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Totally phoned in...I got nothing from this...Y'know, up until recently, I also thought Lorne was one of the least interesting RCP composer next to Junkie XL. Then I listened to Genius: Picasso (because of that one Balfe troll's recommendation interestingly enough), and now I see enormous potential in him. That is one of the most interesting television scores I've heard so far. The orchestrations and overall complexity is an enormous achievement for Lorne and shows that he can do much more than generic sample composition. <br><br>I'll probably skip this score because I have no interest in Mission Impossible, but I have a lot more interest in Balfe's career now thanks to his work on Genius: Picasso. If he continues on that level of composing, he may actually get some notoriety.Um.....guys, why are we acting like Kraemer doesn't have the skill to do a different sort of score? I'm fairly positive Jack Reacher doesn't sound anything like RN. Really, the reason he wasn't brought in was because, apparently, McQuarrie was pissed that he was overruled in how he wanted the film to sound, so be deliberately chose not to hire him this time. Purely a thing of spite. And a lot of the disappointment lies in those who normally don't pay attention to film music, which shows just how special that particular score was.<br><br>Really, I'm confident that had McQ had his way this time, and with Kraemer on board, he would've made something that did fit the new tone of the film. Composers should be able to challenge themselves to do something that is out of their comfort. Which is likely why a lot of Zimmer scores are the way they are, since he's allowed to differentiate every once and a while.<br><br>As is, with this logic, Cruise should not have hired McQ again if he wanted a different kind of movie for Fallout.Hot take: Cruise saying that Fallout is the best score in the franchise is the equivalent of Danny Elfman saying there is only one Batman theme. Just marketing tricks to get one more excited.<br><br>Me personally, the general M:I sound isn't something I tend to get excited for, though I definitely acknowledge it's objectively well done. With M:I-2 though, while it's technically dated and incredibly cheesy, I admire it for those reasons, and is incredibly fun for me. Not to mention that the Spanish guitar is a lovely touch, and Injection is proof that there is more to Zimmer than some might think.<br><br>Balfe as a composer, to me, seems like tbe sort of guy who's told to get synth that fit the film well enough, and call it a day. Sure, there's one or two scores that go above and beyond to actually be something of note, but otherwise he's among the least interesting of the RCP bunch. Feel free to feel however you want, but that's my two cents.<br><br>It's frustrating that you have to deal with some of the touchier fans Edmund, but I'll admit that I do get a laugh everytime it happens. I love music, but I don't feel the need to get overly defensive about. I would just enjoy it and leave it like that.Meh on this one...Listening to it doesn't really do much for me. Maybe because I dont care for Cruise, or MIssion Impossible, or maybe because I already heard better from Inception and Fury Road....
Even on last year's Dunkirk Hans wrote 90% of it. Unless you are born in the last few months there is plenty of music which Hans wrote and many can remember.Interstellar is barely 3 years old.SamualPF - there people go again misconstruing my comments about some of the posters here as negative comments against Balfe or his music. I didn't say anything about the score. But sure, keep pushing that agenda.<br><br>George, you make fair, well-articulated points and for what it's worth, I never included you among those who have, shall we say, aroused my suspicions. I'm looking forward to checking out the score for myself and rest assured I'll give it a fair shake when I do. I've liked plenty of Balfe scores in the past, I swear I'm not a hater! :pNone of Kraemerís music is reused! Thematic consistency says what?I actually always listen to a new score with an open mind. If I start expecting something and the score doesn't sound like it or doesn't have a certain thing in it I will always be dissappointed. If I don't expect anything and it turns out a score is a dissappointment, it's not such a big deal.<br><br>For example:<br>A lot of people wanted/expected a lot of individual hero themes in Infinity War. I didn't think it was necessary and I'm absolutely in love with the score.<br><br>And in the cause of reprising themes from 30+ different character in a score of 2 hours would have been chaos. If you're talking about LOTR and themes, that's different story. Those scores were almost all 3 or 4 hours.<br><br>But all and all. I don't think this is a better score than RN, but I don't think it's a bad score. It fits the movie, and I think that's what a score is all about
Edmund ........<br><br>Yet again another negative comment about Balfe based on no fact . Sums you up really . The fact Tom Cruise who has produced the franchise has said he thinks is the best means something .we all get it that you donít like his music but simply contain yourself for always wanting to make pointless comments about him .