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I hope the site hasn’t gotten in any trouble for posting the lists :-(I haven't in a long time, you'll notice...@Hybrid I don't get it. You usually post lists anyway when stuff like this happens. Why is it such a big deal when someone else does it?"it must have been deleted."<br><br>Yes. Stop this please.true...
Guess a sessions leak of a score that was already 90 minutes long on the original album isn't worth getting super excited for...Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelli’s stamp on the score...Hybrid, did Zimmer composed any of the music in the second trailer? <br><br>Interesting that nobody's mentioned the sessions leak. Pretty sure I posted a cue list but it must have been deleted.@mephariel<br>None of the styles work for me really. Most of the score comes across as a pastiche of ideas from other Zimmer scores where they were better developed (Gladiator, The Rock, Crimson Tide, etc.) and Even the action is kind of hit or miss. I just don’t find it to be an interesting score honestly.
@kiki: delete inferno for me aswell......and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me. <br><br>Hey, while I'm here, any word on Hans doing the third movie?i would delete Dunkirk immediately from that library. That's the WORST score ever written from any composer out there. This isn't even a score or film music. Just pure sound effects.No, "Psychological Recovery" is scored to picture, a bunch of cues put together from the climax of the film. IIRC the first three minutes or so are a solo Balfe cue actually.Nope, not a suite, a mix of about 4/5 cues.
M:I2 is definitely a polarizing score. But I have to say, this is the first time I heard the criticism stylistically bland refer to this score. Because for most people who dislike the score, they think the score is too stylish.love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanksEven then, I feel like its still irrelevant to post the titles for it does us no good and it will be posted here eventually. But whatever I guessJust realized I’ve been calling the movie “Windows” instead of “Widows”. <br>Ugh it’s been a long day -_-Just took a look at the trailer and am really impressed with how the film looks, not what I was expecting at all. I honestly don’t know what approach Zimmer will take either, although if I had to guess probably more sound design-ish.<br><br>And outside of “Injection” and “Bare Island” I find MI2 to be bland and all over the place stylistically. Just my opinion though, I know a lot of people love that score ;-)
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Trevor RabinPaul LinfordDon HarperJennifer Hammond
ComposerAdditional MusicConductorOrchestrator
I Am Number Four
Label: Varese Sarabande
Length: 44'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2071 votes)
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  1. Welcome To The Jungle (1:56)
  2. #3 Ashed (0:50)
  3. Who We Are (3:02)
  4. Water Vision (0:59)
  5. Getting To Know Sarah (3:28)
  6. OK Well Stay (3:05)
  7. Finding Henry (2:31)
  8. VI To The Rescue (3:42)
  9. IV And Sarah Escape (1:50)
  10. Pack Your Things (1:37)
  11. Mog Shop And Feed (0:59)
  12. Henry Dies (1:25)
  13. Hit Me With Your Lumen (2:49)
  14. Forest Fight (2:28)
  15. Going To A Party (1:29)
  16. Darkroom Lumenary (1:06)
  17. Rising From The Ashes (1:10)
  18. Warehouse Search (3:14)
  19. Commander Mog Explodes (2:29)
  20. Quarterback Intuition (1:07)
  21. We Know Where To Go (3:06)
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Bayhem reply Replies: 2 || 2018-05-17 19:43:09
Very underrated score. As already pointed out by a couple of reviewers, it's a nice, little throwback to MV/RC's Golden Years and Trevor's own scores from 1997 to 2002. Give it a listen if you can. It's not long and it's worth it.


rockhound2018-05-17 22:05:06
i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.


Bayhem2018-05-18 05:36:12
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.
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I agree.

And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.

People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.

It was pretty much the same with I Am Number Four...

It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.

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I Am Number Four soundtrack - Trevor Rabin 2011