NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Right. Hopefully the other missing stuff gets released on the 2nd CD though.why does Amity say (traditional)?Just rip it off the DVD....no biggieAll credits added for the OST, even though since it's long montages from lots of cues, it doesn't make THAT much sense... :)Which cues were written by Steve Jablonsky?
me too!No piano. I believe it was mostly strings and had a small bit of the choir.Which instruments were used to play the love theme? Piano?<br>There was also a Jean/Scott love theme that was briefly used in the bedroom scene after they return from space. It was included in the end credits suite as well.CD RELEASE?
Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.
There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerAndrew KawczynskiBob BadamiSteven Kofsky
ComposerAdditional MusicMusic SupervisorMusic Production Services
Woman In Gold
Label: Sony Classical
Length: 40'47 (Score: 36'19)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5609 votes)
  1. O Mary Don't You Weep - Deron Johnson (3:16)
  2. Hotel Jazz (1:10)
    W. A. Mozart, Martin Phipps
  3. Deh, Vieni Alla Finestra - Dawid Kimberg (1:12)
  4. Restless (2:10)
    Hans Zimmer
  5. Maria Altman (3:09)
    Martin Phipps
  6. The Belvedere (2:40)
    Martin Phipps
  7. Vienna (1:15)
    Hans Zimmer, Martin Phipps, Andrew Kawczynski
  8. Randy Schoenberg (1:27)
    Martin Phipps
  9. Open The Door (2:09)
    Hans Zimmer, Martin Phipps
  10. Apotheke (1:26)
    Martin Phipps
  11. Fleeing Vienna (4:15)
    Hans Zimmer, Andrew Kawczynski
  12. Flight 12 To Cologne (3:26)
    Hans Zimmer, Andrew Kawczynski
  13. First Hurdle Down (2:01)
    Martin Phipps
  14. Art Theft (2:43)
    Hans Zimmer, Andrew Kawczynski
  15. Statues (1:08)
    Martin Phipps
  16. Final Testimony (2:13)
    Martin Phipps
  17. The Language Of Our Future (3:18)
    Martin Phipps, Natalie Holt
  18. I Lived Here (1:49)
    Martin Phipps
Create Topic

mpolonest123 reply Replies: 4 || 2018-01-03 22:32:28
While I’m not crazy about the film, I’m surprised no one really talks about this score. Both Zimmer and Phipp’s sections are equally strong, with the Zimmer parts being so much darker in tone.

“Fleeing Vienna” is such an intense cue, especially in context.


Mike2018-08-28 03:21:14
I'm curious about the "Open the Door" cue... Did Hans and Martin Phipps work together on it, or did one of them have a cue partly written and the other guy came in and added to it?

Also, Hybrid, you have the "Maria Altman" track credited to HZ and Martin Phipps on your Youtube channel. It's just Phipps here. Which credit is correct?


Daniel2018-08-28 15:44:26
If interested, here's my cut out film version of 'Fleeing Vienna'
https://www.youtube.com/watch?v=x_paTen_2-Y


Hybrid Soldier2018-08-28 19:47:40
"Maria Altman" is Phipps... I uploaded that long before the score was out. Never changed the title, but it's Phipps.

Hans really just wanted to score all the "flashback" sequences.


...2018-08-28 20:40:35
This release is rather complete right? There’s nothing missing from
Hans from what I can see.

... reply Replies: 3 || 2015-08-08 14:39:21
I have seen the movie and the score works very well. I also figured out how the two composers approached this. The movie primarily plays in 1999, but it has flashbacks to the time of WW2. Phipps primarily composed the music for 1999 and Hans did the music for the WW2 period scenes. Hans stands for the darker cues.


Hybrid Soldier2015-08-08 15:03:16
Absolutely ! I noticed that as well ! :)


garavel2015-08-08 18:08:38
what is that WW2 ?


Mike2015-08-08 18:12:30
"World War 2"

lio reply Replies: 1 || 2015-06-30 09:50:02
funny that hans's part is the weakest part of the score

  Your name :   

Please enter number: 1298 


Anonymous2015-07-01 04:12:13
Incorrect. And if you don't hear his influence in Track #5, you are really missing something.