<br><br>The reviews have been amazing for he filmmand Balfes scores . This may irritate you but at least watch the film and listen to the score then give a proper opinion.give it a goNo offense, Edmund, but if you havenít listened to it then donít make a judgement call on those of us that like it. Fallout in my opinion is the only really good RCP blockbuster score this year, and Iím going to voice my opinion on that. Pacific Rim, Tomb Raider, wrinkle in time, and Skyscraper have all been disappointments for me so when this surprisingly came out two weeks early, and I surprisingly liked it, then of course Iím going to ďflock overĒ and tell you all about how I feel. <br><br>Reviewers liking it is fun for those of us that like it. Tom cruise, who actually IS known to like film scores and has been to concerts for film scores (like Brian Tyler, even though Iím not crazy about him), liking it is also exciting for those of us that like this score and also for us who were excited to hear an updated RCP take on Mission Impossible. I root for all the RCP composers to succeed and create something memorable, and when others seem to like that too then Iím going to comment on it.<br><br>Whether it was Lorne Balfe, Henry Jackman, Ramin Djawadi, or Hans himself who scored this I would have been one of the first to tell you all if I liked it. And if I hated it I would also have voiced my disappointment... but simply put I was not disappointed and Iím glad that others are liking it, including reviewers and Tom Cruise.Once again, and not for the first time on this site, I can't help get the feeling that a Lorne Balfe score page is getting brigaded. Seems like every time he puts a new score out, a bunch of people flock to the page with glowingly positive comments (and brooking not even the slightest criticism), frequently from irregular users with very generic names who don't ever post in threads by other composers. And then using weak, tired arguments like "the reviewers love it" (I trust film reviewers on scores about as far as I can throw them) or "Tom Cruise said it's the best" (and since when is Cruise an authority on film scoring?) or "this is a new/modern/DARK M:I movie" (no excuse for a bad score). It feels, quite frankly, like shilling.<br><br>Disclaimer: haven't actually heard the score, I'm making no judgment on the music itself here. This is merely an observation of the posting patterns here.Iím right there with you. I definitely think Balfe is very talented, although heís far from one of the best composers out there. Especially compared to Zimmer.<br><br>That being said, Iím not crazy about MI:2. The highlights are solid (Injection and Bare Island especially) but I find most of the score either schizophrenic or just not as developed as the scores that influence it. Sorta like how everybody loves ďThe RingĒ but I canít personally canít help but hear it as a lesser version of Hannibal.Right, which is why Iím ok with this. Look, I love the score for Rogue Nation as much as everyone else, but I still kept an open mind and was surprised that I enjoyed Fallout as much as I did, regardless of the influences.
Thank you, Alex.  I appreciate it...Ohhh, nothing......Just here to remind folks what is the best M:I score. *cough*Balfe is not Zimmer*cough*<br><br>Seriously now.......Balfe seems to be turning into a film score version of Christopher Nolan. There are people who think he's the best thing since sliced bread, the next Jesus, and there are people who hate his guts. Personally, I don't mind him and I'm glad he gets to work on these big movies. But on the other hand, his score for the new MI movie is not even close to the greatness of Zimmer's MI2 score. At least in my opinion.I think most people listen to this score with a Rogue Nation kind of movie in their heads. But it's a very different kind of movie en the score works perfectly in the movie i.m.o.The purists than keep moaning missing Joe Kramer have not got a clue.they are living in the past and not thinking about the film.Fallout sound big and Epic and watching the HALO jump scene the music works perfectly .The reviewers have raved about the score and the film makers think at the best score from the franchise .One thing I can definitely say about this is, while the instrumentation sounds synthetic most of the time (something in most Balfe scores) there is more energy in the 95 minutes on album than most action scores nowadays, probably the most since Fury Road.<br><br>And of course the ďtraditionalistsĒ are really hating it, which means it must work wonders in context.
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Trevor Morris
Composer
Vikings (TV Series - Season 3)
Label: Sony Classical
Length: 81'31
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3551 votes)
  1. The Seer Gives Lagertha A Prophecy (1:50)
  2. The Vikings Sail For Wessex (1:37)
  3. Kwenthrith's Story (2:08)
  4. Vikings Battle Brihtwulf's Army (6:02)
  5. Torstein Loses An Arm (1:29)
  6. A Cloaked Figure Arrives In Kattegat (3:32)
  7. Battle For The Hill Of The Ash (4:20)
  8. Judith (2:02)
  9. Sacrifice For The Crops (1:48)
  10. Siggy Sacrifices Herself To Save Ragnar's Sons (4:37)
  11. Rollo Learns Of Siggy's Sacrifice (1:57)
  12. Bjorn Fights To Save Rollo (1:26)
  13. Helga Tells Floki Of Harbard (2:12)
  14. The Seer Laughs At Rollo's Misery (1:50)
  15. Aethelwulf Attacks (3:13)
  16. Ragnar Kills The Messenger (1:25)
  17. Athelstan Is Reborn (1:56)
  18. Floki Appears To Kill Athelstan (3:11)
  19. Ragnar Honors Athelstan's Death (0:58)
  20. Ecbert Sends Athelwulf On A Journey (1:36)
  21. Aethelwulf Meets With Kwenthrith (2:23)
  22. Floki's Siege Towers Revealed (1:29)
  23. Vikings Reach Paris (2:40)
  24. The Attack Begins (3:38)
  25. The Walls Are Breached - The French Lose Hope (1:36)
  26. Ragnar Knows Floki Killed Athelstan (1:06)
  27. Vikings Attempt To Rip Open Gates (2:58)
  28. Floki Melt Down (1:34)
  29. Floki Curses The Gods (1:25)
  30. Kalf And Lagertha Make A Pact (2:46)
  31. Lagertha's Stealth Assault On The Bridge (1:43)
  32. The French Counter-Attack (1:34)
  33. Ragnar Hallucinates, Sees Gods (1:01)
  34. The Vikings Are Told Of Ragnar's Death (2:06)
  35. Vikings Attack Paris (2:38)
  36. Ragnar Sets Sail For Home (1:45)
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Anonymous reply Replies: 2 || 2017-02-07 20:25:19
Does anybody know if there is going to be a Season 4 release and when?

