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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Stephen HiltonGary DworetskyNathan StornettaGavin Greenaway
Additional MusicAdditional MusicAdditional ArrangementsConductor
Fast & Furious 6 (Complete Score)
Label: Unofficial Release
Length: 101'04
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3135 votes)
  1. Race To The Hospital (0:43)
  2. Birth Pangs (0:34)
  3. Russian Devastation (1:24)
  4. Enhanced Interrogation (1:04)
  5. Dom Reflects (1:09)
  6. I Need Your Team (1:48)
  7. Hong Kong Call (0:45)
  8. Brian, Mia & Baby Jack (1:23)
  9. You're Stronger Together (1:47)
  10. The Deal (2:43)
  11. Team VS Team (Part 1) (6:17)
  12. Team VS Team (Part 2) (5:15)
  13. You Don't Turn Your Back (1:08)
  14. Find Their Weaknesses (1:35)
  15. Breaking It Down (1:45)
  16. And The Pants Too (1:06)
  17. Shaw Eavesdrops (0:38)
  18. Pawn Shop Punchout (1:09)
  19. Hand-To-Hand (5:55)
  20. A Blank Page (1:37)
  21. The Braga Connection (1:46)
  22. Firm Grip (1:02)
  23. Into Supermax (1:03)
  24. Face Plant (0:38)
  25. Brian Unleashed (Part 1) (3:13)
  26. Brian Unleashed (Part 2) (1:51)
  27. I'm Here For You (3:26)
  28. Weak Spot (4:30)
  29. There's Always Something (3:14)
  30. Orders From Hobbs (1:22)
  31. For Her (0:48)
  32. Tank (Part 1A) (1:42)
  33. Tank (Part 1B) (2:14)
  34. Tank (Part 1C) (1:29)
  35. Tank (Part 2) (2:38)
  36. Tank (Part 3) (3:03)
  37. You Were Never In The Game (6:42)
  38. Antonov (Part 1) (5:27)
  39. Antonov (Part 2) (5:54)
  40. Antonov (Part 3A) (1:00)
  41. Antonov (Part 3B) (2:19)
  42. Antonov (Part 4) (2:47)
  43. Feels Like Home (1:46)
  44. Tokyo Tag (1:52)
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Bayhem reply Replies: 5 || 2018-08-06 11:20:55
Sooooooo, no one really knows who actually did this score....lol.

Nothing against young Lucas Vidal, but how in the world did they even chose him? This is a giant movie with tons of music, so giving it to someone who has zero experience with Hollywood studio movies is crazy. God knows how difficult it was for him to work on that project....



Edmund Meinerts2018-08-06 11:34:42
Vidal had done a decent Bourne/Brian Tyler-style action score for the (shitty) Bruce Willis action movie The Cold Light of Day the previous year, so I'm a bit surprised that he (apparently) wasn't able to handle this assignment. Sure the scope is a bit bigger on Fast & Furious, but it's not like these movies need *that* complex of a score...


Joshua2018-08-06 16:57:32
Vidal was hired for the tax credits. But when he wasn’t up to the task Balfe and team were brought in. But he can’t be credited as a main composer simply because if they did, that would be considered tax fraud lol.


Bayhem2018-08-07 08:31:32
Vidal was hired for the tax credits. But when he wasn’t up to the task Balfe and team were brought in. But he can’t be credited as a main composer simply because if they did, that would be considered tax fraud lol.
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Very interesting. Thanks for sharing.

I don't think I've ever heard of a similar situation. But I imagine that it happens more often than we think. Shame for Vidal that he wasn't hired purely because of his talent.


Edmund Meinerts2018-08-07 09:15:48
I think Ridley Scott's Exodus might have been similar. Spanish composer Alberto Iglesias was originally hired but then they got HGW to come in and do all the biggest action cues...


Supreme2018-08-07 11:54:56
Vidal has left Bayern and went to Barca

Scorefan reply Replies: 6 || 2015-04-27 21:01:07
So who is the official composer on this: Lucas Vidal or Lorne Balfe?


Hybrid Soldier2015-04-27 21:12:58
Lucas Vidal...

But after quite many years, you guys should know that I'm not very interested in "official" but more in "the truth"... ;) lol


Scorefan2015-04-27 23:13:10
So Hybrid, Lorne Balfe is the truth composer and Lucas Vidal is the real additional music? Is That? Or this is the truth and Lucas Vidal is just to pretend like oficial because of the "locations" where the movie was filmed


Adam2015-04-27 23:37:44
I saw somebody say that Brian Tyler and Lucas Vidal are both credited! It was from some composer website. Is this true??


Prott2015-04-28 11:52:17
Adam: Maybe Brian Tyler could be credited because the score features some of his themes...


Prott2015-04-28 11:53:51
Oh... now I see the titles changed to their "official" counterparts. Too bad :/ but at least we got a glimpse of the true story behind this score.


Kardo2015-12-01 17:46:42
Can I download it?

Evenstar reply Replies: 4 || 2015-04-27 05:28:16
Can anyone tell which track was composed by Balfe and which by Vidal?


Hybrid Soldier2015-04-27 08:19:33
Nope...


Felix 2015-04-27 12:26:59
Every Day a new joke by Hybrid...

Lorne did Antonov Pt.4, that I know Evenstar


Hybrid Soldier2015-04-27 12:37:38
What joke ?


Prott2015-04-27 20:17:33
Yay, knew it from the moment I heard RCP samples in the score and then saw Lorne's name in the credits (as technical assistant)! :-D

Ds reply Replies: 0 || 2015-04-27 18:58:47
I thought the composer was Lucas Vidal, Lorne having only written additional music... Can somebody explain?

Macejko reply Replies: 1 || 2015-04-27 09:25:05
Yeah, tax refund, baby!


Anonymous2015-04-27 14:42:51
LOL

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Fast & Furious 6 (Complete Score) soundtrack 2013