... reply Replies: 6 || 2015-05-31 10:49:57
Has anyone listened to this yet?

I just finished the album and honestly, it's a strange one. Have to relisten to make a final opinion.


Ds2015-05-31 14:31:02
Listened to it yesterday, didn't really like it. It sounds like a minor work from Hans. It's not bad but not the kind of soundtrack I like to listen out of context. And overall I think Phipps' tracks are better than Hans'.


...2015-05-31 14:38:35
Maria Altman and Fleeing Vienna are the best cues on the album in my opinion.


Anonymous2015-06-01 04:18:58
OMG Ds!!! How dare you say you don't like a Hans Zimmer soundtrck on this website. Don't you realize the amount of Zimmer worshiping drone-trolls that frequent this site? Prepare to be tortured, persecuted and kicked in the gut (figuratively of course). That's what happened to me when I dared to say I didn't care for Interstellar. Just saying.


Edmund Meinerts2015-06-01 08:56:01
Oh my good God, Anonymous, let that go already.


Ds2015-06-01 18:22:09
Anonymous, actually I felt a bit ashamed of writing that. It's the first time in my life I don't feel anything when listening to a Zimmer score. Usually I'm moved or entertained or blown away, but here I felt nothing. I'll go see a doctor ;-)


...2015-06-01 21:11:30
Hybrid, do you know if zimmer helped write the maria altman track? I saw on some website that he was credited for that track but I must say I doubt it as most sites say he didn't.

A girl from Persia reply Replies: 0 || 2015-06-01 12:13:37
Why is it so simple? But still enjoyable. Maybe because I love his music.

Mark reply Replies: 3 || 2015-05-29 04:41:37
When will this be released in the States?


...2015-05-29 08:20:28
It's out in Europé.


Mark2015-05-29 17:31:11
Oh thats good to hear. Hopefully it will get released in the US soon too. I hope its good.


...2015-05-29 18:04:10
The samples sound promising!

Hal reply Replies: 2 || 2015-05-26 14:09:25
Please, someone leak this!!! Hybrid do you have a track you could add here?


Hybrid Soldier2015-05-26 14:38:33
Nope !

Wait & see !


Hal2015-05-27 18:52:44
Well 2 more days to go. We can wait that long!

Hybrid Soldier reply Replies: 3 || 2015-05-02 16:02:23
Tracklist !


Mark2015-05-02 17:16:00
Thanks, Hybrid. Can't wait to listen. :)


Hybrid Soldier2015-05-15 19:35:29
Lenghts added !


Mike2015-05-17 19:14:20
I assume these credits are not complete just yet, but are instead simply breaking down which one worked on each track?

Anonymous reply Replies: 1 || 2015-05-06 15:36:08
So where did this collaboration come from? Are Zimmer and Phipps friends, did the director think, "Gee, we really want Hans' style for *insert scenes here*," or was Zimmer originally attached to this project and then he wanted Phipps to come on board? Or did Phipps request Zimmer?

It just seems out of the ordinary. :P


Hybrid Soldier2015-05-06 15:44:08
The film was produced in the UK, they needed a London based composer to work with. Phipps had worked for those producers before.

Both composers came in pretty late to score it, after october (score recorded in January), and Hans was in the middle of Chappie (and in LA for the most part).

Leo reply Replies: 4 || 2015-04-22 06:51:40
Is this a real piece from the score?

https: //www.youtube.com/watch?v=sZFQiy9daY4


Hybrid Soldier2015-04-22 08:23:14
Yes it is.


Frank2015-04-22 08:42:54
It's the end credits


Mike2015-04-25 16:25:21
I like it. Hybrid, you said this wasn't a "normal" collaboration or something like that...what did you mean?


Anonymous2015-04-25 19:18:44
which composer is this by? or both? I love it!

Hybrid Soldier reply Replies: 3 || 2015-04-21 13:41:04
So it'll be released in a month ! :)


Dimitris Krommidas2015-04-21 13:50:52
Great!!!


JamesT2015-04-21 18:39:53
Great news!!!


Frank2015-04-21 23:11:34
Yes!!!

 HANS-ZIMMER.com© 2001-2018 OST 
Woman In Gold soundtrack - Hans Zimmer 2015