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Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, canít argue there lol<br><br>And is it me or does ďCalypso Must Be ReleasedĒ sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>Thatís totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>Itís funny though, I feel like DMC is far more schizophrenic than AWE. Now donít get me wrong, I absolutely love DMC. Itís the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the ďrockínírollĒ sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.Thanks guys, will check out these cues.Hmm, aside from "The Guardian Suite' I don't think I've heard any other tracks from this score. And I have a feeling I'm not the only one....lol.<br><br>Speaking of.........I would most definitely put "The Guardian Suite' right up there next to "Now We Are Free" and "My Name is Lincoln". It's *that* good and powerful. Shame that the movie is not as popular as The Island and Gladiator. If it was, that suite would've been one of the most popular film score tracks with millions of views on YouTube. It certainly deserves it.Very underrated score. As already pointed out by a couple of reviewers, it's a nice, little throwback to MV/RC's Golden Years and Trevor's own scores from 1997 to 2002. Give it a listen if you can. It's not long and it's worth it.
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Henry JackmanHalli CautheryMatthew K. JustmannNick Glennie-Smith
ComposerAdditional MusicMusic Production ServicesConductor
Pixels
Label: Varese Sarabande
Length: 38'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4031 votes)
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  1. Invasion (1:31)
    Henry Jackman
  2. The Arcaders (0:55)
    Henry Jackman
  3. To The White House (1:28)
    Henry Jackman, Halli Cauthery
  4. Conspiracy Theory (1:34)
    Henry Jackman, Halli Cauthery
  5. Level 2 (0:40)
    Henry Jackman
  6. Hand-Eye Coordination (1:27)
    Henry Jackman
  7. Centipede (3:01)
    Henry Jackman
  8. Pest Control (0:37)
    Henry Jackman
  9. Call In The Cavalry (2:03)
    Henry Jackman
  10. Unconditional Love (1:21)
    Henry Jackman, Halli Cauthery
  11. Power Up (1:33)
    Henry Jackman
  12. Gobble Or Be Gobbled (2:59)
    Henry Jackman, Halli Cauthery
  13. Trophy For The Victors (1:04)
    Henry Jackman, Halli Cauthery
  14. Sweet Spot (2:24)
    Henry Jackman, Halli Cauthery
  15. Q*bert (1:03)
    Henry Jackman, Halli Cauthery
  16. Shoot 'Em Up (1:53)
    Henry Jackman, Halli Cauthery
  17. A Dream Come True (1:42)
    Henry Jackman, Halli Cauthery
  18. Mothership (1:51)
    Henry Jackman, Halli Cauthery
  19. Roll Out The Barrels (5:28)
    Henry Jackman, Halli Cauthery
  20. High Score (2:03)
    Henry Jackman
  21. Arcaders '82 (Bonus Track) (1:33)
    Henry Jackman
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Hybrid Soldier reply Replies: 0 || 2015-08-20 12:24:53
Little who did what here !

Hybrid Soldier reply Replies: 0 || 2015-07-22 23:03:10
Extract & stuff added as well !

Leo reply Replies: 3 || 2015-07-22 00:49:18
More Samples!
http: //www. hollywoodreporter. com/heat-vision/pixels-hear-tracks-soundtrack-early-810112


meta2015-07-22 05:52:37
Wow...really what I wasn't expecting...I'll pass.


Russel2015-07-22 08:11:58
I love them, thanks!


KT Koskela2015-07-22 11:52:17
While I wish Jackman and Columbus'd gone the Gremlins route and made this an 80s-style orchestra/synth hybrid funfest, I'm happy with what I'm hearing.

KT Koskela reply Replies: 9 || 2015-07-16 02:22:12
(sighs) When do you think we'll be getting some samples of this score?


Russel2015-07-17 04:57:49
We got some today, courtesy of Varese Sarabane's YouTube channel!


KT Koskela2015-07-17 15:29:31
Y'sure? Could you try to put up someway to the link?


KT Koskela2015-07-17 15:58:03
Never mind, I found the link. Thanks!


Russel2015-07-17 17:42:51
Links not allowed on here, I think. Glad you found it!


Hybrid Soldier2015-07-17 18:45:58
Illegal links are...


For the rest it's fine if it's relevant... :)


meta2015-07-17 22:48:45
wasnt what i was hoping to hear...sounds more swashbuckly than video gamey....


Anonymous2015-07-17 23:04:02
Excuse me but where is the link?


Boldizar 2015-07-18 06:38:20
My thoughts exactly. For a movie about video games this score sample sure sounds like a generic 90s adventure film.


meta2015-07-19 04:58:01
and the track lengths are even shorter...oy vey

KT Koskela reply Replies: 0 || 2015-07-18 02:12:30
It's a private link for now, but on type in YouTube's address and add watch?v=CmS3YAzyWj4 after the slash.

Edmund Meinerts reply Replies: 3 || 2015-06-28 21:40:47
Every time I see a trailer for this movie I get annoyed, because the premise is so stupidly awesome and parts of it look really cool...but I just can't STAND Adam Sandler or pretty much anything he's associated with. Peter Dinklage must owe someone money or somethign.

Henry Jackman's a good choice for this, though, looking forward to hearing more Wreck-it Ralph 8-bit-orchestral-action fusion stuff.


Hybrid Soldier2015-06-28 21:44:16
Totally agree Ed, 100%...

I will see this film... But I just CAN'T with Adam Sandler... I just hope he's buried under the rest in this film... lol


Kusi2015-06-28 22:18:28
I agree with you about Sandler :-S but I'll have to watch this film too. One argument: The score and the other is the topic. I've grown up with this games and I'm still loving Nintendo games :)


Brent2015-06-29 07:10:45
I feel like Jackman's career has led up to this. Wreck-It Ralph + Captain America + This is the End = Pixels. Lol.

KT Koskela reply Replies: 3 || 2015-06-28 00:57:48
Yay, details!

Now to wait a long while for a preview track to listen to before the score comes out.


Anonymous2015-06-28 06:09:09
This film had some decent poster artworks. Why the heck did it come down to this artwork for the album?


Hybrid Soldier2015-06-28 10:01:05
Because a cover with people on it means a lot of paperwork... I guess they wanted to avoid that... lol


KT Koskela2015-06-28 17:12:17
And besides, it's the music contained inside the soundtrack that matters, not the cover for the soundtrack.

KT Koskela reply Replies: 0 || 2015-06-17 13:47:08
Awesome. I've been waiting to see if this would be getting a score album.

And from what I've heard of the score, it certainly sounds like a good one to listen to.

Hybrid Soldier reply Replies: 0 || 2015-05-31 00:02:39
New Henry coming soon !

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Pixels soundtrack - Henry Jackman 2015