I love the music from this series.


David2017-02-08 00:56:34
Same here. I loved the first 3 soundtracks of Trevor Morris and it would be really nice to have a release of the latest season.


scarecrow92017-02-08 11:25:13
Yes the music in season 4 was awesome, I am hoping for some soundtrack news or release date

Felix reply Replies: 3 || 2015-10-02 21:40:08
Hey Hybrid can you add something by Trevor Morris?

Killing Jesus Promo

01 - The Family Theme (02:50)
02 - Might of the Roman Empire (02:52)
03 - Intro & Ghost (01:54)
04 - Magi Arrive (01:00)
05 - Jesus Chooses (01:22)
06 - Massacre (03:43)
07 - Pilate Arrival (01:08)
08 - Dead Zealots (01:04)
09 - Baptism (01:29)
10 - Fishing Miracle (02:11)
11 - Demon Child (02:46)
12 - The Boy is Alive (01:27)
13 - John the Baptist is Arrested (02:15)
14 - Jesus At the Market (02:13)
15 - Jesus Descibes His Path (01:00)
16 - We Shall Use His Weakness (01:22)
17 - Jesus & Mary With the Lepers (01:18)
18 - The Cup Cometh (01:41)
19 - You Are Peter (01:22)
20 - Matthew & Judas Talk to Asher (02:23)
21 - Your Anger is Gone/Donkey for Messiah (02:39)
22 - Put Him Before Me (01:33)
23 - Joanna Goes to Jesus (00:35)
24 - Cleansing of the Temple (02:51)
25 - Judas Betrays Jesus (01:59)
26 - Mary to Be Taken to Nazareth (01:12)
27 - One Will Betray Me (01:33)
28 - Jesus is Arrested (02:41)
29 - Judas Buys A Rope (01:33)
30 - A Miracle Could Save You (02:52)
31 - Jesus is Whipped (03:56)
32 - The Crucifixion (05:07)
33 - The Empty Tomb (01:38)
34 - Simon Fishes Again (01:49)
35 - Epilogue (02:18)
36 - End Credits (01:54)

