 15:44:26
If interested, here's my cut out film version of 'Fleeing Vienna'
https://www.youtube.com/watch?v=x_paTen_2-Y


Hybrid Soldier2018-08-28 19:47:40
"Maria Altman" is Phipps... I uploaded that long before the score was out. Never changed the title, but it's Phipps.

Hans really just wanted to score all the "flashback" sequences.


...2018-08-28 20:40:35
This release is rather complete right? There’s nothing missing from
Hans from what I can see.

... reply Replies: 3 || 2015-08-08 14:39:21
I have seen the movie and the score works very well. I also figured out how the two composers approached this. The movie primarily plays in 1999, but it has flashbacks to the time of WW2. Phipps primarily composed the music for 1999 and Hans did the music for the WW2 period scenes. Hans stands for the darker cues.


Hybrid Soldier2015-08-08 15:03:16
Absolutely ! I noticed that as well ! :)


garavel2015-08-08 18:08:38
what is that WW2 ?


Mike2015-08-08 18:12:30
"World War 2"

lio reply Replies: 1 || 2015-06-30 09:50:02
funny that hans's part is the weakest part of the score

  Your name :   

Please enter number: 1298 


Anonymous2015-07-01 04:12:13
Incorrect. And if you don't hear his influence in Track #5, you are really missing something.

... reply Replies: 6 || 2015-05-31 10:49:57
Has anyone listened to this yet?

I just finished the album and honestly, it's a strange one. Have to relisten to make a final opinion.


Ds2015-05-31 14:31:02
Listened to it yesterday, didn't really like it. It sounds like a minor work from Hans. It's not bad but not the kind of soundtrack I like to listen out of context. And overall I think Phipps' tracks are better than Hans'.


...2015-05-31 14:38:35
Maria Altman and Fleeing Vienna are the best cues on the album in my opinion.


Anonymous2015-06-01 04:18:58
OMG Ds!!! How dare you say you don't like a Hans Zimmer soundtrck on this website. Don't you realize the amount of Zimmer worshiping drone-trolls that frequent this site? Prepare to be tortured, persecuted and kicked in the gut (figuratively of course). That's what happened to me when I dared to say I didn't care for Interstellar. Just saying.


Edmund Meinerts2015-06-01 08:56:01
Oh my good God, Anonymous, let that go already.


Ds2015-06-01 18:22:09
Anonymous, actually I felt a bit ashamed of writing that. It's the first time in my life I don't feel anything when listening to a Zimmer score. Usually I'm moved or entertained or blown away, but here I felt nothing. I'll go see a doctor ;-)


...2015-06-01 21:11:30
Hybrid, do you know if zimmer helped write the maria altman track? I saw on some website that he was credited for that track but I must say I doubt it as most sites say he didn't.

A girl from Persia reply Replies: 0 || 2015-06-01 12:13:37
Why is it so simple? But still enjoyable. Maybe because I love his music.

Mark reply Replies: 3 || 2015-05-29 04:41:37
When will this be released in the States?


...2015-05-29 08:20:28
It's out in Europé.


Mark2015-05-29 17:31:11
Oh thats good to hear. Hopefully it will get released in the US soon too. I hope its good.


...2015-05-29 18:04:10
The samples sound promising!

Hal reply Replies: 2 || 2015-05-26 14:09:25
Please, someone leak this!!! Hybrid do you have a track you could add here?


Hybrid Soldier2015-05-26 14:38:33
Nope !

Wait & see !


Hal2015-05-27 18:52:44
Well 2 more days to go. We can wait that long!

Hybrid Soldier reply Replies: 3 || 2015-05-02 16:02:23
Tracklist !


Mark2015-05-02 17:16:00
Thanks, Hybrid. Can't wait to listen. :)


Hybrid Soldier2015-05-15 19:35:29
Lenghts added !


Mike2015-05-17 19:14:20
I assume these credits are not complete just yet, but are instead simply breaking down which one worked on each track?

Anonymous reply Replies: 1 || 2015-05-06 15:36:08
So where did this collaboration come from? Are Zimmer and Phipps friends, did the director think, "Gee, we really want Hans' style for *insert scenes here*," or was Zimmer originally attached to this project and then he wanted Phipps to come on board? Or did Phipps request Zimmer?

It just seems out of the ordinary. :P


Hybrid Soldier2015-05-06 15:44:08
The film was produced in the UK, they needed a London based composer to work with. Phipps had worked for those producers before.

Both composers came in pretty late to score it, after october (score recorded in January), and Hans was in the middle of Chappie (and in LA for the most part).

Leo reply Replies: 4 || 2015-04-22 06:51:40
Is this a real piece from the score?

https: //www.youtube.com/watch?v=sZFQiy9daY4


Hybrid Soldier2015-04-22 08:23:14
Yes it is.


Frank2015-04-22 08:42:54
It's the end credits


Mike2015-04-25 16:25:21
I like it. Hybrid, you said this wasn't a "normal" collaboration or something like that...what did you mean?


Anonymous2015-04-25 19:18:44
which composer is this by? or both? I love it!

Hybrid Soldier reply Replies: 3 || 2015-04-21 13:41:04
So it'll be released in a month ! :)


Dimitris Krommidas2015-04-21 13:50:52
Great!!!


JamesT2015-04-21 18:39:53
Great news!!!


Frank2015-04-21 23:11:34
Yes!!!

 HANS-ZIMMER.com© 2001-2018 OST 
Woman In Gold soundtrack - Hans Zimmer 2015