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Red Sparrow is one of the best by JNH, no kidding nowRed Sparrow is pretty shitty except for two cues (okay, admittedly two very long cues :p )<br><br>Black Panther wasn't shitty though, nor was Cloverfield Paradox!Yeah, everything is shitty like Red Sparrow ;)Still an astonishing albumHaving already bought the blu-ray, I'm hoping to see professional quality footage from later in the tour, when the vuiuals had been upgraded considerably
It's 2018, everything is shittyLOL so they wanted a score with no themes...Just random stuff against action music....Makes sense.I know this is another random question, but does anyone know who composed the music for Pirates Of The Caribbean Online? There's an album cover that says:<br><br>Music by Hans Zimmer<br>Additional Tracks by New Ages and Amir Baghiri<br><br>But on IMDB it says the in-game music was done by a completely different team of composers. Anyone have any sources, or any validation on which is correct?You guys are hilarious.and that means, tom did the perfect job. they wanted a shitty score and tom delivered. i am sure they would have fired desplat, williams or whoever, just because they would have failed. the task was to compose a shitty score and tom did that. their problem, if nobody buys the soundtrack album or avoid to see the film, just because of a bad filmscore. for us it is great, because we save money.
The fact that the directors insisted on a shitty score doesn't absolve the score from being shitty.Go to JXL's Youtube channel and watch his latest video. He talks about the process of scoring the film. If you have a problem with the score, direct your criticism and complains at the director/producers/studio because JXL delivered the score they wanted. They wanted to stay away from themes and wanted an a very alternative score. If Tom didn't deliver that, they would've found someone else who would've done the job and you'll still complain that it doesn't sound how you wanted lol. <br><br>I've heard a couple of tracks which I liked a lot. <br><br>Stretcher Carry is avaibale on soundcloud. It' merely recreation but it's awesome almost like film version.How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lol
Olive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!

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Harry Gregson-WilliamsStephen BartonStephanie EconomouTom Howe
ComposerAdditional MusicAdditional MusicAdditional Music
Monkey Kingdom (Documentary)
Label: Walt Disney Records (Digital Download Only)
Length: 58'45 (Score: 50'01) rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2899 votes)
  1. It's Our World - Jacquie Lee (3:14)
  2. So Alive - The Patterson Tribe (3:38)
  3. What A Man - Nikki (1:53)
  4. A Magical Kingdom (2:16)
    Harry Gregson-Williams
  5. Maya (1:21)
    Harry Gregson-Williams
  6. The Sisterhood (1:09)
    Harry Gregson-Williams
  7. Top Of The Tree (1:34)
    Harry Gregson-Williams
  8. Courting Season (0:58)
    Harry Gregson-Williams
  9. Termites (3:04)
    Harry Gregson-Williams, Stephen Barton
  10. Rough 'n' Tumble (3:39)
    Harry Gregson-Williams
  11. House Raid (3:20)
    Harry Gregson-Williams
  12. Maya's Baby Is Born (2:49)
    Harry Gregson-Williams
  13. Kip Explores The Forest (2:37)
    Harry Gregson-Williams
  14. The Lily Pond (5:02)
    Harry Gregson-Williams, Stephen Barton
  15. Nighttime (1:24)
    Harry Gregson-Williams
  16. Battle For Castle Rock (6:37)
    Harry Gregson-Williams
  17. Market Raid (1:36)
    Harry Gregson-Williams, Tom Howe
  18. Journey Home (3:06)
    Harry Gregson-Williams
  19. Retaking The Rock (9:28)
    Harry Gregson-Williams
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luffy reply Replies: 1 || 2015-05-02 19:08:45
wow this is so beautiful, hgw do more dmtrs

Saurabh2015-05-14 21:40:07
HGW created a lovely blend of orchestra, Indian instrumentation and electronics. This gem of score deserves much more attention

JamesT reply Replies: 1 || 2015-04-22 04:43:25

JamesT2015-04-22 04:55:24
Hybrid: who is doing the great vocal work? 2001-2017 OST 
Monkey Kingdom (Documentary) soundtrack - Harry Gregson-Williams 2015