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This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you havenít watched the movie.They would not fit in this movie.<br><br>Balfeís score is really cool and not expected.Already listened to it 4 times!I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.
What a fantastic soundtrack.<br>Itís totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfeís electronic weirdness is very unique.<br>Itís nothing like Balfeís Dark Materials BUT why Iím earth should it be !<br>10/10Gavin should be listed as conductorBecause Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?
I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lolAnother awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.
What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score Iíve ever heard. <br><br>Itís functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good ďpower anthemĒ score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.
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Trevor RabinPaul LinfordJennifer Hammond
ComposerScore ProducerConductor
Max
Label: Sony Masterworks
Length: 37'41
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3191 votes)
  1. Max's First Cache (3:33)
  2. Max Rushes Coffin (1:39)
  3. Carmen Teaches Justin (1:24)
  4. Bike Toss (0:41)
  5. Bike Ride (2:45)
  6. Fireworks Display (1:54)
  7. Tracking Emilio (2:30)
  8. Keep Him In Line (1:51)
  9. Realist Or Hero (2:09)
  10. Max's Training DVD (1:56)
  11. Max Escapes (1:40)
  12. Let's Do This (2:16)
  13. Mom's Law (1:26)
  14. You're Not A Marine (0:46)
  15. Round Two (3:28)
  16. Epilogue (3:57)
  17. Max's Suite (3:46)
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marty reply Replies: 2 || 2015-07-15 20:13:54
welcome back, my Trev!! :)


Hybrid Soldier2015-07-15 22:49:49
I added a lot of audio, for people to discover or rediscover this great theme writer... :)

Almost finished !


rockhound2015-07-16 16:34:41
You can hear the "great theme writer" in every suite and piece of music you uploaded. His themes are maybe simple, also his orchestrations and he also uses sometimes very cheap sounding synths, but his themes and his style is very melodic and catchy. When u hear a trevor rabin score, you hear immediately its by him. I also love his use of the guitar, especially in emotional moments.

In MAX, these parts are for example Bike Toss, the end of Realist Or Hero or the beginning of Max's Suite. When i heard this score for the first time, i was a bit disappointed, because the music wasn't that catchy right from the start. But actually it is. It has a typical, but very nice rabin theme and all the other elements, a rabin fan is looking for. Its a bit like the score for The One. You have to listen a bit more carefully and more often to recognize, that it is a score, you expect and love to hear from trevor.

Hybrid Soldier reply Replies: 3 || 2015-07-13 13:42:10
So yeah, I decided to rehabilitate Trevor Rabin to H-Z.com, after what... a 10 years hiatus ? lol

But he definitely should be here... Worked enough with RCP in the past... I'm working on this... :)


Frank2015-07-13 16:17:57
What happened between him and Hans?


Hybrid Soldier2015-07-13 16:29:14
Absolutely nothing, it was more between him (or more like, his management back then) and H-Z.com... lol


RealFfingMusic2015-07-16 15:08:48
What happened? What happened? What happened?

Scorefan reply Replies: 0 || 2015-07-15 00:32:46
Great return for Rabin. I like his 90's style.

Leo reply Replies: 1 || 2015-07-13 16:41:37
Put a sample of the score if you can :)


Hybrid Soldier2015-07-13 16:45:25
I will !

Will add a lot of audio for him... Patience lol...

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Max soundtrack - Trevor Rabin 2015