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Woah, this sounds outdated already, like a bad 90s video game. For the record, it was composed 4 years ago. This fetishization of technology over compositional technique is absolutely ridiculous. <br><br>Now, Tom has seen the errors of his ways and hired some actual orchestrators (not the RCP clown bunch) and Mortal Engines and Battle Angel Alita are actually excellent scores. They show that he masters compositional technique to the hilt. This early stuff - I suspect it will be buried soon. <br>Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)
I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cuesArtemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be released
Cool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...
In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?ANd now apparently another guy is scoring it as well lmaoTechnically he's a little under 50% used so there's no obligation. But he wrote a whole score for it.
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Heitor PereiraJohn Jennings BoydNick Glennie-SmithSlamm Andrews
ComposerAdditional MusicConductorMusic Editor
Minions
Label: Back Lot Music
Length: 67'11 (Score: 47'01)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3235 votes)
  1. Universal Fanfare - The Minions (0:32)
  2. Happy Together - The Turtles (2:54)
  3. I'm A Man - The Spencer Davis Group (3:05)
  4. You Really Got Me - The Kinks (2:14)
  5. My Generation - The Who (3:16)
  6. Melly Yellow - Donovan (3:41)
  7. Revolution - The Minions (2:22)
  8. Minions Through Time (4:34)
  9. Kevin, Stuart And Rob (2:57)
  10. Minions Run Amok (1:29)
  11. Tortellini (0:21)
  12. The VNC (1:11)
  13. Minions In The U.S.A. (2:13)
  14. Orlando (0:46)
  15. Scarlet Overkill (1:07)
  16. Ruby Fight (2:58)
  17. Make 'Em Laugh - The Minions (0:44)
  18. Scarlet's Fortress (3:31)
  19. Traveling Tribe (0:49)
  20. Tower Of London (1:39)
  21. Hair - The Minions (0:54)
  22. Fighting The Crown Keeper (1:43)
  23. King Bob (0:57)
  24. Theme From The Monkees - The Minions (0:29)
  25. Dungeon Mayhem (0:35)
  26. Goodbye Fabrice (2:28)
  27. Minion Mission (4:56)
  28. Sneaking In (2:34)
  29. King Kong Kevin (3:30)
  30. Our Hero Is Back (1:14)
  31. Minions Victory (2:49)
  32. Greatest Renegade Unveilin (GRU) (2:39)
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Michael Fields reply Replies: 0 || 2018-08-09 13:00:14
MOVIE CREDITS:

Score By
HEITOR PEREIRA

Music Editor
SLAMM ANDREWS

Conducted By
NICK GLENNIE - SMITH

Score Recorded And Mixed By
SHAWN MURPHY

Digital Score Recordist
ERIK SWANSON

Scoring Editor
DAVID CHANNING

Additional Arrangements And Programming By
ALFRED TAPSCOTT
JOHN JENNINGS BOYD

Additional Recordings By
MOOGIE CANAZIO

Score Mix Assistant
SETH WALDMANN

Supervising Orchestrator
TIM DAVIES

Orchestrated By
JEREMY LEVY
RYAN HUMPHREY
SUSIE BENCHASIL - SEITER
PETER BOYER
RICK GIOVINAZZO

Music Preparation
BOOKER WHITE

Orhcestra Contractor
PETER ROTTER

Vocal Contractor
JASPER RANDALL

Featured Musicians
ALEX ACUNA
TED ATKATZ
KATISSE BUCKINGHAM
WADE CULBREATH
MICHAEL FELL
GRANT GEISSMAN
M. B. GORDY
BRIAN KILGORE
JOHN LEFTWICH
DAVE MELTON
HEITOR PEREIRA
JOE PEREIRA
TOM WALSH
DOUG WEBB
DON WILLIAMS

Score Coordinator
LEAH DENNIS

Score Technical Engineer
ALEXANDER VERBITSKIY

Scoring Crew
TOM STEEL
TIM LAUBER
DENIS ST. AMAND

Orchestra And Choir Recorded At
THE NEWMAN SCORING STAGE, TWENTIETH CANTURY FOX;
EASTWEST STUDIOS

Score Mixed At
REMOTE CONTROL PRODUCTIONS

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Iamtommie reply Replies: 0 || 2017-10-20 21:18:28
Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?

Felix reply Replies: 0 || 2015-06-30 22:15:13
BaBaBaa...BaBaBana..BaBaBaa..BaBaBana...

Can't wait for another Minion Score :D

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Minions soundtrack - Heitor Pereira 2015