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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Stephen HiltonGary DworetskyNathan StornettaGavin Greenaway
Additional MusicAdditional MusicAdditional ArrangementsConductor
Fast & Furious 6 (Complete Score)
Label: Unofficial Release
Length: 101'04
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3320 votes)
  1. Race To The Hospital (0:43)
  2. Birth Pangs (0:34)
  3. Russian Devastation (1:24)
  4. Enhanced Interrogation (1:04)
  5. Dom Reflects (1:09)
  6. I Need Your Team (1:48)
  7. Hong Kong Call (0:45)
  8. Brian, Mia & Baby Jack (1:23)
  9. You're Stronger Together (1:47)
  10. The Deal (2:43)
  11. Team VS Team (Part 1) (6:17)
  12. Team VS Team (Part 2) (5:15)
  13. You Don't Turn Your Back (1:08)
  14. Find Their Weaknesses (1:35)
  15. Breaking It Down (1:45)
  16. And The Pants Too (1:06)
  17. Shaw Eavesdrops (0:38)
  18. Pawn Shop Punchout (1:09)
  19. Hand-To-Hand (5:55)
  20. A Blank Page (1:37)
  21. The Braga Connection (1:46)
  22. Firm Grip (1:02)
  23. Into Supermax (1:03)
  24. Face Plant (0:38)
  25. Brian Unleashed (Part 1) (3:13)
  26. Brian Unleashed (Part 2) (1:51)
  27. I'm Here For You (3:26)
  28. Weak Spot (4:30)
  29. There's Always Something (3:14)
  30. Orders From Hobbs (1:22)
  31. For Her (0:48)
  32. Tank (Part 1A) (1:42)
  33. Tank (Part 1B) (2:14)
  34. Tank (Part 1C) (1:29)
  35. Tank (Part 2) (2:38)
  36. Tank (Part 3) (3:03)
  37. You Were Never In The Game (6:42)
  38. Antonov (Part 1) (5:27)
  39. Antonov (Part 2) (5:54)
  40. Antonov (Part 3A) (1:00)
  41. Antonov (Part 3B) (2:19)
  42. Antonov (Part 4) (2:47)
  43. Feels Like Home (1:46)
  44. Tokyo Tag (1:52)
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Lucas Wilson reply Replies: 1 || 2019-05-20 15:16:28
Why was the score never released?


Scorefan2019-05-21 00:53:26
Politicals and tax refund!!!!!

Bayhem reply Replies: 5 || 2018-08-06 11:20:55
Sooooooo, no one really knows who actually did this score....lol.

Nothing against young Lucas Vidal, but how in the world did they even chose him? This is a giant movie with tons of music, so giving it to someone who has zero experience with Hollywood studio movies is crazy. God knows how difficult it was for him to work on that project....



Edmund Meinerts2018-08-06 11:34:42
Vidal had done a decent Bourne/Brian Tyler-style action score for the (shitty) Bruce Willis action movie The Cold Light of Day the previous year, so I'm a bit surprised that he (apparently) wasn't able to handle this assignment. Sure the scope is a bit bigger on Fast & Furious, but it's not like these movies need *that* complex of a score...


Joshua2018-08-06 16:57:32
Vidal was hired for the tax credits. But when he wasn’t up to the task Balfe and team were brought in. But he can’t be credited as a main composer simply because if they did, that would be considered tax fraud lol.


Bayhem2018-08-07 08:31:32
Vidal was hired for the tax credits. But when he wasn’t up to the task Balfe and team were brought in. But he can’t be credited as a main composer simply because if they did, that would be considered tax fraud lol.
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Very interesting. Thanks for sharing.

I don't think I've ever heard of a similar situation. But I imagine that it happens more often than we think. Shame for Vidal that he wasn't hired purely because of his talent.


Edmund Meinerts2018-08-07 09:15:48
I think Ridley Scott's Exodus might have been similar. Spanish composer Alberto Iglesias was originally hired but then they got HGW to come in and do all the biggest action cues...


Supreme2018-08-07 11:54:56
Vidal has left Bayern and went to Barca

Scorefan reply Replies: 6 || 2015-04-27 21:01:07
So who is the official composer on this: Lucas Vidal or Lorne Balfe?


Hybrid Soldier2015-04-27 21:12:58
Lucas Vidal...

But after quite many years, you guys should know that I'm not very interested in "official" but more in "the truth"... ;) lol


Scorefan2015-04-27 23:13:10
So Hybrid, Lorne Balfe is the truth composer and Lucas Vidal is the real additional music? Is That? Or this is the truth and Lucas Vidal is just to pretend like oficial because of the "locations" where the movie was filmed


Adam2015-04-27 23:37:44
I saw somebody say that Brian Tyler and Lucas Vidal are both credited! It was from some composer website. Is this true??


Prott2015-04-28 11:52:17
Adam: Maybe Brian Tyler could be credited because the score features some of his themes...


Prott2015-04-28 11:53:51
Oh... now I see the titles changed to their "official" counterparts. Too bad :/ but at least we got a glimpse of the true story behind this score.


Kardo2015-12-01 17:46:42
Can I download it?

Evenstar reply Replies: 4 || 2015-04-27 05:28:16
Can anyone tell which track was composed by Balfe and which by Vidal?


Hybrid Soldier2015-04-27 08:19:33
Nope...


Felix 2015-04-27 12:26:59
Every Day a new joke by Hybrid...

Lorne did Antonov Pt.4, that I know Evenstar


Hybrid Soldier2015-04-27 12:37:38
What joke ?


Prott2015-04-27 20:17:33
Yay, knew it from the moment I heard RCP samples in the score and then saw Lorne's name in the credits (as technical assistant)! :-D

Ds reply Replies: 0 || 2015-04-27 18:58:47
I thought the composer was Lucas Vidal, Lorne having only written additional music... Can somebody explain?

Macejko reply Replies: 1 || 2015-04-27 09:25:05
Yeah, tax refund, baby!


Anonymous2015-04-27 14:42:51
LOL

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Fast & Furious 6 (Complete Score) soundtrack 2013