Total Duration: 01:13:33


Fire With Fire (Recording Sessions)

01 - 1M2 Weest/Wilbert Milo II (00:41)
02 - 1M6-7 We Can't Do Buisness (03:07)
03 - 1M8A Coleman Escapes (00:49)
04 - 1M8B Coleman Shot (00:25)
05 - 1M9 Hagan Gets Info (00:58)
06 - 1M10 The Line Up (01:06)
07 - 1M11 I'll Do It (00:43)
08 - 1M12 Main Titles (02:08)
09 - 2M1 In Town (02:44)
10 - 2M3 Target Practice (02:54)
11 - 2M4 Stay With Me (02:17)
12 - 2M5 I Can't Help You (01:50)
13 - 2M6 I Need to See Her (01:54)
14 - 3M1 Tell Him I'm Sorry (02:31)
15 - 3M2-3 Let's Just Talk (05:47)
16 - 3M4 Lock Him Up (00:15)
17 - 3M7 Can You Kill Hagan (01:12)
18 - 4M1 Come Back In (02:19)
19 - 4M2 Jeremy Fucking Coleman (05:02)
20 - 4M3 Coleman Get's the Address (01:01)
21 - 4M5 Shower Flashback (02:04)
22 - 4M6 Nobody is Safe (01:23)
23 - 4M7 The Right Information (02:02)
24 - 5M1A Coleman Breaks Into Obispo Pt.1 (01:18)
25 - 5M1B Coleman Breaks Into Obispo Pt.2 (00:37)
26 - 5M3 Coleman Breaks Into Obispo Pt.3 (02:52)
27 - 5M4 Finger Chop (01:15)
28 - 5M5 Coleman Get's to Gethers (01:35)
29 - 5M6 I Can Finish This (00:52)
30 - 5M7 Celle Meets Hagan (03:56)
31 - 6M1 He'd Do Anything (04:00)
32 - 6M2 You Left A Fingerprint (02:20)
33 - 6M3 I Wanna Hear This (01:18)
34 - 6M4A Ignition (01:48)
35 - 6M4B I'm in Here (00:31)
36 - 6M5A Rescuing Talia (01:24)
37 - 6M5B Hagan & Coleman Fight A (00:40)
38 - 6M5C Hagan & Coleman Fight B (01:06)
39 - 6M5D Hagan & Coleman Fight C (00:33)
40 - 6M5E Hagan & Coleman Fight D (01:19)
41 - 6M6 Do You Trust Me? (01:01)
42 - 6M7 Nothing Useful (01:24)
43 - 6M8 End Credits A (02:07)
44 - 6M9 End Credits B (01:34)
45 - 4M2 Jeremy Fucking Coleman (Alt.#1) (01:00)
46 - 4M2 Jeremy Fucking Coleman (Alt.#2) (04:06)

Total Duration: 01:24:11


Hybrid Soldier2015-10-02 22:03:02
Nah...

I have zero motivation to work on T. Morris right now...


Felix2015-10-02 22:32:52
Why?

He is good :)


TMFan2016-03-09 21:36:16
What's with adding some Trevor Morris...???

London Has Fallen is out since 2 days....

Dimitris Krommidas reply Replies: 0 || 2015-07-01 12:45:23
Great score.

MORRISFrEaK reply Replies: 2 || 2015-05-29 17:21:13
Hey Hybrid, we got 382 cues from Trevor Morris The Firm, do you know the right order?.. and if you know it, can you add it?
Ours is in alphabetical order...


Hybrid Soldier2015-05-29 18:03:51
Absolutely never gonna happen. Nope, nope nope ! lol

I will never check this !


Edmund Meinerts2015-05-30 11:52:37
There's not enough time in the day, is there, Hybrid... :p

Felix reply Replies: 0 || 2015-05-29 17:18:02
Hey, I miss some cues from Trevor's last scores...

Can you update?

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Vikings (TV Series - Season 3) soundtrack - Trevor Morris 2015